Hamlet ang Romeo and Juliet 怎么读?

1.书的名字应该加双引号"", 然后而可以把这两本用and连起来,不用写豆号了.
2.这句The novel description was about sixty years of age senior fisherman. 应该在about 和 sixty years 当中加 an.
3.这句The senior fisherman then discovered a terribly huge marlin which had never been seen.把 never been seen 该成 never been seen before 会更好一点
4. Because of the fishy smell of the big marlin.听起来很不舒服,我决得应该把 Big 取掉
5.but the old person still did not hope like this to give up这个用法是不对的,应该改成but the old per 应该应该son is still not likely to give up marlin.最后应该用句号
6.Finally he defeated the coming sharks and returned to the harbor and let other fishermen not admire already.这句句子不对,应该改成Finally he defeated the coming sharks and returned to the harbor, and other fisher man started to admire him.
7.In my opinion, the old fisherman could be succeeded in catching such a huge marlin owing to his incredible tenacity.这句应该把be拿掉.
其他的大该都差不多对了, 总体我决得你写的还不错.只是以后要注以语法.

莱德福是美国纽约克林顿郡萨拉纳克镇的一个小村庄.

英文地图中国地名?最好用汉拼xiang
英文Industrial Park

county还可以表示郡和县
强调一下village 是表示有教堂的村落
hamlet 指村里没有教堂.

The question is:is it better to be alive or dead?Is it nobler to put up with all the nasty things that luck throws your way,or to fight against all those troubles by simply putting an end to them once and for all?Dying,sleeping—that's all dying is—a sleep that ends all the heartache and shocks that life on earth gives us—that's an achievement to wish for.To die,to sleep—to sleep,maybe to dream.Ah,but there's the catch:in death's sleep who knows what kind of dreams might come,after we've put the noise and commotion of life behind us.That's certainly something to worry about.That's the consideration that makes us stretch out our sufferings so long.
After all,who would put up with all life's humiliations—the abuse from superiors,the insults of arrogant men,the pangs of unrequited love,the inefficiency of the legal system,the rudeness of people in office,and the mistreatment good people have to take from bad—when you could simply take out your knife and call it quits?Who would choose to grunt and sweat through an exhausting life,unless they were afraid of something dreadful after death,the undiscovered country from which no visitor returns,which we wonder about without getting any answers from and which makes us stick to the evils we know rather than rush off to seek the ones we don't?Fear of death makes us all cowards,and our natural boldness becomes weak with too much thinking.Actions that should be carried out at once get misdirected,and stop being actions at all.But shh,here comes the beautiful Ophelia.Pretty lady,please remember me when you pray.

metaphor 你怎么写都行,最主要的句子就是
"to be or not to be"是历史名句...
可是也许要你列出所有metaphor那可难了!
metaphor也有层次,要整个ACT的metaphor还是...
我看你应该找不到的,付费也没有吧?

有一句话“一千个读者一千个哈姆雷特”
角度不同，看法不同，很难有一个统一的说法

It is said not without reason that the key-note of Hamlet’s character is melancholy, and there can be no Hamlet without melancholy. But his melancholy is not the negative, over-subtle and fruitless kind. It is rather the result of his penetrating mind. When a sudden demand for difficult and decisive action arises, he is capable of tuning the matter over most methodically in his mind. Before taking a decisive step, he would ask himself:“How am I to do it? When? Where? What will be the consequence to the state? What is the good of doing it in such a world as this?”
At the beginning of the play, he is grieved at his father’s death and his mother’s hasty marriage with his uncle, a man utterly contemptible and loathsome. With his usual quick sensibility, he probes and examines the matter. Then there comes the revelation of his father’s murder, and in the “play scene” his uncle’s crime is ascertained. He burns with the hatred of his uncle and takes a solemn oath to avenge the triple wrong of grows deeper and deeper until it becomes at last a total disgust for a world in which such crimes prevail. Now he sees that cruel and unjust rulers are tyrannizing the country and his beloved country is a prison for the people. He seems to understand that his mere revenge upon his uncle would in no way solve the problems that trouble and upset him. Revenge is easy, but it is not mere personal revenge that Hamlet seeks. What is more important is to expose the roots of the evil and to establish a reign of justice. His responsibility is thus enlarged into nothing short of a radical transformation of society.
“The time is out of joint:--O cursed spite,
That ever I was born to set it right!” (Ⅰ.5. Shakespeare)
Thus the shock of a dreadful personal wrong awakens him to the realization of a great responsibility, the reformation of the world as a whole. But to realize his ideal in his own time was beyond him. This, and this only, is the cause of Hamlet’s profound melancholy and his delay in revenge. So Hamlet’s melancholy expresses, in a way, the crisis of humanism at the end of the 16th and the beginning of the 17th centuries.
We may illustrate the view mentioned above with one incident in the play. When the players come to the court, Hamlet conceives and arranges the plan of acting a scene of murder before the King and Queen. Hamlet’s device proves a complete success. When only six lines have been spoken by the player on the stage, the King starts to his feet and rushes out of the hall. Hamlet is beyond himself with the joy of discover. He declares that now he could
“…drink hot blood
And do such bitter business as the day
Would quake to look on.”(Ⅲ.2. Shakespeare)
In this mood, and on his way to his mother’s chamber, he comes upon the King, alone, Kneeling, conscience-stricken and attempting to play. The enemy is now delivered into his hands:
“Now might I do it pat, now he is praying:
And now I’ll do it: and so he goes to heaven:
And so am I revenged. That would be scanned.”
(Ⅲ.3. Shakespeare)
He scanned it; and the sword that he drew at the words, “And now I’ll do it,” is trust back into its sheath again. The reason Hamlet gives for his refusing to kill the King is that if he kill the villain now, he would send his soul to heaven; and he would fain kill soul as well as body. But what he really shrinks from is the responsibility of premeditated killing of a king and its political result, because at that time the abrupt death of the King might cause panic to the people and danger to the state. So what he considers now is no longer his personal wrong but the fate of his country. This is the real reason of his delay in action.

To be or not to be ,that's a question
生存还是死亡,那是个问题

谁知在哈姆雷特第二节第三章中,这个王子用“country matters"暗指什么?

Hamlet:To be,or not to be- that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune
Or to take arms against a sea of troubles,
And by opposing end them.To die- to sleep-
No more; and by a sleep to say we end
The heartache,and the thousand natural shocks
That flesh is heir to.'Tis a consummation
Devoutly to be wish'd.To die- to sleep.
To sleep- perchance to dream:ay,there's the rub!
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause.There's the respect
That makes calamity of so long life.
For who would bear the whips and scorns of time,
Th' oppressor's wrong,the proud man's contumely,
The pangs of despis'd love,the law's delay,
The insolence of office,and the spurns
That patient merit of th' unworthy takes,
When he himself might his quietus make
With a bare bodkin?Who would these fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death-
The undiscover'd country,from whose bourn
No traveller returns- puzzles the will,
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pith and moment
With this regard their currents turn awry
And lose the name of action.

C

选C。题干的意思是：近几年来莎士比亚的戏剧《哈姆雷特》已经被拍成了至少10部不同的电影。由时间状语over the past years可知本句要用现在完成时，make与Hamlet为动宾关系，故用make的被动语态，故正确答案为C项。掌握现在完成时的时间状语(尤其是in/over/during the last/past years)以及主、被动关系是解题关键。

Ali is a little shier than Hamlet

B

如果楼主只是想模仿发音和语调的话为什么不直接学习建立在生活之上的教材?像《展望未来》,《走遍美国》这些都是日常对话,也是最容易学习语调的教材.
读书方面的还有什么能比得上《新概念英语》呢?你如果能把它每篇课文的录音都模仿过关了我不认为还有什么材料是读不像的.楼主你的要求有些舍近而求远了.

比较古老的英语书写方式,以发音来判断.在发looks时后可以感觉到有类似’a的读音存在,而usurp'st的’st的发音类似现代英语中的ed.所以,读的时候注重 ‘的前面的部分,其后面的部分不是可以省略就是表达时态.

哈姆雷特(或王子复仇记),李尔王,仲夏夜之梦

hamlet偏向于乡村村庄而village有点偏向于类似部落组成的村落!

ham =哈哈大笑
ham per =哈哈大笑per =嘲笑每个人,阻碍自己进步.
hammer =哈哈大笑me=嘲笑我,锤子锤死你.
hamlet =哈哈大笑let=嘲笑大家,一村子人啊..

one reason why Hamlet is such a successful play is that
C,it appeals to many different people.
主语是It,所以排除了BD,再看AC,因为 appeals是不及物动词,通常和TO连用,表示吸引的意思,所以选C

C

D

plays
说的是他著名剧本中的一个,所以要加s,plays是他剧本的所有格

Hamlet [简明英汉词典]
[5hAmlit]
哈姆雷特(莎士比亚悲剧剧名及该剧的主人公)
hamlet [简明英汉词典]
[5hAmlit]
n.小村,部落
n.哈姆雷特（Hamlet,莎士比亚著名悲剧剧名）

The Impossibility of Certainty
What separates Hamlet from other revenge plays (and maybe from every play written before it) is that the action we expect to see,particularly from Hamlet himself,is continually postponed while Hamlet tries to obtain more certain knowledge about what he is doing.This play poses many questions that other plays would simply take for granted.Can we have certain knowledge about ghosts?Is the ghost what it appears to be,or is it really a misleading fiend?Does the ghost have reliable knowledge about its own death,or is the ghost itself deluded?Moving to more earthly matters:How can we know for certain the facts about a crime that has no witnesses?Can Hamlet know the state of Claudius鈥檚 soul by watching his behavior?If so,can he know the facts of what Claudius did by observing the state of his soul?Can Claudius (or the audience) know the state of Hamlet鈥檚 mind by observing his behavior and listening to his speech?Can we know whether our actions will have the consequences we want them to have?Can we know anything about the afterlife?
Many people have seen Hamlet as a play about indecisiveness,and thus about Hamlet鈥檚 failure to act appropriately.It might be more interesting to consider that the play shows us how many uncertainties our lives are built upon,how many unknown quantities are taken for granted when people act or when they evaluate one another鈥檚 actions.
The Complexity of Action
Directly related to the theme of certainty is the theme of action.How is it possible to take reasonable,effective,purposeful action?In Hamlet,the question of how to act is affected not only by rational considerations,such as the need for certainty,but also by emotional,ethical,and psychological factors.Hamlet himself appears to distrust the idea that it鈥檚 even possible to act in a controlled,purposeful way.When he does act,he prefers to do it blindly,recklessly,and violently.The other characters obviously think much less about 鈥渁ction鈥 in the abstract than Hamlet does,and are therefore less troubled about the possibility of acting effectively.They simply act as they feel is appropriate.But in some sense they prove that Hamlet is right,because all of their actions miscarry.Claudius possesses himself of queen and crown through bold action,but his conscience torments him,and he is beset by threats to his authority (and,of course,he dies).Laertes resolves that nothing will distract him from acting out his revenge,but he is easily influenced and manipulated into serving Claudius鈥檚 ends,and his poisoned rapier is turned back upon himself.
The Mystery of Death
In the aftermath of his father鈥檚 murder,Hamlet is obsessed with the idea of death,and over the course of the play he considers death from a great many perspectives.He ponders both the spiritual aftermath of death,embodied in the ghost,and the physical remainders of the dead,such as by Yorick鈥檚 skull and the decaying corpses in the cemetery.Throughout,the idea of death is closely tied to the themes of spirituality,truth,and uncertainty in that death may bring the answers to Hamlet鈥檚 deepest questions,ending once and for all the problem of trying to determine truth in an ambiguous world.And,since death is both the cause and the consequence of revenge,it is intimately tied to the theme of revenge and justice鈥擟laudius鈥檚 murder of King Hamlet initiates Hamlet鈥檚 quest for revenge,and Claudius鈥檚 death is the end of that quest.
The question of his own death plagues Hamlet as well,as he repeatedly contemplates whether or not suicide is a morally legitimate action in an unbearably painful world.Hamlet鈥檚 grief and misery is such that he frequently longs for death to end his suffering,but he fears that if he commits suicide,he will be consigned to eternal suffering in hell because of the Christian religion鈥檚 prohibition of suicide.In his famous 鈥淭o be or not to be鈥 soliloquy (III.i),Hamlet philosophically concludes that no one would choose to endure the pain of life if he or she were not afraid of what will come after death,and that it is this fear which causes complex moral considerations to interfere with the capacity for action.
The Nation as a Diseased Body
Everything is connected in Hamlet,including the welfare of the royal family and the health of the state as a whole.The play鈥檚 early scenes explore the sense of anxiety and dread that surrounds the transfer of power from one ruler to the next.Throughout the play,characters draw explicit connections between the moral legitimacy of a ruler and the health of the nation.Denmark is frequently described as a physical body made ill by the moral corruption of Claudius and Gertrude,and many observers interpret the presence of the ghost as a supernatural omen indicating that 鈥淸s]omething is rotten in the state of Denmark鈥 (I.iv.67).The dead King Hamlet is portrayed as a strong,forthright ruler under whose guard the state was in good health,while Claudius,a wicked politician,has corrupted and compromised Denmark to satisfy his own appetites.At the end of the play,the rise to power of the upright Fortinbras suggests that Denmark will be strengthened once again.

哈姆雷特告诉我们“我们不怕征兆.一只麻雀的陨落,也是出于特有的天意.此刻要死吗?将来就不必再死；不等将来才死吗?此刻就要死；此刻不要死吗?将来还是要死.上天都准备好了.”哈姆雷特说的是生命,那是我们最终的着落.你准备好了麻雀的陨落了吗?.
就这样吧,翻不下去了.

took part in.
祝你开心.

一些有关哈姆雷特
act3,第一幕,
1.1955年至1986年线路牙骨质睡眠是这么可怕,据哈姆雷特,因为它可以"完""心痛的1000自然冲击"?
2.为什么人民而承担一切苦难的世界不是甩掉他们选择死亡,据哈姆雷特?
3.,毕竟让人失去决心采取行动?请解释有关所谓的哈姆雷特犹豫?

只有BBC七十年代拍摄的电视版是全本.

简单来说是
西方小房子 和 哈姆雷特~~

William Shakespeare was born in Stratford-upon-Avon in Warwickshire and was baptised on 26 April 1564.His father was a glovemaker and wool merchant and his mother,Mary Arden,the daughter of a well-to-do local landowner.Shakespeare was probably educated in Stratford's grammar school.The next documented event in Shakespeare's life is his marriage in 1582 to Anne Hathaway,daughter of a farmer.The couple had a daughter the following year and twins in 1585.There is now another gap,referred to by some scholars as 'the lost years',with Shakespeare only reappearing in London in 1592,when he was already working in the theatre.
Shakespeare's acting career was spent with the Lord Chamberlain's Company,which was renamed the King's Company in 1603 when James succeeded to the throne.Among the actors in the group was the famous Richard Burbage.The partnership acquired interests in two theatres in the Southwark area of London,near the banks of the Thames - the Globe and the Blackfriars.
Shakespeare's poetry was published before his plays,with two poems appearing in 1593 and 1594,dedicated to his patron Henry Wriothesley,Earl of Southampton.Most of Shakespeare's sonnets were probably written at this time as well.Records of Shakespeare's plays begin to appear in 1594,and he produced roughly two a year until around 1611.His earliest plays include 'Henry VI' and 'Titus Andronicus'.'A Midsummer Night's Dream','The Merchant of Venice' and 'Richard II' all date from the mid to late 1590s.Some of his most famous tragedies were written in the early 1600s including 'Hamlet','Othello','King Lear' and 'Macbeth'.His late plays,often known as the Romances,date from 1608 onwards and include 'The Tempest'.
Shakespeare spent the last five years of his life in Stratford,by now a wealthy man.He died on 23 April 1616 and was buried in Holy Trinity Church in Stratford.The first collected edition of his works was published in 1623 and is known as 'the First Folio'.

我觉得他很好的演绎了"哈姆雷特"的这一幕.

这句我译不出来,但'twere应该就是it were的缩写

对,应该用复数.人名后完全可以加上复数.

Denmark
hesitated
indecisive
emotional
sword
To be or not to be

C


考查动词的时态和语态。句意为：在过去的几年里，莎士比亚的戏剧《哈姆雷特》被制作成至少10部不同的影片。“over the past＋时间段”通常与现在完成时连用，且句子主语与make之间是被动关系，所以用现在完成时的被动语态。

比较一下哈姆雷特和约翰·丹尼关于期望的态度.翻译时名字也可以照抄

如果问的是双行押韵体,单单couplet就行了.不过哈姆雷特里的戏中戏的确用的是heroic couplet:
heroic couplet专指五音步抑扬格的双行押韵体,并且押的是阳性韵(即单音节韵).

Themes
Themes are the fundamental and often universal ideas explored in a literary work.
The Impossibility of Certainty
What separates Hamlet from other revenge plays (and maybe from every play written before it) is that the action we expect to see,particularly from Hamlet himself,is continually postponed while Hamlet tries to obtain more certain knowledge about what he is doing.This play poses many questions that other plays would simply take for granted.Can we have certain knowledge about ghosts?Is the ghost what it appears to be,or is it really a misleading fiend?Does the ghost have reliable knowledge about its own death,or is the ghost itself deluded?Moving to more earthly matters:How can we know for certain the facts about a crime that has no witnesses?Can Hamlet know the state of Claudius鈥檚 soul by watching his behavior?If so,can he know the facts of what Claudius did by observing the state of his soul?Can Claudius (or the audience) know the state of Hamlet鈥檚 mind by observing his behavior and listening to his speech?Can we know whether our actions will have the consequences we want them to have?Can we know anything about the afterlife?
Many people have seen Hamlet as a play about indecisiveness,and thus about Hamlet鈥檚 failure to act appropriately.It might be more interesting to consider that the play shows us how many uncertainties our lives are built upon,how many unknown quantities are taken for granted when people act or when they evaluate one another鈥檚 actions.
The Complexity of Action
Directly related to the theme of certainty is the theme of action.How is it possible to take reasonable,effective,purposeful action?In Hamlet,the question of how to act is affected not only by rational considerations,such as the need for certainty,but also by emotional,ethical,and psychological factors.Hamlet himself appears to distrust the idea that it鈥檚 even possible to act in a controlled,purposeful way.When he does act,he prefers to do it blindly,recklessly,and violently.The other characters obviously think much less about 鈥渁ction鈥 in the abstract than Hamlet does,and are therefore less troubled about the possibility of acting effectively.They simply act as they feel is appropriate.But in some sense they prove that Hamlet is right,because all of their actions miscarry.Claudius possesses himself of queen and crown through bold action,but his conscience torments him,and he is beset by threats to his authority (and,of course,he dies).Laertes resolves that nothing will distract him from acting out his revenge,but he is easily influenced and manipulated into serving Claudius鈥檚 ends,and his poisoned rapier is turned back upon himself.
The Mystery of Death
In the aftermath of his father鈥檚 murder,Hamlet is obsessed with the idea of death,and over the course of the play he considers death from a great many perspectives.He ponders both the spiritual aftermath of death,embodied in the ghost,and the physical remainders of the dead,such as by Yorick鈥檚 skull and the decaying corpses in the cemetery.Throughout,the idea of death is closely tied to the themes of spirituality,truth,and uncertainty in that death may bring the answers to Hamlet鈥檚 deepest questions,ending once and for all the problem of trying to determine truth in an ambiguous world.And,since death is both the cause and the consequence of revenge,it is intimately tied to the theme of revenge and justice鈥擟laudius鈥檚 murder of King Hamlet initiates Hamlet鈥檚 quest for revenge,and Claudius鈥檚 death is the end of that quest.
The question of his own death plagues Hamlet as well,as he repeatedly contemplates whether or not suicide is a morally legitimate action in an unbearably painful world.Hamlet鈥檚 grief and misery is such that he frequently longs for death to end his suffering,but he fears that if he commits suicide,he will be consigned to eternal suffering in hell because of the Christian religion鈥檚 prohibition of suicide.In his famous 鈥淭o be or not to be鈥 soliloquy (III.i),Hamlet philosophically concludes that no one would choose to endure the pain of life if he or she were not afraid of what will come after death,and that it is this fear which causes complex moral considerations to interfere with the capacity for action.
The Nation as a Diseased Body
Everything is connected in Hamlet,including the welfare of the royal family and the health of the state as a whole.The play鈥檚 early scenes explore the sense of anxiety and dread that surrounds the transfer of power from one ruler to the next.Throughout the play,characters draw explicit connections between the moral legitimacy of a ruler and the health of the nation.Denmark is frequently described as a physical body made ill by the moral corruption of Claudius and Gertrude,and many observers interpret the presence of the ghost as a supernatural omen indicating that 鈥淸s]omething is rotten in the state of Denmark鈥 (I.iv.67).The dead King Hamlet is portrayed as a strong,forthright ruler under whose guard the state was in good health,while Claudius,a wicked politician,has corrupted and compromised Denmark to satisfy his own appetites.At the end of the play,the rise to power of the upright Fortinbras suggests that Denmark will be strengthened once again.

every / each + 名词单数

Book DescriptionOne of the greatest plays of all time,the compelling tragedy of the tormented young prince of Denmark continues to capture the imaginations of modern audiences worldwide.Confronted with evidence that his uncle murdered his father,and with his mother’s infidelity,Hamlet must find a means of reconciling his longing for oblivion with his duty as avenger.The ghost,Hamlet’s feigned madness,Ophelia’s death and burial,the play within a play,the “closet scene” in which Hamlet accuses his mother of complicity in murder,and breathtaking swordplay are just some of the elements that make Hamlet an enduring masterpiece of the theater.Each Edition Includes:Comprehensive explanatory notes Vivid introductions and the most up-to-date scholarship Clear,modernized spelling and punctuation,enabling contemporary readers to understand the Elizabethan English?Completely updated,detailed bibliographies and performance histories An interpretive essay on film adaptations of the play,along with an extensive filmography From Library JournalIt is a tragedy that all actors seem to crave to perform,and the Renaissance Theatre Company clearly relishes the chance to present Hamlet for the ear.It is a contemporary cast from which one has come to expect superior Shakespearean acting on stage and screen:Kenneth Branagh as Hamlet; Sir John Gielgud as the Ghost; Derek Jacobi as Claudius; and Emma Thompson as the Player Queen.Unlike the Recorded Books version (Audio Reviews,LJ 8/90),this BBC edition may be a little hard to follow by those unfamiliar with the play’s text,particularly since stage directions are not provided and speakers are not clearly identified.But the program does give the complete version,a rare treat,and the accompanying booklet offers insights into both the acting and the production.Highly recommended.- Joyce Kessel,Villa Maria Coll.,

Hamlet汉姆雷特
King Lear李尔王
A Midsummer Night's dream仲夏夜之梦

哈姆雷特,莎士比亚的仲夏夜的第四款