《哈姆雷特》读后感从哈姆雷特这一人物形象的角度来写

霍金的这本书我也看过,不过没看明白你想问什么,麻烦你把问题说清楚

Hello,everyone. Today my topic is value of life, which originated from Shakespear's famous Hamlet.
Thank you for your time!

Hamlet is one of the most representative tragedies in Renaissance.In the scene,Hamlet as a man of humanism,while his thinking conflicted with realities,his self-consciousness was growing up.先翻这么多吧,觉得好再接着翻

B

这段话是哈姆雷特看到挪威王子福丁布拉斯率兵经过时的台词.反映的是哈姆雷特内心的思想斗争,由于其自身性格上的软弱和迟疑,一直在为父复仇这件事上延宕,而当他看到同样年轻的挪威王子从而对自己产生了自责,反省自己的软弱,这也一定程度上推进了最后的悲剧.其实哈姆雷特的悲剧也就是“性格悲剧”,更深入讲也反映了人类人性的软弱和抉择,人性的弱点.

罗密欧和朱丽叶不顾现实阻碍,勇于追求自己的爱情,即追求现世的幸福,这是人文主义的一大表现.因为在中世纪是主张禁欲主义的,反对追求现世的幸福.
而哈姆雷特就比较复杂了,不过应该可以从他的那句名言入手.“生存还是毁灭,这是一个问题.”这是对个人生命价值的思考,有人文主义的色彩,即强调个人的价值.

C

莎士比亚（William Shakespeare,1564-1616）,伟大的英国文学家.
在其作品中,Hamlet（ 哈姆雷特）、Othello（奥瑟罗）、King Lear（李尔王）、Macbeth（马克白）,又被誉为 莎翁的「四大悲剧」

it is a soliloquy..he is asking himself about everything that had just happened..his mother..his uncle..revenge..etc...

A

亲，对我的回答满意的话，就给个好评吧。如果还有不清楚的地方，可以跟我继续交流哦。

b

1塞万提斯 莎士比亚
2冰心 季羡林 余秋雨
3武松 八戒 关云长 黛玉
4边疆沙漠,浩瀚无边,所以用了“大漠“的“大”字.边塞荒凉,没有什么奇观异景,烽火台燃起的那一股浓烟就显得格外醒目,因此称作“孤烟”.一个“孤”字写出了景物的单调,紧接一个“直”字,却又表现了它的劲拔、坚毅之美.沙漠上没有山峦林木,那横贯其间的黄河,就非用一个“长”字不能表达诗人的感觉.落日,本来容易给人以感伤的印象,这里用一“圆”字,却给人以亲切温暖而又苍茫的感觉.一个“圆”字,一个“直”字,不仅准确地描绘了沙漠的景象,而且表现了作者的深切的感受.诗人把自己的孤寂情绪巧妙地溶化在广阔的自然景象的描绘中

A D

　
（A四大悲剧中无《罗密欧与朱丽叶》，应为《麦克白》 D应为“延宕的王子”）

A

《竞选州长》是美国杰出的讽刺作家马克·吐温的作品。

B

神曲是意大利诗人阿利盖利·但丁的长诗。写于1307年至1321年，这部作品通过作者与地狱、炼狱及天堂中各种著名人物的对话，反映出中古文化领域的成就和一些重大的问题，带有“百科全书”性质，从中也可隐约窥见文艺复兴时期人文主义思想的曙光。

×

浮士德

威廉●莎士比亚

A

C

C

、“戏中戏”指王子利用到宫中演戏的戏班子,让他们在他叔叔克劳狄斯面前演一出戏剧——谋杀案《贡扎古之死》.上演时,此戏被哈姆莱特改名为《捕鼠机》.此谋杀案与鬼魂所说的谋杀情节相似,哈姆莱特借此观察克劳狄斯的神情反应,来确定他是不是凶手.

C

本题考查学生对文艺复兴时期的人及其作品的记忆情况

C

欧洲文学四大名著指荷马的《荷马史诗》,但丁的《神曲》,歌德的《浮士德》和莎士比亚的《哈姆雷特》.

D

×

　B E

　
B哈姆雷特误杀的是奥菲利亚的父亲 E“生存还是毁灭”的独白不是出现在叔父祈祷时）

A

可以自己去网上找啊 全文好多

A

错

考查文艺复兴时期思想家及代表作品，回顾已学知识可知《蒙娜丽莎》与《哈姆雷特》分别是文艺复兴时期达·芬奇与英国文学巨匠莎士比亚的代表作品。

（1）《奥赛罗》《李尔王》
（2）关汉卿 楔子 旦 末 曲词 宾白 宫调 曲牌

三条线索：哈姆雷特为父被谋杀篡权复仇；雷欧提斯为被哈姆雷特无意杀死的父亲波洛纽斯复仇；福丁布拉斯为其在战场上比武丧生的父亲复仇。流血复仇的情绪笼罩全篇。三条线索以哈姆雷特的复仇为主线，其它两条为副线，交错发展，而又主次分明。

B

A D

　
（A四大悲剧中无《罗密欧与朱丽叶》，应为《麦克白》 D应为“延宕的王子”）

B

人文主义精神
文艺复兴运动
影响:是一场资产阶级的新文化运动;是自希腊智者运动以来欧洲出现的第二次思想解放运动;推动了当时的文学,艺术,自然科学的发展;过分推崇个人主义,导致个人私欲的膨胀,泛滥和社会混乱.

"Hamlet" figures about the psychology is very rich in language,in all of Shakespeare's tragedy is also very prominent.If the majority of Hamlet's character is "Fenghua" expression of his "full of ridiculous statement is" like burst forth from the sparks.Kelaodisi Yinyangguaiqi language,he Koumifujian a Zhaoying the ugly forms.Boluoniesi love poetry of language,gives the impression to ludicrous.

C

无

莎士比亚；查理一世

√

A

《哈姆雷特》读后感
Impression of Hamlet
XXX 的读后感 一律这样翻译,这也是最地道的!

To be,or not to be,that is the Question:
Whether 'tis Nobler in the minde to suffer
The Slings and Arrowes of outragious Fortune;
Or to take Armes against a Sea of troubles,
And by opposing end them:to dye,to sleepe
No more; and by a sleepe,to say we end
The Heart-ake,and the thousand Naturall shockes
That Flesh is heyre too?'Tis a consummation
Devoutly to be wish'd.To dye to sleepe,
To sleepe,perchance to Dreame; I,there's the rub,
For in that sleepe of death,what dreames may come,
When we have shuffel'd off this mortall coile,
Must give us pawse.There's the respect
That makes Calamity of so long life:
For who would beare the Whips and Scornes of time,
The Oppressors wrong,the poore mans Contumely,
The pangs of dispriz'd Love,the Lawes delay,
The insolence of Office,and the Spurnes
That patient merit of the unworthy takes,
When he himselfe might his Quietus make
With a bare Bodkin?Who would these fardles beare
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscovered Countrey,from whose Borne
No Traveller returnes,Puzels the will,
And makes us rather beare those illes we have,
Then flye to others that we know not of.
Thus Conscience does make Cowards of us all,
And thus the Native hew of resolution
Is sicklied o're,with the pale cast of Thought,
And enterprizes of great pith and moment,
With this regard their Currants turne away,
And loose the name of Action.

这个世界上到处充斥着生存和毁灭的气息.
在毁灭中生存,这是坚强者的信念!

To be,or not to be- that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune
Or to take arms against a sea of troubles,
And by opposing end them.To die- to sleep-
No more; and by a sleep to say we end
The heartache,and the thousand natural shocks
That flesh is heir to.'Tis a consummation
Devoutly to be wish'd.To die- to sleep.
To sleep- perchance to dream:ay,there's the rub!
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause.There's the respect
That makes calamity of so long life.
For who would bear the whips and scorns of time,
Th' oppressor's wrong,the proud man's contumely,
The pangs of despis'd love,the law's delay,
The insolence of office,and the spurns
That patient merit of th' unworthy takes,
When he himself might his quietus make
With a bare bodkin?Who would these fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death-
The undiscover'd country,from whose bourn
No traveller returns- puzzles the will,
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pith and moment
With this regard their currents turn awry
And lose the name of action.