很有feel是什么意思c

feel的意思是感觉。feel：英[fiːl]，美[fiːl] v.感觉；觉得；触摸；摸起来；认为；摸索n.感觉；触觉过去式: felt 过去分词: felt 现在分词: feeling 第三人称单数: feelsfeel造句：1、Can you feel the tension in this room?你能觉察出这房间里的紧张气氛吗？2、Take a deep breath, and you will feel relaxed.深深地吸一口气,那样你会觉得轻松的。3、The room has a nice cosy feel.这房间给人非常温暖舒适的感觉。4、She loved the feel of the sun on her skin.她喜欢太阳照射在皮肤上的那种感觉。

feel作为动词使用的时候意思是：感觉、认为、触摸、试探、觉得。作名词使用的时候意思是：感觉、触摸。 在网上聊天的时候，常听到男网友说，对某位女孩很有feel，究竟这个feel是什么意思？指的是感觉还是表情？下面让我们一起去了解详细的内容吧。 详细内容 01 feel like 想要 ; 感到想要做 ; 欲 ; 很想要； feel chilly 觉得发冷 ; 发觉冷； feel terrible 感觉不舒服 ; 感到难受 ; 感到不舒服 ; 感觉很糟糕。 02 feel fine 仓木麻衣 ; 非凡 ; 自我感觉良好 ; 好感觉； feel constraint 局促不安 ; 忐忑不安。 03 feel relieved 解除心中的焦急愁闷 ; 放心 ; 方〉∶心情放松； feel strange 觉得不舒服 ; 觉得生疏 ; 感到不舒服。 04 Zen Feel 禅居； feel detect 感觉 ; 察觉。 05 How do you feel around them? 你在他们周围的感觉如何？ You feel all that, then what do you do? 你感觉到了，那你怎么办？ This is not because you feel he or she ? 这不是因为你觉得他或者她？

feel的中文意思有很多，需要具体语境具体分析，如以下是feel可能的中文意思：feel v. 感受到，体会到；觉得，相信；使人感觉……；察觉到，意识到；触摸；受到；摸索；有知觉，能感知……n. 感觉，气氛；触觉，手感；触摸；感知，理解；熟练使用；特性，特质

feel英文单词，主要用作动词、名词。作动词时意为“感觉；认为；触摸；试探； 觉得；摸索”。作名词时意为“感觉；触摸”。短语搭配：feel like 想要 ; 感到想要做 ; 欲 ; 很想要；feel chilly 觉得发冷 ; 发觉冷；feel terrible 感觉不舒服 ; 感到难受 ; 感到不舒服 ; 感觉很糟糕；feel fine 仓木麻衣 ; 非凡 ; 自我感觉良好 ; 好感觉；feel constraint 局促不安 ; 忐忑不安feel relieved 解除心中的焦急愁闷 ; 放心 ; 方〉∶心情放松；feel strange 觉得不舒服 ; 觉得生疏 ; 感到不舒服；Zen Feel 禅居；feel detect 感觉 ; 察觉 双语例句：How do you feel around them?你在他们周围的感觉如何？You feel all that, then what do you do?你感觉到了，那你怎么办？This is not because you feel he or she？这不是因为你觉得他或者她 ？feel your age（尤指与较年轻者比）感到自己上年纪了，意识到自己老了to realize that you are getting old, especially compared with people you are with who are younger than you；feel your ears burning觉得耳朵在发烧（认为或猜测别人在说自己）；feel good感到愉快（或有信心等）to feel happy, confident, etc.It makes me feel good to know my work is appreciated.我知道我的工作得到赏识后感到很高兴。

feel是感觉的意思，所以很有feel就是很有感觉的意思。feel如果加上ing，变成feeling，就是感情的意思。

feel；英 [fiːl]；美 [fiːl]；v.感觉到，体会到;觉得，相信;使人感觉……;察觉到，意识到;摸起来;触;以为;受（强烈）影响;摸索，探索；n.感觉，气氛;触觉，手感;触摸;感知，理解;熟练使用;特性，特质。双语例句：1、He could feel the heat of the sun on his back. 他能感觉到太阳照射在背上的热度。2、He had a genius for making people feel at home. 他有一种能够使人感觉轻松自在的本领。3、Many people feel that the law should be changed. 许多人都觉得这项法律应该修改。4、You"ll feel better after a good night"s sleep. 你晚上睡个好觉就会觉得舒服些。5、I"ll feel better after a good night"s sleep. 好好睡一晚，我就会觉得好些了。6、You"ll feel better for a good night"s sleep. 你晚上睡个好觉就会觉得好些。

feel英 [fi:l]　美 [fil]　第三人称单数：feels现在分词：feeling过去分词：felt过去式：feltfeel 基本解释及物动词感觉; 认为; 触摸; 试探及物/不及物动词感觉，觉得; 认为，以为; 触摸名词感觉; 感受; 触摸; 触觉不及物动词觉得; 摸索

feelv.  感觉; 手感; 触摸; 觉察到; 认为; 想做…; 体验到; 摸索;n.  触觉; 感觉; 触摸; 总体印象双语例句1. I know it"s nothing serious and I feel quite unemotional about it.  我知道那根本没什么大不了的，所以有些无动于衷。2. I feel it"s done me good to get it off my chest.  我感觉吐吐苦水对我有好处。3. I"ve gotten my feet thoroughly soaked and feel frozen through and through.  我双脚湿透，感觉都冻到骨头里了。4. I always feel at home at Ye Olde Starre Inn.  在昨日星辰客栈，我总有种宾至如归的感觉。5. This could be the feel-good movie of the autumn.  这可以称得上是今秋令人赏心悦目的影片了。6. I don"t want him to feel forsaken and unhappy.  我不想让他感到被抛弃而不快乐。7. When your children misbehave tell them without making them feel small.  孩子表现不佳时要让他们知道，但不能让他们自惭形秽。8. "I can understand how you feel," Desmond said with great reasonableness.  “我能理解你的感受，”德斯蒙德很通情达理地说。9. I feel as if I should break into song.  我觉得自己应该放声歌唱。10. I feel certain that it will all turn out well.  我觉得最后肯定会皆大欢喜。11. I feel partly responsible for the problems we"re in.  我觉得应为我们遭遇的问题负部分责任。12. They feel strongly that their religion is incompatible with the political system.  他们强烈感受到他们的宗教信仰与政治体制不相称。

感觉

feel:觉得 例句：I feel 我觉得

在网上聊天的时候，常听到男网友说，对某位女孩很有feel，究竟这个feel是什么意思？指的是感觉还是表情？下面让我们一起去了解详细的内容吧。 简要回答 feel作为动词使用的时候意思是：感觉、认为、触摸、试探、觉得。作名词使用的时候意思是：感觉、触摸。 详细内容 feel like 想要 ; 感到想要做 ; 欲 ; 很想要； feel chilly 觉得发冷 ; 发觉冷； feel terrible 感觉不舒服 ; 感到难受 ; 感到不舒服 ; 感觉很糟糕。 feel fine 仓木麻衣 ; 非凡 ; 自我感觉良好 ; 好感觉； feel constraint 局促不安 ; 忐忑不安。 feel relieved 解除心中的焦急愁闷 ; 放心 ; 方〉∶心情放松； feel strange 觉得不舒服 ; 觉得生疏 ; 感到不舒服。 Zen Feel 禅居； feel detect 感觉 ; 察觉。 How do you feel around them? 你在他们周围的感觉如何？ You feel all that, then what do you do? 你感觉到了，那你怎么办？ This is not because you feel he or she ? 这不是因为你觉得他或者她？

vt. 1. 触, 摸2. 摸索；探索；探寻3. 体会，体验，感受(一种感情或情况)4. 深感；对…非常敏感5. 意识到，感觉到，自觉，认清6. 以为，认为，想，相信vt. & vi. & link-v. 1. 由触摸而得知[感觉到]2. 觉得, 认为n. 1. 感觉, 手感2. 触, 摸3. 直觉4. 摸，触，感觉，知觉5. 感触；(事物给人的)感受6. 本能，天性；鉴赏力；鉴别力，本能的鉴赏力vi. 1. 给人某种感觉，(东西)摸上去有某种感觉，摸着是，感觉着是2. 有知觉，感知3. 感觉，意识到4. 同情，怜悯，体谅，共鸣，感动(常与for连用)

feel的音标是[fi:l]。

说一个女孩很有feel就是说这个女孩带给人的感觉不一样，带有一种欣赏的意味在里面，如果有人对你说了这个单词，最起码，他对你有好感就是了，这也许就是你吸引别人的地方……

有感觉

第一个是感觉,第二个是第一个的过去式,第三个是掉落的意思 望采纳,谢谢

feel英[fi:l]　美[fil]　第三人称单数：feels现在分词：feeling过去分词：felt过去式：feltfeel基本解释及物动词感觉;认为;触摸;试探及物/不及物动词感觉，觉得;认为，以为;触摸名词感觉;感受;触摸;触觉不及物动词觉得;摸索

感觉

感觉

1、feel用作及物动词的基本意思是“触摸,感觉到”,引申可作“蒙受,遭受”“相信,认为”“直接感觉到”解。可接名词、代词作宾语,也可接由that、疑问词或as if引导的从句作宾语。 2、feel用作不及物动词时作“感觉,似乎”解,引申可作“摸索”解,其后有时可接副词。 3、feel还可用作系动词,作“觉得,体会”解,引申还可作“感觉是…,觉得自己…”解,可接名词、形容词、过去分词或介词短语作表语。 4、feel接以动词不定式充当宾语的复合宾语时,常采用形式宾语结构,即在宾语位置上使用it而将用作宾语的动词不定式置于宾语之后。 5、feel作名词时是“感觉,手感”的意思,指的是通过触摸某一物而形成的一种感觉。feel用作单数名词,常与不定冠词连用。

感觉

feel是感觉， 触摸

感觉

v. 感觉；觉得；触摸；摸起来；认为；摸索。n. 感觉；触觉。feel的基本意思是“摸”或由“摸”引起的感觉。可指触摸者对触摸部位的感觉,也可指被触摸者对被触摸部位的感觉。可表示肉体的感觉,也可表示内心的感觉。侧重于肉体感觉时,一般可译为“摸”“摸着像是〔大概是〕”“摸起来有…的感觉”“摸索着进行试探”“摸索到某物”等。侧重于内心的感觉〔受〕时,一般可译为“感到”“认为,觉得,相信”等。feel用作及物动词的基本意思是“触摸,感觉到”,引申可作“蒙受,遭受”“相信,认为”“直接感觉到”解。可接名词、代词作宾语,也可接由that、疑问词或as if引导的从句作宾语。feel还可接复合宾语,其宾语补足语可由“(to be+) n./adj./prep. -phrase”充当,也可由动词不定式、现在分词或过去分词充当。当表示宾语的动作已完成时通常接动词不定式; 表示宾语的动作正在进行时接现在分词,表示被动或完成意义时接过去分词。词汇搭配：用作动词 (v.)～+名词feel a draft 感到受冷落feel a fear 感到害怕feel a friend"s death 痛惜友人去世feel anger 感到生气feel earthquake 感到地震feel fatigue 感到疲劳feel gratitude 感激feel guilt 感到有罪feel hesitation 感到犹豫feel horror 感到恐惧

　　feel英 [fi:l] 美 [fil]　　vt.感觉; 认为; 触摸; 试探;　　vt.感觉，觉得; 认为，以为; 触摸;　　n.感觉; 感受; 触摸; 触觉;　　[例句]You feel as if you"ve been tossing and turning all night, and wake up feeling worn out.　　感觉就像整夜翻来复去睡不着、醒来时浑身疲惫一样。　　[其他]第三人称单数：feels 现在分词：feeling 过去式：felt 过去分词：felt

v. 感觉；觉得；触摸；摸起来；认为；摸索n. 感觉；触觉一、读音：英 [fiːl]，美 [fiːl] 二、例句：She loved the feel of the sun on her skin.她喜欢太阳照射在皮肤上的那种感觉。三、词汇用法：1、feel用作不及物动词时作“感觉，似乎”解，引申可作“摸索”解，其后有时可接副词。  2、feel还可用作系动词，作“觉得，体会”解，引申还可作“感觉是…，觉得自己…”解，可接名词、形容词、过去分词或介词短语作表语。  3、feel接以动词不定式充当宾语的复合宾语时，常采用形式宾语结构，即在宾语位置上使用it而将用作宾语的动词不定式置于宾语之后。  扩展资料：近义词：stroke一、意思：n. 中风；击打；一笔（画）；意外的运气v. 击打v. 轻抚；奉承二、读音：英 [strəʊk]，美 [stroʊk] 三、例句：I know a doctor. He is expert in curing stroke.我认识一个医生,专治中风。四、词汇搭配：have〔suffer〕 a stroke 患中风keep stroke 有节奏地划桨swim a fast stroke 游得快

来电.喜欢

feelx05 [fi:l] vt.x05感觉;认为;触摸;试探 vt.& vi.x05感觉,觉得;认为,以为;触摸 n.x05感觉;触摸;感受;触觉 [例句]I could feel the tears. 我感觉到了她的眼泪.

vt触,摸,感觉,觉得,想,认为vi有知觉moun探明

feel vt. 感觉；认为；触摸；试探vi. 觉得；摸索n. 感觉；触摸

会不会是FEEL&EASY索翔服饰

做动词用可以解释为,感受，感到做名词则为感受

feelvt. 感觉；认为；触摸；试探vi. 觉得；摸索n. 感觉；触摸

感觉，感官动词之一，后接形容词

感觉也有感情的意思，加s也有可能是单三的意思

是我喜欢的感觉。feel的意思为感觉，所以是我喜欢的feel的意思为是我喜欢的感觉。英语是一种西日耳曼语支，最早被中世纪的英国使用，并因其广阔的殖民地而成为世界使用面积最广的语言。

感觉的意思！

你能感受我吗？

feel [简明英汉词典] [fi:l] vt.摸, 触, 试探, 感觉, 觉得, 触摸, 以为 vi.有知觉, (人)有某种感觉, 摸索, 同情 n.感觉, 觉得, 触摸

感觉; 认为; 触摸; 试探;

动[dòng]笔划6五笔FCLN部首力结构左右结构繁体动五行火笔顺横、横、撇折、点、横折钩、撇释义1.改变原来位置或脱离静止状态，与“静”相对：变～。波～。浮～。振～（物体通过一个中心位置，不断作往复运动。亦称“振荡”）。震～（a.颤动或使颤动，如“门窗～～了一下”；b.重大事情或消息使人心不平静，如“～～全国”）。 2.使开始发生：发～。 3.使用：～用。～武。～问（客套话，请问）。 4.使起作用或变化，使感情起变化：感～。～人心弦。娓娓～听。～容。 5.吃（多用于否定式）：这几天不～荤腥。 6.非静止的：～画。 7.可变的：～产。 8.行为：举～。～作。 9.常常：～辄得咎。详细释义〈动〉(形声。从力,重声。《说文》古文从“辵”。本义:行动;发作)同本义动,作也。——《说文》动而健。——《易·彖传》。虞注:“震也。”效天下之动者也。——《易·系辞》。虞注:“发也,变动不居。”将终岁勤动。——《孟子》。注:“作也。”度义而后动。——宋·王安石《答司马谏议书》寨中人蜷伏不少动。——清·徐珂《清稗类钞·战事类》又如:按兵不动;动着(开始下棋);动止(行动和静止;训练调度);动烦(爆发战乱);动转(行动,活动)摇动,震动,移动。与“静”相对风移影动。——明·归有光《项脊轩志》秋风之动容兮。——《楚辞·抽思》物莫之能动。——《吕氏春秋·论威》夜间,大鱼动。——《韩非子·内储说上》又如:动耽(动弹);动履(走动);动展(伸展;活动);动息(动静;消息);动惮(动静);动程(动身;起程);风吹草动;别动人家的东西;振动;活动;动起(方言。动不动);动移(移动);动步(迈步前行);动不得;不能动动摇;震撼忽魂悸以魄动,恍惊起而长嗟。——李白《梦游天姥呤留别》所以动心忍性,曾益其所不能。——《孟子·告子下》风雨不动安如山。——唐·杜甫《茅屋为秋风所破歌》触动感应;感动明则动。——《礼记·中庸》。注:“动,动人心也。”乡园多故,不能不动客子之愁。——明·宗臣《报刘一丈书》又如:动性(动心);动心(遇事而心志动摇;感动人心)萌动春气动,鲜不疫矣。——清·方苞《狱中杂记》做;操作;劳作又如:动作(劳动;耕作);动乖(动不动就违反);动事(兴办事业;日常应用的器具)使用。如:大动干戈;动支(动用支取);动使(动事。用具;器皿);动筷子;动文改变。如:动色(脸色改变);动意(改变意向);动一两个字〈方〉∶吃。如:她向来不动鱼虾;动啖(吃东西)〈副〉动不动,常常曹公,豺虎也,挟天子以征四方,动以朝廷为辞。——《资治通鉴》近义词行移反义词静止相关词语抖动动静闪动乱动发动瞤动开动浮动捣动从动

Beijing is a very good

开尔文的定义(K)： 开尔文(K)是热力学温度单位,等于水的三相点热力学温度的(1/273.16)。上述定义以物理常量:水三相点热力学温度Tt r为基础，而Tt r国际上已于1967年协议,精确地等于273.16K。(图略) 1K=1/273.16 Tt rK = ℃ + 273.1540K= -233.15℃

　　Structure and syntax　　Dickinson"s handwritten manuscript of her poem "Wild Nights – Wild Nights!"　　The extensive use of dashes and unconventional capitalization in Dickinson"s manuscripts, and the idiosyncratic vocabulary and imagery, combine to create a body of work that is "far more various in its styles and forms than is commonly supposed".[125][2] She did not write in traditional iambic pentameter (a convention of English-speaking poetry for centuries), and did not even use a five-foot line. Her line lengths vary from four syllables or two feet to often eight syllables or four feet.[126] Her frequent use of approximate or slant rhyme attracted attention since her work first appeared in print.[126] Her poems typically begin with a declaration or definition in the first line ("The fact that Earth is Heaven"), which is followed by a metaphorical change of the original premise in the second line ("Whether Heaven is Heaven or not").[127] Dickinson"s poems can easily be set to music because of the frequent use of rhyme and free verse. Written for the most part in common meter, they can also be set to songs that use the same alternating lines of iambic tetrameter and iambic trimeter.[128] Dickinson scholar Anthony Hecht finds resonances not only with songs but also with psalms and riddles, citing the following example: "Who is the East? / The Yellow Man / Who may be Purple if he can / That carries the Sun. / Who is the West? / The Purple Man / Who may be Yellow if He can / That lets Him out again."[125]　　Late 20th-century scholars are "deeply interested" by Dickinson"s highly individual use of punctuation and lineation (line lengths and line breaks).[114] Following the publication of one of the few poems that appeared in her lifetime – "A narrow Fellow in the Grass", published as "The Snake" in the Republican – Dickinson complained that the edited punctuation (an added comma and a full stop substitution for the original dash) altered the meaning of the entire poem.[109]　　Original wording　　A narrow Fellow in the Grass　　Occasionally rides –　　You may have met Him – did you not　　His notice sudden is –　　Republican version[109]　　A narrow Fellow in the Grass　　Occasionally rides –　　You may have met Him – did you not,　　His notice sudden is.　　As Farr points out, "snakes instantly notice you"; Dickinson"s version captures the "breathless immediacy" of the encounter; and The Republican"s punctuation renders "her lines more commonplace".[114] With the increasingly close focus on Dickinson"s structures and syntax has come a growing appreciation that they are "aesthetically based".[114] Although Johnson"s landmark 1955 edition of poems was relatively unaltered from the original, later scholars critiqued it for deviating from the style and layout of Dickinson"s manuscripts. Meaningful distinctions, these scholars assert, can be drawn from varying lengths and angles of dash, and differing arrangements of text on the page.[129] Several volumes have attempted to render Dickinson"s handwritten dashes using many typographic symbols of varying length and angle. R. W. Franklin"s 1998 variorum edition of the poems provided alternate wordings to those chosen by Johnson, in a more limited editorial intervention. Franklin also used typeset dashes of varying length to approximate the manuscripts" dashes more closely.[120]　　Major themes　　Dickinson left no formal statement of her aesthetic intentions and, because of the variety of her themes, her work does not fit conveniently into any one genre. She has been regarded, alongside Emerson (whose poems Dickinson admired), as a Transcendentalist.[130] However, Farr disagrees with this analysis saying that Dickinson"s "relentlessly measuring mind ... deflates the airy elevation of the Transcendental".[131] Apart from the major themes discussed below, Dickinson"s poetry frequently uses humor, puns, irony and satire.[132]　　* Flowers and gardens.　　Farr notes that Dickinson"s "poems and letters almost wholly concern flowers" and that allusions to gardens often refer to an "imaginative realm ... wherein flowers [are] often emblems for actions and emotions".[133] She associates some flowers, like gentians and anemones, with youth and humility; others with prudence and insight.[133] Her poems were often sent to friends with accompanying letters and nosegays.[133] Farr notes that one of Dickinson"s earlier poems, written about 1859, appears to "conflate her poetry itself with the posies": "My nosegays are for Captives – / Dim – long expectant eyes – / Fingers denied the plucking, / Patient till Paradise – / To such, if they sh"d whisper / Of morning and the moor – / They bear no other errand, / And I, no other prayer".[133]　　* The Master poems.　　Dickinson left a large number of poems addressed to "Signor", "Sir" and "Master", who is characterized as Dickinson"s "lover for all eternity".[134] These confessional poems are often "searing in their self-inquiry" and "harrowing to the reader" and typically take their metaphors from texts and paintings of Dickinson"s day.[134] The Dickinson family themselves believed these poems were addressed to actual individuals but this view is frequently rejected by scholars. Farr, for example, contends that the Master is an unattainable composite figure, "human, with specific characteristics, but godlike" and speculates that Master may be a "kind of Christian muse".[134]　　* Morbidity.　　Dickinson"s poems reflect her "early and lifelong fascination" with illness, dying and death.[135] Perhaps surprisingly for a New England spinster, her poems allude to death by many methods: "crucifixion, drowning, hanging, suffocation, freezing, premature burial, shooting, stabbing and guillotinage".[135] She reserved her sharpest insights into the "death blow aimed by God" and the "funeral in the brain", often reinforced by images of thirst and starvation. Dickinson scholar Vivian Pollak considers these references an autobiographical reflection of Dickinson"s "thirsting-starving persona", an outward expression of her needy self-image as small, thin and frail.[135] Dickinson"s most psychologically complex poems explore the theme that the loss of hunger for life causes the death of self and place this at "the interface of murder and suicide".[135]　　* Gospel poems.　　Throughout her life, Dickinson wrote poems reflecting a preoccupation with the teachings of Jesus Christ and, indeed, many are addressed to him.[136] She stresses the Gospels" contemporary pertinence and recreates them, often with "wit and American colloquial language".[136] Scholar Dorothy Oberhaus finds that the "salient feature uniting Christian poets ... is their reverential attention to the life of Jesus Christ" and contends that Dickinson"s deep structures place her in the "poetic tradition of Christian devotion" alongside Hopkins, Eliot and Auden.[136] In a Nativity poem, Dickinson combines lightness and wit to revisit an ancient theme: "The Savior must have been / A docile Gentleman – / To come so far so cold a Day / For little Fellowmen / The Road to Bethlehem / Since He and I were Boys / Was leveled, but for that twould be / A rugged billion Miles –".[136]　　* The Undiscovered Continent.　　Academic Suzanne Juhasz considers that Dickinson saw the mind and spirit as tangible visitable places and that for much of her life she lived within them.[137] Often, this intensely private place is referred to as the "undiscovered continent" and the "landscape of the spirit" and embellished with nature imagery. At other times, the imagery is darker and forbidding—castles or prisons, complete with corridors and rooms—to create a dwelling place of "oneself" where one resides with one"s other selves.[137] An example that brings together many of these ideas is: "Me from Myself – to banish – / Had I Art – / Impregnable my Fortress / Unto All Heart – / But since myself—assault Me – / How have I peace / Except by subjugating / Consciousness. / And since We"re mutual Monarch / How this be / Except by Abdication – / Me – of Me?".[137]

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E.T. the Extra-Terrestrial is a 1982 American science fiction fantasy film co-produced and directed by Steven Spielberg, and written by Melissa Mathison. It features special effects by Carlo Rambaldi and Dennis Muren, and stars Henry Thomas, Dee Wallace, Robert MacNaughton, Drew Barrymore, Peter Coyote and Pat Welsh. It tells the story of Elliott (Thomas), a lonely boy who befriends an extraterrestrial, dubbed "E.T.", who is stranded on Earth. He and his siblings help it return home while attempting to keep it hidden from their mother and the government.The concept was based on an imaginary friend Spielberg created after his parents" divorce in 1960. In 1980, Spielberg met Mathison and developed a new story from the stalled sci-fi horror film project Night Skies. It was shot from September to December 1981 in California on a budget of US$10.5 million. Unlike most films, it was shot in rough chronological order, to facilitate convincing emotional performances from the young cast.Released on June 11, 1982 by Universal Pictures, E.T was an immediate blockbuster, surpassing Star Wars to become the highest-grossing film of all time—a record it held for eleven years until Jurassic Park, another Spielberg-directed film, surpassed it in 1993. It is the highest-grossing film of the 1980s. Widely regarded as one of the greatest films of all time, critics acclaimed it as a timeless story of friendship, and it ranks as the greatest science fiction film ever made in a Rotten Tomatoes survey. In 1994, it was selected for preservation in the United States National Film Registry as being "culturally, historically, or aesthetically significant". It was re-released in 1985, and then again in 2002 to celebrate its 20th anniversary, with altered shots and additional scenes.

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