夏洛克开始在法庭上用了哪些动人的词语来形容鲍西亚

心如铁石的夏洛克在将自己女儿的恋爱闹的鸡犬不宁的时候,就在女儿和他的情人离家出走的时候,他竟万恶不赦的诅咒自己的女儿死后一定要下地狱.

夏洛克我们一起吃饭吧 字面意思而已 如果这是从什么影视作品或者歌曲上找来的 还请结合语境

例如《夏洛克·福尔摩斯》
=> such as
For example, is....
like

由于夏洛克极力阻止她的女儿杰西卡和罗兰佐恋爱,以至于杰西卡和罗兰佐私奔.在得知他的女儿逃跑后,身为富豪的他竟因为一点钱而这样诅咒他的亲生女儿：“她干出这种不要脸的事来,死了一定要下地狱.”“哎呀,糟糕!糟糕!糟糕!我在法兰克府出两千块钱买来的那颗金刚钻也丢啦!咒诅到现在才降落到咱们民族头上；我到现在才觉得它的厉害.那一颗金刚钻就是两千块钱,还有别的贵重的贵重的珠宝.我希望我的女儿死在我的脚下,那些珠宝都挂在她的耳朵上；我希望她就在我的脚下入土安葬,那些银钱都放在她的棺材里!不知道他们的下落吗?哼,我不知道为了寻访他们,又花去了多少钱.你这你这——损失上再加损失!贼子偷了这么多走了,还要花这么多去寻访贼子,结果仍旧是一无所得,出不了这一口怨气.只有我一个人倒霉,只有我一个人叹气,只有我一个人流眼泪!”

Shylock is the most vivid and memorable character in The Merchant of Venice, and he is one of Shakespeare's greatest dramatic creations. On stage, it is Shylock who makes the play, and almost all of the great actors of the English and Continental stage have attempted the role. But the character of Shylock has also been the subject of much critical debate: How are we meant to evaluate the attitude of the Venetians in the play toward him? Or his attitude toward them? Is he a bloodthirsty villain? Or is he a man "more sinned against than sinning"? One of the reasons that such questions arise is that there are really two stage Shylocks in the play: first, there is the stage "villain" who is required for the plot; second, there is the human being who suffers the loss of his daughter, his property, and, very importantly for him, his religion.
Shylock's function in this play is to be the obstacle, the man who stands in the way of the love stories; such a man is a traditional figure in romantic comedies. Something or someone must impede young, romantic love; here, it is Shylock and the many and various ways that he is linked to the three sets of lovers. The fact that he is a Jew is, in a sense, accidental. Shakespeare wanted to contrast liberality against selfishness—in terms of money and in terms of love. There was such a figure available from the literature of the time, one man who could fulfill both functions: this man would be a usurer, or moneylender, with a beautiful daughter that he held onto as tightly as he did his ducats. Usury was forbidden to Christians by the church of the Middle Ages, and as a consequence, money lending was controlled by the Jews; as a rule, it was usually the only occupation which the law allowed to them. As a result, a great deal of medieval literature produced the conventional figure of the Jewish moneylender, usually as a minor character, but also too, as a major character. It is from this medieval literary tradition that Shakespeare borrows the figure of Shylock, just as Marlowe did for his Jew of Malta. Some commentators have said that the character of Shylock is an example of Elizabethan (and Shakespeare's own) anti-Semitism. In contrast, many have seen the creation of Shylock as an attack on this kind of intolerance. But Shakespeare, they forget, was a dramatist. He was not concerned with either anti- nor pro-Semitism, except in the way it shaped individual characters in his plays to produce the necessary drama that he was attempting to create. The play is thus emphatically not anti-Semitic; rather, because of the nature of Shylock's involvement in the love plots, it is about anti-Semitism. Shakespeare never seriously defined or condemned a group through the presentation of an individual; he only did this for the purposes of comedy by creating caricatures in miniature for our amusement. Shylock is drawn in bold strokes; he is meant to be a "villain" in terms of the romantic comedy, but because of the multi-dimensionality which Shakespeare gives him, we are meant to sympathize with him at times, loathe him at others. Shakespeare's manipulation of our emotions regarding Shylock is a testament to his genius as a creator of character.
When Shylock leaves the courtroom in Act IV, Scene 1, he is stripped of all that he has. He is a defeated man. Yet we cannot feel deep sympathy for him—some, perhaps, but not much. Shakespeare's intention was not to make Shylock a tragic figure; instead, Shylock was meant to function as a man who could be vividly realized as the epitome of selfishness; he must be defeated in this romantic comedy. In a sense, it is Shakespeare's own brilliance which led him to create Shylock as almost too human. Shylock is powerfully drawn, perhaps too powerfully for this comedy, but his superb dignity is admirable, despite the fact that we must finally condemn him. Perhaps the poet W. H. Auden has given us our best clue as to how we must deal with Shylock: "Those to whom evil is done," he says, "do evil in return." This explains in a few words much of the moneylender's complexity and our complex reactions toward him.

1．安东尼奥。安东尼奥为了巴萨尼奥能娶到心爱的姑娘，向高利贷主夏洛克借钱，立下的契约中有这个内容；夏洛克想借机报复安东尼奥，因为安东尼奥借给别人钱不要利息，影响了自己的利益。
2．她能判给夏洛克一磅安东尼奥的肉鲍西娅只准夏洛克割肉，却不准他取血，否则他的土地财产按威尼斯法律就得全部充公，这样就保住了安东尼奥的生命
3．因为他知道取活人身上的肉不会不流血，他害怕自己的土地财产全部充公。
4．因为夏洛克凶狠歹毒，一心要报复善良的安东尼奥，他坚决拒绝过还款的调解。鲍西娅对他这样的恶人，以其人之道，还治其人之身，你不是要公道吗？我就用更地道的公道裁判你！所以不准他接受还款的要求。
5．是一个机智聪明、勇敢果断的人。

安东尼奥向夏洛克借高利贷,不要利息但若逾期不还要从安东尼奥身上割下一磅肉

鲍西娅：聪明、机智勇敢、果断、谈吐文雅
夏洛克：冷酷无情、自信、贪婪、残忍
巴萨尼奥：见义勇为．重情重义,但不懂得斗争策略,表现得较软弱.
公 爵：稳重慈祥
葛莱西安诺：他嫉恶如仇,易于激动,嬉笑怒骂,敢于斗争,和安东尼奥形成鲜明对比.
安东尼奥：死而无怨；他宽宏大量、临危不惧,视死如归

I like him,because he presents us a wanderful novel---Sherlock Holmes.Every case in this book in interesting and attracts me very much.
我喜欢他,因为他向我们呈现了一本伟大的小说---《夏洛克·福尔摩丝》,书里每一个案件都那么生动有趣,每一个案件都十分吸引我.

Sherlock Holmes 夏洛克·福尔摩斯
Watson 华生
Arthur Conan Doyle 阿瑟·柯南·道尔

夏洛克：靠放高利贷收取高额利息为生,他惟利是图、狡诈、复仇心重,贪婪、固执、残酷,在这座城市很不受欢迎
Shylock:he earned a living by usury charge high interest,he is mercenary,cunning,vengeful,greedy,stubborn,cruel,and very unpopular in the city
鲍西娅：她聪明、机智而又行事果断,沉着、善良仁慈,充满着人性的光辉
Portia:she is intelligent,witty and to act resolutely,calm,kind-hearted,full of the glory of human nature
安东尼奥：慷慨仁厚,放债不取利息,珍重友谊,不惜为之牺牲生命.
Antonio:he is generous,lend money do not take interest,treasure friendships very much.

John H Watson约翰华生 Baker Street贝克街
Dr Grimesby Roylott里姆斯比·罗伊洛特医生 Helen Stoner海伦·斯托纳 （出自《斑点带子》
Irene Adler艾琳·阿德勒 Count von Kramm冯·克拉姆伯爵
Briony Lodge,Serpentine Avenue,St John's Wood圣约翰伍德,瑟芬泰瑞大街布里奥妮公寓（出自《波西米亚丑闻》
John Openshaw约翰·奥彭肖（出自《五个桔核》
Mary Morstan梅里·莫斯坦 Thaddeus Sholto撒迪厄斯·肖尔托 Wigmore Street维戈莫尔街
Camberwell坎伯韦尔（地名） Richmond里士满（地名） Westminster威斯敏斯特（地名) (出自《四签名》

1．cè huò mǐn bǐng miè pǐ jīn
2．D
3．A　
4．C
5．排比 略

"The Merchant of Venice" is Shakespeare's comedy creation of a more successful with a certain social irony.The main plot revolves around a Jewish usurer Shylock and Antonio Merchant of Venice between the start of the conflict.Humanism plays with Antonio and others have been praised by the world.

讽刺.

A《威尼斯商人》莎士比亚
B《我的叔叔于勒》莫泊桑
C《变色龙》契诃夫

留下邮箱给你发过去

当得知安东尼奥讲遭厄运后,（她）立即全力以赴设法营救.
面对凶残的夏洛克,一群贵族男子都束手无策,（但是）她略施小计,挺身而出,巧妙地击败了夏洛克.
尤其是她那超群出众的才智,在这场戏中更是得到了充分体现.

　　鲍西娅：才智非凡，精明干练，崇尚正义，忠于爱情、友谊，在她身上，寄托了作者的人文主义理想。
　　夏洛克：贪婪、阴险、偏执、冷酷、凶残的高利贷者。

即使这六千块钱中间的每一块钱都可以分做六份,每一份都可以变成一块钱,我也不要它们；我只要照约处罚.
除非你能够把我这一张契约上的印章骂掉,否则像你这样拉开了喉咙直嚷,不过白白伤了你的肺,何苦来呢?好兄弟,我劝你还是让你的脑子休息一下吧,免得它损坏了,将来无法收拾.我在这儿要求法律的裁判.
不行,不行,我已经对天发过誓啦,难道我可以让我的灵魂背上毁誓的罪名吗?不,把整个儿的威尼斯给我,我都不能答应.

夏洛克是一个贪婪的犹太人,一个贪得无厌、狠毒无情的放债者,冷酷无情的人.但是莎士比亚在创作威尼斯商人时又寄予了犹太人同情,使这个人物变得复杂.而且本人感觉他比较可怜..

C

问题补充,如果你看了原文版,就会知道,
Sherlock Holmes ,Holmes的翻译是没有问题的了,福尔摩斯,这是大家都这样说的.
但是,Sherlock,就有两种翻译法：歇洛克和夏洛克.
要在这里指出的是,夏洛克的英文是Sherlcy,不是Shylock,莎士比亚笔下的吝啬鬼Shylock才翻译作＂夏洛克＂.
关于这两个单词的区别：
sherlock英音：['ʃə:lɔk]美音：['ʃɝlɑk]
名词 n. 【口】1.私家侦探2.善于破解奥秘的人
Shylock 名词 n. 1.夏洛克(莎士比亚作品) 2.冷酷无情的高利贷者,不择手段的守财奴
所以,不要将我们可敬可爱的Sherlock和哪个吝啬鬼混淆!
福尔摩斯全名Sherlock Holmes,夏洛克·福尔摩斯
歇洛克·福尔摩斯（Sherlock Holmes,又译作夏洛克·福尔摩斯）,是一个虚构的侦探人物,是由19世纪末的英国侦探小说家阿瑟·柯南·道尔所塑造的一个才华横溢的侦探形象.福尔摩斯自己称自己是一名“咨询侦探”,也就是说当其他私人或官方侦探遇到困难时常常向他求救.大部分故事都集中讲述一些比较困难、需要福尔摩斯出门调查的案子.福尔摩斯善于通过观察与演绎法来解决问题.柯南·道尔是从自己见习于爱丁堡皇家医院时一名善于观察的老师的身上获得灵感,创造了福尔摩斯这一人物的.

译文如下：
Sherlock Holmes is my favorite literary character.He,who excels in reasoningand would sacrifice for public interest,is always calm and composed and defies death.One of his saying impresses me:If you precise destruction,in the public interest,I am willing to accept death.
语序上有一些调整,觉得这样更紧凑一些

　　夏洛克——贪婪、阴险、凶残
　　夏洛克是一个客居意大利威尼斯的犹太富翁,是个高利贷者.他这种牟利方式,偏偏遭到新兴商人的冲击.新式商人安东尼奥,常常把钱借给别人,不收利息,夏洛克因此丢掉了几十万元钱的生意,蒙受具大损失.夏洛克多次被安东尼奥当面唾骂、斥责,屡屡遭到一个犹太人常常受到的民族歧视和欺凌,饮忍在心,伺机报复.乘安东尼奥借钱的机会,有意订下了一磅肉的奇怪合同,而且假作和安东尼奥开玩笑,竭力讨好他,使他不疑,入他的圈套.我们看,他在听见安东尼的船触了礁时是多么高兴,连说“谢谢上帝!是真的吗?是真的吗?”那时离满期还有半月,他就叫杜拔尔去帮他上衙门走动.“要是他愆了约,我要挖出心来,我不怕他逃出我掌心”这种处心积虑是多么阴险.安东尼奥被捕入狱后,威尼斯公爵曾一度对夏洛克作过劝告,可夏洛克一味坚持“照约处罚”,不作让步,公爵不得不让他们当庭质对.法庭上巴撒尼奥愿意当庭还他加倍的数目,又愿意签署契约还他十倍的数目,他都不应允.公然宣称：“即使这六千块钱的每一块钱都可以分作六份,每一份都可以变成一块钱,我也不要它们”,“把整个的威尼斯给我,我都不答应”.一心要从心脏那里割去安东尼奥的肉.所以这是显然的谋害.夏洛克的这些表现并非偶然.他早就想好,他和安东尼奥是水火不相容的,只要安东尼奥在威尼斯活动就没有他的好日子过.“只要威尼斯没有他,生意买卖全凭我一句话了.”为了消灭对手,为了今后的利益,他顾不得其他.所以,在第四幕第一场的前半场,使我们看到了夏洛克对于他的对手的凶恶面目.他的残忍和固执实际上是他唯利是图本性的一种表现.在后场半场,夏洛克的复仇愿望不能实现,金钱立刻就成为他追求的目标,捞不到三倍的赔款也要保住本钱.一当宣判他的财产充公,“你们夺去了我的养家活命的根本,就是夺去了我的家,活活的要了我的命”这才是真正的本性毕露.
　　就在其他的情节上,我们也能看到夏洛克的本质特征.为了追求金钱,积攒金钱,他吝啬到了极点.他雇佣人而不给饭吃,致使佣人逃跑.他让女儿过禁闭式的生活.他的家简直成了“一所地狱”.金钱成了他思想感情的轴心.女儿吉雪加与情人罗伦佐私奔,他感到难受,然而最使他痛心的却是女儿带走了他大批钱财.“我的女儿!呵,我的银钱!呵,我的女儿!跟一个基督教逃走了!啊,我的基督银钱!公道啊!法律啊!我的银钱,我的女儿!一袋封好的,两袋封好的银钱,给我的女儿偷走了!还有珠宝!两颗宝石,两颗珍珠的宝石,都给我女儿偷走了!公道啊!把那女孩找出来,他身边带着宝石,还有银钱.”从这些话语中可以看出夏洛克爱财如命,爱财胜于爱自己女儿的性格.再当他听见杜拨尔告诉他四处找不着他女儿时,“我希望我的女儿死在我的脚下,”“我希望他就在我的脚下埋葬着,那些金银都放在她的棺材里!”通过这些话语刻画出夏洛克还是一个唯利是图、宁愿女儿死,不愿财宝丢的一个拜金主义者.

B

是的,叫我去闻猪肉的味道,吃你们拿撒勒先知把魔鬼赶进去的脏东西的身体!我可以跟你们做买卖,讲交易,谈天散步,以及诸如此类的事情,可是我不能陪你们吃东西喝酒做祷告.（旁白）他的样子多么像一个摇尾乞怜的税吏!我恨...

鲍西亚是一位聪明、仁慈、善良、沉着、果敢以及博学的人
安东尼奥是一位慷慨仁厚、珍重友情、放债不取利息的人

夏洛克——威尼斯商人——莎士比亚
葛朗台——欧也妮葛朗台——巴尔扎克
阿巴贡——吝啬鬼——莫里哀
泼留希金——死灵魂——果戈里
应该就是这四大的
但是“奥勃洛摩夫——奥勃洛摩夫——冈察洛夫”可能也比较出名,有些人有不同的看法
但最被人们熟知的应该就是这四大吧

通过条约上的漏洞,埋下陷阱,使夏洛克一步一步走进了圈套中.