【歌曲】怪兽大战外星人中 总统用电子琴弹的那段叫什么 先上0分 解决再上分 谢谢

不一定只指男同性恋因为“gaydar”一词并没有明确指出只针对男同性恋，但由于在很多情况下，男性对于其他男性的性倾向更为敏感，因此“gaydar”这个词通常更多地用于形容男同性恋社交中的察觉和表现。但是在某些情况下，女性同性恋社交中也可能会使用“gaydar”这个词。

- -, 应该不算,如果你遇到一个同时让你特别心动,特别想要得到她想要拥有她的女生,看她久了会有想要吻上去的冲动,那么恭喜你,你弯了,

贱的谐音，不是指真的贱，是一种调侃

看你对女生有没有想法,但不一定所有那种感觉都代表你是les,如果你能感觉你喜欢她的那种感觉和你喜欢男生时候感觉一样,那就有八成是个les,恭喜你

　　——BL ：boy"s love的简称,就是男生与男生之间的恋爱。BL=玻璃，所说的“搞玻璃”、“搞基”就是同性恋之意。　　——GL： 同BL，GIRL"S LOVE，在耽美文化刚出现时不曾被同人女注意，但现在已有状大趋势（感动ING~~） 也有另一种理解，GL=lesbian，即蕾丝边。　　——GAY： 相信这个词大家也非常熟悉了，最常见的便是“GAY BAR”，即“同性恋酒吧”，不少同人女一直想去的梦幻之地。　　——H ：活塞运动。和英文的SEX与MAKE LOVE同义。　　H在日文里发音[echi]解释为黄色信息，这个词是怎样出现的呢，这个要说一下。日文里“变态”的发音是[Hentai]。不知哪位高人触类旁通，举一反三，用这个词的首字母取代称呼，意为黄色信息，做事的同时做变态的事，久而久之，就出现了[echi]也就是我们所说的H。　　——YAOI：在解释这个词之前，先解释一下18禁，顾名思义，就是十八岁以下止步。有时也写成NC—17。而YAOI这个词，汗...就算你已十八岁，也还是别......这是日语里“没有情节，没有高潮（此高潮非彼高潮也）没有结局”的罗马拼写的词头四个字母。一个故事连三要素都没有，还有什么呢，只剩下无境的HHHHH......　　——SM：性虐待游戏，在H时给予苦痛而带来的快乐。不管是SM，S—M，还是S&M所指的都是虐待狂和被虐狂。是英文Sadism&Masochism的缩写，S是施虐，M是受虐。SM起源于法国作家萨德（Marquis de Sade)[1740-1814]他因多次性虐待行为而被判入狱。　　——3P：三个人的H。P，即person。(NP，就是N个人。)　　——419：选的是英文的同音。419="for one night"。　　——CC：即sissy（娘娘腔），女气的意思（当然不是鲁鲁修里的女王）。　　——YY：意淫。不要去往限制方面理解，词本身只是指用思想或精神来达到某种心理上的快感，还指同人女对男性的暧昧行为进行遐想。　　——G点：兴奋点，就是一经触碰就会得到不一般的感觉，或说高潮，产生短时间的痉挛。　　——BB：BOY＆BOY的缩写，一般写男人与男人之间的恋情，注重感情的描写，情节一般较激烈，人物性格和心理往往有缺陷，所以故事比较沉重，H场面多且是不可或缺的。一般多为限制级。未成年人最好不要阅读。BG就是Boy&Girl。　　——Les：拉拉是女同性恋。T是男性化的女同性恋。T是Topper 同志里当一号攻的意思。P是女性化的女同性恋。　　——queer＆homosexity：是同性恋的俚语总称。　　——gay＆lesbian：是同性恋中的男同性恋＆女同性恋。　　——BI bisexua：是双性恋。(也有意思是 Burundi , 布隆迪 )straight 引为不是同性恋的人。　　——X：这个是配对符号，用于连接主体双方名字，可以省略。但要提一下的是X号前后名字的顺序准则，前者为“攻”后者为“受”。请一定不要颠倒以免不必要的误会发生。　　——MB：就是Moneyboy。男同性恋圈内提供有偿性服务者，有的地方称“鸭子”。　　——COUPLE ：同志伴侣。　　——Straight(直人)：指异性恋或非同性恋者。在英国常用bent(弯曲的)作为同志的代称，straight便相对用来指异性恋！　　——In the Closet(在衣柜里) ：这是一个比喻，指同性恋或双性恋者向家人、朋友、认识的人以及社会隐藏其性倾向。相对的，当同志被他人发现其同志身份时，称为“走出衣柜”（Come out of the Closet）,简称“出柜” 现身（Come Out）：由“出柜”一词延伸而来，也是指采取行动对周围人与社会表明自己的同志身份。　　——Basher：也叫作"恐同症,恐同者"。这种人会因为对方是同志，而采取身体上或者语言上的人身攻击。对同志有敌视情绪。　　——Size Queen：看别人JJ长短来判断别人好坏的。这种人不太看得起平常大小的别的同志，对他们而言的JJ长度是非常非常重要的。　　——Twink：年轻的Gay。通常比较瘦而且很娃娃脸。　　——Mary：两个Gay在交谈的时候，指代第三个不知道名字Gay通常就用这个名字。　　——LayDar：这个说法来自Radar(雷达)，因为GayDar和Radar谐音，就是说一个Gay很直觉的判断其他没有公开表明性倾向人是否是gay，就好像雷达探测器一样准确。　　——FagHag：就是一个异性恋的女生有很好的Gay的男生朋友。比如小Justin的同学Daphne就可以成为FagHag。她们对gay非常友善、真诚， 没有因为其性倾向而歧视对方，反而更加亲密。　　——Dyke＆Fag：女同志＆男同志。在同志圈子里面通常是戏谑自嘲或者甚至是自豪的说法。　　——Drag Queen：一般叫做异装同志。是指对时尚特别敏感的男同志或者喜欢打扮成女性的男同志。通常在俱乐部出现， 穿很女性的服饰,，模仿女声假唱.。如果是女同志打扮成男性那么叫做 Drag King。

去豆瓣吧 那里会有这方面的高手

你有没有过一种感觉？ 当第一次见到一个女生，下意识地就可以感觉到这个人是不是les，不管对方是不是中性打扮。 这就是我们平时说的 gaydar ，源于gay + radar。 指像蝙蝠那样能发出超声波的能力，只要跟别人眼神对上，就能看透对方是不是TXL。 1 les雷达真的存在吗？ 我认为是存在的，这也许就是出于动物本能寻找同类的能力。 我曾经问过直女的朋友，她们大部分都是分辨不出les和直女的（在对方非中性打扮的情况下），但是圈内的朋友却能去分辨出来。 当然这个辨别的概率肯定不会是百分百，不过一般也是大于50%的命中率。 我认为：姬圈雷达也是有依据的，可以从一个人的外表特征/行为表现去判断。 2 通过外表分辨这个人是不是les 说起les的外表特征，最容易判断的应该是短发中性打扮的les了。 一般都是T/H偏多，一般是典型的短发造型或者日系中短发，喜欢戴中性一点的耳钉，喜欢纹身。 如果你在路上看到中性打扮，衣着比较oversize酷一点的女孩子，那很大可能是les。 另外就是长发的女生了，长发女生是不太容易通过外表特征去辨别的。 如果只能从外表去辨认的话，一般打扮比较酷，气场比较强大的，喜欢欧美妆容、喜欢纹身等比较特立独行的女生，她们是les的机率会大一些。 3 通过行为表现去分辨对方是不是les 除了外表，一个人的行为表现是很容易体现她的取向的。 如果你看到一个女生在路上，会去留意打扮比较中性的女生，甚至跟对方对视，那八九不离十她是个les了。 这个就好比在没剪短发前，你并不会留意路上剪短发的人，但是剪了短发后，你就发现路上剪短发的人很多。 另外，les是一个很个性化的群体，一般喜好的东西相对也会比较个性化甚至小众一些，喝咖啡品酒都快算是标配的爱好了。 有很多姬崽喜欢听摇滚乐/轻音乐多过流行音乐，喜欢用中性香水多过甜甜的花果香，喜欢个性复古的穿衣风格等等，可以作为判断一个人是不是les的依据。 当然最主要的还是要跟这个人深入talk，才能真正去发现对方的取向。 这里说的只是一个参考参数 并不定义任何人 每个姬崽都是独一无二的 我们不定义自己，我们只是做自己 今日话题： 姬圈雷达真的存在吗？ 如何判断一个人是不是les？ 我们是姬圈的聆听者 我们的期望是解答你们的困扰 有需要的姬友们可以向后台投稿/联系我们 感谢收看～

你好 我是信阳市的GAY 家我QQ 630101527

对于立志傍大款的有志青年来说，傍上大款的第一步，就是要把大款从人群中揪出来。这是非常险恶的一步。据说辨认gay的本领叫做gaydar，（当然我的gaydar水平令人心碎，这个另说）那么辨认白富美/高富帅的本领就叫做富dar好了，因为白高美帅一般还是可以直接看出来的。我的富dar从来都是崩坏的。但我不怕失败，越挫越勇，在教训中总结经验，在绝望中寻找希望，勤能补拙，相信有一天一定能练出一双火眼金睛，见到人就看到怪兽血条一样，立刻明白怪兽何种等级，价值文几。首先，人靠衣装，我曾经很傻很天真，以为大款肯定穿的就很是大款的样子。可是我没有一双辨认衣装的毒眼。传说中，许多有志青年可以一眼望过去就认出面前这位全身上下行头值多少钱，男的西装是三千美金的意大利货还是jcpenny限时特价，领带是荷兰产的还是河南产的，女的包是小羊皮还是人造革，高跟鞋是不是红底儿，红底儿是不是当季新款，等等等等。我这方面存在先天缺陷，我只要是看到傻大高个儿的男的，或者胸大脸小屁股翘的妹子，就觉得心情愉悦，真好看呀，哪里还管得到他们穿的是啥。要点领略：虽然是值钱货，但是一定不能一眼看出很值钱，要用值钱货穿出低调感，如果竟然能穿出家常感，类似宝钗“半旧的藕荷色夹袄”的效果就更好了。大家可以感受下。如果一个男的拥有油光可鉴令人可喜的大背头，左右手臂各带三个表，每个都能从怒大的logo上直接看出价值半间厕所；女的提了好几个崭新簇亮五颜六色的birkin bag，那么如果排除职业代购，那么前者多为人民公仆，后者多为美美。第二，大款的的形式是多种多样的。有些时候大款喜欢玩低调，低调到你用一双狗眼根本看不出。我曾经在回上海的飞机特价经济舱上遇到一个校友小哥，穿着一件非常难看的李宁汗衫儿，背着颜色都褪得七七八八的jansport书包，拉着两个一人高半人的肥硕拉杆箱，并且！身上还挂着一个蛇皮袋。是的，就是那种尼龙编织，红蓝交替，结实耐用，我姥姥来上海看我们的时候装土特产用的那种。小哥用哈士奇一样的眼神请我帮忙拉一个箱子。我看到蛇皮袋就觉得非常亲切，就答应了。后来同学告诉我此小哥为达叉集团公子。去年学校的主要捐款来源之一。其facebook状态是周末回了趟家。他家在巴黎。要点领略：即使一眼看上去是屌丝，并不代表人家就真的是屌丝。许多大款的一大恶癖就是穿的和我似的。这个时候我们要学会摒弃外在直击内心。就算小哥穿的像宝强，但是你就不能从他的风趣的谈吐，广泛的爱好，丰富的人生经历，而敏感地发现那高帅富的内在么！第三，光看是没用的，多讲话，多交流，才懂得大款。

看你是不是喜欢女的喽

男人喜欢男人

他应该觉得我没有什么意思吧，不会浪漫的情话，也不会撒娇，不过我无所谓，我做我自己。

BOY"S LOVE…（男男恋）

就是指男男同性恋的

好像是英语

男男之间的恋爱

Well...国内老牌的、最大型的交友网站有朋友别哭和bf99。SNS有很多，其中最好的当属飞赞。对熊族来说，有友熊网、熊中国等。推而广之到亚太区，比较热门的中文站是Fridae。国外的话，抱歉我上得不多……比较熟悉的只有Gaydar和Bearforest。...

我第一直觉像

做事呢

我告诉你哦！你不给悬赏分谁告诉你！8啦

青春期有这样的情感是正常的,我也暗恋过别人,也是gay,这样,看你这位朋友是什么样的人,人品怎么样,如果人很好对你也好,那你纠缠着他,找机会暗示他你喜欢他,看他反应,如果他不拒绝但也不表态,那他可能是比较善良的那种直人....那么如果他知道你喜欢他,他是不会拒绝的但也不接受,怕伤害你.....即便你最后亲口告诉他你喜欢他,他也不会怎么样的,反而对你更加好,只是不能接受你的感情,会把你当哥们.2,如果他对你的暗示比较反感,比较冷淡,甚至疏远你,那么着个人就不用和他来往了,不然会伤害到你...但是也没必要成为敌人.只是把感情转移开/看你的了.

对于立志傍大款的有志青年来说，傍上大款的第一步，就是要把大款从人群中揪出来。这是非常险恶的一步。据说辨认gay的本领叫做gaydar，（当然我的gaydar水平令人心碎，这个另说）那么辨认白富美/高富帅的本领就叫做富dar好了，因为白高美帅一般还是可以直接看出来的。我的富dar从来都是崩坏的。但我不怕失败，越挫越勇，在教训中总结经验，在绝望中寻找希望，勤能补拙，相信有一天一定能练出一双火眼金睛，见到人就看到怪兽血条一样，立刻明白怪兽何种等级，价值文几。首先，人靠衣装，我曾经很傻很天真，以为大款肯定穿的就很是大款的样子。可是我没有一双辨认衣装的毒眼。传说中，许多有志青年可以一眼望过去就认出面前这位全身上下行头值多少钱，男的西装是三千美金的意大利货还是jcpenny限时特价，领带是荷兰产的还是河南产的，女的包是小羊皮还是人造革，高跟鞋是不是红底儿，红底儿是不是当季新款，等等等等。我这方面存在先天缺陷，我只要是看到傻大高个儿的男的，或者胸大脸小屁股翘的妹子，就觉得心情愉悦，真好看呀，哪里还管得到他们穿的是啥。要点领略：虽然是值钱货，但是一定不能一眼看出很值钱，要用值钱货穿出低调感，如果竟然能穿出家常感，类似宝钗“半旧的藕荷色夹袄”的效果就更好了。大家可以感受下。如果一个男的拥有油光可鉴令人可喜的大背头，左右手臂各带三个表，每个都能从怒大的logo上直接看出价值半间厕所；女的提了好几个崭新簇亮五颜六色的birkin bag，那么如果排除职业代购，那么前者多为人民公仆，后者多为美美。第二，大款的的形式是多种多样的。有些时候大款喜欢玩低调，低调到你用一双狗眼根本看不出。我曾经在回上海的飞机特价经济舱上遇到一个校友小哥，穿着一件非常难看的李宁汗衫儿，背着颜色都褪得七七八八的jansport书包，拉着两个一人高半人的肥硕拉杆箱，并且！身上还挂着一个蛇皮袋。是的，就是那种尼龙编织，红蓝交替，结实耐用，我姥姥来上海看我们的时候装土特产用的那种。小哥用哈士奇一样的眼神请我帮忙拉一个箱子。我看到蛇皮袋就觉得非常亲切，就答应了。后来同学告诉我此小哥为达叉集团公子。去年学校的主要捐款来源之一。其facebook状态是周末回了趟家。他家在巴黎。要点领略：即使一眼看上去是屌丝，并不代表人家就真的是屌丝。许多大款的一大恶癖就是穿的和我似的。这个时候我们要学会摒弃外在直击内心。就算小哥穿的像宝强，但是你就不能从他的风趣的谈吐，广泛的爱好，丰富的人生经历，而敏感地发现那高帅富的内在么！第三，光看是没用的，多讲话，多交流，才懂得大款。我广东话的同学凡叉莎是这方面的典型。她穿的挺普通的，既不是一个极端也不是另一个极端，人也呆萌，总之就是很正常的美国大妞状。凡内莎同学曾经拿了最新款的Lumia到教室里玩，被我以为是感恩节促销买的杂牌子平板电脑并友好地询问了一番这个现在打几折。我经常和她分到一组，我们要用广东话展开各种主题的对话。例如：On Hobbies- 你平时中意做乜运动啊？- 骑马。- 喺喔，我由差母多六岁就开始学骑马啦。On Jobs- 你细门仔个阵时想做乜啊？- 银行家。- 点解？我细门仔各阵时都母鸡银行家喺乜来个……- 因为我daddy mommy都喺银行家哦。- 喺咪真嘅？！- 喺喔。On Renting a Flat (点解我次次都同佢一组……)- 差母多都有六千尺啦。- 喺singapore.- ……喺，喺咪真嘅……………………我觉得我广东话现在说的最好的一句就是“喺咪真嘅”。完毕。即使是这样，也很难防止中枪。有些大款就喜欢看起点种马文，喜欢穿令人心碎的红配绿。你就算跟她住一年都无法发现任何白富美迹象。对于这种富帅/富美队伍中鱼目混珠令人发指的大毒草，我表示非常痛心。这是病，得治。江湖险恶，人心难测。这些毒草的存在也是为什么我至今仍混迹在本组。愿大家擦亮眼睛，愿真主保佑，愿大款常伴你的身边。

Coldplay的歌，名为Viva la vida。视频中的四句歌词为I hear Jerusalem bells a ringingRoman Cavalry choirs are singingBe my mirror my sword and shieldMy missionaries in a foreign field他们的歌不错。

给我感觉----是。

同性恋行为

我只想说几个字！背后莫论人是非 谢谢

——BL ：boy"s love的简称,就是男生与男生之间的恋爱。BL=玻璃，所说的“搞玻璃”、“搞基”就是同性恋之意。 ——GL： 同BL，GIRL"S LOVE，在耽美文化刚出现时不曾被同人女注意，但现在已有状大趋势（感动ING~~） 也有另一种理解，GL=lesbian，即蕾丝边。 ——GAY： 相信这个词大家也非常熟悉了，最常见的便是“GAY BAR”，即“同性恋酒吧”，不少同人女一直想去的梦幻之地。 ——H ：活塞运动。和英文的SEX与MAKE LOVE同义。 H在日文里发音[echi]解释为黄色信息，这个词是怎样出现的呢，这个要说一下。日文里“变态”的发音是[Hentai]。不知哪位高人触类旁通，举一反三，用这个词的首字母取代称呼，意为黄色信息，做事的同时做变态的事，久而久之，就出现了[echi]也就是我们所说的H。 ——YAOI：在解释这个词之前，先解释一下18禁，顾名思义，就是十八岁以下止步。有时也写成NC—17。而YAOI这个词，汗...就算你已十八岁，也还是别......这是日语里“没有情节，没有高潮（此高潮非彼高潮也）没有结局”的罗马拼写的词头四个字母。一个故事连三要素都没有，还有什么呢，只剩下无境的HHHHH...... ——SM：性虐待游戏，在H时给予苦痛而带来的快乐。不管是SM，S—M，还是S&M所指的都是虐待狂和被虐狂。是英文Sadism&Masochism的缩写，S是施虐，M是受虐。SM起源于法国作家萨德（Marquis de Sade)[1740-1814]他因多次性虐待行为而被判入狱。——3P：三个人的H。P，即person。(NP，就是N个人。) ——419：选的是英文的同音。419="for one night"。 ——CC：即sissy（娘娘腔），女气的意思（当然不是鲁鲁修里的女王）。 ——YY：意淫。不要去往限制方面理解，词本身只是指用思想或精神来达到某种心理上的快感，还指同人女对男性的暧昧行为进行遐想。——G点：兴奋点，就是一经触碰就会得到不一般的感觉，或说高潮，产生短时间的痉挛。 ——BB：BOY＆BOY的缩写，一般写男人与男人之间的恋情，注重感情的描写，情节一般较激烈，人物性格和心理往往有缺陷，所以故事比较沉重，H场面多且是不可或缺的。一般多为限制级。未成年人最好不要阅读。BG就是Boy&Girl。 ——Les：拉拉是女同性恋。T是男性化的女同性恋。T是Topper 同志里当一号攻的意思。P是女性化的女同性恋。 ——queer＆homosexity：是同性恋的俚语总称。——gay＆lesbian：是同性恋中的男同性恋＆女同性恋。 ——BI bisexua：是双性恋。(也有意思是 Burundi , 布隆迪 )straight 引为不是同性恋的人。 ——X：这个是配对符号，用于连接主体双方名字，可以省略。但要提一下的是X号前后名字的顺序准则，前者为“攻”后者为“受”。请一定不要颠倒以免不必要的误会发生。——MB：就是Moneyboy。男同性恋圈内提供有偿性服务者，有的地方称“鸭子”。——COUPLE ：同志伴侣。 ——Straight(直人)：指异性恋或非同性恋者。在英国常用bent(弯曲的)作为同志的代称，straight便相对用来指异性恋！ ——In the Closet(在衣柜里) ：这是一个比喻，指同性恋或双性恋者向家人、朋友、认识的人以及社会隐藏其性倾向。相对的，当同志被他人发现其同志身份时，称为“走出衣柜”（Come out of the Closet）,简称“出柜” 现身（Come Out）：由“出柜”一词延伸而来，也是指采取行动对周围人与社会表明自己的同志身份。 ——Basher：也叫作"恐同症,恐同者"。这种人会因为对方是同志，而采取身体上或者语言上的人身攻击。对同志有敌视情绪。 ——Size Queen：看别人JJ长短来判断别人好坏的。这种人不太看得起平常大小的别的同志，对他们而言的JJ长度是非常非常重要的。 ——Twink：年轻的Gay。通常比较瘦而且很娃娃脸。 ——Mary：两个Gay在交谈的时候，指代第三个不知道名字Gay通常就用这个名字。 ——LayDar：这个说法来自Radar(雷达)，因为GayDar和Radar谐音，就是说一个Gay很直觉的判断其他没有公开表明性倾向人是否是gay，就好像雷达探测器一样准确。 ——FagHag：就是一个异性恋的女生有很好的Gay的男生朋友。比如小Justin的同学Daphne就可以成为FagHag。她们对gay非常友善、真诚， 没有因为其性倾向而歧视对方，反而更加亲密。 ——Dyke＆Fag：女同志＆男同志。在同志圈子里面通常是戏谑自嘲或者甚至是自豪的说法。 ——Drag Queen：一般叫做异装同志。是指对时尚特别敏感的男同志或者喜欢打扮成女性的男同志。通常在俱乐部出现， 穿很女性的服饰,，模仿女声假唱.。如果是女同志打扮成男性那么叫做 Drag King。

　　根据著名网络小说改编的《搜索》是一部典型的群像电影，故事线索错综复杂，每个人都是网络时代的狩猎者、施害者。简单地说，一个女金领，在公交车上没让座，被实习生女记者拍下来，然后新闻报道、网络爆炸，最终令女金领选择了自杀。在每个环节之中，围观的看客们，在网上网下，都过度热情地主持公道，用各种形式攻击他们以为有道德瑕疵的当事人。当看客来主持公道，世界必定走向失控。　　在这样的故事结构中，陈凯歌还能给每个人相对宽松的表演空间，让每个人物让观众记着并且印象深刻，这需要非常高明的叙事手段。有很多群像电影就是因为人物脸谱化，分属个人的故事线不够清晰，最后变得混乱而遭人诟病。当然，这一方面得益于原作小说的精彩；另一方面也证明了陈凯歌对现实主义题材拿捏得当的处理手法。高圆圆扮演的叶蓝秋的死或许可以看成是一场事先张扬的自杀事件，在这个事件中，所有人都成为看客，任由叶蓝秋一步步走向死亡。连同赵又廷扮演的杨守诚也是如此，他虽然有真爱，却太不主动，不够有担当，为什么就不能多做一些事呢？这与《画皮2》中的陈坤很类似，追悔莫及之时，要么自刺双目，要么遗憾终生。　　通过对现实的真实反映来思考我们当下的存在意义和生活困境。从这个意义上说，《搜索》是近来华语电影中少有的力作，它将焦点对准最新的生活方式以及这种生活方式所蕴含的生存危机。你能说姚晨饰演的资深记者陈若兮没有新闻敏感性、没有社会责任感吗？不，她都有，只是在事件的发展过程中迷失了自己。　　叶蓝秋与杨守诚也同样如此，否则一个不会绝望到以死来逃离人世，一个不会躲躲藏藏不敢诚实面对。想想，这是迷失的一批，而清醒的那一批则是王学圻扮演的大老板、陈燃扮演的秘书以及沈流舒、王珞丹扮演的电视台实习生杨佳琪———老奸巨猾的老板、心机颇深的秘书以及涉世未深的职场新人，最复杂的与最简单的都知道自己要的是什么，反倒是那种不上不下的不知道自己到底追求的是什么。以上角色，每个人都是受害者，也都是看客，看别人时，世界很糟乱，但其实自己也好不到哪里去。当看客们主持公道之时，就不再有公道可言，对人对己都是如此。　　知音版：这个江湖仿佛已经太久没有见过这样自然流露的真情。俗话版：矮马，真爱啊！　　书归正传。举凡一对明星在一起，在吸引很多眼球之后，也会有很多白眼球丢过来：“又是一对秀恩爱炒作的吧？”真别怪大伙先不怀好意揣测你们，谁叫那么多明星爱抱团炒作，比如一个T歌手牵着一个gay发型师也号称男女关系之类的恶俗例子云云。　　近来最三角最八卦的明星恋情，莫过于刘浩龙容祖儿何韵诗三人之间兜兜转转的爱恋，甲方宣布爱上乙方，乙方曾爱上丙方，大家忽然发现甲方还跟丙方求过婚。本来还以为“你是我心内的一休刮”，原来大家都是彼此心中的“一休刮”啊，而且有男刮和女刮，好乱啊。到底是谁本意轻浮，又是谁无辜中枪，恐怕只有当事人清楚，小老百姓是不知道的，只是这连台的戏从来看不完，也从不会落幕。　　而最近其实个人最关注的是另一对，拍摄陈凯歌电影《搜索》而因戏生情的高圆圆和赵又廷。他们两个人在一起的过程，却仿佛与娱乐圈中浮躁炒作的大潮流有那么些许不同，有很深刻和纠结的意思。比如对比一下黄立行和徐静蕾，他们俩的结合看起来就完全没有那么深情，因为徐静蕾太聪明能干，黄立行则太种马洒脱。　　高圆圆是那种最典型的漂亮女孩，几乎每一个她过往在一起的对象都被人知晓，但都没有修成正果。赵又廷是一个良好家世出身的翩翩公子，斯文谦和，在圈中经历过几段若有似无的恋情，但都也没了下文。如果赵又廷是来自“太平洋的风”，那么他虽然两度吹过Angelababy，但最后还是在大陆御姐高圆圆身边停止流动。　　一开始的时候，很容易让人引发联想，翻过山越过岭的高圆圆是怎么可能在赵又廷这座台湾小山丘上停下来呢？难道是因为什么特别的长处吗……那么年纪轻轻的赵又廷又是为什么会穿过台湾的莺莺燕燕，被大陆的姐姐拴住绊倒在怀中？难道是因为什么特别的骚情吗……　　不开玩笑，严肃的说，之所以说他俩有那么些许不同，是因为我从来都没觉得这俩人在一起有炒作的成分。一丝一毫都没有。　　赵又廷和高圆圆的恋情刚被拍到的时候，两位当事人还有些遮遮掩掩，后来的几次发布会上，赵又廷开始有了男友的样子，替女友回答记者们的问题，样子腼腆可爱。然后我忽然觉得，这是多好的小狼狗啊。最近一个月，《搜索》开始陆续放出宣传物料，我逐渐有被煞到的感觉，赵又廷和高圆圆之间的电流太温馨自然了。　　电影里的赵又廷受雇于高圆圆，高圆圆说：“我不想让人看到，我和你在一起。”赵又廷听后有点真情迸发：“我要让所有人都看到，我每天都陪着你。”这两句话是全片我印象最深刻的台词之一，差点感动落泪。生命中，有那么几个瞬间，是复刻了这样的情绪的，被击中也在所难免。然后，赵又廷紧紧抱住高圆圆，那一刻从高圆圆的表情可以看出，在拍这场戏的时候，他俩一定是相爱了的。据说，这场戏在陈凯歌喊cut之后，赵又廷和高圆圆依然紧紧拥抱了五分钟，情深到实在是让人吐槽无力。还有一场戏，两人在蹦极台上紧紧抱着彼此，反复纠结要不要跳下去，赵又廷苦笑着说：“我只想说，这笔钱真不好赚呐！”唔，抱着爱人跳崖还要装作是金钱关系的戏也确实不好拍啊！　　在花絮里，赵又廷在接受访问时看着高圆圆说，“我在看到她时，脑海里就会浮现出那个画面。”然后他就有点说不下去了，就又开始很腼腆的笑。花絮里另外一个镜头是，赵又廷说，自己爱上戏里的对手高圆圆。“爱疯了！”你知道看到这几条花絮的感觉么！赵又廷这时候已经是个陷入爱情的小2b了！　　因为电影里的戏不是按顺序拍的，所以究竟是哪一场戏两人才开始来电，基本无从考证，但我在几次《搜索》的看片过程中，都可以十分肯定的是，其中有若干场戏，从二人的眼神就可以看出，一定是已经爱的很深了。有些人比如我有一种特异功能叫gaydar，比如看谁一眼，就基本知道谁是gay。插话：这种技能是天赋异禀，你们想都不要想。同时gaydar还有另外一种很好用的功能就是，在与某两人接触过之后，基本就可以知道这俩人是不是情侣关系。因为有过亲密关系的人，彼此之间的默契是完全不同的。就比如我看完《碟中谍4》唯一感受就是，阿汤哥一定把杰瑞米·雷纳搞了。　　我相信很多人都跟我一样多多少少有些gaydar，所以，看《搜索》的一大乐趣也在于，某些戏份时你会知道，赵又廷和高圆圆还是陌生人，而到了下一场戏，他们可能已经见过家长了，而某一场戏时，他们可能刚爬完床单。虽然电影里他们并没有滚床单，那么这里也是我要跟导演抗议的地方：他！俩！欠！观！众！一！炮！你！竟！然！不！点！炮！　　陈凯歌导演曾经说过，《搜索》里叶蓝秋和杨守诚这俩角色，不管谁来演都会爱上彼此。我在看电影之前，最感兴趣的是高圆圆那句“要坐坐这儿啊”，一个“不让座”事件引发的一系列蝴蝶效应。看完电影后发现，比起原著的奥义，电影的本质回归了“人”字。虽然《搜索》里的线索有好几条，主要人物有若干个，但最让人难忘的还是叶蓝秋和杨守诚之间短暂又热烈的爱情。大抵所有事物都逃不开一个“情”字，与“情”有关的故事也格外动人。　　电影《搜索》里，在“不让座”事件被媒体曝光后，叶蓝秋成了一个被符号化的女人，烈焰红唇，美丽而道德败坏的“小三”。阴差阳错之下，杨守诚成了唯一守护他的男人，普通、懦弱却又坚定，在他的视角之下，叶蓝秋只是一个被伤害了的女人，需要被保护，而他此刻成了一个挺身而出的骑士。有些被设定的情境下，主角是会本能有情的。而最重要的是，在《搜索》中，高圆圆被拍得美艳绝伦，倾国倾城，换做是谁演对手戏都会把持不住荷尔蒙乱冒吧。　　在《搜索》戏外，高圆圆本人有一些特质很像叶蓝秋，美丽倔强，多年来被误解，大概她始终等着一个可以托付内心的人。赵又廷外表不够十足帅气，但想必骨子里也流着期待被唤醒的骑士之血。电影内外，两个人和角色都融为一体，确实像凯歌导演所说，很难不爱上彼此。在一次媒体采访里，赵又廷说，他看到了圆圆身上不为人知的一面。话里话外都说明，他俩走到一起的过程，绝不是辛苦追求，而是水到渠成。在我看来，《搜索》的片名已经不再是最初的含义，而更像是去搜寻一段恋情的隐秘始末。　　《搜索》最美的地方，是拍出了一道风景。与这个圈子迥然不同的风景。戏里戏外，都是两个年轻人所有陷入恋爱的最美好的可能。

男男相恋

HE=happy ending BE=bad ending 这是这类的……

你想要什么样的术语

Throughout My Life in Ruins, a couple of characters are frequently reminded that they are not as funny as they think they are. Unfortunately, this also applies to the movie itself. It wants to be a bubbly and occasionally zany comedy with a touch of romance surrounded by gorgeous Greek scenery ... but it often feels flat and forced, and even the landscapes seemed blah. It"s being touted as a follow-up to My Big Fat Greek Wedding, with the same lead actress (Nia Vardalos), but it doesn"t have the pleasing blend of comedy and family sentiment that made its predecessor a success. The movie is about a five-day tour of legendary ruins in Greece (thus the title). Georgia (Vardalos), a former history instructor whose stopgap job as a tour guide has extended for years. She hates her job, fusses because she"s being assigned "second-class" tourists, and finds fault with everything in Greece that isn"t at least 2,000 years old. Various Greeks -- her boss, her bus driver -- tell her that she has lost her kefi, a Greek word meaning joie de vivre or mojo or the ability to not annoy the audience. She just needs to relax and get laid and stop worrying her pretty head about things.The Greek chorus of "you"re too uptight" is joined by widower tourist Irv (Richard Dreyfuss), one of the many cliched tourist stereotypes traveling through Greece with Georgia as guide. She also has to deal with incomprehensible Australians, dorky Americans, sexy Spanish divorcees, a dysfunctional British family, and a cute little old lady who steals stuff -- not to mention the sleazy competing tour guide who has decided to torture her into quitting.I waited for Georgia to stop putting up with these pests and start taking charge, preferably with charges of dynamite, but instead I had listen to her whine about how everyone wants to go to the beach and eat ice cream instead of listening to her lecturing about ancient Greek history. The character"s continual plastered-on smile makes you wonder if she"s running for Vice President. On the other hand, it"s refreshing to see a female character go after men who are younger than she is with no comment, much less repercussion. Irv comes across as one of those magical wise characters that dispenses homespun wisdom, the white Midwestern version of Morgan Freeman, I suppose. Still, Dreyfuss has enough charm to pull it off most of the time. I was dissatisfied by the way Irv"s storyline resolved, and wondered if it hadn"t originally been scripted or filmed one way and then changed due to criticism. Other supporting characters are fitfully funny, but more often grating.Bear in mind that Vardalos, who scripted My Big Fat Greek Wedding, didn"t write My Life in Ruins. The screenwriter this time is sitcom writer Mike Reiss, who resorts to cringeworthy gags about Greek names like Poupy and Kakas. The movie was directed by Donald Petrie, who has directed a number of forgettable romantic comedies, the most memorable of which was Miss Congeniality.My Life in Ruins is obviously meant to appeal to women in a summer stuffed with blockbusters aimed at a younger male audience. But women deserve better escapist fare than this feeble attempt at romantic comedy.Variety reported this week that the audiences for Drag Me to Hell have been skewing "surprisingly" female. But Alison Lohman"s character in that film, although she might seem blandly Everywoman-ish at times, is far more fun and fierce than the plastic fantastic Tour Guide Georgia. If you want Greek scenery, rent Mamma Mia; if you want a kickass heroine, try the Raimi film; if you like Vardalos, hopefully she"ll be more lively in next month"s I Hate Valentine"s Day, which she wrote and directed.2MY LIFE IN RUINS may sound like a catastrophic sequel to Nia Vardalos"s 2002 hit, My Big Fat Greek Wedding, but the only connection is Greece itself.In this one, a noticeably slimmer Vardalos plays a Greek American history professor down on her luck. Having lost her job at a university in Athens, she"s been forced to work as a tourist guide. Pangloss is the name of the company and Vardalos"s Georgia is having difficulty in reaching its required standards of Panglossian optimism.The source of Georgia"s discontent is the philistinism of the tourists she ferries around all day. While she"s aching to infuse them with her passion for the grandeur that was classical Greece, they"re interested only in shopping, swimming and the nearest comfort stop. What"s more, they"re just as unimpressed with her as she is with them. Their bad reports have seen her fall to the bottom of the company"s food chain - assigned to the cheapest hotels, the most decrepit bus and the most unruly customers.This premise gives the director, Donald Petrie ( Miss Congeniality), licence to go for broke in the national stereotype department. He wheels out a busload of actors who take the need to be obnoxious so seriously that any impulse towards humour gets lost amid the mugging. There"s the usual complement - a snooty English family led by Caroline Goodall, dressed as if for an outing with Hercule Poirot; a couple of painfully convivial Australians (Natalie O"Donnell and Neighbours graduate Simon Gleeson) glued to their beer cans; two Spanish divorcees (Maria Botto and Maria Adanez) desperately in need of an Almodovar movie; and an assortment of hyperactive performers competing for the title "ugliest American".One of these is Richard Dreyfuss"s Irv, the joker in the pack, who likes to interrupt Georgia"s dissertations with commentaries of his own. You don"t have to be clairvoyant, however, to realise that this display of mutual hostility is all camouflage. The twinkle in Dreyfuss"s eye shines so brightly that he might as well be wearing a sign announcing that it"s his mission in life to jolly Georgia out of the state she"s in.Petrie is also aiming to give you more than your money"s worth in armchair travel. We begin at the Acropolis and move on to Delphi, Olympus, the Parthenon and the Plaka.And more important, there"s romance. Unlikely as it seems, everybody here eventually turns out to be a romantic. Irv, for instance, is bravely hiding his grief over the death of his wife whose ghost turns up in one scene played by Rita Wilson, whose real-life husband, Tom Hanks, happens to be one of the film"s producers. And there"s Georgia"s love interest, who comes heavily disguised under a Yeti-like beard and a manner so gruff that she spends the first part of the film labouring under the impression that he doesn"t speak English. We can easily guess otherwise.Handsome Greek TV star Alexis Georgoulis has the part and as his courtship of Georgia progresses, he gradually makes more of his face visible by shaving off the beard and cutting his hair. If nothing else, it"s a novel variation on the striptease. It"s also supposed to be part of Georgia"s path to enlightenment. In falling for the man behind the beard she"s supposed to see the world through eyes no longer blinded by preconceived notions based on superficialities.All this would be fine if we were persuaded to share her new enchantment with her travelling companions but they"re still stuck with the wardrobe of cliches they set out with.The script offers a few diversions from the main game. One of the oldest members of the group has taken up shoplifting as a hobby. Georgia also has to deal with Alistair McGowan, an unfunny British comic who"s been cast as a rival tour guide intent on sabotaging her efforts to keep her job. But Petrie, who handled slapstick with ease in Miss Congeniality, has lost his timing with this one. There"s none of the blithely nonsensical spirit that infuses the atmosphere when actors are enjoying themselves. This lot are trying too hard and the result falls far short of the alchemy that comes from real inspiration.Handsome Greek TV star Alexis Georgoulis has the part and as his courtship of Georgia progresses, he gradually makes more of his face visible by shaving off the beard and cutting his hair. If nothing else, it"s a novel variation on the striptease. It"s also supposed to be part of Georgia"s path to enlightenment. In falling for the man behind the beard she"s supposed to see the world through eyes no longer blinded by preconceived notions based on superficialities.All this would be fine if we were persuaded to share her new enchantment with her travelling companions but they"re still stuck with the wardrobe of cliches they set out with.The script offers a few diversions from the main game. One of the oldest members of the group has taken up shoplifting as a hobby. Georgia also has to deal with Alistair McGowan, an unfunny British comic who"s been cast as a rival tour guide intent on sabotaging her efforts to keep her job. But Petrie, who handled slapstick with ease in Miss Congeniality, has lost his timing with this one. There"s none of the blithely nonsensical spirit that infuses the atmosphere when actors are enjoying themselves. This lot are trying too hard and the result falls far short of the alchemy that comes from real inspiration.3It"s easy to point out what"s wrong with “My Life in Ruins,” but I don"t feel good about it. The movie clearly has its heart in the right place, which makes sense considering screenwriter Mike Reiss wrote some of the most heartfelt “Simpsons” episodes ever. The problem is that his script paints with such a broad brush that it"s hard to get emotionally involved in a story that bears little resemblance to reality – which in itself is not unforgivable, but doesn"t work here – and goes out of its way to manufacture conflict. The story is set in Greece, and Georgia (Nia Vardalos) is a walking encyclopedia of history, slumming as a “B group” tour guide. Her tourists dislike her because she actually tries to teach them something, instead of taking them to the gift shop and the local American chain restaurant. Her latest group of travelers is no different, and Georgia vows that this trip will be her last, especially after seeing the luxurious accommodations that her “A group” coworker, the sleazy Nico (Alistair McGowan), is allowed to provide his group. When she accidentally hits “funny guy” Irv (Richard Dreyfuss) where it hurts, she tries to give her customers a more enjoyable trip, but to do so, she must find her passion for life, which has long lain dormant. Will the mysterious replacement bus driver Poupi (Alexis Georgoulis, the Greek version of Gael Garcia Bernal) be the one to help her find it?Well, duh, and that"s the movie"s problem; nearly everything about it is either a big ‘duh" or a big WTF. Ever seen a group of tourists introduce themselves to the guide as they board the bus? Neither have I, but they do it here, solely for the benefit of the audience. (How else would we know their names and which stereotype they represent?) Likewise, tour guides don"t go off route and let their customers dictate the day"s itinerary, but remember, very little of this movie is grounded in reality. Even the gay jokes are of the WTF variety. How is it that gay characters in movies have no gaydar? Give credit to Vardalos, then, for not giving in to the insanity around her. She gives this movie everything she has and nearly saves it in the process, but unfortunately can"t overcome the stock characters that surround her. The movie thinks it"s being clever by acknowledging these stock characters up front when Georgia jokes about each of her groups having Ugly Americans, Drunk Australians, Bitter Divorcees, and the aforementioned Funny Guy, but a better idea would have been to let these characters inhabit those traits while developing personalities of their own. Lord knows Mike Reiss is capable of bringing the funny with a healthy dose of nuance, and distributor Fox Searchlight is not known for meddling with quirky scripts (“Juno,” “Little Miss Sunshine,” “Slumdog Millionaire”). So what gives?You can"t help but think that Fox Searchlight looked at “My Life in Ruins” as little more than a nifty slice of counterprogramming to the testosteronefest that is “The Hangover” and “Land of the Lost.” (And, if Will Harris" review of “Land of the Lost” is any indication, the makers of “Ruins” chose their weekend wisely.) But counterprogramming is only half the battle; you still have to make a good movie, and while “My Life in Ruins” has its good points, its heart does not make up for its lack of smarts. Sorry, Nia. Really, we are.

如果是交友可以去 FRIDAE GAYDAR

中孝介-花(KosukeAtari-Hana)作词：御徒町凧作曲：森山直太朗moshimoanatagaameninureiiwakesaemodekinaihodoninanikanifukakukizutsuitanarasemetewatashihateomusubikazenihokorobuhananinaritaimoshimoanatanoyumeyabureyukisakinonaihibihakureyukishinjirukotosaedekinakunarebasemetewatashigakoenishiteasunitayutauutaoutaouhananoyounihananoyounitadasokonisakudakedeutsukushikuarehitohaminahitohaminadaichiotsuyokufumishimetesorezorenohanakokoroniyadosutatoekonomigahaterutomosoyogushimakazenegainisomarehananoyounihananoyounitadakazeniyurerudakenokonoinochihitotohitomatahitotohitotsumugujidainimiomakasesorezorenomigatawawanarebatohananoyounihananoyounitadasokonisakudakedeutsukushikuarehitohaimahitohaimadaichiotsuyokufumishimetesorezorenohanakokoroniyadosuもしもあなたが雨に濡れ言い訳さえもできないほどに何かに深く伤付いたならせめて私は手を结び风に绽ぶ花になりたいもしもあなたの梦破れ行き先のない日々は暮れゆき信じることさえできなくなればせめて私が声にして明日に揺荡(たゆた)う歌をうたおう花のように花のようにただそこに咲くだけで美しくあれ人はみな人はみな大地を强く踏みしめてそれぞれの花心に宿す例えこの身が果てるとも戦(そよ)ぐ岛风愿いに染まれ花のように花のようにただ风に揺れるだけのこの生命人と人また人と人纺ぐ时代に身をまかせそれぞれの実が挠わなればと花のように花のようにただそこに咲くだけで美しくあれ人は今人は今大地を强く踏みしめてそれぞれの花心に宿す

据英国泰晤士日报医疗科技周刊报道：美国干细胞治疗技术已经进入成熟化阶段，干细胞抗衰老疗法获得美国的权威机构NIH认可！美国干细胞巨头RegeneStem公司将计划4月份出访日本，结合日本干细胞技术治疗进一步临床医学，据悉已获美国总统特朗普支持！

莹yíng光洁像玉的石头。光洁，透明：晶莹。莹白。莹澈。莹洁。笔画数：10；部首：艹；笔顺编号：1224511214笔画顺序：横竖竖捺折横横竖横捺详解莸_yóu【名】莸属植物的泛称〖bluebeard〗。如:三花莸;蒙古莸出处[①]［yíng］［《__》永兵切，平庚，云。］［《__》_定切，去_，影。］“莹1”的繁体字。光洁似玉的美石。珠玉的光采。光洁透明。引申为心地纯净。使明洁。使明白。闪烁。磨治。装饰；涂饰。见“__”。通“_”。眩惑。通“_”。微光。参见“_然”。【午集上】【玉字部】_；康熙笔画：15；页码：页1036第40【__】永兵切【集_】【正_】于平切【__】于_切，?音_。【__】玉色。又【集_】石似玉。【_·__】充耳__。【_】__，美石也。【_·__】尚之以__乎而。【_】__，石似玉。【__】__曰淇__：充耳__。_：毛云：__，美石也。_：尚之以__，尚之以_英，尚之以__。_：毛云：_英，石似玉。_云：石似_，似_。今______同文，____英__同文，__非玉石矣。毛_非也。况___玉之美，_又_次玉之石，_一_乃似二物，__非也。凡玉之生，以及其成，有_有英，有_有_，_草木也。___也，_玉之始生，如草木之_也。英_一玉之中最美者，如草木之英_。_玉之方成，如草木之英_。__玉之_成，如草木之_，皆可用之玉也。又明也。【_子·太?_】一生一死，性命_矣。【_】_，明也。又六_，_名。【列子·周穆王篇】奏承_六_九韶晨露以_之。又人名。【前_·功臣表】祝兹侯__。【_】_古曰：_，音_。又_暝反。又凋也。【楚_·九思】堇荼茂兮扶_，蘅芷_兮__。又【集_】【__】?__切，音_。玉似石。又【唐_】_定切【集_】【__】【正_】_定切，?音_。玉色光_也。【逸__】如玉之_。又【正字通】__。【__·___】此人水_，_之_然。【隋_·高__】_孤公__也。每被磨_，皎然益明。又心精明亦曰_。【江淹·___】___所疑。【_愈·寄孟?_】抱照_疑怪。又【集_】【__】【正_】?_迥切，音_。【集_】__，惑也。【正_】引_子，是_帝之所__，__之而惑也。◎按《_子·_物_》本作_。【卷一】【玉部】编号：142_，[_定切]，玉色。从玉，_省_。一曰石之次玉者。《逸__》曰：“如玉之_。”

1 hito2 tsu3matsu4kiseki

【篇一】 狼和七只小山羊 There was once upon a time an old goat who had seven little kids, and loved them with all the love of a mother for her children. One day she wanted to go into the forest andfetch some food. So she called all seven to her and said, Dear children, I have to go into the forest, be on your guard against the wolf; if he comes in, he will devour you all -- skin, hair, and all. The wretch often disguises himself, but you will know him at once by his rough voice and his black feet. The kids said, Dear mother, we will take good care of ourselves; you may go away without any anxiety. Then the old one bleated, and went on her way with an easy mind. 从前有只老山羊。它生了七只小山羊，并且像所有母亲爱孩子一样爱它们。一天，它要到森林里去取食物，便把七个孩子全叫过来，对它们说：“亲爱的孩子们，我要到森林里去一下，你们一定要提防狼。要是让狼进屋，它会把你们全部吃掉的——连皮带毛通通吃光。这个坏蛋常常把自己化装成别的样子，但是，你们只要一听 到他那粗哑的声音、一看到它那黑黑的爪子，就能认出它来。”小山羊们说：“好妈妈，我们会当心的。你去吧，不用担心。”老山羊咩咩地叫了几声，便放心地去了。 It was not long before some one knocked at the house-door and called, Open the door, dear children; your mother is here, and has brought something back with her for each of you. But the little kids knew that it was the wolf, by the rough voice; We will not open the door, cried they, thou art not our mother. She has a soft, pleasant voice, but thy voice is rough; thou art the wolf! Then the wolf went away to a shopkeeper and bought himself a great lump of chalk, ate this and made his voice soft with it. Then he came back, knocked at the door of the house, and cried, Open the door, dear children, your mother is here and has brought something back with her for each of you. But the wolf had laid his black paws against the window, and the children saw them and cried, We will not open the door, our mother has not black feet like thee; thou art the wolf. Then the wolf ran to a baker and said, I have hurt my feet, rub some dough over them for me. And when the baker had rubbed his feet over, he ran to the miller and said, Strew some white meal over my feet for me. The miller thought to himself, The wolf wants todeceive someone, and refused; but the wolf said, If thou will not do it, I will devourthee. Then the miller was afraid, and made his paws white for him. Truly men are like that. 没过多久，有人敲门，而且大声说：“开门哪，我的好孩子。你们的妈妈回来了，还给你们每个人带来了一点东西。”可是，小山羊们听到粗哑的声音，立刻知道是 狼来了。“我们不开门，”它们大声说，“你不是我们的妈妈。我们的妈妈说话时声音又软又好听，而你的声音非常粗哑，你是狼!”于是，狼跑到杂货商那里，买 了一大块白垩土，吃了下去，结果嗓子变细了。然后它又回来敲山羊家的门，喊道：“开门哪，我的好孩子。你们的妈妈回来了，给你们每个人都带了点东西。”可 是狼把它的黑爪子搭在了窗户上，小山羊们看到黑爪子便一起叫道：“我们不开门。我们的妈妈没有你这样的黑爪子。你是狼!”于是狼跑到面包师那里，对他说： “我的脚受了点伤，给我用面团揉一揉。”等面包师用面团给它揉过之后，狼又跑到磨坊主那里，对他说：“在我的脚上洒点白面粉。”磨坊主想：“狼肯定是想去 骗什么人”，便拒绝了它的要求。可是狼说：“要是你不给我洒面粉，我就把你吃掉。”磨坊主害怕了，只好洒了点面粉，把狼的爪子弄成了白色。人就是这个德行! So now the wretch went for the third time to the house-door, knocked at it and said, Open the door for me, children, your dear little mother has come home, and has brought every one of you something back from the forest with her. The little kids cried, First show us thy paws that we may know if thou art our dear little mother. Then he put his paws in through the window, and when the kids saw that they were white, they believed that all he said was true, and opened the door. But who should come in but the wolf! They were terrified and wanted to hide themselves. One sprang under the table, the second into the bed, the third into the stove, the fourth into the kitchen, the fifth into the cupboard, the sixth under the washing-bowl, and the seventh into the clock-case. But the wolf found them all, and used no great ceremony; one after the other he swallowed them down his throat. The youngest, who was in the clock-case, was the only one he did not find. When the wolf had satisfied his appetite he took himself off, laid himself down under a tree in the green meadow outside, and began to sleep. 这个坏蛋第三次跑到山羊家，一面敲门一面说：“开门哪，孩子们。你们的好妈妈回来了，还从森林里给你们每个人带回来一些东西。”小山羊们叫道：“你先把脚 给我们看看，好让我们知道你是不是我们的妈妈。”狼把爪子伸进窗户，小山羊们看到爪子是白的，便相信它说的是真话，打开了屋门。然而进来的是狼!小山羊们 吓坏了，一个个都想躲起来。第一只小山羊跳到了桌子下，第二只钻进了被子，第三只躲到了炉子里，第四只跑进了厨房，第五只藏在柜子里，第六只挤在洗脸盆 下，第七只爬进了钟盒里。狼把它们一个个都找了出来，毫不客气地把它们全都吞进了肚子。只有躲在钟盒里的那只最小的山羊没有被狼发现。狼吃饱了之后，心满 意足地离开了山羊家，来到绿草地上的一棵大树下，躺下身子开始呼呼大睡起来。 Soon afterwards the old goat came home again from the forest. Ah! What a sight she saw there! The house-door stood wide open. The table, chairs, and benches were thrown down, the washing-bowl lay broken to pieces, and the quilts and pillows were pulled off the bed. She sought her children, but they were nowhere to be found. She called them one after another by name, but no one answered. At last, when she came to the youngest, a soft voice cried, Dear mother, I am in the clock-case. She took the kid out, and it told her that the wolf had come and had eaten all the others. Then you may imagine how she wept over her poor children. 没过多久，老山羊从森林里回来了。啊!它都看到了些什么呀!屋门敞开着，桌子、椅子和凳子倒在地上，洗脸盆摔成了碎片，被子和枕头掉到了地上。它找它的孩 子，可哪里也找不到。它一个个地叫它们的名字，可是没有一个出来答应它。最后，当它叫到最小的山羊的名字时，一个细细的声音喊叫道：“好妈妈，我在钟盒 里。”老山羊把它抱了出来，它告诉妈妈狼来过了，并且把哥哥姐姐们都吃掉了。大家可以想象出老山羊失去孩子后哭得多么伤心! At length in her grief she went out, and the youngest kid ran with her. When they came to the meadow, there lay the wolf by the tree and snored so loud that the branches shook. She looked at him on every side and saw that something was moving and struggling in his gorged belly. Ah, heavens, said she, is it possible that my poor children whom he has swallowed down for his supper, can be still alive? Then the kid had to run home and fetch scissors, and a needle and thread, and the goat cut open the monster"s stomach, and hardly had she make one cut, than one little kid thrust its head out, and when she cut farther, all six sprang out one after another, and were all still alive, and had suffered no injury whatever, for in his greediness the monster had swallowed them down whole. What rejoicing there was! They embraced their dear mother, and jumped like a sailor at his wedding. The mother, however, said, Now go and look for some big stones, and we will fill the wicked beast"s stomach with them while he is still asleep. Then the seven kids dragged the stones thither with all speed, and put as many of them into his stomach as they could get in; and the mother sewed him up again in the greatest haste, so that he was not aware of anything and never once stirred. 老山羊最后伤心地哭着走了出去，最小的山羊也跟着跑了出去。当它们来到草地上时，狼还躺在大树下睡觉，呼噜声震得树枝直抖。老山羊从前后左右打量着狼，看 到那家伙鼓得老高的肚子里有什么东西在动个不停。“天哪，”它说，“我的那些被它吞进肚子里当晚餐的可怜的孩子，难道它们还活着吗?”最小的山羊跑回家， 拿来了剪刀和针线。老山羊剪开那恶魔的肚子，刚剪了第一刀，一只小羊就把头探了出来。它继续剪下去，六只小羊一个个都跳了出来，全都活着，而且一点也没有 受伤，因为那贪婪的坏蛋是把它们整个吞下去的。这是多么令人开心的事啊!它们拥抱自己的妈妈，像当新娘的裁缝一样高兴得又蹦又跳。可是羊妈妈说：“你们去 找些大石头来。我们趁这坏蛋还没有醒过来，把石头装到它的肚子里去。”七只小山羊飞快地拖来很多石头，拼命地往狼肚子里塞;然后山羊妈妈飞快地把狼肚皮缝 好，结果狼一点也没有发觉，它根本都没有动弹。 When the wolf at length had had his sleep out, he got on his legs, and as the stones in his stomach made him very thirsty, he wanted to go to a well to drink. But when he began to walk and move about, the stones in his stomach knocked against each other and rattled. Then cried he, What rumbles and tumbles Against my poor bones? I thought "t was six kids, But it"s naught but big stones. 狼终于睡醒了。它站起身，想到井边去喝水，因为肚子里装着的石头使它口渴得要死。可它刚一迈脚，肚子里的石头便互相碰撞，发出哗啦哗啦的响声。它叫道： “是什么东西， 在碰撞我的骨头? 我以为是六只小羊， 可怎么感觉像是石头?” And when he got to the well and stooped over the water and was just about to drink, the heavy stones made him fall in, and there was no help, but he had to drownmiserably. When the seven kids saw that, they came running to the spot and cried aloud, The wolf is dead! The wolf is dead! and danced for joy round about the well with their mother. 它到了井边，弯腰去喝水，可沉重的石头压得它掉进了井里，淹死了。七只小山羊看到后，全跑到这里来叫道：“狼死了!狼死了!”它们高兴地和妈妈一起围着水井跳起舞来。 【篇二】 Pirate"s Treasure--Written by Carol Moore Ten steps from the porch and twenty steps from the rose bushes, growled Bluebeard in Jimmy"s dream one night. There be treasure there! Aawrgh. So the next day Jimmy began to dig. He dug until the hole was deep and the dirt pile was high. He kept digging. The hole got deeper and the dirt pile got higher. He dug until the hole was deepest and the dirt pile was at its highest. He sighed. I"m too tired. I can"t dig anymore. Then he spied something... ...but it was only one of Woofy"s bones. Instead of treasure, all Jimmy had was a dog bone, a hole, and a big pile of dirt to fill it in with. He thought That pirate lied to me! But when Jimmy"s mother saw what he had done, she clasped her hands and smiled a smile from here to Sunday. Oh, thank you, Jimmy. I always wanted a rhododendron bush planted just there. Here"s $5.00 for digging that hole. 海盗的宝藏-作者：卡罗尔-摩尔 “距离走廊十步，玫瑰花丛20步的地方，”一天夜里蓝胡子在吉米的梦里咆哮道，“那里有珍宝!” 所以第二天，吉米开始挖。他一直挖，直到坑很深了，挖出的土堆得很高了。 他不停地挖。坑越来越深，土越堆越高。 他一直挖，直到坑已经非常深，土堆得非常高。他叹了口气：“我太累了。我不能再挖了。”然后他开始搜索。 但是除了一块伍菲的骨头，他什么也没找到。吉米所得到的仅仅是一块狗啃的骨头，一个坑还有一大堆土，而不是财宝。他想：“那个海盗欺骗了我!” 但当吉米的妈妈看到他所做的一切，她高兴得拍手。从那时一直拍到星期天。“哦，谢谢你，吉米。我一直以来都想在那里栽一丛杜鹃花。这5美元奖励你挖那个坑。” 【篇三】 Our Lady"s Child 圣母的孩子 Hard by a great forest dwelt a wood-cutter with his wife, who had an only child, a little girl three years old. They were so poor, however, that they no longer had daily bread, and did not know how to get food for her. One morning the wood-cutter went outsorrowfully to his work in the forest, and while he was cutting wood, suddenly there stood before him a tall and beautiful woman with a crown of shining stars on her head, who said to him, I am the Virgin Mary, mother of the child Jesus. Thou art poor and needy, bring thy child to me, I will take her with me and be her mother, and care for her. The wood-cutter obeyed, brought his child, and gave her to the Virgin Mary, who took her up to heaven with her. There the child fared well, ate sugar-cakes, and drank sweet milk, and her clothes were of gold, and the little angels played with her. 大森林边住着一位樵夫和他的妻子。他们只有一个孩子，是个三岁的女孩。可是他们非常穷，连每天要吃的面包都没有，更不知道该拿什么东西喂孩子。一天早晨，樵夫愁眉苦脸地到森林里去砍柴，他的面前突然出现了一位高大、美丽的女人，她的头上还戴着一顶饰满了闪烁的星星的宝冠。她对樵夫说：“我是耶稣的母亲，圣母玛利亚。你很穷，需要帮助。把你的孩子给我吧。我愿意把她带走，做她的母亲，好好照料她。”樵夫听从她的话，把孩子带来，交给了圣母玛利亚。圣母玛利亚把孩子带到了天堂。孩子在天堂里过得很舒服，吃的是糖饼，喝的是甜牛奶，穿的是金衣服，陪她玩的是小天使。 And when she was fourteen years of age, the Virgin Mary called her one day and said, Dear child, I am about to make a long journey, so take into thy keeping the keys of the thirteen doors of heaven. Twelve of these thou mayest open, and behold the glory which is within them, but the thirteenth, to which this little key belongs, is forbidden thee. Beware of opening it, or thou wilt bring misery on thyself. The girl promised to beobedient, and when the Virgin Mary was gone, she began to examine the dwellings of the kingdom of heaven. Each day she opened one of them, until she had made the round of the twelve. In each of them sat one of the Apostles in the midst of a great light, and she rejoiced in all the magnificence and splendour, and the little angels who always accompanied her rejoiced with her. Then the forbidden door alone remained, and she felt a great desire to know what could be hidden behind it, and said to the angels, I will not quite open it, and I will not go inside it, but I will unlock it so that we can just see a little through the opening. Oh no, said the little angels, that would be a sin. The Virgin Mary has forbidden it, and it might easily cause thy unhappiness. Then she was silent, but the desire in her heart was not stilled, but gnawed there and tormented her, and let her have no rest. 她长到十四岁时，圣母玛利亚有一天把她叫到面前，对她说：“亲爱的孩子，我要出一趟远门。这是天国十三座门的钥匙，由你保管。你可以打开其中十二扇门，看看里面的美景。这把小钥匙是开第十三扇门的，但是你千万不要把那扇门打开，不然你会遭到不幸的。”小女孩答应一定听圣母玛利亚的话。等圣母玛利亚走了之后，她开始参观天国的住房。她每天打开一扇门，直到十二扇门被她一一打开。她看到每一扇门里都坐着一位耶稣的门徒，周围一片光辉灿烂。这辉煌的景象让她万分欢喜，也让昼夜陪伴她的小天使们非常高兴。现在只剩下那扇禁止被打开的门了。她非常想知道这扇门的后面藏的是什么，便对天使们说：“我不把门全打开，也不进去。我只想打开一条缝，好让我们大家看看里面有什么。”“啊，不行，”小天使们说，“那样做是罪过。圣母玛利亚禁止你打开它，你要是不听话，可能很容易遭到不幸。”她听到这话便不吭声了，可她心中的愿望并没有就此消失，而是在不停地折磨着她，让她得不到片刻的安宁。

上海的建设与发展令世界瞩目。88层的上海金茂大厦曾是中国最高的大楼，101层的环球金融中心现在取代了金茂大厦的冠军宝座，127层的上海中心已经开工建设未来两年将拔地而起，其632米的高度将再次刷新中国楼高记录。这3座高耸入云的中国一、二、三号高楼彼此相邻屹立在上海浦东黄浦江边陆家嘴金融贸易区。浦东陆家嘴金融贸易区形成了国内外银行集群，世界各大银行总部纷纷进驻浦东陆家嘴。上海正在建设成为国际金融中心，上海的金融发展领先于全国，影响至全球。上海还将建成具有全球航运资源配置能力的国际航运中心。上海已经是世界第一大货运港口，第二大集装箱运输港口，洋山深水港的建设更加快了上海国际航运中心的建设步伐。素有‘东方明珠"之称的上海，具有成为国际金融中心和国际航运中心的禀赋和现实基础。上海深厚的中西结合文化底蕴，上海坚实的经济中心地位，上海繁华的都市生活和职业发展机会吸引来数百万外地人外国人。迪斯尼也要来上海，全球第六处迪斯尼乐园将在上海浦东建设，标志着上海旺盛的发展前景。2010年上海将更加辉煌，因为举世闻名的5年一届的世界综合性博览会将于2010年5月1日至10月31日在上海举办。上海世博会场地位于南浦大桥和卢浦大桥之间，沿黄浦江两岸布局。世博园区规划面积达到5.28平方公里。世博会园区是点缀各国建筑艺术的江景绿地大花园。与同在黄浦江两岸的南京路口外滩相比，一处蕴涵西洋历史文化，一处展示各国现代文明。世博园区是上海历史上最大的建设项目之一，届时将有4条地铁线从全市不同方向直达世博园区。世博会是世界多元文化的博览盛会。“理解、沟通、欢聚、合作”是上海世博会的理念。会徽以绿色为主色调，富有生命活力，增添了向上、升腾、明快的动感和意蕴，抒发了人们面向未来，追求可持续发展的创造。“城市，让生活更美好”是上海世博会的主题。世博会吉祥物海宝通过创意提炼、造型设计、动作演绎充分表达了这一主题。海宝活泼的形象生动演绎了城市、城市人之间的互动关系，彰显了中国的文化精神，反映了世博会世界文化交流的特征。2010年5月1日至10月31日，预计将有全球各地的7000万名观众前来上海参观世博会。2010上海世博会将有200多个国家、地区和组织在各具风格、各具特色的体现各种建筑艺术的场馆和展厅展出。世博会上展示的世界各国经济、科技、文化、艺术让您不出国门看遍世界。上海世博会将是探讨人类城市生活的盛会；是一曲以创新和融合为主旋律的交响乐；将成为人类文明的一次精彩对话。2010来上海看世博体验美好生活！第七届ReChina亚洲打印展将于2010年9月27-29日在中国国际采购中心举行。2010年ReChina亚洲打印展展期适逢上海世博会期间，这样的时间安排为参加ReChina2010亚洲打印展的人员参观世博会了方便，也为在此期间参观世博会的行业内人士参加ReChina亚洲打印展了机会。据初步预计，将有约5000名专业人士因参加ReChina打印展而参观上海世博会，也将有约2000名国内外数打印影像耗材的专业人士因为上海世博会的吸引而参加ReChina2010亚洲打印展。为了感谢参展商和海外专业观众对ReChina打印展的大力支持，让数打印影像耗材业内人士2010年上海ReChina之行一举两得，ReChina亚洲打印展主办方将组织展商观众千人游世博活动。每年一届的ReChina亚洲打印展2004年-2009年持续发展壮大，迭创新高。2010年的第七届ReChina亚洲打印展将在好时间、好地方、人气旺的大好形势下迎来新的更大的发展，预计将有数打印影像耗材行业的470家公司参展，国内外总参展人数将达到12，000人。2010年将是ReChina亚洲打印展辉煌的一年，未来的ReChina亚洲打印展将保持强大的吸引力而继续发展壮大。参加ReChina亚洲打印展，让您的公司和业务持续发展！

日产蓝鸟使用部分运动的普利司通田波轮胎；拥有30年辉煌历史的普利司通运动品牌波坦萨，自诞生之日起就肩负着汽车运动的光荣使命。截至目前，波坦萨不仅取得了F1、GP2、INDYCAR等世界知名赛事的领先地位，还获得了保时捷、法拉利、宝马、奔驰等世界知名豪车的充分认可。作为普利司通skyclan家族的新一代，POTENZARE11继承了运动家族的优良血统和跑车所要求的极致速度。它不仅在街道行驶时拥有出色的干湿路面性能，在赛道上也拥有出色的极速操控性。它是普利司通为追求街道和赛道驾驶乐趣的运动爱好者设计开发的新一代"体育全能王”。2008年，在日本上市后，POTENZARE11获得了"日本年度优秀设计奖”赢得了香港及亚洲其他地区消费者的喜爱，成为众多运动爱好者和极限爱好者的首选。波坦萨RE11在中国的国产化，不仅为波坦萨品牌在中国市场的发展注入了一剂强心针，也意味着普利司通在中国乘用车商品体系的四大主要品牌-"；Skyclan，泰然，权力人，青歌伴”我们的技术和产品已经在中国落地。

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《The Blue Bird》（Maurice Maeterlinck）电子书网盘下载免费在线阅读链接: https://pan.baidu.com/s/1K4FvqT5ESce2hSmBr5_dlg 提取码: 5aue书名：The Blue Bird作者：Maurice Maeterlinck译者：Teixeira de Mattos, Alexander豆瓣评分：9.1出版社：Dodo Press出版年份：2008-02-22页数：128内容简介：Maurice Polydore Marie Bernard, Count Maeterlinck (1862-1949) was a Belgian poet, playwright, and essayist writing in French. He was awarded the Nobel Prize in Literature in 1911. The main themes in his work are death and the meaning of life. He had written poems and short novels during his studies. In 1889, he became famous overnight after his first play, La Princesse Maleine, had received enthusiastic praise from Octave Mirbeau, the literary critic of Le Figaro (1890). In the following years, he wrote a series of symbolist plays characterized by fatalism and mysticism, most importantly The Intruder (1890), The Blind (1890) and Pllas and Mlisande (1892). With the play Aglavaine et Slysette he began to create characters, especially female characters, more in control of their destinies. After that he published his Douze Chansons (1896), Treasure of the Humble (1896), The Life of the Bee (1901), and Ariadne and Bluebeard (1902). In 1903, Maeterlinck received the Triennial Prize for Dramatic Literature from the Belgian government. His other works include Wisdom and Destiny (1898), and The Wrack of the Storm (1916).

歌曲名:Bluebeard歌手:Cocteau Twins专辑:Lullabies to Violaine, Vol. 2Bluebeard - cocteautwinsAlivenessExplorationAlivenessEnergyAre you the right man for me?Are you safe? are you my friend?Are you the right man for me?Are you safe? are you my friend?Aliveness (It may be diverting)Exploration (For some part of him)Fulfillment (It may be diverting)Creativity (For some part of him)Are you the right man for me?Are you safe? are you my friend?Or are you toxic for me?Will you betray my confidence?Are you the right man for me?Are you safe? are you my friend?Or are you toxic for me?Will you betray my confidence?Naming things is empoweringI balance, walk, and coordinate myself, aliveAliveness energyHealthy dependence(Are you the right man for me?Are you safe? are you my friend? )And healthy independence(Or are you toxic for me?Will you mistreat me Or betray all my confidence? )And healthy assurances(Are you the right man for me?Are you safe? are you my friend? )This loves a nameless dream(Or are you toxic for me?Will you mistreat me Or betray all my confidence? )And healthy boundaries(Are you the right man for me?Are you safe? are you my friend? )And how long would you miss me(Or are you toxic for me?Will you mistreat me Or betray all my confidence? )

爱奇艺。根据查询爱奇艺官网显示，2023年6月4日晚23点，爱奇艺VIP会员独家播出hito流行音乐奖颁奖典礼全程完整版。颁奖典礼是指主办方在年会、开工会等大型会议中，对优秀员工、合作伙伴授予奖项或荣誉的环节。

　　Near the rich man"s house there lived a poor woman.She had three sons, and two beautiful girls. Thename of one of the girls was Ann; the name of theother was Fatima. Blue Beard wanted to marry oneof the girls; but the girls did not want to marry BlueBeard. 　　Ann and Fatima did not want to marry the richman because his beard was blue. Blue Beard hadmarried many wives, but his wives had gone away.No one knew where his other wives had gone. Thegirls did not want to marry Blue Beard and becomehis wife, because no one knew where his other wives had gone. So their mother said to BlueBeard, "My girls do not want to marry you." 　　then Blue Beard said, " Come and live in my house for some days." So they went and livedin Blue Beard"s house. It was a very beautiful house, and Blue Beard was good to them in manyways. 　　Fatima said, "His beard is blue, but he is not a bad man. He is very good in some ways. So Iwill marry him." 　　So Fatima married Blue Beard and went to live in the beautiful house. 　　Some days went by. then Blue Beard said, "I shall go on a journey." Then he gave Fatimathe keys of all the rooms in the house. He said, "This is the key of that little room; do not openthe door of it. …Say that you will not open the door of the little room!" 　　Fatima said, "I will not open the door of that little room." 　　then Blue Beard went away. 　　When Blue Beard was away, all Fatima"s friends came to see her. She showed them therooms, and what a beautiful house it was; but she did not open the door of the little room. 　　the friends went away. Then Fatima said, "Shall I open the door of that little room now?Why did he say, "Do not open it"? I want to see what is in the little room." 　　Ⅱ 　　Fatima took the key; she went to the door of the little room, and opened it. In the roomshe saw all Blue Beard"s other wives. They were dead! 　　the key fell from her hand. When she took it up there was a red mark on it. 　　She shut the door. Then she took the key to her room. She said, "Blue Beard will see themark on the key; he will know that I have opened the door of the little room, and he will kill me,as he killed all the other wives." She rubbed the key with a cloth, but the mark did not go away.She washed the key in hot water, but the mark was not washed away. She rubbed the key on astone, but she could not rub the mark away. 　　Blue Beard came back. He called Fatima, and said, "Give me my keys." Fatima gave him theother keys; but she did not give him the key of the little room. He said, "Where is the key of thelittle room?" She said, "I will bring it." She went and brought it; and he saw the red mark. Hesaid, "You have opened the door of the tittle room. Now you shall die." 　　She fell at his feet:" Give me some hours to live," she said. 　　He said, "I will give you one hour." 　　Fatima had three brothers. Her brothers had said, "We shall come and see you today;" butthey had not come. She said, "If my brothers come in this hour they will save me." 　　Her sister Ann was in the house. She called to her, "Sister Ann, Sister Ann, go to thewindow and see if my brothers are coming." 　　Sister Ann went to the window; she said, "I see no one coming." 　　Fatima waited a little; then she cried, " Sister Ann, Sister Ann, do you see anyone coming?" 　　Sister Ann said, "I do not see anyone; no one is coming." 　　Blue Beard called, "Fatima!" 　　Fatima said, "Sister Ann, Sister Ann, is anyone coming?" 　　"I see a little dust," said Sister Ann, "very far away." 　　Blue Beard called, "Fatima, come down." 　　"Sister Ann, Sister Ann," Said Fatima, "is there anyone in the dust?" 　　"I see men in the dust," said Sister Ann. 双语伊索寓言：蓝胡子

据英国泰晤士日报医疗科技周刊报道：美国干细胞治疗技术已经进入成熟化阶段，干细胞抗衰老疗法获得美国的权威机构NIH认可！美国干细胞巨头RegeneStem公司将计划4月份出访日本，结合日本干细胞技术治疗进一步临床医学，据悉已获美国总统特朗普支持！ 在我国，有经济学家指出，美国与日本的干细胞技术治疗对我们目前老年病人需求量，具有威胁性格局，如果美国利用干细胞治疗技术垄断中国老年病市场，后果将不堪设想！ 经谷歌2017年～2018年中国网民对干细胞和基因编辑治疗技术调查：更多中国网民对干细胞治疗技术和基因编辑治疗并不了解，只知道是伦理问题！ 但问道“为什么会是伦理问题时候”，普遍都是回复“不知道之类”。 而更多“一口伦理”的中国网民里面，学历普遍为本科以下，收入为中低层次居多。

歌曲名:Bluebeard歌手:Cocteau Twins专辑:Four-Calendar CafeBluebeard - cocteautwinsAlivenessExplorationAlivenessEnergyAre you the right man for me?Are you safe? are you my friend?Are you the right man for me?Are you safe? are you my friend?Aliveness (It may be diverting)Exploration (For some part of him)Fulfillment (It may be diverting)Creativity (For some part of him)Are you the right man for me?Are you safe? are you my friend?Or are you toxic for me?Will you betray my confidence?Are you the right man for me?Are you safe? are you my friend?Or are you toxic for me?Will you betray my confidence?Naming things is empoweringI balance, walk, and coordinate myself, aliveAliveness energyHealthy dependence(Are you the right man for me?Are you safe? are you my friend? )And healthy independence(Or are you toxic for me?Will you mistreat me Or betray all my confidence? )And healthy assurances(Are you the right man for me?Are you safe? are you my friend? )This loves a nameless dream(Or are you toxic for me?Will you mistreat me Or betray all my confidence? )And healthy boundaries(Are you the right man for me?Are you safe? are you my friend? )And how long would you miss me(Or are you toxic for me?Will you mistreat me Or betray all my confidence? )

RegeneLimRegeneLim，演员，主要作品有《生死对决》。外文名：RegeneLim职业：演员代表作品：《生死对决》合作人物：唐永健