《皇帝的新装》和《女娲造人》 一些、题.

安徒生《丑小鸭》《卖火柴的小女孩》（或《海的女儿》等）

D

我不同意上面的回答,觉得还含有一种“怜爱”“认同”的味道,更具有一种“讽刺”那些无知的大众的意义

其一,这种快乐是建立在摆脱对“看不到布料”本身这种恐怖基础之上的快乐.看不到布料本身既然意味着不称职和愚蠢,那么借此机会大声表示同意就可以避免漏出马脚.
其二,是又一次得到提升机会的快乐.这个时候,既然说谎不仅可以拯救自己,而且可以得到升迁的机遇和上面的关注和欢心,那么作为一个“相关利益者”,谁不积极表现呢?

《赫尔墨斯和雕像者》

《皇帝的新装》选自《安徒生童话故事选》，

安徒生被称为“照亮了丹麦,哥本哈根所有的光辉都聚集到了他的身上”的人.
安徒生被称为童话之王.
安徒生被称为童话大师.
安徒生小时候的嗓音也很不错,甚至被称为“欧登塞的夜莺鸟”.
又被称为：世界童话之王!
简介
汉斯·克里斯蒂安·安徒生（Hans Christian Andersen,1805年4月2日－1875年8月4日）丹麦作家,诗人,因为他的童话故事而世界闻名.他最著名的童话故事有《小锡兵》、《冰雪女王》、《拇指姑娘》、《卖火柴的小女孩》、《丑小鸭》和《红鞋》等.安徒生生前曾得到皇家的致敬,并被高度赞扬为给全欧洲的一代孩子带来了欢乐.他的作品已经被译为150多种语言,成千上万册童话书在全球陆续发行出版.他的童话故事还激发了大量电影,舞台剧,芭蕾舞剧以及电影动画的制作.参考资料：百度名片

他每一天每个小时都要换一套衣服.
那些托后裙的内臣都把手在地上东摸西摸,好像他们正在拾起衣裙似的.他们开步走,手中托着空气他们不敢让人瞧出他们实在什么东西也没看见
我贪吃到连睡觉也在吃零食.

B.《天上的街市》的作者是当代浪漫主义诗人郭沫若,他写有童话《女神》和神话《星空》.
B.诗歌首句写景,次句叙事,后两句抒情.
A.向我打着青翠的手势

皇帝回来后大怒说：“马上给我把骗子带过来,让我好好管教他们!”不一会,骗子就被抓了回来.国王说：“你们好大的胆子!竟敢戏弄到本王的头上,说吧你们想受到怎样的惩罚!”骗子镇定自如的说：“尊敬的陛下,我认为我们没有错!皇帝更生气了,大怒道：“好大的胆子,让朕那么丢脸面,还说自己没罪,难道你想让我在外国国王那表演吗?”骗子狡猾的转了转眼睛说：“尊敬的陛下,您难道忘了这件衣服的特性?只有愚蠢至极的人,才看不见这件衣服,陛下您这么聪明,怎么能和这些庸民相提并论?”国王大喜说：“对呀我这么尊贵,怎么能和这些庸民相提并论?传令下去,只要是我国的居民或想到我国居住的人,只要看不见这件衣服的全部杀无赦!”
此以后这个国家的居民都不敢说真话,大家都,你骗骗我,我骗骗你!久而久之这就成为了一个谎言国!不久就灭亡了!

第35段是写市民转述小孩子的话,他们不敢正面承认这个事实；第36段则直接描写市民已认可并说出这个事实,前面还有疑惧,后者则已解脱心理压力

D

B.《天上的街市》的作者是当代浪漫主义诗人郭沫若,他写有童话《女神》和神话《星空》.
B.诗歌首句写景,次句叙事,后两句抒情.
A.向我打着青翠的手势

　　“为了争取未来的一代”,安徒生决定给孩子写童话,出版了《讲给孩子们听的故事》.此后数年,每年圣诞节都出版一本这样的童话集.其后又不断发表新作,直到1872年因患癌症才逐渐搁笔.近40年间,共计写了童话168篇.
　　安徒生童话具有独特的艺术风格：即诗意的美和喜剧性的幽默.前者为主导风格,多体现在歌颂性的童话中,后者多体现在讽刺性的童话中.
　　长篇小说(6)：《即兴诗人》、《奥·特》、《不过是个提琴手》、《两位男爵夫人》、《生乎?死乎》、《幸运儿》
　　剧本(25)：
　　☆诗剧：《阿夫索尔》、《圣尼古拉教堂钟楼的爱情》、《埃格纳特的人鱼》
　　☆歌剧：《北欧的女神》、《新房产》、《睡魔》、《司普洛峨的神》、《黑白混血儿》、《摩尔人的女儿》、《幸福之花》、《拉默穆尔的新娘安徒生童话》、《乌鸦》
　　☆轻歌舞剧：《离别与相逢》
　　☆独幕诗剧：《国王的梦想》、《梨树上的鸟儿》、《小基尔斯滕》、《科莫河边的婚礼》
　　☆四幕喜剧：《比珠宝还珍贵》
　　☆喜剧：《海尔德摩尔》、《接骨木妈妈》、《出身并非名门》、《长桥》
　　☆三幕剧：《西班牙客人》
　　☆独幕剧：《初来者》、《罗斯基里达之夜》
　　游记(6)：《1828年和1829年从霍尔门运河至阿迈厄岛东角步行记》、《瑞典纪行》、《西班牙风光》、《访问葡萄牙》
　　自传(3)：《小传》、《我一生真实的故事》、《我的童话人生》
　　诗集(3)：《诗集》、《幻想与现实》、《一年的十二个月》
　　安徒生一生旅行不停,作品生产的来源不绝.他共计写了6部长篇小说,6部游记,5部诗集,25部剧本,3部自传……还有童话,因为比较零散,所以被后人编成为童话集.
　　安徒生的创作可分早、中、晚三个时期.早期童话多充满绮丽的幻想、乐观的精神,体现现实主义和浪漫主义相结合的特点.代表作有《打火匣》、《小意达的花儿》、《拇指姑娘》、《海的女儿》、《野天鹅》、《丑小鸭》等.中期童话,幻想成分减弱,现实成分相对增强.在鞭挞丑恶、歌颂善良中,表现了对美好生活的执着追求,也流露了缺乏信心的忧郁情绪.代表作有《卖火柴的小女孩》、《影子》、《一滴水》、《母亲的故事》、《演木偶戏的人》等.晚期童话比中期更加面对现实,着力描写底层民众的悲苦命运,揭露社会生活的阴冷、黑暗[1]和人间的不平.作品基调低沉.代表作有《柳树下的梦》、《她是一个废物》、《单身汉的睡帽》、《幸运的贝儿》、《沼泽王的女儿》、《小克劳斯和大克劳斯》等.

1.《皇帝的新装》选自《安徒生童话 》,作者安徒生,（丹麦）著名（童话 ）作家.
2.《伊索寓言》是（古希腊 ）著名（寓言故事 ）汇集.其作者相传为（伊索）所作,是（希腊）寓言作家.
3.下列作品属于格林童话的是（AD ）
A.《白雪公主》 B.《拇指姑娘》 C.《海的女儿》
D.《小红帽》 E.《丑小鸭》 F.《卖火柴的小女孩》

要像那个男孩一样!实话实说,实事求是.不要因为别人而遮掩了你所知道的事实

因为每个人都有虚荣心,他们总不想让人认为自己没有学问,不想让自己在别人面前低人一等,所以才会如此.
俺们老师说的

指的是百姓们,大臣们发自内心地真切的羡慕情感.

皇帝挺着大肚子骄傲地完成了这次游行大典,很高兴地回到宫中.没想到一位亲近的大臣说：“陛下,恕我大胆.那俩个织工是个骗子,他们把皇上给骗了.皇上身上的衣服远没有以前的漂亮.”皇帝一改以往的傲慢小心问道“是吗?那你认为我这身衣服怎样?”这位大臣说：“我不敢说呀.我怕自己说错了.”皇帝很不耐烦地说：“我恕你无罪,快快说.”这位大臣吞吞吐吐地说：“我、我、我看不见有衣服呀.”这话一出,掀起了惊涛骇浪.皇帝恼羞成怒：“好呀,你这个大笨蛋,竟敢说我没穿衣服.像个街头无知小孩.”说完就一脚把他踹到九霄云外.
可是皇帝心里也不踏实了,他让其它大臣也穿上这衣服看看,个个穿了全都一样,这时,皇帝渐渐相信那小孩及那位大臣的话了.
他派了几名官差,命令他们把这两位骗子捉过来.可是,那俩个骗子早就逃之夭夭了.无奈,官差只好回宫复命.皇帝很生气地说：“那就到其它国度找.”官差们不顾路途遥远,日夜兼程,走遍全世界都要找到那骗子.好为本国皇帝讨回个面子.可是,时间过去了许久,也没有骗子的消息.那位大臣又为皇帝献计了,他说：“那位小孩也许能帮我们.不如请他来看看.”皇上想：“对呀,那小孩能识破骗子,那就应该能找到骗子.”
于是,那小孩被请来了.小孩说：“他们肯定在我们附近的大森林里头.大人不是常说最危险的地方,也是最安全的地方吗?”皇帝一想,还是小孩的话有道理.于是,他就派出一队士兵由那位大臣与这位小孩带着,把那森林包围起来,就连蚊子也飞不出来.最后,果然在这里把骗子捉回来了.
这下,全国可热闹了.大臣们纷纷献计了,有说砍头示众,也有说让他穿那衣服游行示众的.那小孩说：“最好也让他们知道被骗的感觉吧.”于是,小孩到死牢里见骗子.他对骗子说：“过几天,皇帝就要你穿那漂亮的衣服游行示众,然后砍头.但我可以帮你,不过你得把所有的财产都给我.”骗子说：“可以呀,只要能活着出去就可以.”当小孩将他们的不义财产都骗回来后的一个晚上.
骗子按小孩说的方法趁士兵睡熟时,从窗口溜了出去.正开心,突然一支箭射了过来,正中一个骗子的脚,他们还没反应过来,万箭齐发,他们才知上了小孩的当,空欢喜一场.这就是骗人者的下场.从此,皇帝特别喜欢小孩,全国的小孩都是他的好朋友了.

一句“骇人听闻”,一句“最可怕的事情”,两个“难道”的反问,都是皇帝心里所想,这几句心理描写,突出了皇帝极端恐惧的心理.他虽然什么也没看见,嘴上却极力赞美,而且用了“极”“十分”等程度非常高的修饰语.心里想的和嘴上说的完全相反,表现了皇帝的虚伪和骄横.

《天鹅的窠》http://www.***.com/book/wai/no/fa/antusheng/070.htm
《天鹅》http://www.***.com/book/e/s/200/013.htm

C

1、“弄”字用得好。一个“弄”字，与上文的“装”字、下文的“好像”、“系”相照应，生动地描绘了骗子装模作样的形象，从而对表现皇帝的昏庸愚蠢起到有力的衬托作用。 2、皇上在镜子面前转身扭腰，是装出欣赏...

《皇帝的新装》 安徒生　
《从百草园到三味书屋》 鲁迅 　　
《送董邵南序》 韩愈　　
《麦琪的礼物》 欧·亨利

《皇帝的新装》中那位国王的思想性格是【虚荣、不敢接受现实,宁可相信谎言】,《捧着空花盆的孩子》中那位国王的思想性格是【童真、诚实】两部作品鲜明的对比告诉我们：谎言到头来还是欺骗了自己,问心无愧 行得正 做事会更长远...

鸡蛋 因顾及私利而遭到更大的损失
新装 昏庸 愚蠢 狡诈 自欺欺人

因为大人都是阿谀奉承的人,所以当然说好话了,而且也是人的一种心理都不承认自己是白痴,所以说做衣服的人只说聪明人能看到,谁能承认自己不是聪明人呢,只有小孩子并不懂什么叫聪明或是说假话

1说明了孩子纯结的心理,和董贞.

因为谁也不愿意让人知道自己什么也看不见,因为这样就会显出自己不称职,或是太愚蠢.
准确答案我们刚讲过的

① 皇帝“很想知道布料究竟织得怎样了”,为什么自己不直接看,而是派人先去看?由此可见他是一个怎样的人?回答：皇帝怕自己看不见,怕别人认为自己是个不称职的皇帝,也对自己是否聪明表示不肯定.② 下面句子描写了老大臣的神态,依据语境,试分别揣摩其内心活动.1）他把眼睛睁得特别大.
回答：表现出老大臣内心的震惊.
2）可怜的老大臣眼睛越睁越大,仍然看不见什么东西.
回答：表达了他竭尽全力想要看见点什么,不愿相信自己什么也看不见.

- -...我记得我以前写过.
上网上查一查好了..

Long ago and far away,there lived an Emperor.This Emperor was very vain and could think about nothing but his clothes.He had wardrobes and cupboards full of clothes.They filled his spare bedrooms and upstairs corridors of the palace.
The courtiers were worried that the wardrobes would begin to appear downstairs and in their chambers.
The Emperor spent hours every morning getting dressed.He had to choose his outfit,preferable a new one,and the shoes and wig to go with it.Mid-morning,he invariably changed into something more formal for his short meetings with his counsellors and advisors.He would change again for lunch,and then again for a rest in the afternoon.He just had to change for dinner and them again for the evening!
He kept all the weavers,tailors,cobblers and silk merchants of the city very busy and very happy!
News of the Emperor spread to distant kingdoms and finally came to the ears of two very shady characters.
"Could we?" they asked themselves."Could we fool the Emperor who loves new clothes?"
"Let's try," they decided.
They left their homes and travelled to the Emperor's city.there they saw the many shops selling clothes,shoes and fabrics.For,if the Emperor dressed finely,so too did his couriers.The two travellers went to the palace along with many other tradesmen hoping to sell their wares to the Emperor.
They asked to meet the Emperor.
"We have something very special to show him," they told the Chamberlain.
"That's what everyone says," said the Chamberlain.
"Ah,but his is magical," said one,"We have invented a new cloth by using a very special and secret method."
The Chamberlain felt that it was his duty to bring new items to the Emperor's attention and he went to tell him.
"Something magical?" said the Emperor,who was changing for lunch and admiring himself in the mirror.
"Oh,I love new things,Show the two weavers in."
The two weavers were shown in,and began to describe their cloth to the Emperor.
"It is gold,silver and rainbow coloured,all at the same time," said one."It shimmers."
"It feels like silk,but is as warm as wool," said the second.
"It is as light as air," said the first."A most wonderful fabric."
The Emperor was enchanted.He must have an outfit from this new cloth.
"There is a grand parade in the city in two weeks time," he said."I need a new outfit for it.Can one be ready in time?"
"Oh yes,your Majesty," said the weavers."But there is a problem.The cloth is very expensive to make."
"No matter," said the Emperor,waving his hand."Money is no objest.I must have an outfit.Just see the Chamberlain and he'll sort it out.Make it here in the palace."
The Chamberlain showed the two weavers to a large airy room and they set to work.They asked for a loom,and a sack of gold to start buying materials.
The Chamberlain followed the Emperor's orders and they were denied nothing.
The weavers worked away behind closed doors.The loom could be heard clattering away.Every now and them a courtier would stand and listen at the door.News of the magic cloth had spread.
Finally,the Emperor could stand it no more.
"Chamberlain,go to the weavers and see how the cloth is processing.The parade is only a week way."
The Chamberlain knocked at the door and waited.
"Enter!" said the weavers.They had been expecting someone soon!
"The Emperor has sent me to check on the progress of the cloth," said the Chamberlain,staring at the empty loom.
"Is it not beautiful?" said one of the weavers,holding out nothing to the Chamberlain."See the lustre,feel the softness!"
"Um," said the Chamberlain,not quite sure what to say.
"Oh wise Chamberlain," said the other weaver.
"Now you can see why it is magical.Only the truly clever and brilliant can see the cloth.Most people would see an empty loom,but a clever man like you will see our wonderful cloth."
"Of course," said the Chamberlain,not wanting to look stupid."It really is quite marvellous.Those colours,that shimmer of the gold and silver threads.Marvellous."
"Oh,you are so wise," said the weavers.
The Emperor was very impatient and couldn't wait for the Chamberlain to return.After ten minutes of pacing up and down,he went to the weavers' room,followed by half of his court.
He threw the doors open,and saw the empty loom.
"Why!" he cried in a surprised voice.
"Your Majesty," said the Chamberlain quickly." A wise man such as yourself can surely see the colours and sheen of this magical cloth."
"Of course I can," said the Emperor,wondering why he could not."It's beautiful.Simply enchanting.When can my outfit be made?Send for the royal tailors!"
"Your Majesty," said the two weavers."We would be delighted to make your outfit for you.There is no need to trouble your hard-working tailor.It is such a difficult fabric to cut and sew.We will make the suit."
"Very well," said the Emperor."First fitting tomorrow."
The courtiers had followed the Emperor,and they now came into the room.Of course,they could see nothing on the loom for there was nothing to see.
"Is it not beautiful?" said one of the weavers."Of course,only the wise and very clever can see the beauty of the cloth.Look at the colours,feel the weight."
The courtiers queued up to look at the colours and feel the weight,and each went away exclaiming over the marvellous cloth which was indeed as light as air.But each courtier secretly wondered if they were really stupid,as they had seen nothing at all.
The two weavers then set to work as tailors.
They muttered and discussed at the Emperor's fittings,stitching here,cutting there until at last the suit was made.
The following day was the day of the parade.
"Am I not the handsomest of men in my marvellour suit?" said the Emperor to the Chamberlain,as he showed off his new outfit."Just look at the tiny stitches and the lacework.Truly marvellous."
"Undoubtedly,sir," said the Chamberlain."There is no outfit on earth to equal this one."
The Emperor was dressed in his new suit and ready for the parade.News of his amazing outfit had reached the people of the town and all wanted to see him.There were people crowded along the sides of the streets.
The parade began!
People gasped."What a suit!" they cried.
"What suit?" asked a small boy,who had not heard of the magical cloth."The Emperor has no clothes on at all!"
"It's true!No clothes!The Emperor is naked!" the people cried.
And the Emperor was very ashamed.He had been so vain,and now he had been made to look a fool.
As for the two tailors -- they were in fact thieves,and had long since left the town with their bags of gold.Probably laughing all the way!
But the Emperor is a wiser man now,and spends a lot more time with his advisors and far less with his tailors.

作者通过该文章批判了现实中那些只追求外表的华丽的轻浮的人

1.不想被别人认为自己是笨地,特别是皇帝.有虚荣心也有为了前程.
2.不敢做出头鸟,皇帝一个不高兴就会把他卡擦掉的.
3.随波逐流,大家怎么样就照样做了

搞智商、搞情商的骗子!

要题目

引出下文

1.爱新装
2.做新装
3.看新装
4.穿新装
5.揭新装
我早学了,老师亲自讲的,嘿嘿~楼主顶一下啦

回到皇宫之后,皇帝龙颜大怒,马上叫大臣去把那两个“御聘裁缝”请来,可惜早就人去楼空了.皇帝便立即派人追捕,这一追就是三年,却仍不见那两个骗子的踪影,这件事也就不了了之了.
再回过头来看看皇帝吧!他在这三年里可没闲着,仍旧整天呆在他那间更衣室里忙碌着.有一天,有一群自称是来自26世纪的著名设计师来到了皇宫,他们说能做出独一无二、精美绝伦的衣服来.这一下可把皇帝美坏了,但他从上次的事件中吸取了很大的教训,先让他们去做一身衣服出来,做好了拿来给他看看再说.
于是第二天,那一群人就拿着一件衣服来见皇帝了.因为他们来自26世纪,所以面料当然不是普通的面料了,他们选用的是一种叫“光生织”的面料,这种面料质地透明,颜色是画上去的,而且一擦就掉,可以想变就变.皇帝大笑起来,他做梦都想有一件可以变化的衣服,今天终于梦想成真,他乐得都找不着北了.
从此以后,人们一提起皇帝,肯定就会联想起图画室来,因为他不用换衣服了,召集所有画家帮他“画”衣服就可以了.这下可忙坏了那些画家,他们整日都得有创新的图案,精美的设计,稍有不慎,准会皮开肉绽.皇帝太喜欢这件“万能”衣服了,因此每时每刻都穿在身上,因为他长时间不脱下来,那件衣服“长”在了他的身上,想脱也脱不下来了!

因为抓住皇帝及大臣们的虚荣愚蠢的特点

A

（1）安徒生　丹麦　《卖火柴的小女孩》　《海的女儿》
（2）郭开贞　作家　诗人　《女神》　《星空》　《天上的街市》或《静夜》

1．第①句是第一层，写皇帝买新衣服的费用极大。第②句为第二层，写皇帝的全部兴趣都在穿新衣服上。第③、④句为第三层，写皇帝换衣眼的频繁。
2．写出了一位爱慕虚荣、大肆挥霍、不理国事的皇帝形象。
3．这一段是故事的序幕，它为骗子骗皇帝、皇帝及文武百官受骗而且还骗别人，以至最后上演皇帝赤身裸体招摇过市的闹剧作了准备。

双线交叉,使文章结构更严谨,更加突出文章所要表达的思想和主旨

我想对那个孩子说,你是个诚实的孩子,是你揭穿众人的虚伪,我要向你学习,做个诚实的人.

应该是皇帝得知自己看不见衣服的事
自己可能愚蠢或不称职
当然这是骗子的说法
求采纳

不要为了一时虚荣的满足而放弃做人的原则,放弃那一颗真诚的心.应该保持天真烂漫的童心,无私无畏,敢于说真话.做事要用自己的眼睛看,用自己的头脑思考,千万不要盲目地相信别人.皇帝都心甘情愿地被别人骗,也心安理得地骗别人.骗子之所以得逞,是因为他们看清了人们心中的弱点---甘愿被别人利用,为的只是满足他们可怜的虚荣心. 实际上虚荣心是与生俱来的,但是孩子的心是单纯的,随着长大虚荣心也会越来越深.

本文中的主要人物有三个：皇帝、“诚实的”老大臣和一位“诚实的”官员；次要人物则有随行官员、“最高贵的骑士”以及皇帝的内臣等.他们都有一个共同特征：自私、虚伪、愚蠢和欺骗.他们的这些特征都是在看骗子“织布”、做“新装”的过程中表现出来的.场面相似,本质相同,但我们读起来并不觉得雷同,这是为什么呢?这是作者注意了他们年龄、身份、地位的不同,抓住了每个人物的性格特征,准确、传神地描写了人物的神态、语言、行动,特别是人物心理,细腻的表现了每个人物的异与同.举个例子来说,在“布料”这一环节,皇帝老儿、老大臣和年经官员的表现就各不相同.写老大臣,详细地写了其神态,两次写他“看”.第一次“眼睛睁得特别大”、“越睁越大”,很认真,这是真看,既写出了他什么也没看到的惊异,又刻画出了他那一副年老衰朽的样子.第二次写他“一边说,一边从他的眼镜里仔细地看”,则是假看,是装腔作势,装出仔细看的样子骗人.而写那位官员呢?只写他“看了又看”.这样有详有略的描写,准确地表现了他们的年龄和性格的差别.不过,更能突出人物的特点的是心理描写.什么也没看到,皇帝和老大臣的心理都非常惊疑,写皇帝,用疑问句,表惊异；而写老大臣,则用祈使句,表哀叹.皇帝、老大臣和那位官员都否定自己的愚蠢、不称职,皇帝自以为至高无上、老大臣自恃年高资深,都用反问句,否定语气强烈；而那位官员年青得志,不禁有点儿自我怀疑,用疑问句.皇帝、大臣和百姓们都称赞那根本不存在的布料、新装是多么的美,但每个人的语言也各不相同.

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