建筑风格有哪几种!分别做下具体解释!

洛可可风格

黄鹤楼是一座雄伟的高楼,而于园的设计则十分巧妙

甚是专业,必须要要到图书馆查询才能了解清楚.
首先要从世界各地文化简史了解大概清楚,
接着从感兴趣的地域来入手研究比如欧洲文化、非洲文化、东亚文化等等.
研究某区域民族文化习俗历史等等.
自己总结其中的规律.
然后自己在研究传播学与民族文化传播之间关联.
大概的步骤就是这样子,也可以倒叙进行.先找一本传播学与民族文化传播的关系入手,然后研究某一区域文化的规律.
总之,简单说的话,就是人类起源就是几个地方,后来繁衍的地方都是这些源头,所以是有相似性,后来有地域特点又有自己的特点,这是不同性.

B

历史这东西的复杂程度是很难想象的 后人往往需要借助自身的简化体系来将它简化浓缩成一个个的专有名字和时间节点 但却往往只是片面的 有时甚至是错误的 附件给你发送了一个资料 是外国建筑史的大纲
建议楼主去读一下陈志华的外国建筑史 结合这个大纲 会对你有所帮助 若需要其他的材料 可以联系我

D

（A括号要紧跟在“建筑”一词的后面B冒号须改为破折号C逗号应放在引号之后）

解题思路：从图上看，图一房屋为平顶，图二房屋为尖顶，主要是由于两地降水不同．我国南方降水丰富，房屋尖顶便于雨水下泄；西亚的沙特阿拉伯属于沙漠气候，终年炎热干燥，房屋为平顶．而且这里的房屋具有墙厚、窗小的特点．厚墙可以减少白天通过墙壁传导进入室内的热量，小窗可减少白天从沙漠地区吹来的热风；两地气候不同，为适应当地的气候特点，他们的房屋形成了不同的风格．

（1）图二是A我国南方建筑，图1是沙特阿拉伯建筑；
（2）图一地区，旅店把床铺安放到屋顶上，不仅凉爽而且节省了空间，图二地区不能借鉴这种做法，原因是沙特阿拉伯地区降水少，房屋为平顶，可以安放床铺．我国南方降水多，为了排水，房屋为尖顶．
（3）图一的房屋具有墙厚、窗小的特点，主要是因为当地气候炎热，墙厚、窗小可以减少阳光和热风的影响；
（4）由以上分析可以看出，一个地方的建筑深受当地环境的影响，建筑外貌深受当地气候的影响．
故答案为：
（1）

（2）不能；沙特阿拉伯地区降水少，房屋为平顶，可以安放床铺．我国南方降水多，为了排水，房屋为尖顶．
（3）C；
（4）气候．

点评：
本题考点： 人民生活与地理环境的关系．

考点点评： 本题考查人民生活与地理环境的关系，结合所学知识点分析后解答即可．

秦始皇陵是世界上规模最大、结构最奇特、内涵最丰富的帝王陵墓之一.秦始皇陵兵马俑是可以同埃及金字塔和古希腊雕塑相媲美的世界人类文化的宝贵财富,而它的发现本身就是20世纪中国最壮观的考古成就.它们充分表现了2000多年前中国人民巧夺天工的艺术才能,是中华民族的骄傲和宝贵财富.法国总统希拉克对它的“世界第八奇迹”的赞誉,使秦始皇陵为更多的世人所知.世界文化遗产的桂冠,为秦始皇陵更增光彩. 秦始皇陵工程之浩大为史所罕见 秦始皇(公元前259～前210年)继位后不久,便开始在晒山营建他的陵墓,统一六国后,更从全国各地征调70万人参加陵的修建.前后费时近40年,至秦亡时陵园尚未完全竣工.据史籍记载∶陵丘高五十余丈,周围五里有余,墓内建有各式宫殿,陈列各式奇珍异宝,工程之浩大为史所罕见. 秦兵马俑坑被誉为世界第八奇迹 1974～1977年在秦始皇陵东l千米处,发掘出作为秦始皇陵陪葬墓坑之一的兵马俑坑.-号坑在南,东西长2l6米,宽62米,面积l3260平方米.二号坑东西长124米,宽98米,面积为6000平方米.三号坑面积520平方米.已发掘部分,共出土武士佣800件,木质战车l8辆,陶马l00多匹.按兵马{甬现有排列形式推算,这三个坑的武士佣可能有7000件,战车l00辆,战马l00匹.由模拟的军阵,可以想见二干多年前横扫六国,统一全国,所向披靡的秦国军队的威武强大.陶佣身材高大,ˉ般在1.8米左右,形态各异,表情逼真.体现了秦代高超的雕塑技艺水平. 开古代帝王陵寝制度之先河 秦代以前,对先王的祭奠巳不在墓地进行,秦始皇首次将祭f巳用的寝殿建在墓地.秦始皇的陵园内有,两重城垣,平面呈回字形,陵丘位于内城垣中偏南侧.陵丘的西北50米处建有寝殿,现可见到的基址近方形,面积3500平方米,附近还有其他建筑遗址.在寝殿中,对秦始皇像进行供奉和祭祖.这种陵寝制度对后代产生了深远的影响,为以后历代帝王陵墓所效仿,直至明、清.这也是中国古代丧葬文化的一个发展. 陵园工程 “秦皇扫六合,虎视何雄哉,刑徒七十万,起土骊山隈.” 这脍炙人口的诗句出自大诗人李白笔下,它讴歌了秦始皇的辉煌业绩,描述了营造骊山墓工程的浩大气势.的确,陵园工程之浩大、用工人数之多、持续时间之久都是前所未有的. 陵园工程的修建伴随着秦始皇一生的政治生涯.当他13岁刚刚登上国王宝座时,陵园营建工程也就随之开始了.古代帝王生前造陵并非秦始皇的首创.早在战国时期诸侯国王生前造陵已蔚然成风.如赵肃侯“十五年起寿陵”,还有平山县中山国王的陵墓也是生前营造的.秦始皇只不过是把国君生前造陵的时间提前到即位初期,这是秦始皇的一点改进.陵园工程修造了30多年一直至秦始皇临死之际尚未竣工,二世皇帝继位,接着又修建了一年多才基本完工. 纵观陵园工程,前后可分为三个施工阶段.自秦王即位开始到统一全国的26年为陵园工程的初期阶段.这一阶段先后展开了陵园工程的设计和主体工程的施工,初步奠定了陵园工程的规模和基本格局.从统一全国到秦始皇三十五年,历时9年当为陵园工程的大规模修建时期.经过数10万人9年来大规模的修建,基本完成了陵园的主体工程.自秦始皇三十五年到二世二年冬,历时3年多是为工程的最后阶段.这一阶段主要从事陵园的收尾工程与覆土任务.尽管陵墓工程历时如此之久,整个工程仍然没有最后竣工.当时历史上爆发了一次波澜壮阔的农民大起义.陈胜、吴广的部下周文率兵迅速打到了距陵园不足数华里的戏水附近（今临潼县新丰镇附近）.面临大军压境、威逼咸阳之势,二世这位未经风雨锻炼的新皇帝惊慌失措,召来群臣商讨对策.他一幅丧魂落魄的样子,向群臣发出“为之奈何”的哀求.这时少府令章邯建议：“盗已至,众疆,今发近县不及矣,骊山徒多,请赦之,授兵以击之.”二世当即迎合,并让章邯率领修陵大军回击周文的起义军.至此尚未完全竣工的陵园工程才不得不中止. 总之,陵园工程由选点设计、施工营造到最后被迫中止,前后长达37～38年之久,在我国陵寝修建史上名列榜首,其修建的时间比埃及胡夫金字塔还要长8年. 世界遗产委员会评价 毫无疑问,如果不是1974年被发现,这座考古遗址上的成千件陶俑将依旧沉睡于地下.秦始皇,这个第一个统一中国的皇帝,殁于公元前210年,葬于陵墓的中心.在他陵墓的周围环绕着那些著名的陶俑.结构复杂的秦始皇陵是仿照其生前的都城——咸阳的格局而设计建造的.那些略小于人形的陶俑形态各异,连同他们的战马、战车和武器,成为现实主义的完美杰作,同时也保留了极高的历史价值

解题思路：世界各地民居的建筑风格有很大的不同，这与当地的自然环境有很大关系，这些民居既能适应当地的自然地理环境，又与居民的社会经济生活密切联系．

我国南方地区降水较多，屋顶多为尖顶，便于排水；黄土高原上的居民因黄土的直立性质，就地取材，开挖了窑洞，这样的房屋冬暖夏凉；因纽特人生活在北极地区，面对恶劣的气候，勤劳勇敢的因纽特人就地取材，采用一种原始方式建造了奇特的圆顶“冰雪屋”，以抵御凛冽刺骨的暴风雪，度过漫漫寒冬；在东南亚一带，为避免炎热、潮湿，避免虫蛇，当地木、竹较多，人们就地取材，搭建了高脚屋或是竹楼来居住．
故选：A．

点评：
本题考点： 人民生活与地理环境的关系．

考点点评： 本题考查了各地受地理环境影响而形成不同的居住方式，让学生学会以地理知识来分析地理问题．

解题思路：聚落的建筑外貌、建筑材料等因环境而异：寒冷地区的民居墙体厚实，窗户比较小；而湿热地区的民居墙体相对单薄，门窗开的较大；热带沙漠地区的民居也具有墙体厚实，窗户比较小的特点；我国西北地区的屋顶多平顶，有利于利用当地的充足的光照来凉晒粮食等物品．

A、热带沙漠地区--房屋厚墙小窗，正确；
B、北极地区因纽特人--冰屋，正确；
C、中国黄土高原--窑洞，正确；
D、我国西北地区的屋顶多平顶，这样做有利于利用当地的充足的光照来凉晒粮食等物品，故错误；
故选：D．

点评：
本题考点： 聚落与自然环境的关系．

考点点评： 本题考查了聚落与环境的关系，解题的关键是要牢记聚落的建筑外貌、建筑材料等因环境而异，此题基础性较强，易于掌握．

长城是古代中国在不同时期为抵御塞北游牧部落联盟侵袭而修筑的规模浩大的军事工程的统称. 长城始建于公元前五世纪春秋战国时代,公元前三世纪秦始皇统一中国,派遣蒙恬率领三十万大军北逐匈奴后,把原来分段修筑的长城连接起来,并且继续修建.其后历代不断维修扩建,到公元十七世纪中叶明代未年,前后修筑了二千多年.
长城西至甘肃嘉峪关,东至鸭绿江.从东向西行经10个省区市.长城是中国古代人民智慧的结晶,也是中华民族的象征.
墙的结构内容是根据当地的气候条件而定的,总观万里长城的构筑方法,有如下几种类型： 　　1．版筑夯土墙；　2．土坯垒砌墙 　　3．青砖砌墙 　　4．石砌墙 　　5．砖石混合砌筑 　　6．条石 　　7．泥土连接砖. 　　用砖砌、石砌、砖石混合砌的方法砌筑城墙,在地势坡度较小时,砌筑的砖块或条石与地势平行,而当地势坡度较大时,则用水平跌落的方法来砌筑.

Architecture,the art of building in which human requirements and construction materials are related so as to furnish practical use as well as an aesthetic solution,thus differing from the pure utility of engineering construction.As an art,architecture is essentially abstract and nonrepresentational and involves the manipulation of the relationships of spaces,volumes,planes,masses,and voids.Time is also an important factor in architecture,since a building is usually comprehended in a succession of experiences rather than all at once.In most architecture there is no one vantage point from which the whole structure can be understood.The use of light and shadow,as well as surface decoration,can greatly enhance a structure.
The analysis of building types provides an insight into past cultures and eras.Behind each of the greater styles lies not a casual trend nor a vogue,but a period of serious and urgent experimentation directed toward answering the needs of a specific way of life.Climate,methods of labor,available materials,and economy of means all impose their dictates.Each of the greater styles has been aided by the discovery of new construction methods.Once developed,a method survives tenaciously,giving way only when social changes or new building techniques have reduced it.That evolutionary process is exemplified by the history of modern architecture,which developed from the first uses of structural iron and steel in the mid-19th cent.
Until the 20th cent.there were three great developments in architectural construction鈥攖he post-and-lintel,or trabeated,system; the arch system,either the cohesive type,employing plastic materials hardening into a homogeneous mass,or the thrust type,in which the loads are received and counterbalanced at definite points; and the modern steel-skeleton system.In the 20th cent.new forms of building have been devised,with the use of reinforced concrete and the development of geodesic and stressed-skin (light material,reinforced) structures.
See also articles under countries,e.g.,American architecture; styles,e.g.,baroque; periods,e.g.,Gothic architecture and art; individual architects,e.g.,Andrea Palladio; individual stylistic and structural elements,e.g.,tracery,orientation; specific building types,e.g.,pagoda,apartment house.
Architecture of the Ancient World
In Egyptian architecture,to which belong some of the earliest extant structures to be called architecture (erected by the Egyptians before 3000 B.C.),the post-and-lintel system was employed exclusively and produced the earliest stone columnar buildings in history.The architecture of W Asia from the same era employed the same system; however,arched construction was also known and used.The Chaldaeans and Assyrians,dependent upon clay as their chief material,built vaulted roofs of damp mud bricks that adhered to form a solid shell.
After generations of experimentation with buildings of limited variety the Greeks gave to the simple post-and-lintel system the purest,most perfect expression it was to attain (see Parthenon; orders of architecture).Roman architecture,borrowing and combining the columns of Greece and the arches of Asia,produced a wide variety of monumental buildings throughout the Western world.Their momentous invention of concrete enabled the imperial builders to exploit successfully the vault construction of W Asia and to cover vast unbroken floor spaces with great vaults and domes,as in the rebuilt Pantheon (2d cent.A.D.; see under pantheon).
The Evolution of Styles in the Christian Era
The Romans and the early Christians also used the wooden truss for roofing the wide spans of their basilica halls.Neither Greek,Chinese,nor Japanese architecture used the vault system of construction.However,in the Asian division of the Roman Empire,vault development continued; Byzantine architects experimented with new principles and developed the pendentive,used brilliantly in the 6th cent.for the Church of Hagia Sophia in Constantinople.
The Romanesque architecture of the early Middle Ages was notable for strong,simple,massive forms and vaults executed in cut stone.In Lombard Romanesque (11th cent.) the Byzantine concentration of vault thrusts was improved by the device of ribs and of piers to support them.The idea of an organic supporting and buttressing skeleton of masonry (see buttress),here appearing in embryo,became the vitalizing aim of the medieval builders.In 13th-century Gothic architecture it emerged in perfected form,as in the Amiens and Chartres cathedrals.
The birth of Renaissance architecture (15th cent.) inaugurated a period of several hundred years in Western architecture during which the multiple and complex buildings of the modern world began to emerge,while at the same time no new and compelling structural conceptions appeared.The forms and ornaments of Roman antiquity were resuscitated again and again and were ordered into numberless new combinations,and structure served chiefly as a convenient tool for attaining these effects.The complex,highly decorated baroque style was the chief manifestation of the 17th-century architectural aesthetic.The Georgian style was among architecture's notable 18th-century expressions (see Georgian architecture).The first half of the 19th cent.was given over to the classic revival and the Gothic revival.
New World,New Architectures
The architects of the later 19th cent.found themselves in a world being reshaped by science,industry,and speed.A new eclecticism arose,such as the architecture based on the École des Beaux-Arts,and what is commonly called Victorian architecture in Britain and the United States.The needs of a new society pressed them,while steel,reinforced concrete,and electricity were among the many new technical means at their disposal.
After more than a half-century of assimilation and experimentation,modern architecture,often called the International style,produced an astonishing variety of daring and original buildings,often steel substructures sheathed in glass.The Bauhaus was a strong influence on modern architecture.As the line between architecture and engineering became a shadow,20th-century architecture often approached engineering,and modern works of engineering鈥攁irplane hangars,for example鈥攐ften aimed at and achieved an undeniable beauty.More recently,postmodern architecture (see postmodernism),which exploits and expands the technical innovations of modernism while often incorporating stylistic elements from other architectural styles or periods,has become an international movement.

小结:
x05热环境的各影响因素对人体的影响是复合的,而各因素之间又是互相影响的,因此,应该把热环境看作一个整体,综合考虑各因素对人们居住方式的影响.然而,本文研究的室内热环境和人居方式的现状研究很多是集中在单一因素或两三个因素对人体的影响而没有得出综合考虑所有因素的影响结果.
x05调节室内热环境的方法有很多,但按调节方式主要分为两种：被动式和主动式.学者认为调节室内热环境应多采用被动式的资源如环境绿化、外围护结构保温、窗户内外遮阳、水幕玻璃外窗、房间进出口安装空气幕设施等,而避免使用空调、供暖设备等能耗大的一些辅助措施,因为现代的室内热环境改善还应该注意节能环保.

A

天坛祭祀用的?至于埃菲尔铁塔是拿来纪念某位英雄用的.天坛考究中国古代标志性的轴对称美,而埃菲尔铁塔则是以雄伟壮观著称.

名胜名地,诗情画意,西洋风景.上面那个答案是错的,别听他的,他肯定是没读完2年纪就出来的!

经过 努力,我们的错别字大有减少.(截然)不同

解题思路：依据聚落与自然环境的关系解答此题．

因纽特人聚居区位于寒带地区，气候寒冷，冰层广布，易于取材，墙体厚，利于保持室内温度，所以建造了冰屋居住；黄土高原土层深厚，直立性强，人们开凿窑洞居住，冬暖夏凉；东南亚位于热带气候区，炎热多雨、比较潮湿，居住高架屋，有利于通风防潮；西双版纳地区富有民族特色的民居是傣族的竹楼．这种房屋屋顶坡度很大，便于雨水流泻，竹楼底部离地面2米左右，既通风凉快又可以避免潮湿，适应了西双版纳地区降水多、气候湿热的特点．
故选：B．

点评：
本题考点： 人民生活与地理环境的关系．

考点点评： 聚落的位置、形态、建筑特点都与当地的自然环境密切相关．

解题思路：世界各地民居的建筑风格有很大的不同，这与当地的自然环境有很大关系，这些民居既能适应当地的自然地理环境，又与居民的社会经济生活密切联系．

A．甲是高脚屋，在东南亚一带气候湿热，为了避免炎热、潮湿，避免虫蛇，当地木、竹较多，人们就地取材，搭建了高脚屋来居住，楼上住人，楼下饲养牲畜；
B．乙是窑洞，从图中看出，黄土高原上的居民因黄土的疏松直立性质，就地取材，开挖了窑洞．
C．丙是碉堡房，西亚地区属于热带沙漠气候，人们为了防风沙，房屋具有墙厚、窗小的特点．
D．冬季寒冷，春季多风沙，平原地区的传统民居是北京的四合院．
故选：D．

点评：
本题考点： 人民生活与地理环境的关系．

考点点评： 本题考查人民生活与地理环境的关系，理解记忆即可．

Ancient architecture as the ancestors left us a legacy,as the only reflects the architectural style of ancient heritage,from this perspective,That should be the complete and unconditional protection.The city is a historical and cultural phenomenon,in every age here will leave marks,protection of historical continuity,preserve the memory of the Town of modern human civilization development.historical and cultural sites are the ancestors left us a huge gift,printed words on the national history and culture of creativity and memory,embodied the spirit of national culture and personality.In the new century full of fascinating,really have to erase the memory of this thick,as the price of economic development?Is it only when we face the future side of the 1,000 high-rise city when they found lacking something?Our economic development of cities,will be the development,but we should draw up development plans and handle development and the protection of the relationship.In urban development,should,as soon as possible according to different regions and different cities in the specific circumstances of the planning and planning to keep the protection of the protected.Like the need to protect the relics,historic neighborhoods,various cultural relics representatives of historical and cultural relics,the signature building of the city and even pattern,and so on,the planning should be retained.

地中海建筑风格、意大利建筑风格、法式、英式、德式、北美建筑风格、新古典主义建筑、新中式建筑风格、现代主义建筑、综合类建筑风格.

b

A

解题思路：世界各地民居的建筑风格有很大的不同，这与当地的自然环境有很大关系，这些民居既能适应当地的自然地理环境，又与居民的社会经济生活密切联系．炎热多雨地区为了更好的通风散热、排水隔潮，民居墙体单薄，屋顶坡度大；炎热干燥地区为了减少热量的传递和风沙的入侵多建碉堡房，平顶窗小；寒冷地区为了抵御严寒，房子墙体厚实、窗户较小、屋内建有壁炉或火炕．积雪多的地方，屋顶大多高耸．

北极的因纽特人建圆形冰屋，因为可以就地取材，可以减少风的阻力和积雪的压力，安全；黄土高原地区黄土深厚、直立，开挖出的窑洞冬暖夏凉利于人居住；中国南方降水多，气候湿热，屋顶应坡度较大，以利于通风散热和排水；东南亚气候炎热多雨，高架房利于通风散热和排水．
故选：A．

点评：
本题考点： 人民生活与地理环境的关系．

考点点评： 世界各地自然环境各异，为了适应当地的自然环境，各地的建筑风格有很大不同．

解题思路：读图可得，图中是云南省傣族人住的竹楼．

图中是云南省傣族人住的竹楼．泼水节是傣族的传统节日．
故选：C．

点评：
本题考点： 独特的民族风情．

考点点评： 本题考查我国独特的民族风情，读图解答即可．

气候不同,气温和降水的差异,导致有的地方潮湿,有的过于干燥.所以才会有半地穴式房屋和干栏式房屋.我记得这是初中的知识吧.现在隐约还记得= =.

我国南方的屋顶坡度大,是因为南方降水多,为了排水方便.多为竹木结构,是因为我国南方多为酸性土壤,适于竹子生长,就地取材.西北地区屋顶多为平顶,是因为降水少而且平顶省材料.西北地区土石结构.是因为气候寒冷便于防寒.不同地区建筑风格差异很大,这是适应自然环境的结果.你的家乡(江苏)房屋建筑有什么特点?因为是秦岭-淮河以南,属于南方,所以屋顶坡度大,多为竹木结构.

解题思路：聚落的位置、形态和建筑特点都与当地的自然环境密切相关．

黄土高原土层深厚，直立性强，人们开凿窑洞居住，冬暖夏凉；四合院是北京传统民居形式，辽代时已初成规模，经金、元，至明、清，逐渐完善，最终成为北京最有特点的居住形式．所谓四合，“四”指东、西、南、北四面，“合”即四面房屋围在一起，形成一个“口”字形．经过数百年的营建，北京四合院从平面布局到内部结构、细部装修都形成了京师特有的京味风格；因纽特人聚居在北极地区，气候寒冷，冰层广布，易于取材，居住冰屋，墙体厚，利于保持室内温度；东南亚地区多高架屋．这种房屋屋顶坡度很大，便于雨水流泻，底层架空，堆放柴草杂物，或放牲畜，二层住人，适应当地气候湿热的特点．
故选：D．

点评：
本题考点： 聚落与自然环境的关系．

考点点评： 本题是一道基础性题目，解答较容易．

半坡主要是土木结构房屋,而河姆渡是纯木结构,且为独特的“干栏式”结构,房屋高架.
半坡人的半地穴式房屋和河姆渡人的干拦式房屋两中种不同的建筑风格,展现了原始农耕文化的丰富内涵,原始农耕文化的产生是人类发展史上的重要里程碑.

答案是B,哥特式
巴黎圣母院( Notre Dame)是典型的哥特式大教堂.法国大作家雨果(Hugo)的小说“巴黎圣母院”使得教堂名扬天下.教堂正门分三层.下层是三个哥特式的拱门.中间门是末日审判门,上雕有“最后的审判”.表现圣经中世界末日上帝进行最后的审判的故事.下层是地狱,上层是天堂.左面的门是圣母门,雕刻有精美的圣母和圣婴.右面的门是圣安娜门.圣安娜是圣母的母亲.教堂中层是雕有28位古代犹太和以色列君王的雕像.

The difference in culture can be seen from the gaps in the style of structure

C

本小题考查的是文化创新。此题考查文化创新的途径，要面向世界博采众长为我所用，故选C。A B选项未能体现题意，D错误。

德国位于欧洲中部,东邻波兰、捷克,南接奥地利、瑞士,西接荷兰、比利时、卢森堡、法国,北接丹麦,濒临北海和波罗的海,是欧洲邻国最多的国家.德国是高度发达的工业国,经济总量居欧洲首位、世界第四.德国自然资源较为贫乏,除硬煤、褐煤和盐的储量丰富外,在原料供应和能源方面很大程度上依赖进口,三分之二的初级能源需进口,农业发达,机械化程度很高.2007年共有农业用地1690万公顷,约占德国土面积的一半.德国旅游业发达.每年有大量国内外游客在德国旅游.著名景点有科隆大教堂,柏林国会大厦,波恩文化艺术展览馆,罗滕堡,慕尼黑德意志博物馆,海德堡古城堡,巴伐利亚新天鹅石宫,德累斯顿画廊等,　德国交通运输业十分发达.公路、水路和航空运输全面发展,特别是公路密度为世界之冠.民航运输业发达.
Germany is located in central Europe,east neighbour Poland,the Czech republic,south by Austria,Switzerland,west meets the Netherlands,Belgium,Luxembourg,France,north to Denmark,is on the verge of north and Baltic seas European neighbours,is the highest in the world.An area of 35.7 square kilometers.Terrain can be divided into north low meteorological,four DeXingOu:north plains,an average elevation,less than 100 meters; Sino-german mountain,the direction of the development of things by a high land; The southwest Rhine valley area,both sides are fracture mountain valley sharp; the wall,South of the Bavarian Alps could shift in the highlands and,byrne Alps peak of the mountain ZuGeFeng elevation 2963 meters,the highest peak.The main rivers Rhine (865 km),through territory to north river,wei river to river,Mr Note,the Danube.A large lakes,lake compensates chiemsee,amare lake,the lake in time.Maritime climate northwest is more apparent,went to the east,south of continental climate gradually to transition.The average temperature on July 14 to 19 ℃,January 5 1 ℃.The annual precipitation 500 1000 mm,mountain is more.On January 1,1995,according to a 1982 international law of the agreement,Germany in the north sea and the territorial sea of the east China sea by 3 to 12 nautical miles 22 km),the area of the increase of 4100 and 1700 square kilometers

1.处于干燥炎热的沙漠地区，防风 2.处于环太平洋地震带，抗地震 3.湿热环境，防潮

C

地理位置：河姆渡人在长江流域,半坡人在黄河流域
自然条件：河姆渡人生活在暖湿,水网密布,半坡人生活在干燥
建筑风格：河姆渡人是高脚楼,半坡人是半地穴适
主要作物：河姆渡人是水稻,半坡人是小麦,粟
陶器：河姆渡人是黑陶,半坡人是彩陶
生活年代：都是在新石器时代
生活用具：陶器

是配套上的吧
我做完了 给你说吧
1.美丽的湘西山奇水异,其间点缀着古色古香、建筑风格特殊的吊脚楼
2.吊脚楼的形式活泼,可临水,也可依山傍谷,或就建在田坎边.修建过程省事而省工
3.吊脚楼的大体形状是飞檐翘角、三面环廊,吊着悬柱,并嵌有花窗,花窗上的图案古朴而秀雅
4.吊脚楼的楼内很敞亮,温暖而亲切,楼外饰以几丛茂林修竹,温馨而有画境
一个字一个字打出来的,给点分吧

My dream house is located in the middle of HuXingDao.Surrounding my house would be soothing water ripples and the pond would be filled with lotus flower.This house will adapt the Japanese style by using bamboo as it's main supply.This way,the appearance of the house will fit into the nature scenary and gave people a peaceful view.Not only that,there will be an open glass ceiling for star gazing at night.Furnitures will be picked on their elegance and all the electronic appliances are automatic.In front of the house will be a little flower garden with different fruit trees planted.Furthermore,there will also be a golf course.This is my dream house and I will work hard to achieve this dream one day.
Rookie~*

①—B—Ⅰ   ②—A—Ⅱ   ③—D—Ⅳ     ④—C—Ⅲ  

关于欧洲建筑 我就知道 巴洛克 哥特 洛可可 波西米娅
西班牙大师高迪

① Three Gorges Museum Three Gorges Museum in Chongqing Municipal People's auditorium located at the western end of the positive construction of the main length 157.3 meters,width 98.085 meters,32 meters high,with a total construction area of 4 thousand square meters.The building shape itself,carries a number of historical and cultural implication.② Three Gorges Museum,built on mountains,as a whole showed a large arc shape.Stood looking at People's Square,museums,like the mighty Yangtze River Three Gorges Dam.The museum is the most visible form large area curved blue glass curtain wall and ancient Founder of the sandstone wall.Blue glass symbolizes water,sandstone wall represents the mountain,which embodies the characteristics of Chongqing,a city landscape.Museum is at the top of the funnel-shaped circular dome,much like a huge commitment dew disk,while taking "the Three Gorges Water heaven" in Italy,on the other hand,the water through the three-tier Diebao,a vent down,and people Mall reflects the ancestral culture of the Three Gorges Museum,carry water,nourishing the earth with the culture and the meanings.③ Three Gorges Museum exhibition area of 23,225 square meters,there are four basic display,namely:to reflect history,the Three Gorges,the Three Gorges culture and the spirit of the Three Gorges,"a magnificent Three Gorges"; to reflect the local history and culture of Chongqing,the origins of the "ancient Bayu"; to reflect 20 century,changes in Chongqing City "Chongqing City Road"; reflect the culture war in Chongqing,"War Years." Here focuses on the first two exhibition hall.④ "magnificent Three Gorges" on the first floor exhibition hall located on the right side of the Three Gorges Museum,a museum exhibition of signs.Into the exhibition hall,visitors came to the sublime as if Qutang.Face is a 9 meters long,6 meters in height of the Three Gorges murals,it was placed stones caused by a variety of the Three Gorges,together constitute a majestic Kuimen,beautiful peach peak.Visitors at a time when the foot is stepped on a glass of water the Yangtze River to create a watertight manner.River shore voice,the voice of Chuanjiang chant,as well as the Three Gorges Yuanti unique sound,constitute a real magnificent Three Gorges.⑤ "magnificent Three Gorges" Three Gorges Hall placed a lot of natural stone.Qutangxia mouth cut to the waterfall stone,Qutang middle of the Blackstone,Gorge to the trackers cut stone,trackers Road,and known as "the world's first ancient hydrological stations," the White Crane Ridge Inscription has also been some progress in cutting move Hall.Present in the country's museums have not yet put such a large scale large-scale natural stone precedent.⑥ and "magnificent Three Gorges" hall compared to the "prehistoric Bayu" exhibition it appears that ancient and thick."Ancient Bayu" on the second floor exhibition hall located on the left side of the Three Gorges Museum,exhibition area of more than 1160 square meters,exhibits more than 1000.This is the Three Gorges Museum,one of the most abundant cultural relics exhibition hall,which for more than 80% of the relics are the Three Gorges in Chongqing since 1997,a new archaeological discovery,this is the first publicly available,such as the keel slope excavated Wushan Wushan Man fossils of teeth and mandible ,Xinglong Cave site found in saber-tooth ivory stone,pottery found in Fengjie Fish-bellied Pu,Oda River statue unearthed in a bird-shaped and so on.This depends mainly on cultural relics exhibition hall to speak,it wants to demonstrate the objective existence of ancient Bayu culture and endless charm.
写三峡的支持啊!

解题思路：依据人民生活与地理环境的关系，来解答此题．

我国南方地区主要为亚热带季风气候，降水较多，为了排水，其屋脊坡度大；内蒙古地区畜牧业发达，其当地传统的民居是蒙古包；黄土高原当地的居民依据黄土的直立性质，挖掘了冬暖夏凉适宜居住的窑洞；云南省的傣族聚居地区终年高温多雨，气候湿热，人们住在易于通风散热的竹楼里．故选项C符合题意．
故选：C．

点评：
本题考点： 人民生活与地理环境的关系．

考点点评： 本题主要考查民居与自然环境的关系．

洛可可风格,哥特式风格,古典主义,浪漫主义,折中主义.

环境影响建筑风格

In many of the architectural style, I particularly favored European architecture

Long history contributes to special architectural styles and national customs of the city

D

The White House with a strong British style and in the subsequent change of the masters of the blended in the style of the building白宫它带有浓厚的英国建筑风格又在随后的主人更替中融入了美国建筑的风格

解题思路：聚落的建筑外貌、建筑材料等因环境而异：寒冷地区的民居墙体厚实，窗户比较小；而湿热地区的民居墙体相对单薄，门窗开的较大；热带沙漠地区的民居也具有墙体厚实，窗户比较小的特点；我国西北地区的屋顶多平顶，有利于利用当地的充足的光照来凉晒粮食等物品．

A、热带沙漠地区--房屋厚墙小窗，正确；
B、北极地区因纽特人--冰屋，正确；
C、中国黄土高原--窑洞，正确；
D、我国西北地区的屋顶多平顶，这样做有利于利用当地的充足的光照来凉晒粮食等物品，故错误；
故选：D．

点评：
本题考点： 聚落与自然环境的关系．

考点点评： 本题考查了聚落与环境的关系，解题的关键是要牢记聚落的建筑外貌、建筑材料等因环境而异，此题基础性较强，易于掌握．