（ ） 唱腔带点土腔土调,看戏的人（ ）听的很过瘾.

C

（A．扣人心弦：形容诗文、表演等有感染力，使人心情激动。B．纷至沓来：纷纷
到来；连续不断地到来。C．宵衣旰食：天不亮就穿衣起来，天黑了才吃饭。形容勤
于政务。显然用错了对象。 D．振聋发聩：比喻用语言文字唤醒糊涂的人。）

余音绕梁,曲高和寡,养春白雪,琴棋书画,琴瑟之和,琴瑟不调,弦外之音,改弦更张,更弦易辙,扣人心弦,莺歌燕舞,轻歌曼舞,高歌猛进,四面楚歌,引吭高歌,巧舌如簧,引商刻羽.
【弦】 弦外之音 改弦更张 更弦易辙 扣人心弦【歌、舞】 歌舞升平 长歌当哭 莺歌燕舞 轻歌曼舞 高歌猛进 四面楚歌 引吭高歌 【唱】 一唱百和 一唱三叹 夫唱妇随【板、眼】 一板三眼 有板有眼【金】 金声玉振 金鼓齐鸣 鸣金收兵【钟】 钟鼎人家 钟鸣鼎食 黄钟大吕 黄钟毁弃,瓦釜雷鸣 黄钟瓦缶【鼓】 一鼓作气 旗鼓相当 大张旗鼓 偃旗息鼓 重振旗鼓 紧锣密鼓 晨钟暮鼓【铃】 掩耳盗铃 【琴、瑟】 琴心剑胆 琴棋书画 琴瑟之和 琴瑟不调 一琴一鹤 人琴俱亡 焚琴煮鹤 对牛弹琴
胶柱鼓瑟 【综合】 下里巴人 巧舌如簧 引商刻羽 余音绕梁 阳春白雪 郑卫之音 高山流水 滥竽充数
靡靡之音
【铃】 掩耳盗铃
【琴、瑟】 琴心剑胆 琴棋书画 琴瑟之和 琴瑟不调 一琴一鹤 人琴俱亡 焚琴煮鹤 对牛弹琴
胶柱鼓瑟
【综合】 下里巴人 巧舌如簧 引商刻羽 余音绕梁 阳春白雪 郑卫之音 高山流水 滥竽充数
靡靡之音
曲高和寡 异曲同工 【弦】 弦外之音 改弦更张 更弦易辙 扣人心弦 【歌、舞】 歌舞升平 长歌当哭 莺歌燕舞 轻歌曼舞 高歌猛进 四面楚歌 引吭高歌 【唱】 一唱百和 一唱三叹 夫唱妇随 【板、眼】 一板三眼 有板有眼 【金】 金声玉振 金鼓齐鸣 鸣金收兵 【钟】 钟鼎人家 钟鸣鼎食 黄钟大吕 黄钟毁弃,瓦釜雷鸣 黄钟瓦缶 【鼓】 一鼓作气 旗鼓相当 大张旗鼓 偃旗息鼓 重振旗鼓 紧锣密鼓
曲高和寡 异曲同工 【弦】 弦外之音 改弦更张 更弦易辙 扣人心弦 【歌、舞】 歌舞升平 长歌当哭 莺歌燕舞 轻歌曼舞 高歌猛进 四面楚歌 引吭高歌 【唱】 一唱百和 一唱三叹 夫唱妇随 【板、眼】 一板三眼 有板有眼 【金】 金声玉振 金鼓齐鸣 鸣金收兵 【钟】 钟鼎人家 钟鸣鼎食 黄钟大吕 黄钟毁弃,瓦釜雷鸣 黄钟瓦缶 【鼓】 一鼓作气 旗鼓相当 大张旗鼓 偃旗息鼓 重振旗鼓 紧锣密鼓

藏戏有固定的演出程式,分为开场,正戏,结尾.舞台简朴,剧情靠演出和说唱来描述,唱腔,动作丰富多彩,不一而足.
这是语文课本上和我们语文老师讲的,

1.【推贤扬善】推：推崇；扬：弘扬.推崇贤人,弘扬善事.
【文以载道】载：装载,引伸为阐明；道：道理,泛指思想.指文章是为了说明道理的.
2.声情并茂
3.【棋高一着】一着：下棋时下一子或走一步.棋艺高人一步.也比喻技高一等.
4.情爱无边

唱腔优美

一（ 种 ）唱腔

豫剧起源于唐代，兴盛于宋代，发展成熟于明清两代，创始人无考。
豫剧，旧称河南梆子、河南高调、河南讴，因河南省简称“豫”，解放后定名为豫剧。据旧时代老艺人相传，有记载的豫剧最早传授者为清代乾隆年间开封朱仙镇蒋门、开封清河集徐门两家科班。清代豫剧在开封一带形成祥符调，传至商丘一带形成豫东调，流入洛阳的一支发展为豫西调，流入漯河的一支被称为沙河调。

人们赞叹姑娘们的容貌,舞姿和唱腔.

D

1.丰富多彩,表演形式多样,风格各异.
2.这里形容藏戏唱腔动作等丰富到不能列举完.
（原指不是一事一物可以满足.后指同类的事物或现象很多,反复出现,不能一一列举.）

他们的表演（动人心弦 ）,他们的唱腔（余音绕梁 ）.用动人心弦和余音绕梁填空

所到之处,没有人不为姑娘们俊俏的容貌、婀娜的舞姿、优美清新的唱腔而赞叹不已.

俗话说：一方水土一方人,北南方的自然环境差异导致了其地方剧种的巨大差异.北方地处荒凉,大漠戈壁、狂风严寒,人民多“慷慨悲歌之士”,所孕育的文化也有一种遒劲苍凉之感,最著名的就是秦腔,古有“吼秦腔”之说.而南方四季如春,处处小桥流水,风景宜人,人民多有“倚红偎翠,浅斟低唱”,其文化也多以“温婉绵长”而见长,如苏州评弹,就像一首诗一样娓娓道来,让人回味悠长.环境孕育了文化,文化表征了环境.
xbw

A

所到之处,人们为姑娘们俊俏的容貌、婀娜的舞姿、优美清新的唱腔赞叹不已.
双重否定句：所到之处,人们无不为姑娘们俊俏的容貌、婀娜的舞姿、优美清新的唱腔而赞叹不已.

Sichuan Opera is the treasure house of Chinese opera in a Guangcaizhaoren the pearl. It has a long history of keeping the fine traditions of a lot of repertoire, and rich melodies and superb performing arts. It is Sichuan, Yunnan, Guizhou, Southwest China province a few people happy to see news of folk art. Tune in opera, Sichuan Opera is by Gao Qiang, Kunqiang and Huqin cavity, such as weak cavity Tune plus a four Taiwanese folk opera composed of lights. In addition to the five types of lights Xiwai are from the late Ming Dynasty to the Qing Dynasty, by the middle of the troupe has imported from other provinces of Sichuan.
　　Sichuan Opera, Sichuan is a major cultural characteristics. Chengdu is home to drama. As early as the Tang Dynasty there, "Sichuan opera crown the world". When the Qing Dynasty in the local theater lights on the basis of absorption integrate the Soviet Union, Jiangxi, Anhui, Hubei, Shaanxi, Gansu around Tune, formed with Gao Qiang, huqin, Kunqiang, light opera, drama five shells Tune with the Sichuan sang the words " Sichuan Opera. " Gao Qiang which Qupai rich Sichuan Opera, singing wonderful touching, most local characteristics, Sichuan Opera is the main form of singing. Chimed in from the cavity of Sichuan Opera, a chamber, chorus, accompaniment, the quartet, etc., that Meaningful and attractive. Sichuan Opera language lively, witty humor, full of vivid Local Color, rich flavor of life and extensive mass foundation. Common in the repertoire There are hundreds of stage, sing, do, study, a complete, Miao Yu verbiage and entirely void of humor, instrumental music Hongtuo chimed in, "Changing Faces," "Spitfire", "Shuixiu" unique, coupled with the freehand brushwork of the stylized movements of the implicit Miao not the taste……. Sichuan Opera and the world's favorite Yuanshechongyang spread throughout the world. Sichuan Opera performance of "White Snake. Jinshan Temple" is very wide spread at home and abroad. Sichuan Opera, popular in Sichuan province and Yunnan and Guizhou in some areas. Originally from other provinces into the Kunqiang, Gao Qiang, Huqin cavity (yellow skin), shells, Sichuan opera and folk art light show five Tune, are performed around the Sichuan alone,a lot of year(1736-1795), as this often with the five arts Tune Performed, gradually falling into a common style, the end of the Ching dynasty, collectively, the "Sichuan Opera", renamed after the "Sichuan Opera."
　　Sichuan Opera Tune popular for a variety of areas and artists Shicheng, gradually formed a number of schools. In these schools, in addition to wan, as Dan (Huaxian) faction, Chouhang Fu (c dry) faction, Cao (Jun Chen) faction, and other outstanding artists that were, mainly by endemic areas is four were: First, " Western Sichuan faction ", including Chengdu Wenjiang district as the center of the county, mainly to huqin, a unique" Pui-"The second is the" Ziyang River faction ", including the Zigong and Neijiang cities and counties and districts, mainly to Gao Qiang, The most stringent artistic style; third is the "camp of northern Sichuan", including the Mianyang and Nanchong in some areas, to sing opera shells mainly affected by the Shaanxi Opera School; and fourth, "East Sichuan faction", including to Chongqing as the center along the East Sichuan , As a result of Sichuan, Chongqing Commercial Centre, to the performance of many foreign Operas. Road show is characterized by complex and diversified Tune.
　　Sichuan Opera performances rich flavor of life, lively, witty humor, in order to better shape figures, Sichuan Opera artists to create a face, Cangdao, drilling Huoquan, open eye, and many other skills, performing at the popular festive, fun new form of a Sichuan Opera Characteristics.
　　Sichuan Opera is the face of the special skills of the performing arts one. It is the characters inner thoughts and feelings of the performance of a romantic way. Face approach can be divided into three types - hand face, blowing face,push face.
　　Gao Qiang Sichuan Opera is the most important of a Tune, is imported from the late Ming and early Qing Dynasty in Sichuan. Gao Qiang after the introduction of Sichuan, with the Sichuan dialect, folk songs, labor, the son of the Inter-rap and other forms After processing and refining, and gradually formed a Tune with local characteristics of music.
　　Sichuan Opera is Qupai of music Gao Qiang, Sichuan Opera Gao Qiang Qupai large number of complex forms. It is basically the structure can be summarized as: from the cavity, column, singing, Saowei. Gao Qiang repertoire, themes wide variety of text to word format. Gao Qiang is the most important features of the accompaniment of musical instruments do not sing the so-called "singing and the public," the only song form, to help a sing it as one. Qupai of gongs and drums are composed of in this way. Some Qupai chimed in more than singing, and some basic all chimed in, some Qupai only two have both chimed in, the concrete form of a decision by the show.
　　Sichuan Opera-Xiaosheng, Danjiao, the Health Kok, Erhualian, Harlequin five representatives,Zichengtiji have the power of procedures, particularly Stevenson, clowning, the most Danjiao performance characteristics, drama performance in practice, performing techniques in more Outstanding creation, can fully reflect actual situation of Chinese Opera of Health, leaving the aesthetic characteristics shape freehand brushwork.

【悠扬】的歌声 【温柔】的性格 【曼妙】的舞姿 【圆润】的唱腔 【优美】的动作
【柔美】的歌声 【文静】的性格 【动人】的舞姿 【高难】的唱腔 【滑稽】的动作
【天籁般】的歌声 【坚毅】的性格 【华丽】的舞姿 【浑厚】的唱腔 【潇洒】的动作

大多芬兰乐队喜欢带个键盘弄个旋律 无形中降低了金属该有的狂躁而已 力量之是个别乐队的体现 芬兰金属 极端和旋律有余 金属感不猛很弱（纯个人想法）

人们赞叹不已.

把字：因为京剧的唱腔主要有二黄西皮所以从前人们也把他叫做二黄皮黄.
被字：因为京剧的唱腔主要有二黄西皮所以从前也被人们叫做二黄皮黄.

如果帮到您的话,可以好评吗?谢谢了!(右上角采纳)

人们赞叹不已.

因为一个姑娘最根本的美丽就是漂亮,第二是有气质（也就是舞姿）,第三就是才艺（也就是唱歌水平）.

人们为姑娘们俊俏的容貌,婀娜的舞姿,优美清新的的唱腔赞叹不已.
（没有主语,加上主语就成了完整的句子）
六年级小学生,水平不够不要介意啊~

不一而足：不止一种或一次,而是很多.

一泻千里
泻：水往下直注.形容江河奔流直下,流得又快又远.也比喻文笔或乐曲气势奔放.也形容价格猛跌不止.
【出自】：唐·李白《赠从弟宣州长史昭》诗：“长川豁中流,千里泻吴会.”宋·陈亮《与辛幼安殿撰书》：“大江大河,一泻千里.”

京剧之美,美在唱腔,【余韵绕梁】；美在热闹,【铿锵有力】；美在神韵,【婉转悠扬】.
安塞腰鼓之美,美在气势,【气势磅礴】；美在声响,【节奏铿锵】；美在舞姿,【厚重阳刚】.