外国文学作品中有名的句子 要英文的哦 句子及作者、出处

我还想问你呢！

明确标注是外国作者的 9课 ---自然之道 18课----永生的眼睛 22课---牧场之国
32课---渔夫的故事
写外国事但并未说是外国作者的 5课--中彩那天 7课--尊严 12课---大自然的启示
13课---夜莺的歌声 25课---两个铁球同时着地 26课---全神贯注
31课----普罗米修斯

《百年孤独》的开头：“许多年之后,面对行刑队,奥雷里亚诺·布恩迪亚上校将会想起,他父亲带他去见识冰块的那个下午.”
一句话涵盖了三个时空,创造出令人眼花缭乱的感觉,突出了史诗感.

最好LZ 要自己花点心思,哪怕参考现成的文章但是加上自己的理解也成,最起码要挑本自己喜欢的书?
我很喜欢简爱,所以下面这篇简爱的赏析供LZ参考.不是我写的,是外国人写的.
这书真好^_^
Jane Eyre is the rare book that manages to be good by virtue of ineffable charm alone, despite not having very much going for it in terms of overall plot.
There is something more going on in Jane Eyre than mere charm, true, something authentically powerful--if, as will be see, brief. But the power of Jane Eyre has less to do with the conflict of great forces that typifies great works of literature, and more to do with the subtle irritation of a delayed resolution to its most important episode. Instead of a race between values through the people who represent those values, Jane Eyre tasks us with a race to turn its pages and find out its secrets--still a race, but a race whose victory, barring the boredom of the reader, is assured.
The word "episode" above is a clue to the larger problem. Jane Eyre is a novel built on episodes, loosely tied together by their common, likable and eponymous protagonist. Jane Eyre is an orphan in the care of her brutal relatives, who despise her due to her outspoken character combined with her low social station. They eventually foist her off on the grim boarding school of Lowood.
As a narrator, Jane is ideal: objective enough to provide us with a good account of events, outspoken enough to bump the plot along whenever it needs bumping, and virtuous enough never to frustrate our expectations. Often enough, our viewpoint is hers; only we're not quite so witty and we're without quite so apt an eye for injustice--again making Jane, in page-after-page of her revelations, a delight to read. The novel's rhetoric is also inventive, accomplishing its routine narrative tasks via devices more elaborate than are probably necessary, yet with something fresh about each.
Jane's attempt to chide herself into abandoning her interest in her brooding employer, Edward Rochester, takes the form of a contest between two mental pictures, and the inevitable attempt by Rochester to coax out Jane's feelings involves an elaborate and well-detailed ruse involving disguises and a gypsy fortuneteller. The book, and its narrator, both definitely have charm: we like Jane, we like what she says, and we want to see what she will say next.
What We Like About Jane Eyre
Where we like Jane the most is in the book's principal episode, which involves Jane working as a governess for a young charge of dark, Byronic Rochester amidst the mysteries of his dark, Byronic estate Thornfield--all revealed, of course, after many dark, Byronic outbursts of extreme sentiments that Charlotte Bronte probably enjoyed writing very much. And, Rochester is actually enjoyable: a match for Jane in terms of wit, impressive in his authority, and sympathetic in his vulnerability. He's likable enough, in fact, that once Jane begins to speculate on the possibility of becoming closer still to her employer, we realize that we like the idea of these two becoming a pair. Suddenly, the story floods with tension. We're no longer reading just because we happen to like Jane, but because we're invested in a likable outcome.
More: we're invested in a likable outcome that seems increasingly threatened by Rochester's secrets. Bronte hints at these with the facility of a mystery novelist: she knows the ideal times to drop a scream from the walls or a mysterious guest from the past into our laps. In her continued ability to strain, felicitously, at the bounds of rhetoric, she raises the novel to a level no mystery writer usually wants to attempt.
And the conclusion, when it finally hits, is worth the wait--not only raising the level of tension and rhetoric, but also the thematic level of the book as well. The Rochester episode is the story that everyone remembers from Jane Eyre, and the one part of the book that deserves to be called truly great.
But then there's the rest of the book, which isn't great; it's just there. Jane's school is infested with typhus, Jane meets her long-lost cousin, Jane is tempted to run off and become a missionary: really, how does this stack up to Thornfield? And why does it need to be there at all, other than filling in a necessary gap in time before Rochester can come storming back in on his black horse (figuratively, of course, considering certain events in the plot) and make the story interesting again?
It needs to be there, one might think, because the story isn't about Rochester and Jane; it's about Jane--which would be true. But, if the story is about Jane alone, relegating Rochester to a brief but important incident in Jane's life, then it's not a great story. With her her likable, narratorial qualities, Jane may be a great narrator, but she makes an extremely lousy dynamic character, even if she is involved in a typhus scare.
Jane is objective, outspoken, and virtuous throughout, which means she's not particularly susceptible to temptations (except those Rochester provides). That means that Rochester is crucial to the real, emotional conflict of the book--crucial to the power of the book. The rest is just Jane being Jane, which may be fun to read, but it doesn't intersect with any real threat, any real conflict of values that lends a great book its electric charge.
So what the novel has to its name is rhetorical brilliance, a good episode that doesn't take up nearly a large enough percentage of the page count, and a lot of needless distractions.
There are great books that are structurally unbalanced, even structurally deranged, Don Quixote being maybe the prime example, but even Don Quixote is unusually good about keeping its Quixote chapters strictly separate from its "filler" chapters, allowing the knight to remain his untarnished self throughout its plot, and throughout our memories.
Whereas Bronte, in taking as her narrative logic an episodic structure united by an ideal protagonist, gives her book a larger measure of consistency at the expense of diluting its overall strength. Thus Jane Eyre remains a beautiful sandcastle while it's being experienced, but not one of which much (save its brief heart) remains after the tides of time and memory crash down over its Thornfieldean parapets.

　　外国文学名著简爱英文读后感
　　Oliver Twist,one of the most famous works of Charles Dickens’,is a novel reflecting the tragic fact of the life in Britain in 18th century.
　　The author who himself was born in a poor family wrote this novel in his twenties with a view to reveal the ugly masks of those cruel criminals and to expose the horror and violence hidden underneath the narrow and dirty streets in London.
　　The hero of this novel was Oliver Twist,an orphan,who was thrown into a world full of poverty and crime.He suffered enormous pain,such as hunger,thirst,beating and abuse.While reading the tragic experiences of the little Oliver,I was shocked by his sufferings.I felt for the poor boy,but at the same time I detested the evil Fagin and the brutal Bill.To my relief,as was written in all the best stories,the goodness eventually conquered devil and Oliver lived a happy life in the end.One of the plots that attracted me most is that after the theft,little Oliver was allowed to recover in the kind care of Mrs.Maylie and Rose and began a new life.He went for walks with them,or Rose read to him,and he worked hard at his lessons.He felt as if he had left behind forever the world of crime and hardship and poverty.
　　How can such a little boy who had already suffered oppressive affliction remain pure in body and mind?The reason is the nature of goodness.I think it is the most important information implied in the novel by Dickens-he believed that goodness could conquer every difficulty.Although I don’t think goodness is omnipotent,yet I do believe that those who are kind-hearted live more happily than those who are evil-minded.
　　For me,the nature of goodness is one of the most necessary character for a person.Goodness is to humans what water is to fish.He who is without goodness is an utterly worthless person.On the contrary,as the famous saying goes,‘The fragrance always stays in the hand that gives the rose’,he who is with goodness undoubtedly is a happy and useful person.People receiving his help are grateful to him and he also gets gratified from what he has done,and thus he can do good to both the people he has helped and himself.
　　To my disappointment,nowadays some people seem to doubt the existence of the goodness in humanity.They look down on people’s honesty and kindness,thinking it foolish of people to be warm-hearted.As a result,they show no sympathy to those who are in trouble and seldom offer to help others.On the other hand,they attach importance to money and benefit.In their opinion,money is the only real object while emotions and morality are nihility.If they cannot get profit from showing their ‘kindness’,they draw back when others are faced with trouble and even hit a man when he is down.They are one of the sorts that I really detest.
　　Francis Bacon said in his essay,‘Goodness,of all virtues and dignities of the mind,is the greatest,being the character of the Deity,and without it,man is a busy,mischievous,wretched thing,no better than a kind of vermin.’
　　That is to say a person without goodness is destined to lose everything.Therefore,I,a kind person,want to tell those ‘vermin-to-be’ to learn from the kind Oliver and regain the nature of goodness.

葛朗台 《欧也妮·葛朗台》 巴尔扎克
奥楚蔑洛夫 《变色龙》 契诃夫
堂吉诃德 《堂吉诃德》 塞万提斯

奥斯丁的小说《爱玛》,这部小说中的女主人公爱玛是一个既有金钱又有美貌的单身女子,她骄傲,有各式各样的缺点,但难能可贵的是她懂得反省的价值并知道努力改正,这也是我最喜欢她的地方.这个人物更像现实中的我们不是吗,我们会犯各式各样的错误,但只要改正,我们依然是讨人喜爱的.我不喜欢太过完美的主人公,那样太假,而奥斯丁的小说则恰好相反,她笔下的每一个人物都会犯错,在生活的各种方面都会,但这并不妨碍她们的生活,这样更接近于我们当前的生活状态啊!

昆虫记,海底两万里,神秘岛,格列佛船长和他的儿女,汤姆索亚历险记,八十天环游地球

翻译者和出版社

钢铁是怎样炼成的
保尔柯察金很厉害的人,从他身上能学到人生经验
呵呵
个人感觉

和爱丽丝队会

额，随便是谁么。 堂吉诃德。《堂吉诃德》。堂吉诃德是一个性格复杂而矛盾的人物。他身上既有滑稽可笑的特点，又有严肃认真的思考; 既荒谬绝伦，又崇高伟大; 既有喜剧性，又有悲剧性，是一个可笑又可悲、可乐又可敬的具有双重性格组合的人物形象。 堂吉诃德敢用自己的行动、甚至生命来捍卫道德、正义和信仰，即使大多数情况下都以失败而告终，但他这种不屈不挠、勇于自我牺牲的精神，实在是足可令人敬佩的。

The Harvest Moon
Ted Hughes
The flame-red moon,the harvest moon,
Rolls along the hills,gently bouncing,
A vast balloon,
Till it takes off,and sinks upward
To lie on the borrom of the sky,like a gold doubloon.
The harvest moon has come ,
Booming softly through heaven ,like a bassoon.
And the earth replies all night,like a deep drum.
So people can't sleep,
So they go out where elms and oak trees keep
A kneeling vigil,in a religious hush.
The harvest moon has come!
And all the moonlit cows and all sleep
Stare up at her petrified,while she swells
Filling heaven,as if red hot,and sailing
Closer and closer like the end of the world.
Till the gold fields of stiff wheat
Cry‘We are ripe,reap us!’and the rivers
Sweat from the melting hills.

1为了提高我
2读前少了主语我
3这个应该也有：语意不明,是许多外国,还是许多（外国）文学作品

不知道你是要读原文还是译本.我很喜欢阅读外国文学作品.个人认为兴趣的培养是最难的.因为在我身边的朋友主要是因为没有兴趣而放弃阅读,觉得外国文学作品中的人物名字过长,幽默与环境不能被我们理解、想象.你可以在经典作品当中选择自己所喜欢的类型开始阅读,培养自己的兴趣.可以阅读经典选读本和缩略本,有兴趣的再读全文.还可以阅读中英对译本,帮助自己更好的理解,如果你的英语比较好的话.同时还可以提升自己的语言能力.辅助兴趣的培养可以观看经典名著改编的电影.

童年　高尔基　 她是指的高尔基的外祖母

1.夏洛克 ：人物性格：贪婪、吝啬、冷酷和狠毒；出自：(英国戏剧家 莎士比亚 喜剧《威尼斯商人》)
2.阿巴贡 ：人物性格：爱财如命,吝啬成癖；出自：(法国剧作家 莫里哀 喜剧《悭吝人》, 或译名为《吝啬鬼》、《悭吝鬼》)
3.葛朗台：人物性格：三字形容“守财奴”“执着狂”：出自：(法国作家 巴尔扎克 长篇小说《守财奴》, 原译名为《欧也妮·葛朗台》)
：

钢铁是怎样练成的，昆虫记

我觉得是一些双关、隐喻和文字游戏等……虽然有些可以通过注释理解,但是还是需要对作者生平经历、思维方式、文化背景有所了解.比如纳博科夫的小说里常用戏仿、反讽,没有相关的知识就无法领悟的作者的匠心独运.提高外国文学鉴赏水平,平时可以遐览一些西方哲学、历史等方面的书籍,还要多阅读一些经典作品,米尔顿、莎士比亚、菲尔丁等等,毕竟很多作者也是读着这些书长大的,或多或少都受到前人的启迪.总之就是尽量做到精深而广博啦.我目前也一直在努力提高自己的文学鉴赏能力.希望对你有帮助.

卖火柴的小女孩

某日读到一篇描写落叶的文章,当中提到法国梧桐的名字.文章过目即忘,却记住了文中所述法国梧桐,随之而起一探其庐山真面目的欲望.前日有闲,循着那些文字所述按图索骥找到了法国梧桐之所在,特意去一睹其真容.站在法国梧...

咳咳.不知道是不是西方的哦.1.
我喜欢,我喜欢满目苍翠的夏天,因为夏天可纵情泳池游泳.夏天给孩子们带来欢乐,他们是夏季里最快乐的天使.我喜欢,我喜欢狂风暴雨的夏天,因为夏雨是那么豪爽干脆.夏天的荷花给我们露出笑脸,夏天的荷叶向我们展示魅力.
2.
七月,透蓝的天空,悬着火球似的太阳,云彩好似被太阳烧化了,也消失得无影无踪.
3.
春天随着落花走了,夏天披着一身的绿叶儿在暖风里蹦跳着走来了.
4.
初夏的阳光从密密层层的枝叶间透射下来,地上印满铜钱大小的粼粼光斑.
风儿带着微微的暖意吹着,时时送来布谷鸟的叫声,它在告诉我们：“春已归去.”
5.
青草、芦苇和红的、白的、紫的野花,被高悬在天空的一轮火热的太阳蒸晒着,空气里充满了甜醉的气息.
6.
初夏时节,各色野花都开了,红的、紫的、粉的、黄的,像绣在一块绿色大地毯上的灿烂斑点；成群的蜜蜂在花从中忙碌着,吸着花蕊,辛勤地飞来飞去.
7.盛夏,天热得连蜻蜓都只敢贴着树荫处飞,好像怕阳光伤了自己的翅膀.
空中没有一片云,没有一点风,头顶上一轮烈日,所有的树木都没精打采地、懒洋洋地站在那里.
8.
七月盛夏,瓦蓝瓦蓝的天空没有一丝云彩,火热的太阳炙烤着大地,河里的水烫手,地里的土冒烟.
9.
烈日当空,道路两旁,成熟的谷物在热得弯下腰,低着头.蚱蜢多得像草叶,再小麦和黑麦地里,在小麦和黑麦地里,在岸边的芦苇丛中,发出微弱而嘈杂的鸣声.
10.
太阳像个老大老大的火球,光线灼人,公路被烈日烤得发烫,脚踏下去一步一串白烟.
11.
天气闷热得要命,一丝风也没有稠乎乎的空气好像凝住了.
12.
那是一个久旱不雨的夏天,炎热的太阳烤得田里的老泥鳅都翻白了,村边的小溪,溪水一下低了几寸,那些露在水面的石头,陡地变大了.
小鸟不知躲匿到什么地方去了；草木都垂头丧气,像是奄奄等毙；只有那知了,不住地在枝头发出破碎的高叫；真是破锣碎鼓在替烈日呐喊助威!
街上的柳树像病了似的,叶子挂着尘土在枝上打着卷,枝条一动也不动.马路上发着白光,小摊贩不敢吆喝,商店门口的有机玻璃招牌,也似乎给晒化了.
13.
初夏的阳光从密密层层的枝叶间透射下来,地上印满铜钱般大小的光斑.
14.
当春姑娘还在家乡的小河边散步,观赏着美景时,夏弟弟跳到小河里去喝水,惹得春姑娘生了气,一撩衣裙,飘然而去.
15.
初夏的晚风,带着枣花和月季花的幽香,飘进这间简朴而舒适的客厅.
16.
青草、芦苇和红的、白的、紫的野花,被高悬在天空的一轮火热的太阳蒸晒着,空气里充满了甜醉的气息.
17.
夏天到了,草原上的草长高了,随风摇摆,连绵不断,似海浪起伏.更美的是到处开满了各色小野花,远远望去,像碧绿的大地毯上绣着五彩的花朵.草原到处翠色欲流,轻轻流入云际.
18.
炎热的盛夏,土地非常干渴,水刚一沾着泥土,就发出吱吱的声响,又细碎又清晰,一点儿也不流淌,马上就被吸干了,在须根的周围留下一小圈淡淡的影子.眼前那影子很快地淡下去,一会儿就只剩下一点儿差不多不能辨认的痕迹

百度一下

A contented mind is the greatest blessing a man can enjoy in this world.
知足是人生在世最大的幸事.
－Joseph Addison（美国作家艾迪生）
If you would know the value of money, go and try to borrow some.
要想知道钱的价值,就想办法去借钱试试.
－Benjamin Franklin（美国总统富兰克林）
If you wish to succeed, you should use persistence as your good friend, experience as your reference, prudence as your brother and hope as your sentry.
如果你希望成功,当以恒心为良友,以经验为参谋,以谨慎为兄弟,以希望为哨兵.
－Thomas Edison（美国发明家爱迪生）
Sometimes one pays most for the things one gets for nothing.
有时候一个人为不花钱得到的东西付出的代价最高.
－Albert Einstein（美国科学家爱因斯坦）
You have to believe in yourself. That's the secret of success.
你必须相信自己,这是成功的关键.
－Charles Chaplin（美国演员卓别林）
The man who has made up his mind to win will never say "impossible".
凡是决心取得胜利的人是从来不说"不可能的".
－Bonapart Napoleon（法国皇帝拿破仑）
Our destiny offers not the cup of despair, but the chalice of opportunity.
命运给予我们的不是失望之酒,而是机会之杯.
－Richard Nixon（美国总统尼克松）
Genius only means hard-working all one's life.
天才只意味着终身不懈的努力.
－Mendeleyev（俄国化学家门捷列耶夫）
You can tell the ideals of a nation by its advertisements.
从一个国家的广告可以看出这个国家的理想.
－Norman Douglas（英国作家道格拉斯）
The only limit to our realization of tomorrow will be our doubts of today.
实现明天理想的唯一障碍是今天的疑虑.
－Franklin Roosevelt（美国总统罗斯福）
The man with a new idea is a crank until the idea succeeds.
具有新想法的人在其想法实现之前是个怪人.
－Mark Twain（美国作家马克?吐温）
The important thing in life is to have a great aim, and the determination to attain it.
人生重要的事情是确定一个伟大的目标,并决心实现它.
－Johann Wolfgang von Goethe（德国诗人、剧作家歌德）
If you doubt yourself, then indeed you stand on shaky ground.
如果你怀疑自己,那么你的立足点确实不稳固了.
－Ibsen（挪威剧作家易卜生）
Ideal is the beacon. Without ideal, there is no secure direction; without direction ,there is no life.
理想是指路明灯.没有理想,就没有坚定的方向；没有方向,就没有生活.
－Leo Tolstory（俄国作家托尔斯泰）
Don't part with your illusions, When they are gone you may still exist, but you have ceased to live.
不要放弃你的幻想.当幻想没有了以后,你还可以生存,但是你虽生犹死.
－Mark Twain（马克?吐温）
Do not, for one repulse, give up the purpose that you resolved to effect.
不要只因一次失败,就放弃你原来决心想要达到的目的.
－Willian Shakespeare（莎士比亚）
A contented mind is the greatest blessing a man can enjoy in this world.
知足是人生在世最大的幸事.
－Joseph Addison（美国作家艾迪生）
If you would know the value of money, go and try to borrow some.
要想知道钱的价值,就想办法去借钱试试.
－Benjamin Franklin（美国总统富兰克林）
If you wish to succeed, you should use persistence as your good friend, experience as your reference, prudence as your brother and hope as your sentry.
如果你希望成功,当以恒心为良友,以经验为参谋,以谨慎为兄弟,以希望为哨兵.
－Thomas Edison（美国发明家爱迪生）
Sometimes one pays most for the things one gets for nothing.
有时候一个人为不花钱得到的东西付出的代价最高.
－Albert Einstein（美国科学家爱因斯坦）
You have to believe in yourself. That's the secret of success.
你必须相信自己,这是成功的关键.
－Charles Chaplin（美国演员卓别林）
The man who has made up his mind to win will never say "impossible".
凡是决心取得胜利的人是从来不说"不可能的".
－Bonapart Napoleon（法国皇帝拿破仑）
Our destiny offers not the cup of despair, but the chalice of opportunity.
命运给予我们的不是失望之酒,而是机会之杯.
－Richard Nixon（美国总统尼克松）
Genius only means hard-working all one's life.
天才只意味着终身不懈的努力.
－Mendeleyev（俄国化学家门捷列耶夫）
You can tell the ideals of a nation by its advertisements.
从一个国家的广告可以看出这个国家的理想.
－Norman Douglas（英国作家道格拉斯）
The only limit to our realization of tomorrow will be our doubts of today.
实现明天理想的唯一障碍是今天的疑虑.
－Franklin Roosevelt（美国总统罗斯福）
The man with a new idea is a crank until the idea succeeds.
具有新想法的人在其想法实现之前是个怪人.
－Mark Twain（美国作家马克?吐温）
The important thing in life is to have a great aim, and the determination to attain it.
人生重要的事情是确定一个伟大的目标,并决心实现它.
－Johann Wolfgang von Goethe（德国诗人、剧作家歌德）
If you doubt yourself, then indeed you stand on shaky ground.
如果你怀疑自己,那么你的立足点确实不稳固了.
－Ibsen（挪威剧作家易卜生）
Ideal is the beacon. Without ideal, there is no secure direction; without direction ,there is no life.
理想是指路明灯.没有理想,就没有坚定的方向；没有方向,就没有生活.
－Leo Tolstory（俄国作家托尔斯泰）
Don't part with your illusions, When they are gone you may still exist, but you have ceased to live.
不要放弃你的幻想.当幻想没有了以后,你还可以生存,但是你虽生犹死.
－Mark Twain（马克?吐温）
Do not, for one repulse, give up the purpose that you resolved to effect.
不要只因一次失败,就放弃你原来决心想要达到的目的.
－Willian Shakespeare（莎士比亚）