barriers / 阅读 / 详情

高分急求翻译,晚上用,在线等!(6)

2023-05-19 18:55:15
TAG: 翻译
共4条回复
cloudcone

I was born a Pisces, and I love dreaming ever since I was a little kid. I was interested and fascinated by colorful things and graphics when I was very little. When I saw a picture, I would convert it into an image in my mind, and these filled my head, all those beautiful pictures. Those are the colors that filled my head in my teenage years.

As I grew up, I understood more. I locked my first goal in life, i.e. to enter an art school. With persistent efforts, I was finally admitted by Luxun Academy of Fine Arts, majoring in graphic design. I knew I finally found the world that I belong to. I was excited and curious about all the elements in graphics design, the symbols, language, different forms. From my freshman year to senior year, I never let any opportunity pass me. I gave it my all in all the courses offered. For example, sketches, colors, still life, characters, fonts design, logo design, layout, Chinese painting, traditional folk art patterns, book (cover) design, VI design, exhibition design, illustration, poster design, packaging design and so on. I kept enriching myself from these courses and I get more and more qualified as a professional. What"s more important to me is that during these four years of professional study and training observation, I have developed a different habit of observing things, learned to look at things from different perspectives and ways, gaining more comprehensive understanding of objects. For instance, color contrast, unity and composition of a subject, black-and-white contrast as well as the way I feel about things, fresh, passionate, indifferent, relaxing, anxious, elegant, enormous, graceful, beautiful, sad...

During the four-year study at the university, I have had deeper understand of graphic design and I"m more entranced by and interested in this industry. Now I"m more confident. I"ll make it my career because I"m fascinated by the design art. That"s why I choose to be a graphic art designer. I think it will give me a sense of accomplishment. I will bring customers with convenience and happiness with my design while they enjoy my works.

My major in college is Graphic Design. Four years of learning in college made me realize that graphic design is vast science. To be a great graphic designer, one needs to have a little talent, but what matters more is that you need to learn to think and practice and never give up. Once you have some new understanding about this business, you will realize that you want to learn more. That"s why it"s my desire to be a graphic designer. It"s a life-long learning process.

平面设计是其它设计的基础。任何设计都离不开平面构成,构成,立体构成这三大基本课题,而在家纺方面的课识、服装设计正是结合了一定工艺、技术的好形态的设计。很多时候是平面设计的延伸与发展。

所以我很有兴趣致力于行业

刚听到这个问题时,觉得自己从事设计工作只是一种偶然。可是又发现看书这几年来,通过不断的学习和认识,觉得自己是真正的喜欢上了做设计。

通过高考,我进入山东美术学院,正式开始学习设计,逐渐开始对一些新鲜的事物感兴趣,觉得其中一些有创意的东西特别有意思,很吸引人,这样对设计产生了兴趣。

“设计源于生活,设计服务生活”我们生活中的点点滴滴都是经过人类精心设计的,用设计去美化了生活,去创造了视觉上的美感。我也想让自己设计的东西能成为留下来的,能为生活添一把彩。

“天工开物,匠心独运”通过设计可以丰富自己的知识,打造充满个性的生活,能够使人们有一个自由的空间去发挥自身的想象力,表达自己内心的情感,这也是我要从事设计工作的一个原因吧。

学习设计,改变了我的思维方式,提高了审美水平,使我的生活充满乐趣,所以不论以后的路会怎样,希望自己能够执著的走下去,也许是命中注定我要从事设计工作吧。

蓓蓓

哦no……太多老……

我们答题者每人翻译一段吧…………

okok云

let"s begin: Pisces, I love fantasy from an early age, when I am on the East and West Yan-color, graphics are very interested in, see a graph of the brain will associate a number of other graphics to the brain throughout the day are full, full of a beautiful picture, this is my happy color is full of young age

With age, I slowly grown up, thoughtful, and began to lock the first goal in life, admitted to Academy of Fine Arts, through unremitting efforts, I finally walked into the door of Lu Xun Academy of Fine Arts, majored in graphic design, a, I find myself finally found the real world of their own, the various elements of graphic design, symbols, language, form in this area let me full of curiosity, excited by passion, from freshman to senior, this four-year study I do not give up any opportunity to seriously each of the courses, such as: drawing, color, still life, characters, fonts, design, logo design, layout, painting, traditional patterns, books, design, VI design, display design, illustration, poster design, packaging design and so on. From these courses I have been to enrich themselves so that their own professional standards continue to improve step by step and, more importantly, the four years of professional study, training, observation, I developed a habit of the other things, learning from different perspectives way to feel things, the feelings of a more comprehensive vision. For example: color contrast, unity, constitutes a form of contrast black-and-white ash, but also of things such as feelings, fresh, warm, cold, light, tight, elegant, heavy, beautiful, beautiful, sad . . . . . .

Through the four years of study, I have more insights on the design, and more fascinated by this industry, more self-confidence, confidence, and in the end decided to do the design because I have been deeply attracted design. So I would like to engage in design work, I can think of is to bring people to become a satisfied and happy mood to facilitate the designer, so that people enjoy my work.

During the study at the university is a professional graphic design Graphic Design

Deep learning through the four-year graphic design experience is a broad science. Graphic designer needs to do a little talent, but also requires constant thinking and practice. When you have a professional understanding after that, they will want to know more, I feel there is always the desire to do a design.

Graphic Design is the basis of other design. Graphic design can not be separated from any structure, composition, three-dimensional composition of these three basic topics, and in the textile area of numeracy classes, costume design is the combination of a certain technology, technical design of a good shape. Is often an extension of graphic design and development.

So I am very interested in the industry is committed to

Just heard on this issue, feel that they engaged in design work is just a coincidence. But also found that reading the past few years, through continuous learning and understanding, I thought I was a true love to do a design.

Through the entrance, I entered the Shandong Academy of Fine Arts, the official beginning of the study design, gradually began to interest some fresh things, some of them feel that there is something particularly interesting and innovative, very attractive, so that interest on the design.

"Design from the life, service life design" in our lives are the little drops of human well-designed, with design to embellish life, to create a visual sense of beauty. I also want to design their own things to be left behind for a life of Tim Choi.

"Heavenly Creations, Unique" through the design can enrich their knowledge, to create life is full of personality, will enable people to have a free space to play to their imagination and express their inner feelings, that is what I want to engage in the design of one of the reasons for it.

Study design, changed my way of thinking, to raise the aesthetic level, so that my life is full of fun, so no matter what will happen after the way, hope that their dedication to the path, I may be destined to be engaged in the design work.

可乐

As

a

person

born

under

the

zodiac

sign

of

Pisces,

I

like

to

fantasize

since

I

was

very

young;

I

was

very

interested

in

colorful

objects

and

figures.

Whenever

I

watched

a

figure,

my

mind

would

come

up

with

some

other

graphics,

and

my

mind

will

be

full

of

these

beautiful

drawings

all

day.

This

was

my

happy

colorful

childhood.

I

grew

up

with

the

age

and

cut

my

wisdom

teeth,

I

started

to

aim

for

the

first

target

of

my

life,

to

enter

the

academy

of

fine

arts.

After

my

relentless

efforts,

I

finally

gained

entrance

to

the

Luxun

Academy

of

Fine

Arts,

majoring

in

graphic

design.

I

discovered

that

finally

I

had

found

a

world

that

was

really

mine,

the

various

elements,

symbols,

languages

and

forms

of

graphic

design

made

me

full

of

curiosity,

passion

and

excitement.

From

freshman

to

senior,

I

did

not

give

up

any

opportunity

during

these

four

years,

I

treated

every

course

seriously.

For

example,

sketches,

colors,

still

life,

people,

character

design,

logo,

typeset,

traditional

Chinese

painting,

folk

traditional

drawings,

book

design,

VI

design,

display

design,

illustrations,

poster

design,

packaging

design,

etc.

I

tried

to

learn

and

enrich

myself

from

all

these

courses

to

enhance

my

professional

level

step

by

step.

More

importantly,

these

four

years

of

professional

study

and

training

had

enabled

me

to

observe

things

differently;

learning

how

to

feel

objects

from

different

angles

and

ways,

and

attaining

more

comprehensive

visual

sensibility.

For

instance,

the

comparison,

consolidation,

composition

and

form

of

colors;

the

comparison

of

black

and

white,

as

well

as

the

feelings

of

things,

refreshing,

passionate,

cold,

relaxing,

uptight,

lightly

elegant,

heavy

and

strong,

graceful,

nice,

sad……….

Through

these

four

years

of

study,

I

am

more

inspired

towards

designing,

fascinated

by

this

profession,

more

self

confidence

and

determined

to

pursue

designing

to

the

end

with

confidence,

because

I

am

deeply

attracted

by

this

profession.

So,

I

am

going

to

indulge

in

designing

work,

I

want

to

be

a

designer

who

can

bring

satisfaction,

convenience

and

happy

mood

to

people,

let

them

enjoy

my

works.

My

major

in

the

academy

was

Graphic

Design,

from

my

learning

experience

I

have

come

to

realize

that

this

is

an

unbounded

learning.

You

need

a

bit

of

talent

to

be

a

good

graphic

designer,

but

what

needed

more

is

deep

reflection

and

persistent

practice.

When

you

have

a

little

understanding

of

a

profession,

you

tend

to

be

desirous

of

more

knowledge,

which

is

why

I

always

wish

to

design.

Graphic

design

is

the

foundation

of

other

designs;

no

design

can

do

without

the

three

basic

subjects

of

graphic

composition,

structure

and

three-dimensional

formation.

As

far

as

home

textile

is

concerned,

dress

designing

integrates

the

fine

design

of

process

and

technique;

very

often

it

is

an

extension

and

development

of

graphic

design.

Therefore,

I

am

very

fond

of

this

industry.

Initially,

I

thought

my

involvement

in

the

designing

business

is

accidental;

but

these

years

of

reading,

learning

and

understanding,

I

found

myself

really

love

designing.

After

the

entrance

exam,

I

went

to

Shandong

Academy

of

Fine

Arts

to

start

learning

designing.

Gradually,

I

began

to

feel

interested

in

new

things,

attracted

by

some

of

the

innovations,

and

I

got

interested

in

designing.

“Design

originates

from

living

and

serves

living”;

all

the

paraphernalia

in

our

living

are

meticulously

designed

by

human.

Designs

beautifies

our

lives,

creates

visual

aesthetics.

I

also

want

to

design

something

that

lasts,

adding

colors

to

our

livings.

“All

the

heavenly

creations

are

unique”;

working

on

designs

can

widen

one"s

knowledge,

create

a

life

of

personality,

give

play

to

imagination

limitlessly

and

freely

to

express

the

feelings

inside,

this

is

one

of

the

reasons

why

I

want

to

pursue

the

work

of

designing.

The

study

of

design

has

changed

my

way

of

thinking,

enhanced

my

aesthetic

appreciation

and

made

my

life

full

of

joy.

Whatever

my

future

may

be,

I

hope

to

go

on

persistently,

maybe

I

am

destined

to

be

involved

in

designing

work.

相关推荐

美学用英语怎么写?

aesthetic
2023-01-08 11:23:084

身体美学的英文怎么写?

你好!身体美学Body aesthetics
2023-01-08 11:23:2111

aesthetics是什么文件夹可以删除吗?

不建议删除,这个是系统自带的软件,自带的文件,还不建议删除,删除可能导致故障
2023-01-08 11:23:591

为什么“美术”的英文是“Fine art”

美术 [měi shù] artpaintingthe fine arts Fine Arts Art Art Director MA Fine Art短语美术设计 Art Direction by ; graphic designer ; Art Design ; aesthetic design美术师 Artist ; C&E Artist ; Tech Artist ; Graphic Artist美术学 Fine Arts ; Art ; Kunstwissenschaft ; Research of Fine Arts新汉英大辞典美术 [měi shù]1.(造型艺术) the fine arts; art:industrial arts; arts and crafts;工艺美术foster the fine arts;鼓励发展美术
2023-01-08 11:24:052

aesthetics是什么文件夹可以删除吗?

迅雷下载产生的,到c盘,找到tslog-什么的文件夹,删掉,就再也不出了~~~我刚解决掉
2023-01-08 11:24:131

被世人尊称为“美学之父”的美学家是A.毕达哥拉斯 B.柏拉图 C.鲍姆嘉通 D.苏格拉底

C因为我们用的美学一词,在英文里是aesthetics,这个词最初就是鲍姆嘉通在德语里启用Aesthetiks来建立一门学科的.之前有讨论美的内容和学说.但作为学科第一提出的就是鲍姆嘉通,并且在鲍姆嘉通那里,aesthetics应该指感性学,是研究感性认识的学科,我们译为美学是收到日本翻译的影响.西方美学先传到了日本,美学这一翻译是根据日本来的.但是说,这个翻译应该是和Aesthetics表达的东西是有差别的.这是历史遗留问题,没办法,只好凑合着用这个词.
2023-01-08 11:24:321

什么是电影的独立美学

电影美学(aesthetics of cinematography)是电影学和艺术美学的重要分支。是建立在电影学和美学的基础上,研究电影艺术的美和审美问题的一门新兴学科。电影美学的重要著作有贝拉·巴拉兹的《电影美学》、安德烈·巴赞的《电影是什么?》、齐格·弗里德·克拉考尔的《电影的本性》、鲁道夫·爱因汉姆的《电影作为艺术》、欧纳斯特·林格伦的《论电影艺术》、斯坦利·梭罗门的《电影的观念》、马赛尔·马尔丹的《电影语言》。朱小丰的《现代电影美学道论》、路易斯·简尼丝的《理解电影》、约瑟夫·V·马色里的《电影术的五个C》(这本讲解电影摄影技术的著作实际上也讲出了很多电影美学道理)、朱小丰的《电影美学》(这本书被视为最新的电影理论的巅峰著作)等等。介绍早期(20世纪60年代之前)电影美学发展的简要情况的有亨利·阿杰尔的《电影美学概述》。电影美学的具体内容包括:电影艺术的审美本质的审美特征;电影艺术的创作与现实生活的关系及其形象描绘过程;电影艺术的发展历程和电影艺术观念、流派、风格的兴替嬗变过程;电影艺术的创作规律和应具有的美学品格。还有电影艺术与其他艺术的关系;电影艺术的审美价值和社会功能;鉴赏电影艺术的心理机制、过程、特点、意义和方法等。电影美学是电影审美意识的抽象和升华,它以研究如何按照美的规律从事电影艺术的创作以及创作主体、客体、本体、受体之间的关系和交互作用为基本任务。
2023-01-08 11:24:381

美学名词解释

题库内容:美学的解释(1) [aesthetics] (2) 哲学的一个分支,论述美 和美 的事物,尤指对审美 鉴赏 力的 判断 (3) 美术的哲学或科学;特指主题是描述和解释美术、美术现象和美学 经验 并包括心理学、 社会 学、人类学、艺术史和 重要 的有关方面的科学 详细解释 研究 美的一般 规律 与 原则 的科学。主要 探讨 美的本质,艺术和现实的关系,艺术创作的一般规律等。 词语分解 美的解释 美 ě 好,善:美德。美学。美谈。审美。 美丽 。美容(美化容貌)。 美不胜收 。 得意 ,高兴: 美滋滋 的。 称赞 ,以为好: 赞美 。美言。美誉。 指“亚美利加洲”(简称“美洲”):北美。南美。 指“美国”:美元。 学的解释 学 (学) é 效法,钻研 知识 ,获得知识,读书:学生。学徒。学习。学业。学友。学者。学阀。学制。学历。学步邯郸( 讥讽 人只知 模仿 ,不善于学而无成就,亦作“邯郸学步”)。 传授知识的地方:学校(简称“学”
2023-01-08 11:24:461

gymaesthetics啥意思

gym aesthetics体育美学
2023-01-08 11:24:522

GymAesthetics是哪个国家的品牌

德国的体育美学
2023-01-08 11:25:002

工业美学的介绍

工业美学(Industrial Aesthetics )是研究人类造物活动、机械生产和产品文化中有关美学道问题的应用美学学科,也称作“技术美学”、“商品美学”。工业美学的种种理念往往通过工业设计来实现,因此又涉及到设计美学的内容。
2023-01-08 11:25:251

reception aesthetics是什么意思

reception aesthetics接受美学; 接受美学理论; 接受理论双语例句1Metropolitan Newspapers "Strategies of News Communication from the Field of Vision of Reception Aesthetics接受美学视野中的都市报新闻传播策略2The Relationship between the Fiction Writer and the Reader from the Perspective of Reception Aesthetics主体关系的断裂&论接受美学引致的小说作者与读者关系问题
2023-01-08 11:25:351

什么是神经层次的审美

神经层次的审美一般是指神经美学(Neuroesthetics或Neuroaesthetics)是一个相对较新的实验美学(Empirical aesthetics)的子学科。神经美学( Neuroaesthetics) 这一新兴学科诞生于西方社会和科学界,视觉神经科学家Semir Zeki( 1999) 首创此学科名称,并创立了世界上第一个神经美学研究所( Institute of Neuroaesthetics),因此被推举为现代“神经美学之父”。神经美学植根于Gustav T. Fechner 于1876 年创立的实验美学( experimental aesthetics) ,这位“心理物理学之父”开辟了以实证方法研究人类审美行为及其心理学原理的科学探索途径,从此审美规律的探究摆脱了哲学美学( philosophical aesthetics) 形而上的先验思辩方式。
2023-01-08 11:25:441

请问谁能解释migrant aesthetics 迁徙美学的概念,以及谁是提出者??

第一,建立民主宪政体制。这是建立社会主义市场经济的首要条件与基础。第二,确立私有产权体制。现在中国在实际上并没有真正意义上的私有产权。私有产权必须拥有与公有产权平等的地位。私有产权是市场经济的基础。第三,建立健全的市场经济法律体制与体系,坚持公平公正公开原则,加强法律的有效执行。市场经济是适应于陌生人交易的市场方式,只有健全的市场经济法律才能保障市场的公平与效率。第四,保障市场主体的平等。私人资本必须受到平等的对待,才能进入被垄断的环节,才有可能引入竞争,才有可能造就市场公平!第五,坚持藏富于民的原则。民富则国富,国富民不富,那就是权贵资本主义的象征。
2023-01-08 11:25:492

大学生对设计美学的概念是什么?

First, application. From ancient Greece to the 19th century, Western aesthetics and art theories have always been dominated by philosophy and developed around abstract philosophical theories. However, philosophers are not artists themselves and have no experience in artistic creation, so it is difficult for their theories to guide artistic creation and appreciation. After the 19th century, the development of aesthetics gradually mature, aiming at various types of art and creation, gradually developed various fields of aesthetics.Similarly, at the beginning of modern industrial civilization, aesthetics also began to pay attention to the problems in practical application, and design aesthetics came into being. Therefore, strong practical application is the primary feature of design aesthetics.Second, aesthetic. Design activity is a kind of artistic creation activity based on practical application, so it is related to the aesthetic characteristics of functionality. The artistry and aesthetics of design are firstly reflected in the fact that design is a kind of beautiful "plastic art" or "visual art". Therefore, the artistic content studied by design aesthetics is often similar to that studied by visual aesthetics and plastic arts. From the perspective of specific application, design is the process of conveying a plan, planning, envisioning and problem-solving method through visual language. Therefore, this kind of visual language can only reflect the characteristics of design as a form of beauty if it has the characteristics of art. Therefore, in addition to meet the functional requirements, aesthetic is a modern design must pay attention to the problem.Third, technology.Design is an applied subject based on technology. The revolution of modern industrial technology has brought about the emergence of design theory and application. Technical factors are not only the basic factors of design aesthetics and the foundation and support of design, but also determine the formation of design aesthetic style. With the development of industrial civilization, the traditional handicraft production has been replaced by machine production, and the craft aesthetics has been replaced by modern design aesthetics. The mass and standardized production mode in the industrial age made functionalism become the basic aesthetic law, and the aesthetic principle of concise, abstract and scientific design was once all the rage. It can be seen that the formation of the aesthetic style of modernist design is mainly the result of the influence of modern technology.
2023-01-08 11:25:573

求翻译一个句子:We will read Kant"s Aesthetics as presented in his Third Critique.

我们将会读了康德美学看作是他的第三次的评论。
2023-01-08 11:26:097

后奢美学是什么意思?

MOWOBOX摩物之盒的品牌定位:后奢美学Postmodern luxury AestheticsMOWOBOX摩物之盒的Postmodern luxury Aesthetics后奢美学后奢美学即后现代轻奢美学(Postmodern luxury Aesthetics)的简称也称为后奢系。 后奢美学强调新旧融合、生活化、艺术性、神秘感和独特之美;后奢美学的特点注重后现代美学的艺术设计理念中的简约、纯色和美感。内容多用于生活中和实用性较强的装饰物品,突破了特定事件对于饰品的需求。接受一切可运用的要素,将其融合其中,打破“本本主义”力争在“原态”的基础上激活更多神秘感较强的灵魂美学。同时延伸了空间,定义了美学后市场的概念,改变了美学的多维格局;——R
2023-01-08 11:26:361

请问,徳智体美劳翻译成英语是什么?

The German wisdom body art
2023-01-08 11:26:426

美的本质是什么

其实定义本身就一种对美的局限,就象人类意识信仰与怀疑的关系一样,美也需要经历这样的一个过程。我们需要一种认识的基础,然后在这样的一种层面之上进行理解,不同的自我意识会对美有不同的感受。而基于个体意识的对美的感觉才是最重要的,而且是唯一正确的。美的感受从来就不是相同的,因为我们有着不同的自我意识;但美感却是可以相通的,因为我们同样属于整体意识的一部分。美的定义在于对美的感受,对美的理解,对美的想象,美是我们意识的内在的部分,是基于意识整体的方向。对于美的定义已经是一个历史的过程,因为美感对于任何一个有意识的人来说都并不陌生,但对于美究竟是什么,却似乎总是无法找到一个确切的答案。给美定义的想法似乎比审美过程更具有诱惑力,这就象人类可以见到上帝的愿望比信仰上帝更强烈,只是这种愿望因为一直无法实现而淡忘。而美却并不如此,因为我们都察觉到美的存在,却不象上帝那样若有若无、若隐若现,美的感受是如此地真切就象乞力马扎罗山上的雪。下面将对一些美的历史进行描述,看看不同意识对美的理解。我们先了解古希腊哲学对美的理解,柏拉图的美学与其哲学一样是基于理念论的,美的理念(存在)是美的具体事物(感性存在)之所以美的惟一和根本原因。肯定和谐是美的基本特征,认为不仅艺术,一切合理的完善的和美的事物,都象音乐一样达到内部各种倾向、力量的和谐。这种和谐作为美的范畴是毕达哥拉斯提出的,毕氏认为美就是一定数量关系构成的和谐。比如音乐就是由各种音调组成,而这些音调又与发音体在数量上的差别有直接关系。整个宇宙所以使人感到美,还不是由于太阳、月亮和所有的行体明暗相间,参差错落所形成的伟大和谐吗?还有一个希腊修辞学家郎吉弩斯[Longinus,213-273]提出了另一个美学范畴——崇高。《论崇高》“从生命一开始,大自然就向我们人类心灵里灌注进去一种不可克服的永恒的爱,即对于凡是真正伟大的,比我们自己更神圣的东西的爱。”认为艺术应具有崇高的风格,作者须有“伟大的心灵”,崇高不是别的,正是“伟大心灵的回声”。崇高的思想当然属于崇高的心灵,崇高是人超越自身的一种境界,崇高是自然的赐予。英国人博克在《论崇高与美两种观念的根源》中认为“当一个对象以美打动我们的感官,使我们产生一种满足感而不是占有欲时,我们就沉浸在真正的美的享受里;当一个对象使我们联想到危险和痛苦,但不是真正面临危险欲痛苦的威胁时,我们所体验到的便是崇高的感情。”提出崇高不属于美,而是与美并列的范畴。笛卡尔在《第一哲学沉思录》中提出 “我思故我在”的著名命题,认为“美和愉快的都不过是我们的判断和对象之间的一种关系”。休谟认为对于美决定性东西还在于“人性本来的构造”、“习俗”或者“偶然的心情”,审美活动“用心情借来的色彩去渲染一切的自然事物”。卢梭在《论科学和艺术》中认为随着科学和艺术的兴起,人类失去了“那种天生的自由情操”,人类应该回归自然情感中。鲍姆嘉通提出应建立一门专门研究感性认识的学科,叫做“埃斯特惕卡”[Aesthetics],认为美是“感性认识自身的完善”。康德《判断力批判》认为审美判断是“凭借完全无利害观念的快感和不快感对某一对象或其表现方法的一种判断力”,是“惟一的独特的一种不计较利害的自由的快感”。强调艺术创作的精髓在于意志的自由,却不是毫无节制的,而建立在自然的必然基础上的。费希特创立以“自我”为中心的哲学体系,认为“自我”是唯一的实在,一切存在物都在自我之中并通过自我而存在。黑格尔《美学》中认为“美是理念的感性显现”,“正是概念在它的客观存在里与它本身的这种协调一致才形成美的本质”。自然美是理念发展到自然阶段的产物,艺术美是理念发展到精神阶段的产物,艺术美高于自然美。艺术只有通过心灵理念才能变为真正真实的和显示的,才能具有自由和无限的形式。美学的范围在于艺术美,而不是自然美。艺术从象征、古典到浪漫的转化是精神自由的、无限的理念要求冲破一切物质形式的束缚回到其本身,在绘画、音乐、诗歌中物质因素削弱到最低限度,精神得以更自由的表现。车尔尼雪夫斯基在《艺术与现实的审美关系》中提出了“美是生活”的定义,坚持美以及艺术都来源于现实生活,强调现实美高于艺术美,反对纯艺术论。艺术再现生活现实,是生活的代替品。桑塔耶纳《美感》给美下了一个定义:美是积极的、固有的、客观化的价值。门罗在《走向科学的美学》指出“美学作为一门经验科学,它的研究领域主要有两组现象,艺术品以及于艺术作品有关的人类活动。从上述的简单罗列可以了解美的定义同样是两种倾向,即唯物的和唯心的。其实美本身并不在于这两者的区别,美是意识的内在,美感是意识对于美的感受,而物质更多是审美的对象。美学仅仅在于研究美的意识机制,而并不在于美究竟在那个域。美在毕达哥拉斯、柏拉图表现为和谐,在郎吉弩斯、博克表现为崇高,在康德、黑格尔表现为自由,在车尔尼雪夫斯基、桑塔耶纳表现为客观或现实。由于不同意识的观察美存在的角度,对于美的理解是不同的,而这种不同恰恰是美之所以为美的一个理由。在这里我们并不准备确定美的定义是自然、自由、崇高或者和谐,因为美是一种意识现象,它具有基于自由意识的不同。因此对美的定义是一个并不现实的课题,但是我们可以确定作为美内在的要素,那就是自由、崇高、和谐,而所有的要素都基于自然的或者说意识的精神。自由是基于意识自身的,崇高是基于意识超越的,而和谐是基于意识目的的。美对于我们的意义并不仅仅在于定义,也并不在于发现它的本质,而在于我们对美的理解,在于美在某种意义上使我们的生活更美好。
2023-01-08 11:27:051

一些哲学专业课程名称翻译.英译中,希望认真对待

笛卡尔哲学的历史,从康德知识和现实伦理精神哲学科学哲学和心理学和神经科学的哲学科学哲学和社会科学宗教哲学这个逻辑哲学和语言美学中世纪哲学:阿奎那中世纪哲学:兔褐司各脱和奥克汉康德哲学的后康德哲学政治理论柏拉图,共和国亚里士多德的《尼各马可伦理学弗雷格、罗素和维特根斯坦后来维特根斯坦哲学形式逻辑中间哲学的物理先进的哲学的物理我哲学的数学哲学认知科学的柏拉图,共和国(希腊)亚里士多德的《尼各马可伦理学(希腊)第六个的Empiricus:轮廓的绝对怀疑主义(希腊)拉丁哲学(在拉丁语中)法学
2023-01-08 11:27:103

这是什么歌

爱要怎么分割--许飞我不知道那时天空为什么蓝色也不知道为何回忆悄悄的变了i can"t feel you touch my hand 如果相见可以让我脆弱的轮廓躲在角落任凭寂寞不停的拉扯离开幸福远远的眷恋在路口因为孤单而定格固执地扮演原有的角色突然发现我还学不会那么洒脱也许我的依赖对你来说太过于执着微笑不能抹去心里的忐忑如果曾经说的那份承诺已不属于我沉默只是代表一种自责感情不该任性的挥霍层层的包裹舍不得什么害怕把你遗落爱要怎么分割没有形状,无从选择心怎么取舍时而让我开始懂得自己的软弱i can"t feel you touch my hand 如果回忆那么深刻心怎么负荷没有把握不停伤害是爱的猜测都是年轻犯的错眷恋在路口因为孤单而定格固执地扮演原有的角色突然发现我还学不会那么洒脱也许我的依赖对你来说太过于执着微笑不能抹去心里的忐忑如果曾经说的那份承诺已不属于我沉默只是代表一种自责感情不该任性的挥霍层层的包裹舍不得什么害怕把你遗落爱要怎么分割也许我的依赖对你来说太过于执着微笑不能抹去心里的忐忑如果曾经说的那份承诺已不属于我沉默只是代表一种自责感情不该任性的挥霍心开始空了梦无法掌握越想忘得透彻越是爱得深刻
2023-01-08 11:27:243

Gym Aesthetics紧身衣和紧身裤洗完会缩水吗?

不会吧,人好歹是德国的牌子,有质量保证的吧。
2023-01-08 11:27:402

急!!!成绩单怎么翻译成英文啊

的、Military training and theory And legal basis for the ideological and moral cultivation Sports (1) Calculus (1) Forms and Policy (1) Writing English Extensive Reading (1) English Intensive Reading (1) English Listening and Speaking (1) Economic Law Accounting Microeconomics Fundamentals of Computer Application Mao-Deng 3 Introduction to Insurance Money and Banking Macroeconomics Algebra Finance Corporate Finance BIS International Finance International Trade Theory and Practice of Probability and Statistics Students Aesthetics Personal Finance Financial English Practice Forex Trading Investment Banking Theory and Practice of
2023-01-08 11:27:494

高建平的英文文章

1. “The Original Meaning of the Chinese Character for ‘Beauty"”(“美字意义的起源”),Filozophi vestnik(《哲学研究》斯洛文尼亚科学院哲学研究所编)2001年第2期。2. “Signifcance of Analogy-Drawing Between Go and Painting”(“以棋喻画的意义”),Journal of The Faculty of Letters, The University of Tokyo (Aesthetics),(《东京大学人文学刊(美学专号)》东京大学人文学院编)2000年总第25期。3. “ ‘Aesthetic Craze" in China-Its Cause and Significance”(“中国美学热的原因及其影响”),Dialogue and Universalism(《对话与普遍主义》波兰华沙大学普遍主义研究中心编)1997年第3, 4合期(第13次世界美学大会专集)。4. “The Reclusive Spirit in Ancient Chinese Painting”(”中国古代绘画中的隐逸精神”),The Stockholm Journal of East Asian Studies(《斯德哥尔摩东亚研究杂志》斯德哥尔摩大学东方语言与文化学院编)1995年第6卷。5. “Man, Society and Art: An Analysis of On Music” (“人、社会与艺术:《乐记》分析”),The Stockholm Journal of East Asian Studies(《斯德哥尔摩东亚研究杂志》)1993年第4卷。6. “To Begin with A Beautiful Line…”(“从一根线的美谈起……”),Annals for Aesthetics《希腊美学年刊》第43卷。该文被译成西班牙文,在智利大学的刊物Teoria del Arte第12期上发表。7. “Chinese Aesthetics in the Context of Globalization”(“全球化与中国美学”),International Yearbook of Aesthetics(《国际美学年刊》) 第8期上发表。8. “A Century of Chinese Aesthetics”(“20世纪中国美学”), 该文章被译成斯洛文尼亚文,在Pilozofski vestnik(《哲学研究》)2006年第1期上发表。同时,由高建平主编,在这期上发表了5篇译成斯洛文尼亚语的中国美学论文。9. “What is Chinese Aesthetics?” (“什么是中国美学?”)2002年10月在“美学与文化·东方与西方”国际学术研讨会上的主题发言。发表于《美学与文化·东方与西方》一书,安徽教育出版社2006年。10. “Chinese Aesthetics in the Past Two Decades”(“二十年来的中国美学”),发表于Acta Orientalia Vilnensia(《维尔纽斯东方研究学刊》),维尔纽斯大学主编,2002年第2卷。11. “The Stories of Four Words” (《四个美学关键词的翻译和接受》),Filozofski vestnik(《哲学通报》,斯洛文尼亚哲学研究所主办)2007年第2辑。12. “The Relationship Between Writing and Painting in Ancient China,” inInternational Yearbook of Aesthetics:Aesthetics and Dialogues among Cultures,Volume 11, 2007.13. 《当代中国美学与艺术》(学术访谈),《Delo》(斯洛文尼亚报纸)2008年2月2日。
2023-01-08 11:28:041

英语名词的用法

2023-01-08 11:28:133

life aesthetics首字母要大写吗

要。这句话的意思是是生命美学,在生命美学是十九世纪末在西方兴起的重要美学流派,它在诞生后迅速在中国文化界获得了呼应。
2023-01-08 11:28:251

有关科目的英语单词

math chinese music art science history geography politics
2023-01-08 11:28:3115

实验美学的代表人物是

费希纳实验美学(experimental aesthetics)是19世纪中下叶德国心理学家费希纳创立的美学理论。代表人物为费希纳、屈尔佩等。该理论在现代自然科学发展的影响下,摒弃了传统美学研究中对美学基本范畴进行抽象思辨的形而上的研究方向,运用实验心理学来研究美学,通过从具体到抽象的“自下而上”的实验科学研究方法,力图揭示审美经验与审美对象之间的联系。费希纳首先把心理实验法引入美学领域。屈尔佩则在此基础上详细探讨了印象法、表现法、制作法三大研究方法及其具体运用。它开辟了对具体审美经验进行研究的新途径。其许多方法为以后的美学家所采用和改进。美学是一门关于审美现象的综合性的人文学科:(1)美学研究的对象是审美现象也是审美活动;(2)美学是一门人文学科;(3)美学是一门综合性的人文学科。
2023-01-08 11:29:271

请说文解字:艺

2023-01-08 11:30:013

aesthetetic什么意思

aesthetic英 [i:sˈθetɪk] 美 [ɛsˈθɛtɪk] adj.审美的; 美的,美学的; 有关美的; 具有审美趣味的n.审美观; 美学标准,美感复数: aesthetics 双语例句 One"s appreciation of literature depends on one"s level of aesthetic knowledge.一个人对文学作品的欣赏能力,取决于他的艺术修养。
2023-01-08 11:30:321

aesthetic(美学)的介绍

The branch of philosophy that deals with the nature and value of art objects and experiences. It is concerned with identifying the clues within works that can be used to understand, judge, and defend judgments about those works. Originally, any activity connected with art, beauty and taste, becoming more broadly the study of art"s function, nature, ontology, purpose, and so on.A specialist in aesthetics is called an aesthetician.There are many aesthetic theories, including imitationalism, emotionalism and formalism.To postmodernists, these interests have largely been supplanted by questions of meaning and linguistically based investigations, such as those involving semiotics. They have used the term to indicate a certain imprecise distinction between art and life, or as a rough synonym for "artistic."
2023-01-08 11:30:372

aethetics的英文名词解释

美学
2023-01-08 11:30:473

asthetics和esthetics有什么区别

第一个词应该是 aesthetics , 与 esthetics 的意思是一样的,美学;美的哲学,这两个词没有区别。
2023-01-08 11:30:591

美学原理的英文怎么说

principles of aesthetics
2023-01-08 11:31:052

美学可以分为定义美,即形而上学的美学。()

题库内容:美学的解释(1) [aesthetics] (2) 哲学的一个分支,论述美 和美 的事物,尤指对审美 鉴赏 力的 判断 (3) 美术的哲学或科学;特指主题是描述和解释美术、美术现象和美学 经验 并包括心理学、 社会 学、人类学、艺术史和 重要 的有关方面的科学 详细解释 研究 美的一般 规律 与 原则 的科学。主要 探讨 美的本质,艺术和现实的关系,艺术创作的一般规律等。 词语分解 美的解释 美 ě 好,善:美德。美学。美谈。审美。 美丽 。美容(美化容貌)。 美不胜收 。 得意 ,高兴: 美滋滋 的。 称赞 ,以为好: 赞美 。美言。美誉。 指“亚美利加洲”(简称“美洲”):北美。南美。 指“美国”:美元。 学的解释 学 (学) é 效法,钻研 知识 ,获得知识,读书:学生。学徒。学习。学业。学友。学者。学阀。学制。学历。学步邯郸( 讥讽 人只知 模仿 ,不善于学而无成就,亦作“邯郸学步”)。 传授知识的地方:学校(简称“学”
2023-01-08 11:31:141

”暴力美学“怎么翻译?

请问要翻译成什么语言?
2023-01-08 11:31:202

美的本质是什么?

其实定义本身就一种对美的局限,就象人类意识信仰与怀疑的关系一样,美也需要经历这样的一个过程。我们需要一种认识的基础,然后在这样的一种层面之上进行理解,不同的自我意识会对美有不同的感受。而基于个体意识的对美的感觉才是最重要的,而且是唯一正确的。美的感受从来就不是相同的,因为我们有着不同的自我意识;但美感却是可以相通的,因为我们同样属于整体意识的一部分。美的定义在于对美的感受,对美的理解,对美的想象,美是我们意识的内在的部分,是基于意识整体的方向。对于美的定义已经是一个历史的过程,因为美感对于任何一个有意识的人来说都并不陌生,但对于美究竟是什么,却似乎总是无法找到一个确切的答案。给美定义的想法似乎比审美过程更具有诱惑力,这就象人类可以见到上帝的愿望比信仰上帝更强烈,只是这种愿望因为一直无法实现而淡忘。而美却并不如此,因为我们都察觉到美的存在,却不象上帝那样若有若无、若隐若现,美的感受是如此地真切就象乞力马扎罗山上的雪。下面将对一些美的历史进行描述,看看不同意识对美的理解。我们先了解古希腊哲学对美的理解,柏拉图的美学与其哲学一样是基于理念论的,美的理念(存在)是美的具体事物(感性存在)之所以美的惟一和根本原因。肯定和谐是美的基本特征,认为不仅艺术,一切合理的完善的和美的事物,都象音乐一样达到内部各种倾向、力量的和谐。这种和谐作为美的范畴是毕达哥拉斯提出的,毕氏认为美就是一定数量关系构成的和谐。比如音乐就是由各种音调组成,而这些音调又与发音体在数量上的差别有直接关系。整个宇宙所以使人感到美,还不是由于太阳、月亮和所有的行体明暗相间,参差错落所形成的伟大和谐吗?还有一个希腊修辞学家郎吉弩斯[Longinus,213-273]提出了另一个美学范畴——崇高。《论崇高》“从生命一开始,大自然就向我们人类心灵里灌注进去一种不可克服的永恒的爱,即对于凡是真正伟大的,比我们自己更神圣的东西的爱。”认为艺术应具有崇高的风格,作者须有“伟大的心灵”,崇高不是别的,正是“伟大心灵的回声”。崇高的思想当然属于崇高的心灵,崇高是人超越自身的一种境界,崇高是自然的赐予。英国人博克在《论崇高与美两种观念的根源》中认为“当一个对象以美打动我们的感官,使我们产生一种满足感而不是占有欲时,我们就沉浸在真正的美的享受里;当一个对象使我们联想到危险和痛苦,但不是真正面临危险欲痛苦的威胁时,我们所体验到的便是崇高的感情。”提出崇高不属于美,而是与美并列的范畴。笛卡尔在《第一哲学沉思录》中提出 “我思故我在”的著名命题,认为“美和愉快的都不过是我们的判断和对象之间的一种关系”。休谟认为对于美决定性东西还在于“人性本来的构造”、“习俗”或者“偶然的心情”,审美活动“用心情借来的色彩去渲染一切的自然事物”。卢梭在《论科学和艺术》中认为随着科学和艺术的兴起,人类失去了“那种天生的自由情操”,人类应该回归自然情感中。鲍姆嘉通提出应建立一门专门研究感性认识的学科,叫做“埃斯特惕卡”[Aesthetics],认为美是“感性认识自身的完善”。康德《判断力批判》认为审美判断是“凭借完全无利害观念的快感和不快感对某一对象或其表现方法的一种判断力”,是“惟一的独特的一种不计较利害的自由的快感”。强调艺术创作的精髓在于意志的自由,却不是毫无节制的,而建立在自然的必然基础上的。费希特创立以“自我”为中心的哲学体系,认为“自我”是唯一的实在,一切存在物都在自我之中并通过自我而存在。黑格尔《美学》中认为“美是理念的感性显现”,“正是概念在它的客观存在里与它本身的这种协调一致才形成美的本质”。自然美是理念发展到自然阶段的产物,艺术美是理念发展到精神阶段的产物,艺术美高于自然美。艺术只有通过心灵理念才能变为真正真实的和显示的,才能具有自由和无限的形式。美学的范围在于艺术美,而不是自然美。艺术从象征、古典到浪漫的转化是精神自由的、无限的理念要求冲破一切物质形式的束缚回到其本身,在绘画、音乐、诗歌中物质因素削弱到最低限度,精神得以更自由的表现。车尔尼雪夫斯基在《艺术与现实的审美关系》中提出了“美是生活”的定义,坚持美以及艺术都来源于现实生活,强调现实美高于艺术美,反对纯艺术论。艺术再现生活现实,是生活的代替品。桑塔耶纳《美感》给美下了一个定义:美是积极的、固有的、客观化的价值。门罗在《走向科学的美学》指出“美学作为一门经验科学,它的研究领域主要有两组现象,艺术品以及于艺术作品有关的人类活动。从上述的简单罗列可以了解美的定义同样是两种倾向,即唯物的和唯心的。其实美本身并不在于这两者的区别,美是意识的内在,美感是意识对于美的感受,而物质更多是审美的对象。美学仅仅在于研究美的意识机制,而并不在于美究竟在那个域。美在毕达哥拉斯、柏拉图表现为和谐,在郎吉弩斯、博克表现为崇高,在康德、黑格尔表现为自由,在车尔尼雪夫斯基、桑塔耶纳表现为客观或现实。由于不同意识的观察美存在的角度,对于美的理解是不同的,而这种不同恰恰是美之所以为美的一个理由。在这里我们并不准备确定美的定义是自然、自由、崇高或者和谐,因为美是一种意识现象,它具有基于自由意识的不同。因此对美的定义是一个并不现实的课题,但是我们可以确定作为美内在的要素,那就是自由、崇高、和谐,而所有的要素都基于自然的或者说意识的精神。自由是基于意识自身的,崇高是基于意识超越的,而和谐是基于意识目的的。美对于我们的意义并不仅仅在于定义,也并不在于发现它的本质,而在于我们对美的理解,在于美在某种意义上使我们的生活更美好。
2023-01-08 11:31:291

哲学英语词汇?

哲学九十九,没有一百地。人生观
2023-01-08 11:31:353

Advanced Aesthetics Center 整型美容中心谁知道?

整形美容中心,我不知道你去天津一来不来得美丽什么都能漂亮,变得漂漂亮亮,我也能给你找好看。
2023-01-08 11:31:512

acsthctics是什么意思

aesthetics[英][i:s"θetɪks][美][ɛsˈθɛtɪks]n.美学; 美术理论; 审美学; 美的哲学; 网络审美观; 美育; 美感; 形近词:anestheticsaesthetismpathetic双语例句 1These concepts belong to the field of aesthetics.这些概念属于美学范畴。2The idea can meet with the bridge aesthetics better that is to install the longitudinal linkage between2 special-shaped arches.在两异型拱之间设置纵向连杆的异型拱桥设计思路,可更好地满足桥梁美学要求。
2023-01-08 11:32:001

高分求工业设计英文论文翻译

你好, foreknown 下文从工业设计属性出发,讲到发展进程,立法权益保护还有产品设计的相关内容,字数有限,希望能多给你参考,期望能帮得上你。 Industrial design is an applied art whereby the aesthetics and usability of mass-produced products may be improved for marketability and production. The role of an Industrial Designer is to create and execute design solutions towards problems of form, usability, user ergonomics, engineering, marketing, brand development and sales. The term "industrial design" is often attributed to the designer Joseph Claude Sinel in 1919 (although he himself denied it in later interviews) but the discipline predates that by at least a decade. Its origins lay in the industrialization of consumer products. For instance the Deutscher Werkbund, founded in 1907 and a precursor to the Bauhaus, was a state-sponsored effort to integrate traditional crafts and industrial mass-production techniques, to put Germany on a competitive footing with England and the United States. Definition of industrial design Water kettle designed by Peter Behrens in 1909 A Braun stereo Vox Phantom guitar, 1962General Industrial Designers are a cross between an engineer and an artist. They study both function and form, and the connection between product and the user. They do not design the gears or motors that make machines move, or the circuits that control the movement, but they can affect technical aspects through usability design and form relationships. And usually, they partner with engineers and marketers, to identify and fulfill needs, wants and expectations. In Depth "Industrial Design (ID) is the professional service of creating and developing concepts and specifications that optimize the function, value and appearance of products and systems for the mutual benefit of both user and manufacturer" according to the IDSA (Industrial Designers Society of America). Design, itself, is often difficult to define to non-designers because the meaning accepted by the design community is not one made of words. Instead, the definition is created as a result of acquiring a critical framework for the analysis and creation of artifacts. One of the many accepted (but intentionally unspecific) definitions of design originates from Carnegie Mellon"s School of Design, "Design is the process of taking something from its existing state and moving it to a preferred state." This applies to new artifacts, whose existing state is undefined and previously created artifacts, whose state stands to be improved. According to the (Chartered Society of Designers) design is a force that delivers innovation that in turn has exploited creativity. Their design framework known as the Design Genetic Matrix (TM) determines a set of competences in 4 key genes that are identified to define the make up of designers and communicate to a wide audience what they do. Within these genes the designer demonstrates the core competences of a designer and specific competences determine the designer as an "industrial designer". This is normally within the context of delivering innovation in the form of a three dimensional product that is produced in quantity. However the definition also extends to products that have been produced using an industrial process. According to the ICSID, (International Council of Societies of Industrial Design) "Design is a creative activity whose aim is to establish the multi-faceted qualities of objects, processes, services and their systems in whole life-cycles. Therefore, design is the central factor of innovative humanization of technologies and the crucial factor of cultural and economic exchange." Process of design Although the process of design may be considered "creative", many analytical processes also take place. In fact, many industrial designers often use various design methodologies in their creative process. Some of the processes that are commonly used are user research, sketching, comparative product research, model making, prototyping and testing. These processes can be chronological, or as best defined by the designers and/or other team members. Industrial Designers often utilize 3D software, Computer-aided industrial design and CAD programs to move from concept to production. Product characteristics specified by the industrial designer may include the overall form of the object, the location of details with respect to one another, colors, texture, sounds, and aspects concerning the use of the product ergonomics. Additionally the industrial designer may specify aspects concerning the production process, choice of materials and the way the product is presented to the consumer at the point of sale. The use of industrial designers in a product development process may lead to added values by improved usability, lowered production costs and more appealing products. However, some classic industrial designs are considered as much works of art as works of engineering: the iPod, the Jeep, the Fender Stratocaster, the Coke bottle, and the VW Beetle are frequently-cited examples. Industrial design also has a focus on technical concepts, products and processes. In addition to considering aesthetics, usability, and ergonomics, it can also encompass the engineering of objects, usefulness as well as usability, market placement, and other concerns such as seduction, psychology, desire, and the emotional attachment of the user to the object. These values and accompanying aspects on which industrial design is based can vary, both between different schools of thought and among practicing designers. Product design and industrial design can overlap into the fields of user interface design, information design and interaction design. Various schools of industrial design and/or product design may specialize in one of these aspects, ranging from pure art colleges (product styling) to mixed programs of engineering and design, to related disciplines like exhibit design and interior design, to schools where aesthetic design is almost completely subordinated to concerns of function and ergonomics of use (the so-called functionalist school)。 Industrial design rights Industrial design rights are intellectual property rights that protect the visual design of objects that are not purely utilitarian. An industrial design consists of the creation of a shape, configuration or composition of pattern or color, or combination of pattern and color in three dimensional form containing aesthetic value. An industrial design can be a two- or three-dimensional pattern used to produce a product, industrial commodity or handicraft. Under the Hague Agreement Concerning the International Deposit of Industrial Designs, a WIPO-administered treaty, a procedure for an international registration exists. An applicant can file for a single international deposit with WIPO or with the national office in a country party to the treaty. The design will then be protected in as many member countries of the treaty as desired. Design rights started in the United Kingdom in 1787 with the Designing and Printing of Linen Act and have expanded from there. Legislations India India"s Design Act, 2000 was enacted to consolidate and amend the law relating to protection of design and to comply with the articles 25 and 26 of TRIPS agreement. The new act, (earlier Patent and Design Act, 1911 was repealed by this act) now defines "design" to mean only the features of shape, configuration, pattern, ornament, or composition of lines or colours applied to any articlewhether in two or three dimensional, or in both forms, by any industrial process or means, whether manualal or mechanical or chemical, separate or combimed, which in the finished article appeal to and are judged solely bt the eye; but does not include any mode or principle of construction. Canada Canada"s industrial design act affords ten years of protection to industrial designs that are registered; there is no protection if the design is not registered. The Industrial Design Act (R.S., c. I-8) defines "design" or "industrial design" to mean features of shape, configuration, pattern or ornament and any combination of those features that, in a finished article, appeal to and are judged solely by the eye. During the existence of an exclusive right, no person can "make, import for the purpose of trade or business, or sell, rent, or offer or expose for sale or rent, any article in respect of which the design is registered." The rule also applies to kits and substantial differences are in reference to previously published designs. United Kingdom In addition to the design protection available under Community designs, UK law provides its own national registered design right and an unregistered design right. The unregistered right, which exists automatically if the requirements are met can last for up to 15 years. The registered design right can last up to 25 years subject to the payment of maintenance fees。 United States U.S. design patents last fourteen years from the date of grant and cover the ornamental aspects of utilitarian objects. Objects that lack a use beyond that conferred by their appearance or the information they convey, may be covered by copyright -- a form of intellectual property of much longer duration that exists as soon as a qualifying work is created. In some circumstances, rights may also be acquired in trade dress, but trade dress protection is akin to trademark rights and requires that the design have source significance or "secondary meaning." It is useful only to prevent source misrepresentations; trade dress protection cannot be used to prevent others from competing on the merits. Product design Product design can be defined as the idea generation, concept development, testing and manufacturing or implementation of a physical object or service. Product Designers conceptualize and evaluate ideas, making them tangible through products in a more systematic approach. The role of a product designer encompasses many characteristics of the marketing manager, product manager, industrial designer and design engineer. The term is sometimes confused with industrial design, which defines the field of a broader spectrum of design activities, such as service design, systems design, interaction design as well as product design.[citation needed] The role of the product designer combines art, science and technology to create tangible three-dimensional goods. This evolving role has been facilitated by digital tools that allow designers to communicate, visualize and analyze ideas in a way that would have taken greater manpower in the past. Skills needed Product designers are equipped with the skills needed to bring products from conception to market. They should have the ability to manage design projects, and subcontract areas to other sectors of the design industry. Aesthetics is considered important in Product Design but designers also deal with important aspects including technology, ergonomics, usability, stress analysis and materials engineering. As with most of the design fields the idea for the design of a product arises from a need and has a use. It follows a certain method and can sometimes be attributed to more complex factors such as association and telesis. Also used to describe a technically competent product designer or industrial designer is the term Industrial Design Engineer. The Cyclone vacuum cleaner inventor James Dyson for example could be considered to be in this category (see his autobiography Against The Odds, Pub Thomson 2002). Application Some companies or individuals have particularly strong feel for developing new products than others. In the modern world these include especially technological companies like iRobot, Google or Nokia. Many product designers are strategic assets to companies that need to maintain a competitive edge in innovation.
2023-01-08 11:32:062

翻译以下内容

英翻中:1重复,它是没有我们的先进技术,而是确定的我们改变的构想我们自己关于世界我们怎么将修筑我们的墙壁。玻璃墙表达他能和掌握自然和社会的人的信念。"开放学制"和unobstructes视图与通过他的在所有问题的最后的解答的信念是一致的 科学the扩展努力。 2它在对建筑学的理解作为的一个媒介 人的态度、禁忌和理想expression新的建筑批评离开古典美学。后者依靠了纯净的比例、构成等等,作为艺术性的评断的基地。在社会学和心理学的年龄,墙壁不是墙壁,而是障碍的物理标志在人的头脑里。 3那里似乎是ageneral假定他们需要avaried的精采人民不可能站立定期,那,扣人心弦的生活为了做他们的最好。也假设,愚钝的人民特别适用与愚钝的工作。我们被告诉原因当代年轻抗议那么响亮地反对工厂工作的钝涩是他们比过去的年轻人更好被教育和明亮。实际上,没有达到渴望,更不用说活,不平凡的人生的证据theat人民。对面是更近的真相。 =V=咳、有点那啥嗯。=V=翻译不出来的请见谅嗯。接下来是中翻英:1 Franklin exhorts the reader in his to probably be diligent and thrifty. (exhort) 2 I will not let these worry matter hinder my work. (interfere with) 3 conclusive evidence had not indicated that he is guilty. (tangible) 4 he said and him does is inconsistent. (be consistent with) can the 5 who the official this signature free of error? (attest to) 6 this industry processes may obtain a quite great amount. (be disposed of) 7 he lived in seclusion in his farmhouse. (secluded) 8 his a few words have caused our disaffection. (incur) 嗯唔、翻译完了。如果不对、请见谅啊。
2023-01-08 11:32:173

如何理解“环境美学”和自然伦理

程相占教授认为,环境美学重点在于“环境”,而不是“自然”,环境美学的确立涉及到两本重要的著作:英国学者布雷迪(Brady)2003年出版的《自然环境美学》(Aesthetics of the Natural Environment)与卡尔森和伯林特(Carlson,Berleant)合编的论文集《自然环境美学》(The Aesthetics of Natural Environment)。程相占教授将环境美学分为自然环境与人建环境,并以卡尔森和伯林特合编的《人类环境美学》(The Aesthetics of Human Environments)为例,指出了如何审美地欣赏人类环境以及背后的价值。
2023-01-08 11:32:291

求英文翻译,在线等!

The cultural differences and Western clothing Confucian ceremony in Germany to regulate clothing. Confucian society that ethical norms and individual blend of the psychological desire to be united in the clothes embodied. Confucian aesthetics from the perspective of society as a whole aesthetic form asking people to dress formal beauty of the external and internal temperament consistent Qiyun America embodies the ideal personality to strengthen and enhance the moral integrity of the costumes ideas and to say what, both inside and outside the United States into the personality tidy uniform and order among the demarcation of social practice. Fashion on the Confucian concept of long-term historical dominance of the Chinese dynasties of women"s basic shape has an impact. Taoism that pure natural state is the state of the human ideal. Despite the ups and downs dynasties in Chinese history, change ups, but the women"s clothing basic retain undress shape, loose straight cut plane. The West regards itself as the master of the world, is the master of worldly things, to make every effort to tap the power of people, the release of human potential and compete vigorously to make their selfish desires inflated claims. Strong expression of individuality in the clothing, emphasizing exaggerated the beauty of the human body, in varying degrees, contrary to the laws of nature. That is why the notion of the West in the shaping of aesthetics is hard to be generated by the human body draping clothing; either hanging in the wardrobe, or wear on the body, or walk up, do not be too obvious change, which are reflected Westerners space to explore psychology, there is a clear self-expansion.希望能帮助你!
2023-01-08 11:32:355

"行为艺术"或"暴力美学"用英文怎么说?

行为艺术"art de comportement"暴力美学"esthétique de violence"
2023-01-08 11:32:562

英语问题

问题英文
2023-01-08 11:33:063

什么是接受主义美学 急

接受主义美学?接受美学?接受美学“接受美学”(Receptional Aesthetic)这一概念是由德国康茨坦斯大学文艺学教授尧斯在1967年提出的。接受美学的核心是从受众出发,从接受出发。尧斯认为,一个作品,即使印成书,读者没有阅读之前,也只是半完成品。
2023-01-08 11:33:182

aesthenakedtics意思

这个词应该从英语的前缀、后缀以及词根来理解aesthe是个词根=feeling ,表示“感觉” 例如 aesthetics 美学,美术理论;审美学;美的哲学 aesthetic 美的;美学的;审美的....(t)ics是个后缀,表示“.......学,.......术 ” 例如常见的 politics 政治学aesthenakedtics这个词中间还有一个词是naked “裸体的”意思所以总结以上分析可以得出这个词的意思是“裸体美学”更标准一点的译法是“裸体审美” ,它是后现代视觉艺术中的一方面希望得到你的采纳!
2023-01-08 11:33:321

美的本质是什么?

其实定义本身就一种对美的局限,就象人类意识信仰与怀疑的关系一样,美也需要经历这样的一个过程。我们需要一种认识的基础,然后在这样的一种层面之上进行理解,不同的自我意识会对美有不同的感受。而基于个体意识的对美的感觉才是最重要的,而且是唯一正确的。美的感受从来就不是相同的,因为我们有着不同的自我意识;但美感却是可以相通的,因为我们同样属于整体意识的一部分。美的定义在于对美的感受,对美的理解,对美的想象,美是我们意识的内在的部分,是基于意识整体的方向。对于美的定义已经是一个历史的过程,因为美感对于任何一个有意识的人来说都并不陌生,但对于美究竟是什么,却似乎总是无法找到一个确切的答案。给美定义的想法似乎比审美过程更具有诱惑力,这就象人类可以见到上帝的愿望比信仰上帝更强烈,只是这种愿望因为一直无法实现而淡忘。而美却并不如此,因为我们都察觉到美的存在,却不象上帝那样若有若无、若隐若现,美的感受是如此地真切就象乞力马扎罗山上的雪。下面将对一些美的历史进行描述,看看不同意识对美的理解。我们先了解古希腊哲学对美的理解,柏拉图的美学与其哲学一样是基于理念论的,美的理念(存在)是美的具体事物(感性存在)之所以美的惟一和根本原因。肯定和谐是美的基本特征,认为不仅艺术,一切合理的完善的和美的事物,都象音乐一样达到内部各种倾向、力量的和谐。这种和谐作为美的范畴是毕达哥拉斯提出的,毕氏认为美就是一定数量关系构成的和谐。比如音乐就是由各种音调组成,而这些音调又与发音体在数量上的差别有直接关系。整个宇宙所以使人感到美,还不是由于太阳、月亮和所有的行体明暗相间,参差错落所形成的伟大和谐吗?还有一个希腊修辞学家郎吉弩斯[Longinus,213-273]提出了另一个美学范畴——崇高。《论崇高》“从生命一开始,大自然就向我们人类心灵里灌注进去一种不可克服的永恒的爱,即对于凡是真正伟大的,比我们自己更神圣的东西的爱。”认为艺术应具有崇高的风格,作者须有“伟大的心灵”,崇高不是别的,正是“伟大心灵的回声”。崇高的思想当然属于崇高的心灵,崇高是人超越自身的一种境界,崇高是自然的赐予。英国人博克在《论崇高与美两种观念的根源》中认为“当一个对象以美打动我们的感官,使我们产生一种满足感而不是占有欲时,我们就沉浸在真正的美的享受里;当一个对象使我们联想到危险和痛苦,但不是真正面临危险欲痛苦的威胁时,我们所体验到的便是崇高的感情。”提出崇高不属于美,而是与美并列的范畴。笛卡尔在《第一哲学沉思录》中提出 “我思故我在”的著名命题,认为“美和愉快的都不过是我们的判断和对象之间的一种关系”。休谟认为对于美决定性东西还在于“人性本来的构造”、“习俗”或者“偶然的心情”,审美活动“用心情借来的色彩去渲染一切的自然事物”。卢梭在《论科学和艺术》中认为随着科学和艺术的兴起,人类失去了“那种天生的自由情操”,人类应该回归自然情感中。鲍姆嘉通提出应建立一门专门研究感性认识的学科,叫做“埃斯特惕卡”[Aesthetics],认为美是“感性认识自身的完善”。康德《判断力批判》认为审美判断是“凭借完全无利害观念的快感和不快感对某一对象或其表现方法的一种判断力”,是“惟一的独特的一种不计较利害的自由的快感”。强调艺术创作的精髓在于意志的自由,却不是毫无节制的,而建立在自然的必然基础上的。费希特创立以“自我”为中心的哲学体系,认为“自我”是唯一的实在,一切存在物都在自我之中并通过自我而存在。黑格尔《美学》中认为“美是理念的感性显现”,“正是概念在它的客观存在里与它本身的这种协调一致才形成美的本质”。自然美是理念发展到自然阶段的产物,艺术美是理念发展到精神阶段的产物,艺术美高于自然美。艺术只有通过心灵理念才能变为真正真实的和显示的,才能具有自由和无限的形式。美学的范围在于艺术美,而不是自然美。艺术从象征、古典到浪漫的转化是精神自由的、无限的理念要求冲破一切物质形式的束缚回到其本身,在绘画、音乐、诗歌中物质因素削弱到最低限度,精神得以更自由的表现。车尔尼雪夫斯基在《艺术与现实的审美关系》中提出了“美是生活”的定义,坚持美以及艺术都来源于现实生活,强调现实美高于艺术美,反对纯艺术论。艺术再现生活现实,是生活的代替品。桑塔耶纳《美感》给美下了一个定义:美是积极的、固有的、客观化的价值。门罗在《走向科学的美学》指出“美学作为一门经验科学,它的研究领域主要有两组现象,艺术品以及于艺术作品有关的人类活动。从上述的简单罗列可以了解美的定义同样是两种倾向,即唯物的和唯心的。其实美本身并不在于这两者的区别,美是意识的内在,美感是意识对于美的感受,而物质更多是审美的对象。美学仅仅在于研究美的意识机制,而并不在于美究竟在那个域。美在毕达哥拉斯、柏拉图表现为和谐,在郎吉弩斯、博克表现为崇高,在康德、黑格尔表现为自由,在车尔尼雪夫斯基、桑塔耶纳表现为客观或现实。由于不同意识的观察美存在的角度,对于美的理解是不同的,而这种不同恰恰是美之所以为美的一个理由。在这里我们并不准备确定美的定义是自然、自由、崇高或者和谐,因为美是一种意识现象,它具有基于自由意识的不同。因此对美的定义是一个并不现实的课题,但是我们可以确定作为美内在的要素,那就是自由、崇高、和谐,而所有的要素都基于自然的或者说意识的精神。自由是基于意识自身的,崇高是基于意识超越的,而和谐是基于意识目的的。美对于我们的意义并不仅仅在于定义,也并不在于发现它的本质,而在于我们对美的理解,在于美在某种意义上使我们的生活更美好。
2023-01-08 11:33:381

求大神翻译一句话,地道的翻译 东方美学美术教育……他哥貌似要开个班,需要个英文标题㈸

the oriental aesthetics and art education
2023-01-08 11:33:452