有评论家认为“摩挲数尺沙边柳,待汝成阴系钓舟”是“不落众人窠臼,另翻新意”请对此作简要赏析

tidy.

http://yuwen.chazidian.com/xiangxi-213991/
D
有几千人之多是错的，有几百人之多

　　长安万里迢迢,对迁谪之人来说十分遥远,充满了隔膜.望而不见,诗人不免感到惆怅.听到黄鹤楼上吹奏《梅花落》的笛声,他感到格外凄凉,仿佛五月的江城落满了梅花. 　　
　　诗人巧借笛声来渲染愁情.王琦注引郭茂倩《乐府诗集》对此调的题解说：“《梅花落》本笛中曲也.”江城五月,正当初夏,当然是没有梅花的,但由于《梅花落》笛曲吹得非常动听,使诗人仿佛看到了梅花满天飘落的景象.梅花是寒冬开放的,景象虽美,却不免给人以凛然生寒的感觉,这正是诗人冷落心情的写照.同时使诗人联想到邹衍下狱、六月飞霜的历史传说.由乐声联想到音乐形象的表现手法,就是诗论家所说的“通感”.诗人由笛声想到梅花,由听觉诉诸视觉,通感交织,描绘出与冷落的心境相吻合的苍凉景色,从而有力地烘托了去国怀乡的悲愁情绪.所以《唐诗直解》评此诗“无限羁情笛里吹来”,是很有见解的.清代的沈德潜说：“七言绝句以语近情遥、含吐不露为贵,只眼前景,口头语,而有弦外音,使人神远,太白有焉.”（《唐诗别裁》卷二十）这首七言绝句,正是以“语近情遥、含吐不露”见长,使读者从“吹玉笛”、“落梅花”这些眼前景、口头语,听到了诗人的弦外之音. 　　
　　此外,这首诗还好在其独特的艺术结构.诗写听笛之感,却并没按闻笛生情的顺序去写,而是先有情而后闻笛.前半捕捉了“西望”的典型动作加以描写,传神地表达了怀念帝都之情和“望”而“不见”的愁苦.后半部分才点出闻笛,从笛声化出“江城五月落梅花”的苍凉景象,借景抒情,使前后情景相生,妙合无垠.[

美食作家,就是专门写美食的作家咯.

让-保罗·萨特法国20世纪最重要的哲学家之一,法国无神论存在主义的主要代表人物.

不对应该是
正如评论家说的那样——“充满生机”.

Irish writer, well-known writer and literary critic Frank Connor Naoer said: I think Jane Austen is the greatest novelist. Is absolutely the greatest! He also believes that Austin is the English literature’s greatest skill one master, she reached a pinnacle in the literature as perfect as Mozart in music.David Cecil said: The most successful writer is to follow the most stringent control of his chosen art of regular people In all of those who selected the art of the novel, no one more than Jane Austen’s novel carefully comply with the laws of art, this is what makes her better than other British.

His works by critics commended

可是,Edward Morgan Forster 本人也是用 flat character 这个词!如果你不要,就只好只行铸造新词了!
E.M.Forster 在 Aspects of the Novel 中的原文如下：

Critics think highly of his works.

凉州词
[王翰]
葡萄美酒夜光杯,欲饮琵琶马上催.
醉卧沙场君莫笑,古来征战几人回?
一种
沙场是敌我拼争的场所,是残酷的、令人恐惧的,自古以来,沙场征战有几人能生还?然而,军人的命运,荣誉却都是与战场紧密相连的,这就是军人无可回避的命运,是无可奈何的,诗人明确地意识到了这一点,因而不免带点悲凉的意绪.而首句铺陈的三样精美之物,即葡萄、美酒、夜光杯同置于诗的首句,如此便使全诗在起首时就呈现出一种光茫四射的辉煌氛围,给读者造成一种无声夺人的感觉,同样更显出最后两句抒发的无奈和悲壮.
另一种
施补华在《岘佣说诗》中评此诗时说：“作悲伤语读便浅,作谐谑语读便妙.在学人领悟.”其意为,本诗自当可作悲伤语读,但若如此便不得要领了,所以就“浅”.而若作“谐谑语”读,亦即并不把“几人回”放在心上,只顾上马冲杀,胜利自是属于已方.这样诗人的豪情壮志就通过“谐谑语”表达出来了,所以就“妙”.而联系全市诗,首句中三样物件均是自先秦以来国外所进,现正逢出征前夕,让出征将士捧夜光杯而痛饮葡萄美酒,其中隐含之意是十分明显的,那就是祝愿他们早日击退外敌,获得更大的胜利.这样,在对于本诗主要抒情倾向的讨论中,此诗应视为表现了盛唐边将豪迈不羁的气概.
是豪迈,还是悲凉,这首诗也因主题的耐人寻味而更加增添了艺术魅力与感染力.
不知满意否

《秋天》选自《语言》作者何其芳,现代诗人,评论家

1.Twist the handle to right and you will open the door.
2.I met with an old friend in the alien country.
3.Critics complimented this work to be original.
4.He didn't even give a little fig for the neighbors'groundless talk.
5.She credited her parents with his success.
请确认一下最后一道题,是“他的成功”还是“她的成功”.
【公益慈善翻译团】真诚为您解答!

A

（1）何其芳　栖息　游戏　梦寐
（2）曹操　日月之行　若出其中　星汉灿烂　若出其里
（3）海日生残夜　江春入旧年
（4）（散）曲　马致远　戏曲作家　枯藤、老树、昏鸦、小桥、流水、人家、古道、西风、瘦马
　断肠人

　　吴文英 江南词派 吴派风格
　　吴文英（1200?——1274?）,字君特,号梦窗,晚年又号觉翁,浙江宁波人,是南宋后期一位独具风格的著名词人.著有《梦窗词》甲乙丙丁四稿.流传的词将近三百五十首之多,南宋词人中除辛弃疾之外,作品数他最多.他把婉约词向曲幽深婉的方向发展,是一位颇有影响的词人.
　　据乾隆《浙江通志·选举表》记载,梦窗的亲兄弟翁逢龙为宁波鄞县人,从而推知梦窗也为鄞县人.其父翁某生有三子,且皆擅长文学.长子名逢龙,字际可,号石龟,丁丑吴潜榜进士,有诗集（《石屏诗钞·阅四家诗卷》,四家者,翁际可,薛沂叔,孙季蕃,高九万也）.三子名元龙,字时可,号处静擅长于词.《词林纪事》中记载其为杜清献成之的门客.（清献名范,黄岩人,嘉定进士,淳佑间,即公元1241年拜右丞相）.有词集.《词林纪事》记载：“成之云：‘时可之作,如絮浮水,如荷湿露,萦旋流转,似沾非著.’”梦窗是二子,生于宋宁宗开禧前后,即公元1205年左右,出后于外家（可能是过继给吴家）,改姓吴,自幼善弄文词,因“耽于诗词,绌于经义”而未登科第,与仕途无缘.
　　梦窗二十余岁时,作《瑞龙吟》咏端午龙舟竞渡,《烛影摇动》咏冬季红梅,及中秋之作《思佳客》等几首词,定为少年作品.
　　约在理宗绍定五年（公元1232年）,梦窗三十余岁时,吴潜任苏州地方官,吴文英做其幕僚,在苏州待了将近十二年,词集中的《声声慢》、《木兰花慢》、《八声甘州》等游历登临之作都可以说明他的幕僚经历.在此其间,在苏州纳一妾.《浣溪沙》、《奇天乐》、《水龙吟》、《汉宫春》等作品都在该时期内所作.
　　淳佑三年（公元1244年）秋末冬初,辞去幕僚职务,携妾迁到杭州.除夕,作《思佳客》.期间,与兄长石龟同游西湖断桥.第二年春天,其妾离开杭州回到苏州,往后常有忆姬之作,他也曾追踪至苏州寻找,但却无功而返,在杭州扶养与妾所生的孩子并期待妾的回归,但始终没有音讯.《西江月》、《诉衷情》、《瑞鹤仙》等皆是思念爱妾、回忆以前时光的作品.这也是吴文英作品中的第一类主题.
　　第二类主题是流连风景的作品.如描写西湖清明时节风光的《渡江云》,些梅花的《解语花》,与朋友泛西湖的《齐天乐》,以及《醉桃源》、《定风波》等等.
　　第三类则是与朋辈唱酬的作品,如《解连环》、《拜星月慢》、《宴清都》、《丹凤吟》等,绝大多数在杭州所作.
　　淳佑九年八月（公元1250年）,吴潜任绍兴地方官.十一月,下访梦窗,并招他入幕.考《宋史·宰辅表》,十二月乙巳,吴潜自签书枢密院事除同知枢密院事,兼参知政事.从梦窗词《江神子》中“吴宪时已有检详之命”可知此时他已成为吴幕府.十一年,吴潜离任,梦窗也离开绍兴回到杭州.词作《莺啼序》正是离开绍兴前后所作.自此之后,梦窗踪迹无史料记载.毛意盖因为《莺啼序》词中,字句多缺漏,因此怀疑是梦窗在病中无法写字所致,词末尾又署名“淳佑十一年二月甲子,四明吴文英特书”,又找不出其他词作,因此认为《莺啼序》是梦窗的绝笔之作.而实际上,这是后人从丰乐壁上抄下来的,字句的缺漏也是抄写者醉不成书,或者是写后漫灭,后面的年月署名也是后人抄写时抄下来的.因为淳佑十一年时梦窗任吴潜幕府之时,正是大书望幸、兴酣采烈的时候,怎么会有绝笔之作产生,再者,如果是病中所作,则应是自道生平,不可能在临危之时作游玩之词,更何况是二百五十字的长调.
　　然而梦窗到底卒于何时?说法不一,夏承焘在《吴梦窗系年》中推断其卒于理宗景定元年前后,约公元1260年；杨铁成在《吴梦窗事迹考》中说是卒于德佑二年之后,约公元1276年；陈邦炎在《吴梦窗生卒年管见》（见《文学遗产》1983年第一期）中推断卒于度宗咸淳八年（公元1272年）至恭帝德佑二年间.此外还有几种说法,但均无确切考证,也无史料记载.
　　吴文英一生中无远游,足迹所到之处主要在江苏、浙江两省,以在苏州、杭州两地的时间最长.他虽然一生未仕,布衣终生,但结交的达官显贵却不少,他和嗣荣王赵于芮,参知政事吴潜,京湖制置大使贾似道,史弥远之子史宅之等都有交往.其中,与吴潜、史宅之的关系更为密切.他曾写词贺贾似道,贾似道是理宗赵昀时的权相,因此被认为阿谀权贵.历史学家认为贾似道为人阴险残暴,是加速南宋灭亡的因素之一,而吴潜与贾似道同朝为官,曾任参知政事,主张励精图治,积蓄力量,收复国土,甚得朝野好评,后被贾似道诬陷致死.吴潜生前,吴文英与他交往密切,而在吴潜被害后,吴文英还以词赠贾似道,因此其人格受怀疑,并引起士林非议,被认为品格不高尚,立场不坚定.对此,刘毓崧在《梦窗词叙》中说道：“与贾似道往还酬答之作,皆在似道未握重权之前,至似道声势熏灼之时,则并无谄媚巴结权贵的倾向.”从他一生未仕也可以看出他虽然终生潦倒,却没有向当道权贵乞求一官半职,夏承焘在《吴梦窗系年》中说道：“读其投献贵人诸祠,但有酬酢而罕干求,在南宋江湖游士中,殆亦能狷介自好者耶”,这对吴文英人品和词品的评价是比较公平的.
　　在中国词史上,吴文英是一个引起过不少争论的词人.从词的发展史上看,周邦彦是由北开南的词人,吴文英则是由南追北的词人.周邦彦由北宋开了南宋的风气,而到了吴文英,则由南宋追回到北宋去了.一方面,他上承周邦彦,有南宋的安排、勾勒、时间与空间错综的跳接；另一方面,他还把北宋的强大的感发力量也放进了词里面,可以说吴文英是一个把周邦彦的安排思力跟辛弃疾、苏轼的感发结合起来的一个人.既有南宋的长处,又有北宋的优点.对此,清代词评家况周颐曾说吴文英的词“与东坡、稼轩诸公实殊流而同源”.周济在《宋四家词选目录·序论》中说：“梦窗奇思壮采,腾天潜渊,返南宋之清泚,为北宋之秾挚.”况周颐在《蕙风词话》中对吴文英的词也有很高的评价：“近人学梦窗,辄从密处入手,梦窗密处,能令无数丽字,一一生动飞舞如万花为春,非若雕锦蹙绣,毫无生气也.”尹焕评价吴文英词说：“求词于吾宋,前有清真,后有梦窗,此非焕之言,天下之公言也.”这些都足以肯定吴文英的词作.当然,他既然是引起争论的,除了优点之外,自然存在引人非议的地方.吴文英注重词的格律形式,他曾向沈义父传授“作词之法”,沈义父把它写进了《乐府指迷》中：
　　……盖音律欲其协,不协则成长短之诗；下字欲其雅,不雅则近乎缠令之体；用字不可太露,露则直突而无深长之味；发意不可太高,高则狂怪而失柔婉之意.
　　这四条“词法”,既是吴文英的理论主张,也是他自己作品的基本特点.除了协律入乐之外,主要是要求语言的典雅含蓄.但是,含蓄也有一定的限度,超过了这个限度,就会变得隐晦幽渺,令人难以理解,只觉得雕绘满眼而不知所云为何物.所以南宋词人张炎在《词源》中说道：“吴梦窗词如七宝楼台,炫人眼目,拆碎下来,不成片断.”指出他隐晦缺点的还有：周济在《宋四家词选·序论》中说：“梦窗立意高,取径远,皆非余子所及.惟过嗜（ ）,以此被议.”沈伯时也曾说：“梦窗深得清真之妙,其失在用事下语,太晦处,人不可晓.”虽然各人的评语各不相同,但都指出了吴文英词的特点.然而,吴词是“七宝楼台”,虽然这座楼台的内在脉络隐藏得太深,间架结构不大容易寻绎,但作者既然已经呕心沥血筑成楼台,又何必要焚琴煮鹤的把它拆成碎片呢?再者,任何被拆分的东西恐怕都是“不成片断”的.当然,吴文英的某些作品确实存在辞藻堆砌,含义隐晦的缺点,但是,也不能否定他的好作品中造语优美、抒情深婉等种种长处.
　　对于吴文英词的情思内涵,一些文学史和词评中也往往加以全盘否定.如刘大杰的《中国文学发展史》说梦窗“只追求形式,忽略内容”；中国社会科学院文学研究所编写的《唐宋词选》中称其“最大弱点在于内容贫乏,脱离现实”；胡云翼的《宋词选》也称梦窗“基本上是重形式格律而忽视内容的”.其实,这些评价未免有失偏颇.纵观吴文英的全部词作,他并没有无视山河残破、国事危难这样一个社会现实,其集中有不少哀时伤世的词篇,或触景伤情,或哀念来日,都因时局艰难,中怀隐忧而发的凄苦悲凉之声.尽管这些作品所占的比重不大,而且多用比兴手法,不是直抒胸臆,自然不能跟辛弃疾、刘克庄等忧国词人相比,但他的忧怀时事的作品却比周邦彦、姜夔等词人多,因此无视他的这些作品,全盘否定吴词的情感蕴涵,是不客观的.至于梦窗词中比重较大的念旧游、怀爱妾、感逝之作,虽是感叹自身的不幸遭遇,个人的生死恋情,无甚大的社会、时代意义,但却也人之常情,无可厚非.
　　在欣赏吴文英的作品时,既要看到少数晦涩的作品,予以扬弃,也要看到显示其本色、代表其成就的以丽密深曲为风格特征、富有独特的艺术个性和艺术吸引力的作品,站在客观的立场上,吸收借鉴.这个引起颇多争议的南宋词人,他的影响力是不容忽视的

萨特法国,哲学家、作家、评论家,著有哲学著作《存在与虚无》等

(“感同身受”意为心里感激得就像亲身受到对方的恩惠一样。多用于代人向对方致谢。)

歌德说：“对一个傻子我一定让路。”

罗曼·罗兰 他们的高尚品格和顽强奋斗的精神 有他们的痛苦、挣扎和矛盾

此题考查的是学生对于名著的了解。阅读名著除了识记文学常识，还要对涉及主要人物的精彩片段要反复阅读，从而形成自己的阅读体验。

答案
一.《秋天》的作者是现代诗人、评论家何其芳.诗人用一个个生动鲜明的画面,构成一组组绚丽多彩的秋的图画.这一个个生动鲜明的画面依次是农家丰收图、霜晨归渔图、少女思恋图.
答案补充
二
1“饱食”运用了拟人的修辞写出了丰收之景
2“栖息”运用拟人的修辞,概括秋天在农人家里的状况,将虚无的东西具体化,写出了松弛、娴静的氛围.
3“游戏”一词虚实相生,渔人是在渔船上游戏,并不在乎打了多少鱼,更是在感受秋天,游戏秋天,写出了那份闲适.
4 “梦寐”是朦胧的意思,写出了少女的情怀,牧羊女的感情似喜似羞.
答案补充
2.诗歌第1节主要写了几个场景?是概括描写还是具体描写?
是具体描写,主要写了清晨朝露未唏的时候,有位农人来到幽谷,丁丁的伐木声震荡山谷；田野里发散出稻香的气息,金黄的波浪此起彼伏,稻田中有个身影在挥镰割稻,晶莹的汗珠湿透衣衫；果林中还有采摘瓜果的人,瓜果飘香,沁人心脾,摘下这些沉甸甸的秋天的礼物,放进背篓,这份喜悦要与亲友一起分享.
3.诗题叫"秋天",诗中哪些景物能表现出是秋天?
因为露珠、冷雾、白霜,表明秋天的天气特征；提到农家,稻香、镰刀体现农家特色；有秋虫低鸣,蟋蟀声使田野更辽阔；溪水干涸、更清冽,暗示这是在秋天.
4.诗人通过对绚丽多彩的乡村秋景图的描写,表达了什么思想感情?
表达了诗人喜爱、赞美的感情.
答案补充
“诗歌第1节主要写了几个场景”这题可能答得不好,其他应该没错.
看在我这么认真答,给点辛苦费吧~
湛男dё梦 回答采纳率:23.3% 2008-11-04 23:30
请问作者是...
答案补充
给楼下的答了..
-_-!
附带一些资料给你吧：
a．为什么说这是一幅乡村秋景图?
b．诗中刻画了几幅图画?(给它们命上整齐、漂亮的名字)
c．诗歌抒发了作者怎样的感情?你喜欢这首诗吗?为什么?
a．因为露珠、冷雾、白霜,表明秋天的天气特征；提到农家：稻香、镰刀体现农家特色；有秋虫低鸣：蟋蟀声使田野更辽阔；溪水干涸、更清冽,暗示这是在秋天.
b．三幅图：农家丰收图、霜晨归渔图、少女思恋图.
c．天的喜爱、赞美的感情.
答案补充
伐木声飘出幽谷——从听觉的角度,写出了幽谷的深、静.
放下饱食过稻香的镰刀——“饱食”运用了拟人的修辞写出了丰收之景；“稻香”从味觉角度,暗示稻子成熟,展示丰收的图画.
秋天栖息在农家里——“栖息”运用拟人的修辞,概括秋天在农人家里的状况,将虚无的东西具体化,写出了松弛、娴静的氛围.
轻轻摇着归泊的小桨——“轻轻”显示出渔人悠闲与自得的心情.
秋天游戏在渔船上——“游戏”一词虚实相生,渔人是在渔船上游戏,并不在乎打了多少鱼,更是在感受秋天,游戏秋天,写出了那份闲适.
秋天梦寐在牧羊女的眼里——“梦寐”是朦胧的意思,写出了少女的情怀,牧羊女的感情似喜似羞.
答案补充
为什么“收起青鳊鱼似的乌桕叶的影子”这个比喻用得好?
比喻青鳊鱼像乌桕叶；另一层意思,江岸上乌桕树,树叶婆娑,倒映在江面,就好像网起的是乌桕叶的影子.用倒装句体现渔民悠闲的心情.
睿宁 回答采纳率:22.6% 2008-11-04 23:38

When it was first performed,critics（评论家）were divided over the music.
当它第一次被演奏的时候,评论家关于这首曲子的观点各异.
divided over
对某事有分歧

①傅雷家书 ②德艺俱备（人格卓越）
评分：共2分。每空1分，第一空有错字不得分。

此题考查的是文学名著，平时应多阅读积累，那么回答此题会很容易。

A

11

（1）何其芳　栖息　游戏　梦寐
（2）东汉末年　曹操　日月之行　星汉灿烂
（3）几处早莺争暖树　谁家新燕啄春泥
（4）明月别枝惊鹊　清风半夜鸣蝉

Rrank O'Conner, the trecentist, famous author and literature critic of ireland says: I think Jane Austen is the greatest novelist, absolutely the best! And Rrank O'Conner also think she is one of the greatest tech master, she is so perfect in literature just like Mozart in music.
Divid Cecil says: the guy who has most respect to laws which he choose must be the successful author. In all these guys, noboby can do better than JaneAusten. that's why she is better than other authors in England. Because of her excellent novel tech, she make the others in the shade.
完全手动翻译,除了几个人名得查查.希望能帮到你吧.

A

D

B

（A、语序不当，“梵高”应与“在”互换位置。C、“醒悟”用在此处不当。D、“家乡是眉山人”，不当。）

1 Who are the other two Bronte sisters besides Emily?
2 How does the story of Heathcliff inspire you?
3 Please quote a sentence by commentator to describe Wuthering Heights?
4 What is the prominent topic of the Wuthering Heights?
5 What do you think is the narrative characteristics of Wuthering Heights?

没神马,“当代著名文学评论家”的文章,只是“很多人”,当然不是评论家,也不著名,也评论一下而已.
看来这评论,很多人也会的.只是没人叫他们为评论家,也还不著名.
总之,叫文章的东东,不管谁写的,人人都有评论的权利,这与评论的是否有理是两个不同性质的概念,文章什么的也总会有人评论,除非你不写.不叫文章的东东大体也是这样,这样说还算公允吧.

因为够形象,读者一看到题目就能想象得到这株紫藤萝长得很高,枝繁叶茂,还有它枝蔓垂下来的壮观场面.瀑布那种气势,你能够想象得到.

小题1:A
小题2:B
小题3:D

毕淑敏是一位写作风格细腻、清新、朴实而富有哲理的女作家.这篇《旷野与城市》写出了舒缓宁静的旷野与激烈喧嚣不已的城市差别,抒发了毕淑敏对旷野的情感,提倡我们不应当忽视我们认为“乡下”的旷野.“城市差别”“城里人乡下人”,其实乡村不过是城市发育的低级阶段,再简陋的乡村,也是城市的一脉兄长.生活在这个高科技的城市里的我们或多或少的对“乡下人”有所忽视.的确,他们可能不会用电脑,不知道PSP是什么,夏天吹不了空调,冬天开不了取暖器,但是他们质朴善良.我们“城里人”的幸福生活也靠他们的努力换来的.有人说,毕淑敏的“文章真情与真知于一体,细腻与大气于一体,集平凡与深刻于一体,集耀采与华章于一体.”文字神闲气定,字里行间流露的是她的冷静与善意,反映了女作家对生活、对生命、对自然的感性认知和理性思考.女作家的敏感、细腻、唯美的特质,带给散文自然、优美、直达人心的魅力.文章层次分明,理解难度不大,适合考查中等程度学生的阅读能力.旷野其实是广义的乡村,现在城市的高楼大厦一点一点的侵蚀着旷野,人们的心灵越来越找不到栖身之处.作者急切希望旷野不要在一点点消失.

D

Advertisements are everywhere!They're on the radio and tV,in newspapers and magazines,on buses and buildings.They're on welsites and mobile phones.Some of us don't like advertisements,but some like.There are some advantages about it.We can know what is happening around us.What is new and what is fashion.But there are also disadvantages.They just want to make money.for example,they make people think that if we buy that kind shoes,we can run faster.But it is not true.It is the training,not the shoes that make people run faster.So next time,when you see advertisements,try to think before you decide to buy the products.

A: Introduction: Edgar Allan Poe is nineteenth Century America famous novelist, poet and literary critic. Bernard Shaw once said: "American out of the two great writers, Allan Poe and Mark Twin." Mark Twain had already make known to every family, but Allan Poe's career, even in the first decadesafter death are left out in the cold, and even criticism. Until twentieth Century, he was gradually by the various schools of literary criticism in favor of. Poe wrote 70 short stories and 48 poems in his short life of the Communist Party of china. His poems focus on the subjective feelings, the pursuit of the beauty of music and beauty in form; novel with Gothic horror novel. This kind of work is often the story rather mysterious, people areinsane, is full of horror and weird things, creating a strong atmosphere of terror, straight hit the human heart, give a person with spiritual terror.Edgar Allan Poe is an aesthete, he was full of frustrations, not all accepted by the public, this is undoubtedly a huge trauma on sensitive he, also have a great influence on his literary creation. He is good at the novel in a dark cold atmosphere, with its superior language skills and all threads neatly tied up the scene description, in-depth the inner world of characters, thenature of the dark Ugly Naked reduction to readers, to bring an unprecedentedsensory and mental impact to the people. D H Laurence in the "research USAclassical literature" (1923) of Edgar Allan Poe had such evaluation, he is "adeep human nature cave, cellars and creepy tunnel explorer". Edgar Allan Poeadvocated "art for art's sake". He thought that all the purpose of art is tocreate entertainment, not to reveal the truth. In story writing, artists should attempt to terror, thrilling and strong emotional effect. At the same time, literature should pay attention to harmony and atmosphere of the overall rendering. He founded his own theory of short stories -- Unity of effect theory in order to achieve this goal, he advocated the use of two strategies: one is limited in length, and resolutely not to help build the effect of words; the two is the effect of pre conceived, to effect coinedplot. Published in 1846, "a bucket of white Wine" (the cask of Amontillado)is one of the representative works of Poe's horror novels, but also fully embodies Poe's short story creation theory. In twentieth Century 90 years,western culture and literary theory circles have great in strength and impetus of the boom, this upsurge will almost all concerned with social history, political economic and cultural life, literary activities andliterary phenomena in the research field of slope, this is a controversialwriter involved, he and his works are the macroscopic and microcosmicperspective, the transverse and longitudinal all-round culture, the slope of the classic horror story "Armand Tirado" is also very deep. All along, the western literary critics have not given up on the slope, evaluation and even in many great writers of the same period will give him different. Tennyson(Tennyson) said Poe was the "most creative genius" American, Whitman(Whitman) said he is "imaginative literature electro-optic, bright, dazzling,but no heat". In China, disputes on slope is not so large, the POE themeinquiry, also have a method from a single criticism criticize. There also will be the study of Poe's novels were placed in a traditional or abackground of the research, such as slope and Gothic Fiction tradition or thechanges and development of slope is placed in the American novels underinvestigation. Two: domestic and foreign research: (foreign scholars to studyabroad:) Alan Poe's classic horror short story "Armand Tyra" the cask is very impressive, generally divided into three levels: level, personality of Poe'slife and character cut in his works; the text level: small in the Gothicstyle and unique the art of writing and abstract structure level. D H Laurence in the "research USA classical literature" (1923) of Edgar Allan Poehad such evaluation, he is "a deep human nature cave, cellars and creepytunnel explorer." Normal Gothic theory in many aspects, but in the "Armand Tirado" the cask barrel, performance is most pronounced on lots of novels andfrom a first person perspective technique. The text of the "I" is the narrator and protagonist, is also a not directly participate in the Revengeof language transfer, from him we can not infer any fundamental fact.(Chinese:) but, the domestic study on slope started in the last century,"five four" New Culture Movement
你看看行不行

美国著名作家 海明威：全世界最受欢迎的故事之一,也是美国现代文学的源头.
俄国著名评论家 别林斯基：不只是孩子,这是一本写给所有人看的高级儿童读物.

以贝多芬为原型

“皱”字,不仅形象生动,而且寓意深刻,用平静水面受到风吹时的变化,烘托人物内心的感情波澜.

是说意思么：一个出名的艺术作品,它不一定是完美无缺的.这还需要一个专家来对它作出评论.经过无数次修改,专家点头,你的作品一定举世闻名.还是翻译：A great work of art is known,often accompanied by the identifi...