原型工具，有没有 Axure 的替代品

单词释义n. 画架, 黑板架n. an upright tripod for displaying something (usually an artist"s canvas)总结：以上就是本站详细整理的词语easel是什么意思的翻译解释，供大家参考一下。easel的例句：Get myself some nice brushes, an easel.去买几支漂亮画刷 再搞个画架I"ll step out tomorrow with my easel on my back a different man.明天背著画架出门的将是截然不同的我Monet kept painting even when he was too blind to find his easel.即使莫奈连画架都看不到了 他仍旧坚持作画You have the brushes, and the paint, and the canvas, and the easel, and you even have that little cup for water.你有笔刷 颜料 还有画布和画架 居然还有个小水杯

看情况。像画图、一般的画用draw，draw a picture，而绘画、油画这类的用paint的多。

26个。荷兰语的字母表和英语一样，也是从A-Z的26个字母，但是，发音却和英语有很大不同。只有掌握了每一个字母的发音，才有可能正确领会荷兰语单词的发音。 A、B、C、D、E、F、G、H、I、J、K、L、M、N、O、P、Q、R、S、T、U、V、W、X、Y、Z。荷兰语介于德语和英语之间。荷兰语的字母与英文相同，但荷兰语中并不使用Q、X、Y这三个字母，只有当语句中含有外语借词时，才可能出现。扩展资料：荷兰语中，s、f、h、b、d、z、l、m、n和ng(与sing中的ng相同)的发音与英语相同。荷兰人长期以来是一个航海民族，所以荷兰文在世界很多语言中留有痕迹。许多荷兰文航海词汇，为其它语言所采用。在现代印尼语中，还可以清楚地看到荷兰语的习惯说法和句型。英语中源于荷兰语的词有：deck（甲板），yacht（游艇），easel（画架），freight（船运的货物），furlough（休假）。参考资料来源：百度百科-荷兰文

法语~~

是一个警告，脚本没有错误也会出现，只是提醒开发者：html5 canvas中，时间轴编号是从0开始。而在swf中，时间轴编号是从1开始。如：你在html5 canvas中，执行this.gotoAndStop(5)，实际停在时间线的第4帧上，而在swf中，则停在时间线的第5帧上。

并广泛应用于艺术家画架展示一个二维的艺术品或持有一份工作表面,例如纸张或帆布,在一个理想的高度。有两种风格的画架和三种常见用途,画架。也有许多修改风格的画架,以及各种材料,就必须用更好的建筑和设计特点的画架。当然,一个人可能会选择使用画架为任何数量的目的。因此,有很多不同的方法来集团风格的画架。 通过设计画架分组。有两种基本类型的画架设计。三脚架的设计是一个简单的设计基于三条腿上聚合在顶端。可能有闩,三脚架画架,就像一架梯子,加上社会稳定之间的两个前腿上。与中行合作的第三个是可调的和摆动,离开主要的腿,允许这个黑板站自如。一个小shelf-l...

摹客原型很好用，不依靠三方工具，就可以自己创建和编辑高保真原型设计。支持自由编辑组件，快速实现交互和多人实时协同，可以使用钢笔、铅笔等矢量工具自由创作，还可以在流程图模式下快速绘制项目流程图。不过ie的兼容性不太好，建议还是下个Chrome。

1.A,2.B,beathome,待在家，是固定短语。3，你知道吗。4，看着这张图片

是，原句One of the first easel paitings (be) intended to be .....省略be哦~架上绘画绘画其中之一倾向与被放在框架中悬挂在墙上，而蒙娜丽莎完完全全实现了这一新油画媒介的潜力。关键点在于前后两句没有and等连接词连接，所以千万要注意。 啊。。。楼上和我不一样。。他解释对的。。但是我觉得应该是独立主格= =

可移动金属黑板架颜色-黄铜(3件),铬(3件),炮(铁)钢(2件),古董色(2件),黑色(2件)尺寸- 4”, 6”, 8”, 10”标识牌,我们将提供此牌包装:12个一扎带,24个一大箱,每个扎带都是各色搭配.此黑板架为折叠式

你好，很高兴为你解答，答案如下：artist s easel艺术家的画架希望我的回答对你有帮助，满意请采纳

模拟人生4秘藉增加一种物品中在用“testingcheats true”开启作弊模式后，可用以下代码来增加一种物品，增加的物品会出现在当前地段的中央位置。 >>>模拟人生4全秘藉详情一览<<< 增加一种物品说明 在用“testingcheats true”开启作弊模式后，可用以下代码来增加一种物品，增加的物品会出现在当前地段的中央位置： objects.gsi_create_obj [物品ID] 如上图我增加了一个青蛙原木，它出现在住宅之中是不是感觉挺新鲜的? 下面是所有的物品和ID。前面的是说明，下面是物品ID： 1、 collectibles_Spawners_Frogs_Log 0x0000adcc 2、 collectibles_Spawners_Frogs_Log_public 0x00009adf 3、 collectibles_Spawners_Rock_DigSite 0x0000addb 4、 collectibles_Spawners_Rock_public 0x00009ad3 5、 object_barProRWCulSS4x1_01 0x000074c9 6、 object_barProRWCulSS4x1_01 0x000074ca 7、 object_barProRWCulSS4x1_01 0x000074cb 8、 object_bedDoubleRWPainter_01 0x00006e3c 9、 object_bedDoubleRWPainter_01 0x00006e3d 10、 object_bedDoubleRWPainter_01 0x00006e3e 11、 object_bookcaseFloorRWWriter2x1_01 0x00008822 12、 object_bookcaseFloorRWWriter2x1_01 0x0000ee52 13、 object_bookcaseFloorRWWriter2x1_01 0x0000ee54 14、 object_bookcaseFloorRWWriterMessy2x1_01 0x000071f1 15、 object_bookcaseFloorRWWriterMessy2x1_01 0x0000ee56 16、 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CreateJS包含4个部分，EaselJS、TweenJS、PreloadJS、SoundJS，其中最主要的部分EaselJS包含了开发Html5游戏的所有功能，仅仅使用EaselJS几乎可以完成所有的开发工作，其余三项可以看作EaselJS的辅助工具。比如响应tick事件然后改变元素坐标就可以实现动画功能，而使用TweenJS来创建补间动画，则可以省去你很多代码，简化了操作。一个简单的tick动画看起来是这样的：<pre t="code" l="js">var stage, circle; function init(){ stage = new createjs.Stage(document.getElementById("game")); createjs.Ticker.addEventListener("tick", handleTick); createjs.Ticker.setFPS(60); circle = new createjs.Shape(); circle.graphics.f("red").dc(0,0,50); circle.x = 0; circle.y = 100; stage.addChild(circle); circle.addEventListener("click", function(event){ createjs.Ticker.setPaused(!createjs.Ticker.getPaused()); }); } function handleTick(event){ if(!event.paused){ circle.x +=5; if(circle.x > 1000){ circle.x = 0; } } stage.update(); }

createJs的由来，基础什么的就不说了，就直接说createJs的用法吧。首先到createJs官网下载，createJs分成easelJs（图形动画）、preloadJs（文件加载）、soundJs（音频控制）以及tweenJs（补间动画）四部分，大家下载的时候，建议下载两个文件，一个是压缩版文件，用于项目中的引用，再下载个源码文件，用于查看用法、API、demo等。因为楼主目前只用了easelJs和preloadJs，所以暂时就只说这两个，其实就这两个已经非常够用了。接下来开始分析代码：首先引入js文件<scriptsrc="easeljs-0.7.1.min.js"></script><scriptsrc="preloadjs-0.4.1.min.js"></script>然后进行舞台初始化操作：functioninit(){stage=newcreatejs.Stage("cas");C_W=stage.canvas.width;C_H=stage.canvas.height;varmanifest=[{src:"image/man.png",id:"man"},{src:"image/ground.png",id:"ground"},{src:"image/bg.png",id:"bg"},{src:"image/high.jpg",id:"high"},{src:"image/coins.png",id:"coin"}]loader=newcreatejs.LoadQueue(false);loader.addEventListener("complete",handleComplete);loader.loadManifest(manifest);drawLoading();}

Witches" LoavesMiss Martha Meacham kept the little bakery on the corner (the one whereyou go up three steps, and the bell tinkles when you open the door).Miss Martha was forty, her bank-book showed a credit of two thousanddollars, and she possessed two false teeth and a sympathetic heart. Manypeople have married whose chances to do so were much inferior to MissMartha"s.Two or three times a week a customer came in in whom she began to take aninterest. He was a middle-aged man, wearing spectacles and a brown beardtrimmed to a careful point.He spoke English with a strong German accent. His clothes were worn anddarned in places, and wrinkled and baggy in others. But he looked neat,and had very good manners.He always bought two loaves of stale bread. Fresh bread was five cents aloaf. Stale ones were two for five. Never did he call for anything butstale bread.Once Miss Martha saw a red and brown stain on his fingers. She was surethen that he was an artist and very poor. No doubt he lived in a garret,where he painted pictures and ate stale bread and thought of the goodthings to eat in Miss Martha"s bakery.Often when Miss Martha sat down to her chops and light rolls and jam andtea she would sigh, and wish that the gentle-mannered artist might shareher tasty meal instead of eating his dry crust in that draughty attic.Miss Martha"s heart, as you have been told, was a sympathetic one.In order to test her theory as to his occupation, she brought from herroom one day a painting that she had bought at a sale, and set it againstthe shelves behind the bread counter.It was a Venetian scene. A splendid marble palazzio (so it said on thepicture) stood in the foreground -- or rather forewater. For the restthere were gondolas (with the lady trailing her hand in the water),clouds, sky, and chiaro-oscuro in plenty. No artist could fail to noticeit.Two days afterward the customer came in."Two loafs of stale bread, if you blease."You haf here a fine bicture, madame," he said while she was wrapping upthe bread."Yes?" says Miss Martha, reveling in her own cunning. "I do so admire artand" (no, it would not do to say "artists" thus early) "and paintings,"she substituted. "You think it is a good picture?""Der balance," said the customer, is not in good drawing. Derbairspective of it is not true. Goot morning, madame."He took his bread, bowed, and hurried out.Yes, he must be an artist. Miss Martha took the picture back to her room.How gentle and kindly his eyes shone behind his spectacles! What a broadbrow he had! To be able to judge perspective at a glance -- and to live onstale bread! But genius often has to struggle before it is recognized.What a thing it would be for art and perspective if genius were backed bytwo thousand dollars in bank, a bakery, and a sympathetic heart to -- Butthese were day-dreams, Miss Martha.Often now when he came he would chat for a while across the showcase. Heseemed to crave Miss Martha"s cheerful words.He kept on buying stale bread. Never a cake, never a pie, never one ofher delicious Sally Lunns.She thought he began to look thinner and discouraged. Her heart ached toadd something good to eat to his meagre purchase, but her courage failedat the act. She did not dare affront him. She knew the pride of artists.Miss Martha took to wearing her blue-dotted silk waist behind thecounter. In the back room she cooked a mysterious compound of quinceseeds and borax. Ever so many people use it for the complexion.One day the customer came in as usual, laid his nickel on the showcase,and called for his stale loaves. While Miss Martha was reaching for themthere was a great tooting and clanging, and a fire-engine came lumberingpast.The customer hurried to the door to look, as any one will. Suddenlyinspired, Miss Martha seized the opportunity.On the bottom shelf behind the counter was a pound of fresh butter thatthe dairyman had left ten minutes before. With a bread knife Miss Marthamade a deep slash in each of the stale loaves, inserted a generousquantity of butter, and pressed the loaves tight again.When the customer turned once more she was tying the paper around them.When he had gone, after an unusually pleasant little chat, Miss Marthasmiled to herself, but not without a slight fluttering of the heart.Had she been too bold? Would he take offense? But surely not. There wasno language of edibles. Butter was no emblem of unmaidenly forwardness.For a long time that day her mind dwelt on the subject. She imagined thescene when he should discover her little deception.He would lay down his brushes and palette. There would stand his easelwith the picture he was painting in which the perspective was beyondcriticism.He would prepare for his luncheon of dry bread and water. He would sliceinto a loaf -- ah!Miss Martha blushed. Would he think of the hand that placed it there ashe ate? Would he --The front door bell jangled viciously. Somebody was coming in, making agreat deal of noise.Miss Martha hurried to the front. Two men were there. One was a youngman smoking a pipe -- a man she had never seen before. The other was herartist.His face was very red, his hat was on the back of his head, his hair waswildly rumpled. He clinched his two fists and shook them ferociously atMiss Martha. _At Miss Martha_."_Dummkopf_!" he shouted with extreme loudness; and then "_Tausendonfer_!"or something like it in German.The young man tried to draw him away."I vill not go," he said angrily, "else I shall told her."He made a bass drum of Miss Martha"s counter."You haf shpoilt me," he cried, his blue eyes blazing behind hisspectacles. "I vill tell you. You vas von _meddingsome old cat_!"Miss Martha leaned weakly against the shelves and laid one hand on herblue-dotted silk waist. The young man took the other by the collar."Come on," he said, "you"ve said enough." He dragged the angry one out atthe door to the sidewalk, and then came back."Guess you ought to be told, ma"am," he said, "what the row is about.That"s Blumberger. He"s an architectural draftsman. I work in the sameoffice with him."He"s been working hard for three months drawing a plan for a new cityhall. It was a prize competition. He finished inking the linesyesterday. You know, a draftsman always makes his drawing in pencilfirst. When it"s done he rubs out the pencil lines with handfuls of stalebread crumbs. That"s better than India rubber."Blumberger"s been buying the bread here. Well, to-day -- well, you know,ma"am, that butter isn"t -- well, Blumberger"s plan isn"t good foranything now except to cut up into railroad sandwiches."Miss Martha went into the back room. She took off the blue-dotted silkwaist and put on the old brown serge she used to wear. Then she pouredthe quince seed and borax mixture out of the window into the ash can.

众所周知，每年甚至是一年的四个季节有的时候所流行的特色都是不一样的，例如冬天流行的口红颜色夏天说不定就不流行了，因此很多人对此都是非常关注的，那么2017年夏季口红流行什么颜色？2017年夏季口红的推荐具体都有哪些？1、夏季口红流行趋势流行唇色：粉裸色粉裸色看起来很清新清纯，却又散发着淡淡娇媚女人味，让唇色看起来很有血气，低调但又可爱，配上同色的腮红，令你整个彩妆都生气起来。最适合扮嫩啦。流行唇色：橘红色橘红色的唇色不仅在欧美很流行，韩日明星也在最新的写真里陆续出现它，特别是在即将到来的春夏季节，似乎只有它最贴合这种季节热烈狂野的气息，但要知道橘红色是一种蛮挑肤色的唇色哦!流行唇色：裸色在裸妆盛行的年代，裸色唇色也将会时尚圈占据一席之地。不管你是什么肤质，什么年龄，裸色是必备的唇色。如果你的脸色较白、红润、有光泽，那么当你的唇部遇上裸色后，你会发现你变得是那么惊艳，耐看!流行唇色：大红色经典的大红色唇色似乎不管在哪个年代在哪个季节都少不了它，对于其他唇色来说，它又是最不挑肤色、最惹眼的一种唇色，白色肌肤遇上它显得肤色更为白皙，古铜色肌肤遇上它，它又变得更为健康亮丽，它还能令您在各位聚会中，成为最注目的一个。流行唇色：深酒红色深酒红色是2017年新流行起来的色彩，不管是服装还是彩妆总能看到它的影子，深酒红色的唇色最适合复古彩妆，华实低调，这似乎是一种天生让人移不开眼睛的色彩。2、2017口红热门单品兰蔻空气轻垫唇油(LANCOMEJuicyShaker)这款产品的设计灵感来源于鸡尾酒调酒器，造型十分独特，而且拥有两种质地。嫩滑的精油和染唇液同在其中，使用前要像调鸡尾酒那样摇一摇。如此一来，它便能上色保湿双管齐下，兼备水润的触感和染唇液的妆效，轻松打造完美双唇。圣罗兰(ysl)RougePurCoutureTheMats如果你想尝试强烈的哑光口红，但又担心太过干燥，那么这款口红绝对能满足你的愿望。它含有丝质精油和粉末，质地柔软细腻，而且哑光色感鲜艳明亮。当这两个特点结合在一起便能打造出极度魅惑的时尚风格。娇兰(GUERLAIN)LaPetiteRobeNoireDeliciousShinyLipColor这款口红200%值得拥有，只需一支便能完成早晨、中午、晚上各不相同的唇妆。基础的流行色与柔软的珠光质地相结合，却能演绎出不同的效果。早晨涂抹一次是自然清爽风，中午涂抹两次是简约干练风，晚上涂抹三次则是魅惑迷人风。而且还散发着隐隐的甜蜜花香。迪奥魅惑液态唇膏(diorAddictMilkyTint)这款产品拥有隐隐的光泽与自然的色感，如果你想追求清爽的夏妆，不妨尝试一下。涂抹后双唇犹如浸染了清爽甜蜜的奶昔一般，细腻明艳的色彩散发着晶莹剔透的光泽，格外动人。似有若无的轻薄触感具有出色的保湿效果，能让双唇更加闪亮富有生机。魅可(MAC)VelveteaseLipPencil它丝滑柔润的质地能让你在夏天也打造出优雅迷人的唇妆。这款口红可以直接拧出，无需用卷笔刀削剪，能轻薄晕染双唇，展现细腻柔嫩的妆效。3、夏季唇蜜推荐1雅诗兰黛莹粹亮彩唇蜜专柜价格：￥180持久效果：这款唇蜜的颜色最最贴近自然粉嫩的唇色，抹上去犹如一抹光辉，让唇部立刻丰盈可爱起来，适合唇形较薄的姑娘们使用。它能给唇部更深层次的水润修护，即使喝水之后嘴唇还是柔嫩亮彩。2迪奥魅惑丰唇蜜专柜价格：￥280持久效果：薄唇女生的最佳搭档，这款具有丰唇效果的唇蜜实在太值得购买了，粉嫩嫩的颜色，点在唇上华丽丽水润润，而且这款唇蜜富含活性骨胶原，可以单独使用，也可以在唇膏之后打造亮彩效果时使用，可以减少唇纹，亮彩度还非常持久哦。3DHC美容液保湿魔力唇蜜专柜价格：￥120持久效果：这是一款性价比非常高的唇蜜，一方面它能带给唇部美容精华液一般的保养水润效果，另一方面它的保水力也是超好的，随时让你保持少女般的动人双唇哦。4M.A.C魔幻星亮唇彩专柜价格：￥210持久效果：这款唇彩非常适合裸妆造型时使用，是一款时下最为流行的金属色唇蜜，抹在唇上极为透亮自然，当然了，持久度也是非常不错的，轻轻涂上一层，它的沙金质地长久附着在唇部，带来持久闪亮哟。5Esprique绮丝碧水耀唇釉专柜价格：￥210持久效果：想要成就娇嫩嘟嘟唇，这款唇蜜效果相当好哦，一抹就有水漾光泽，它最大的特点是独有的凹槽设计，能一次包裹足量唇蜜，延展性超好，能长时间保持光泽的柔嫩度。

下面给出一个从四面体单元再产生几何实体的示例命令流（如果要转换六面体网格，可以通过修改下面的命令流实现。）： 1. 转换未变形的网格： esel,s,mat,,1 !假设单元材料号为1，先选择单元 *get,enum1,elem,0,count *get,el,elem,0,num,minksel,all*get,nkp1,kp,0,num,maxksel,noneasel,nonevsel,none/prep7*do,i,1,enum1*do,j,1,3 nd=nelem(el,j) knum1=nkp1+4*(i-1)+j k,knum1,nx(nd),ny(nd),nz(nd) !*enddond=nelem(el,j+2) k,knum1+1,nx(nd),ny(nd),nz(nd) v,knum1-2,knum1-1,knum1,knum1+1 el=elnext(el)*enddonumm,kpcm,aal1,areaasel,r,extcm,aext,areavdel,allva,allcmsel,s,aal1 cmsel,u,aext adel,all,,,1 2. 如果需要转换变形后的网格： esel,s,mat,,1 !假设单元材料号为1，先选择单元 *get,enum1,elem,0,count *get,el,elem,0,num,minksel,all*get,nkp1,kp,0,num,maxksel,noneasel,nonevsel,none/post1set,last !输出最后一步变形后的网格/prep7SHPP,OFFUPGEOM,1,LAST,LAST,"filname","rst"," " !假设工作文件名为filname *do,i,1,enum1*do,j,1,3 nd=nelem(el,j)

完整的H5页面的制作流程为：策划案——原型图——文案拟定——视觉设计——动画设计——音效编辑——代码或工具实现——上线这是一种比较理想的作业流程，一般到了一定规模的制作公司会采用这种方式。如果公司的细分程度做不到这么细的话，那就身兼数职，但是流程是不变的。1、H5页面正规流程下需要用什么软件制作（不要网上那种几张图片摆摆自动生成的）策划阶段：word、PPT，我还见过用excel做策划案的（还做得相当不错呢）原型：墨刀、OmniGraffle、Origami、乎之原型、Easel、Prott（其实我常常就是在纸上画出来，然后丢给设计童鞋，如果是设计童鞋参与到策划阶段，可以直接出简单的手绘稿）视觉设计：PS、AI动画设计：AE，C4D音效编辑：garageband、finalcut、AdobePremiere实现：大众型工具：MAKA、兔展、易企秀，还有很多，也很优秀。利用模板，支持一定范围的自由创作。2、需要用到哪些技术（比如哪些程序语言）Html5,、CSS3、js、three.js、webGL、node.js、SVG、PHP如果是做H5的游戏，那就涉及到egret和layabox和cocos，我们用egret多些。哦对了，还有一些开发接口：百度API、微信红包API、还有图片识别和声音识别的接口。

梵高麦田上的乌鸦 Wheat fields Wheatfield with Crows (1890), Van Gogh Museum, AmsterdamVan Gogh made several painting excursions during visits to the landscape around Arles. He drew a number of paintings featuring harvests, wheat fields and other rural landmarks of the area, including The Old Mill (1888); a good example of a picturesque structure bordering the wheat fields beyond. It was one of seven canvases sent to Pont-Aven on October 4, 1888 as exchange of work with Paul Gauguin, Emile Bernard, Charles Laval, and others. At various times in his life, Van Gogh painted the view from his window—at The Hague, Antwerp, Paris. These works culminated in The Wheat Field series, which depicted the view he could see from his adjoining cells in the asylum at Saint-Rémy.Writing in July 1890, Van Gogh said that he had become absorbed "in the immense plain against the hills, boundless as the sea, delicate yellow". He had become captivated by the fields in May when the wheat was young and green. The weather worsened in July, and he wrote to Theo of "vast fields of wheat under troubled skies", adding that he did not "need to go out of my way to try and express sadness and extreme loneliness". By August, he had painted the crops both young and mature and during both dark and bright weather. A depiction of the golden wheat in bright sunlight was to be his final painting, along with his usual easel and paints he had carried a pistol with him that day. 梵高 星夜 In September 1888, while van Gogh was staying in Arles, he executed a painting commonly known as Starry Night Over the Rhone and later he incorporated a pen drawing in a set of a dozen based on recent paintings. Van Gogh claimed to have a "terrible need for religion" when he painted Starry Night Over the Rhone.Reed pen drawing by van Gogh, executed after the paintingIn mid-September 1889, following a heavy crisis which lasted from mid-July to the last days of August, he thought to include this "Study of the Night" in the next batch of works to be sent to his brother, Theo, in Paris. In order to reduce the shipping costs, he withheld three of the studies ("above-mentioned – Poppies – Night Effect – Moonrise"). These three went to Paris with the shipment to follow. As Theo did not immediately report its arrival, Vincent inquired again, and finally received Theo"s commentary on his recent work. Subject matter The center part shows the village of Saint-Rémy under a swirling sky, in a view from the asylum towards north. The Alpilles far to the right fit to this view, but there is little rapport of the actual scene with the intermediary hills which seem to be derived from a different part of the surroundings, south of the asylum. The cypress tree to the left was added into the composition. Of note is the fact van Gogh had already, during his time in Arles, repositioned Ursa Major from the north to the south in his painting Starry Night Over the Rhone. The painting was the inspiration for French composer Henri Dutilleux"s orchestral work Timbres, Espace, Mouvement, American poet Anne Sexton"s poem "The Starry Night", Canadian composer Giancarlo Scalia"s piano composition Starry Night and for Don McLean"s song "Vincent", which is also known by its opening words, "Starry, Starry Night." Jack"s Mannequin and Something Corporate singer Andrew McMahon has a tattoo of the painting on his arm. The painting has been recreated in the 3d world Second Life by artist Robbie Dingo, and the recreation was filmed and set to Don McLean"s song. The painting made an appearance and had an important role in the fifth season episode "Starry Night" of Boy Meets World. Joe Satriani has a song entitled "Starry Night". The painting can also be spotted in a couple of scenes in the 2007 film I Am Legend.

"不来可报的"

这个百度真好用。而且搜索么都能搜出来。

英语中源于荷兰语的词有：deck（甲板），yacht（游艇），easel（画架），freight（船运的货物），furlough（休假），brandy（白兰地），cookie（家常小甜饼），cruller（油煎饼），waffle（蛋奶烘饼），maelstrom（大旋涡），issinglass（鱼胶）和Santa Claus（圣诞老人）。纽约市中许多地名，例如Brooklyn（布鲁克林），Flushing（弗卢胜），Harlem（哈莱姆），Saten Island（斯塔腾岛）和Browery（鲍厄里），提醒人们想起这些地方是荷兰在新阿姆斯特丹的旧殖民地。

英文名称：painting 中文名称：绘画工艺品 英文名称：frame 中文名称：画框 英文名称：painted egg 中文名称：彩蛋画，蛋画 英文名称：traditional Chinese painting 中文名称：国画 英文名称：canvas 中文名称：油画 英文名称：block print 中文名称：版画 英文名称：traditional Chinese realistic painting 中文名称：工笔画 英文名称：painted egg - shell 中文名称：彩蛋画 英文名称：studio 中文名称：画室 英文名称：figure 中文名称：塑像，画像，外形，轮廓 英文名称：paintbrush 中文名称：画笔 英文名称：easel 中文名称：画架 英文名称：stipple 中文名称：点刻(法), 点画(法)，画点画，点彩 英文名称：mechanical drawing 中文名称：机械画

按时方式

楼上的是不是用机器翻译的……

我觉得的比较好用的是帆软的FineBI/FineReport其他的Tableau，SmartBI

在jquery里可以直接用isNaN()，因为他是JavaScript的类库。是由JavaScript语言写的。例如：<script type="text/javascript">$(document).ready(function(){alert(isNaN($("#id").val()));}); </script>可以直接使用

你的修好了吗？怎么修的？

容易的

带有字母e的英语单词很多，比如：little小的、ear耳朵、eye眼睛、river河流、dear亲爱的、where哪里、desk桌子等

sheuff0cHeiuff0cyesuff0c

1.画板——Sketchpad2.画架——Easel3.画夹——My portfolio4.速写笔——Sketch pen5.速写本——Sketchbooks6.可塑橡皮——Plastic rubber7.油画笔——Oil paints8.水彩笔——Watercolor pen9.铅笔——Pencil10.马克笔——Marker

getBounds获取宽高。setBounds设置宽高，或者scaleX,scaleY设置宽高的缩放。http://createjs.com/docs/easeljs/classes/Bitmap.html这种问题自己先查官方的API文档。

前面后面货物的大小装箱每4个一副，6副一个纸箱每个箱用带标签的收缩膜包装侧面厚度1，2厘米，侧面宽度：2.2厘米，hardbord back with 黑板架 and 钩扣以FOB报价每个纸箱6副纸箱大小用厘米计算订单数量大约魏7000纸箱发货日期：第45周（十月底到12月初）

是不是Nickasaur的Love At First Sight?Do you believe in love at First sight?Or should I walk by you again?I"m not that hard to notice, so stop trying to pretendI"ll FedEx you my love, I hope you sign for my heart, Let"s make this blank easel our work of artI gotta come up with a getaway, To get you away, Put on some jetpacks, So we can fly away, And hopefully you"ll realize, What"s going on between me and youSomething newForeshadowing at it"s bestAin"t that the truthDo you believe in love at First sight?Or should I walk by you again?I"m not that hard to notice, so stop trying to pretendI"ll FedEx you my love, I hope you sign for my heart, Let"s make this blank easel our work of artI"m like a kid in a candy store, Cause I know what I"m looking for, It"s one of a kindTakes one in a million to findTell me if this rings a bellShe"s short, cute, and glamorousIn a nutshell, Do you believe in love at First sight?Or should I walk by you again?I"m not that hard to notice, so stop trying to pretendI"ll FedEx you my love, I hope you sign for my heart, Let"s make this blank easel our work of artOne day, I"ll find you, AnythingI"ll doOne day, You"ll be mineJust give it timeDo you believe in love at First sight?Or should I walk by you again?I"m not that hard to notice, so stop trying to pretendI"ll FedEx you my love, I hope you sign for my heart, Let"s make this blank easel our work of art

------------reading english literature is a necessary activity for english major and why?CAT IN THE RAIN by ERNEST HEMINGWAY There were only two Americans stopping at the hotel. They did not know any of the people they passed on the stairs on their way to and from the room. Their room was on the second floor facing the sea. It also faced the public garden and the war monument. There were big palms and green benches in the public garden. In the good weather there was always an artist with his easel. Artists liked the way the palms grew and the bright colors of the hotels facing the gardens and the sea. Italians came from a long way off to look up at the war monument. It was made of bronze and glistened in the rain. It was raining. The rain dripped from the palm trees. Water stood in pools on the gravel paths. The sea broke in a long line in the rain and slipped back down in the beach to come up and break again in a long line in the rain. In the motor cars were gone from in the square by in the war monument. Across in the square in in the doorway of in the cafe a waiter stood looking out at in the empty square. The American wife stood at in the window looking out. Outside right under their window a cat was crouched under one of in the dripping green tables. The cat was trying to make herself so compact that she would not be dripped on. "I"m going down and get that kitty," in the American wife said. "I"ll do it," her husband offered from in the bed. "No, I"ll get it. In the poor kitty out trying to keep dry under a table." The husband went on reading, lying propped up with in the two pillows at in the foot of in the bed. Don"t get wet," he said. The wife went downstairs and in the hotel owner stood up and bowed to her as she passed in the office. His desk was at in the far end of in the office. He was an old man and very tall. "Il piove," in the wife said. She liked in the hotel-keeper. "Si, si, Signora, brutto tempo. It"s very bad weather." He stood behind his desk in in the far end of in the dim room. In the wife liked him. She liked in the deadly serious way he received any complaints. She liked his dignity. She liked in the way he wanted to serve her. She liked in the way he felt about being a hotel-keeper. She liked his old, heavy face and big hands. Liking him she opened in the door and looked out.It was raining harder. A man in a rubber cape was crossing in the empty square to in the cafe. In the cat would be around to in the right. Perhaps she could go along under in the eaves. As she stood in the doorway an umbrella opened behind her. It was in the maid who looked after their room. "You must not get wet," she smiled, speaking Italian. Of course, in the hotel-keeper had sent her. With in the maid holding in the umbrella over her, she walked along in the gravel path until she was under their window. In the table was there, washed bright green in the rain, but in the cat was gone. She was suddenly disappointed. In the maid looked up at her. "Ha perduto qualque cosa, Signora?" "There was a cat," said in the American girl. "A cat?" "Si, il gatto." "A cat?" in the maid laughed. "A cat in in the rain?" "Yes," she said, "under in the table." Then, "Oh, I wanted it so much. I wanted a kitty." When she talked English in the maid"s face tightened. "Come, Signora," she said. "We must get back inside. You will be wet." "I suppose so," said in the American girl. They went back along in the gravel path and passed in in the door. In the maid stayed outside to close in the umbrella. As in the American girl passed in the office, in the padrone bowed from his desk. Something felt very small and tight inside in the girl. In the padrone made her feel very small and at in the same time really important. She went on up in the stairs. She opened in the door of in the room. George was on in the bed, reading. "Did you get in the cat?" he asked, putting in the book down. "It was gone." "Wonder where it went to," he said, resting his eyes from reading. She sat down on in the bed. "I wanted it so much," she said. "I don"t know why I wanted it so much. I wanted that poor kitty. It isn"t any fun to be a poor kitty out in in the rain." George was reading again. She went over and sat in front of in the mirror of in the dressing table looking at herself with in the hand glass. She studied her profile, first one side then in the other. Then she studied in the back of her head and her neck. "Don"t you think it would be a good idea if I let my hair grow out?" she asked, looking at her profile again. George looked up and saw in the back of her neck, clipped close like a boy"s. "I like it in the way it is." "I get so tired of it," she said. "I get so tired of looking like a boy." George shifted his position in in the bed. He hadn"t looked away from her since she started to speak. "You look pretty darn nice," he said. She laid in the mirror down on in the dresser and went over to in the window and looked out. It was getting dark. "I want to pull my hair back tight and smooth and make a big knot at in the back that I can feel," she said. "I want to have a kitty to sit on my lap and purr when I stroke her." "Yeah?" George said from in the bed. "And I want to eat at a table with my own silver and I want candles. And I want it to be spring and I want to brush my hair out in front of a mirror and I want a kitty and I want some new clothes." "Oh, shut up and get something to read," George said. He was reading again. His wife was looking out of in the window. It was quite dark now and still raining in in the palm trees. "Anyway, I want a cat," she said, "I want a cat. I want a cat now. If I can"t have long hair or any fun, I can have a cat." George was not listening. He was reading his book. His wife looked out of in the window where in the light had come on in in the square. Someone knocked at in the door. "Avanti," George said. He looked up from his book. In in the doorway stood in the maid. She held a big tortoise-shell cat pressed tight against her and swung down against her body. "Excuse me," she said, "the padrone asked me to bring this for in the Signora."

createJs的由来，基础什么的就不说了，就直接说createJs的用法吧。首先到createJs官网下载，createJs分成easelJs（图形动画）、preloadJs（文件加载）、soundJs（音频控制）以及tweenJs（补间动画）四部分，大家下载的时候，建议下载两个文件，一个是压缩版文件，用于项目中的引用，再下载个源码文件，用于查看用法、API、demo等。因为楼主目前只用了easelJs和preloadJs，所以暂时就只说这两个，其实就这两个已经非常够用了。接下来开始分析代码：首先引入js文件<script src="easeljs-0.7.1.min.js"></script><script src="preloadjs-0.4.1.min.js"></script>然后进行舞台初始化操作：function init(){stage = new createjs.Stage("cas");C_W = stage.canvas.width;C_H = stage.canvas.height;var manifest = [{src:"image/man.png" , id:"man"},{src:"image/ground.png" , id:"ground"},{src:"image/bg.png" , id:"bg"},{src:"image/high.jpg" , id:"high"},{src:"image/coins.png" , id:"coin"}]loader = new createjs.LoadQueue(false);loader.addEventListener("complete" , handleComplete);loader.loadManifest(manifest);drawLoading();}

草 1LSB 你介绍的是中国画吗

createJs的由来，基础什么的就不说了，就直接说createJs的用法吧。首先到createJs官网下载，createJs分成easelJs（图形动画）、preloadJs（文件加载）、soundJs（音频控制）以及tweenJs（补间动画）四部分，大家下载的时候，建议下载两个文件，一个是压缩版文件，用于项目中的引用，再下载个源码文件，用于查看用法、API、demo等。因为楼主目前只用了easelJs和preloadJs，所以暂时就只说这两个，其实就这两个已经非常够用了。接下来开始分析代码：首先引入js文件<script src="easeljs-0.7.1.min.js"></script><script src="preloadjs-0.4.1.min.js"></script>然后进行舞台初始化操作：function init(){ stage = new createjs.Stage("cas"); C_W = stage.canvas.width; C_H = stage.canvas.height; var manifest = [ {src:"image/man.png" , id:"man"}, {src:"image/ground.png" , id:"ground"}, {src:"image/bg.png" , id:"bg"}, {src:"image/high.jpg" , id:"high"}, {src:"image/coins.png" , id:"coin"} ] loader = new createjs.LoadQueue(false); loader.addEventListener("complete" , handleComplete); loader.loadManifest(manifest); drawLoading(); }上面就用到了preloadJs中的方法，实例化一个loader，把需要加载的图片文件放在manifest里面，进行加载，加载完成后调用回调handleCompelete函数：function handleComplete(){ //当图片素材load完后执行该方法 var manImage = loader.getResult("man"), lowground = loader.getResult("ground"), highground = loader.getResult("high"), bgImage = loader.getResult("bg"), coins = loader.getResult("coin"); sky = new createjs.Shape(); sky.graphics.bf(bgImage).drawRect(0,0,C_W,C_H); sky.setTransform(0, 0, 1 , C_H/bgImage.height); stage.addChild(sky); man = createMan(200,326,manImage); //该框为判定角色的判定区域 kuang = new createjs.Shape(); kuang.graphics.beginStroke("rgba(255,0,0,0.5)").drawRect(0 , 0 , man.size().w , man.picsize().h*1.5); // stage.addChild(kuang); mapHandle(lowground , highground , coins); createjs.Ticker.timingMode = createjs.Ticker.RAF;//设置循环方法，可以是requestAnimationFrame或者是setTimeout createjs.Ticker.setFPS(30);//舞台帧率控制 createjs.Ticker.addEventListener("tick", tick);//绑定舞台每一帧的逻辑发生函数 window.addEventListener("keydown" , function(event){ event = event||window.event; if(event.keyCode===32&&man.jumpNum<man.jumpMax){ man.jump(); } }) }获得加载完成后端的图片数据就直接用loader.getResult就可以获取了，跑酷游戏需要一个背景，所以，我们实例化一个sky，然后进行位图绘制，bf方法是beginBitmapFill的缩写，该方法就是开始绘制位图，后面的drawRect是位图的绘制区域，区域当然是整个画布啦，所以就是drawRect(0,0,C_W,C_H)。实例化出来sky后就直接添加到舞台stage里面就行了。接下来是实例化一个角色，createMan方法后面有说，是自己封装的。然后进行舞台循环设置，上面有注释了，就不说了。

下面给出一个从四面体单元再产生几何实体的示例命令流（如果要转换六面体网格，可以通过修改下面的命令流实现。）： 1. 转换未变形的网格： esel,s,mat,,1 !假设单元材料号为1，先选择单元 *get,enum1,elem,0,count *get,el,elem,0,num,minksel,all*get,nkp1,kp,0,num,maxksel,noneasel,nonevsel,none/prep7*do,i,1,enum1*do,j,1,3 nd=nelem(el,j) knum1=nkp1+4*(i-1)+j k,knum1,nx(nd),ny(nd),nz(nd) !*enddond=nelem(el,j+2) k,knum1+1,nx(nd),ny(nd),nz(nd) v,knum1-2,knum1-1,knum1,knum1+1 el=elnext(el)*enddonumm,kpcm,aal1,areaasel,r,extcm,aext,areavdel,allva,allcmsel,s,aal1 cmsel,u,aext adel,all,,,1 2. 如果需要转换变形后的网格： esel,s,mat,,1 !假设单元材料号为1，先选择单元 *get,enum1,elem,0,count *get,el,elem,0,num,minksel,all*get,nkp1,kp,0,num,maxksel,noneasel,nonevsel,none/post1set,last !输出最后一步变形后的网格/prep7SHPP,OFFUPGEOM,1,LAST,LAST,"filname","rst"," " !假设工作文件名为filname *do,i,1,enum1*do,j,1,3 nd=nelem(el,j)

完整的H5页面的制作流程为：策划案——原型图——文案拟定——视觉设计——动画设计——音效编辑——代码或工具实现——上线这是一种比较理想的作业流程，一般到了一定规模的制作公司会采用这种方式。如果公司的细分程度做不到这么细的话，那就身兼数职，但是流程是不变的。你的提的问题，是初学者普遍困惑的问题，我按照你的提问顺序逐一回答一下：1、H5页面正规流程下需要用什么软件制作（不要网上那种几张图片摆摆自动生成的）策划阶段：word、PPT，我还见过用excel做策划案的（还做得相当不错呢）原型：墨刀、OmniGraffle、Origami、乎之原型、Easel、Prott（其实我常常就是在纸上画出来，然后丢给设计童鞋，如果是设计童鞋参与到策划阶段，可以直接出简单的手绘稿）视觉设计：PS、AI动画设计：AE，C4D音效编辑：garageband、finalcut、AdobePremiere大众型工具：MAKA、兔展、易企秀，还有很多，也很优秀。利用模板，支持一定范围的自由创作，推荐MAKA。专业型工具：支持自由创作，推荐ih5和意派2、需要用到哪些技术（比如哪些程序语言）Html5,、CSS3、js、three.js、webGL、node.js、SVG、PHP如果是做H5的游戏，那就涉及到egret和layabox和cocos，我们用egret多些。哦对了，还有一些开发接口：百度API、微信红包API、还有图片识别和声音识别的接口3、微信里的一些特殊的动态效果，比如摇一摇、倾斜手机、举起手机是怎样实现的这些是利用陀螺仪和重力感应做出来的，实现方法已经很成熟了，百度一下吧。参考【H5最新玩法汇总】有了这些新玩法，还怕没灵感？4、H5页面怎样发布到微信上等你做好一个H5的时候，我相信你就已经会怎么发布到微信上了，所以，justdoit，不要什么都没做，就问题一大堆。即便你只是复制粘贴，你也先把整个流程走完，然后再提问。5、有什么相关参考资料人脸识别百度地图接口?title=jspopular迪士尼动画原理Egret开发者中心199case的H5案例库牛黄清心丸H5涉及的内容太多了，每个环节都可以展开讲很多，关注我，不一定什么时候就爆出猛料来的。h5页面自己做肯定是不行的，可以借助制作h5的工具，我就说个自己用的给你吧工具名叫“我要联赢”可以制作情景网页玩法多样、功能齐全还有配套做微网页的功能，无论是营销推广还是自己玩玩发朋友圈都不错。望采纳！

是啊

英[_t__:kb_:d]、美[_t__:kb_:rd]。如果你在黑板上写字，下课时要擦掉。Ifyouwriteontheblackboard,rubitoffattheendofthelesson.词汇搭配:cleanablackboard擦黑板;attheblackboard在黑板前;ontheblackboard在黑板上。黑板——chalkboard的读音。一站式出国留学攻略 http://www.offercoming.com

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梵高麦田上的乌鸦 Wheat fields Wheatfield with Crows (1890), Van Gogh Museum, AmsterdamVan Gogh made several painting excursions during visits to the landscape around Arles. He drew a number of paintings featuring harvests, wheat fields and other rural landmarks of the area, including The Old Mill (1888); a good example of a picturesque structure bordering the wheat fields beyond. It was one of seven canvases sent to Pont-Aven on October 4, 1888 as exchange of work with Paul Gauguin, Emile Bernard, Charles Laval, and others. At various times in his life, Van Gogh painted the view from his window—at The Hague, Antwerp, Paris. These works culminated in The Wheat Field series, which depicted the view he could see from his adjoining cells in the asylum at Saint-Rémy.Writing in July 1890, Van Gogh said that he had become absorbed "in the immense plain against the hills, boundless as the sea, delicate yellow". He had become captivated by the fields in May when the wheat was young and green. The weather worsened in July, and he wrote to Theo of "vast fields of wheat under troubled skies", adding that he did not "need to go out of my way to try and express sadness and extreme loneliness". By August, he had painted the crops both young and mature and during both dark and bright weather. A depiction of the golden wheat in bright sunlight was to be his final painting, along with his usual easel and paints he had carried a pistol with him that day. 梵高 星夜 In September 1888, while van Gogh was staying in Arles, he executed a painting commonly known as Starry Night Over the Rhone and later he incorporated a pen drawing in a set of a dozen based on recent paintings. Van Gogh claimed to have a "terrible need for religion" when he painted Starry Night Over the Rhone.Reed pen drawing by van Gogh, executed after the paintingIn mid-September 1889, following a heavy crisis which lasted from mid-July to the last days of August, he thought to include this "Study of the Night" in the next batch of works to be sent to his brother, Theo, in Paris. In order to reduce the shipping costs, he withheld three of the studies ("above-mentioned – Poppies – Night Effect – Moonrise"). These three went to Paris with the shipment to follow. As Theo did not immediately report its arrival, Vincent inquired again, and finally received Theo"s commentary on his recent work. Subject matter The center part shows the village of Saint-Rémy under a swirling sky, in a view from the asylum towards north. The Alpilles far to the right fit to this view, but there is little rapport of the actual scene with the intermediary hills which seem to be derived from a different part of the surroundings, south of the asylum. The cypress tree to the left was added into the composition. Of note is the fact van Gogh had already, during his time in Arles, repositioned Ursa Major from the north to the south in his painting Starry Night Over the Rhone. The painting was the inspiration for French composer Henri Dutilleux"s orchestral work Timbres, Espace, Mouvement, American poet Anne Sexton"s poem "The Starry Night", Canadian composer Giancarlo Scalia"s piano composition Starry Night and for Don McLean"s song "Vincent", which is also known by its opening words, "Starry, Starry Night." Jack"s Mannequin and Something Corporate singer Andrew McMahon has a tattoo of the painting on his arm. The painting has been recreated in the 3d world Second Life by artist Robbie Dingo, and the recreation was filmed and set to Don McLean"s song. The painting made an appearance and had an important role in the fifth season episode "Starry Night" of Boy Meets World. Joe Satriani has a song entitled "Starry Night". The painting can also be spotted in a couple of scenes in the 2007 film I Am Legend.

可以用中文拆分来写，黑是black，板子是board，合在一起就是blackboard，这样记忆也很简单

黑板的英语写法是blackboard。blackboard是一个英语名词，表示黑板的意思，其复数形式blackboards。常见搭配：on the/a blackboard黑板上，to write on the blackboard在黑板上写字。相关例句：He chalked the message on the blackboard他用粉笔将消息写在黑板上。

每一个汉字都是由一个或几个部件组合而成的，这样就构成了许多不同结构的汉字。1、上下结构例如志、苗、字、胃……2、上中下结构：京、莫、哀、量……3、左右结构：知、吃、诗、扫……4、左中右结构：街、微、激、班……5、全包围结构：园、因、回、困……6、半包围结构：连、句、问、区、病……7、穿插结构：办、坐、爽、乘、承……8、品字形结构：品、晶、众、森……9、独体结构：丈、甲、五、我……我感觉画这个字是全包围的字

画板-Sketchpad画架-Easel画夹-My portfolio速写笔-Sketch pen速写本-Sketchbooks可塑橡皮-Plastic rubber油画笔-Oil paints水彩笔-Watercolor pen铅笔-Pencil马克笔-Marker彩色铅笔-Colored pencil木炭条-Of charcoal橡皮-Eraser美工刀-Knife调色盘-Palette国画毡-Painting felt笔架-Penholder油画布-Canvas颜料-Pigment墨汁-Ink水粉纸-Gouache on paper素描纸-Sketch paper铜板-Copper石膏像-Plaster静物-Still life衬布-Lining cloth静物台-Still life table写生灯-Painting Light油画刀-Painting knife彩色水笔-Color pen胶带-Tape砚台-Ink-stone镇纸-Paperweight彩色粉笔-Colored chalk笔洗-Pen wash版画刻刀-Engraving burin雕塑刀-Sculpture knife版画油墨-Ink prints丙烯-Propylene水粉-Gouache水彩-Watercolor生宣-Health promotion熟宣-Cooked Vision卡纸-Jam写生灯-Painting Light字帖-Copybook画框-Frame工具箱-Toolbox哎 真不容易 我学美术那会也没整这么全过！

Every time I passed in front of a tailor"s, I wanted to enter and buy some new clothes. But, I had no money to pay for them. The ￡1,000,000 banknote in my pocket was useless ! I passed in front of the same tailor"s six times. At last I entered. I quietly asked if they had an old, unattractive suit that no one wanted to buy. The man I spoke to nodded his head, but he didn"t speak. Then another man looked at me and nodded his head. I went to him and he said, "One moment, please." After some time, he took me to a back room. He looked at several ugly suits that no one wanted. He chose the worst for me. I really wanted a suit,so I said nothing. It was time to pay. "Can you wait a few days for the money? I haven"t got any small change with me." The man said, "Oh, you haven"t? Well, I thought gentlemen like you carried large change." "My friend," I replied, "you can"t judge a stranger by the clothes he wears. I can pay for this suit. But, can you change a large banknote?" "Oh, of course we can change a large banknote," he said coldly. I gave him the banknote. He received it with a smile, a big smile that covered his face. When he read the banknote, his smile disappeared. The owner of the shop came over and asked me, "What"s the trouble ?" "There isn"t any trouble. I"m waiting for my change." "Come, come. Give him his change, Tod. Quickly! " Tod answered, "It"s easy to say, but look at the banknote." The owner looked at the banknote. Then he looked at my package with the ugly suit. "Tod," he shouted, "you are stupid! How can you sell this unattractive suit to a millionaire! Tod, you can"t see the difference between a millionaire and a poor man." "I apologize, sir," the owner continued. "Please take off those things you are wearing and throw them in the fire. Put on this fine shirt and this handsome suit. It"s perfect for you — simple but elegant." I told him I was very happy with the new suit. "Oh, wait until you see what we can make for you in your size! Tod, bring a pen and a book. Let me measure your leg, your arm ..." I didn"t have a moment to speak. The owner measured me. Then he ordered his tailors to make me morning suits, evening suits, shirts, coats and other things. "But, my dear sir," I said, "I can order all these things only if you change my banknote. Or, if you can wait a while before I pay you." "Wait a while! I"ll wait forever, that"s the word. Tod, send these things to the gentleman"s address. Let the less important customers wait! What"s your address, sir?" ""I"m changing my home. I"ll come back and give you my new address," I replied. "Quite right, sir, quite right. Let me show you to the door, sir. Good day, sir, good day." Part Five: The Poor Millionaire The impossible happened. I bought everything I wanted without money. I showed my banknote and asked for change, but every time the same thing happened. No one was able to change it. I bought all that I needed and all the luxuries that I wanted. I stayed at an expensive hotel in Hanover Square. I always had dinner at the hotel. But I preferred having breakfast at Harris"s simple eating place. Harris"s was the first place where I had a good meal with my million-pound note. That"s where it all started. The news about me and my banknote was all over London. Harris"s eating place became famous because I had breakfast there. Harris was happy with all his new customers. I lived like a rich, important man. I had money to spend. I lived in a dream. But often, I said to myself, "Remember, this dream will end when the two men return to London. Everything will change." My story was in the newspapers. Everyone talked about the "strange millionaire with the million-pound note in his pocket." Punch magazine drew a funny picture of me on the front page. People talked about everything I did and about everything I said. They followed me in the streets. I kept my old clothes, and sometimes I wore them. It was fun when the shop owners thought I was poor. Then I showed them the banknote, and, oh,how their faces changed! After ten days in London, I went to visit the American Ambassador. He was very happy to meet me. He invited me to a dinner-party that evening. He told me that he knew my father from Yale University. He invited me to visit his home whenever I wanted. I was glad to have a new, important friend. I thought to myself, "I"ll need an important friend, when the story of the million-pound note and bet comes out." I want the reader to know that I planned to pay back all the shop owners who sold me things on credit. "If I win the bet for the old gentleman," I thought, "I will have an important job. With an important job, I will have a big salary." I planned to pay back everyone with my first year"s salary. Chapter One My valet Pedro and I were traveling through the Apennine Mountains in Italy. I was badly hurt and had a high fever . We finally saw a very strange and gloomy castle that had been recently abandoned. It was the kind of castle that you can read about in certain old novels about ghosts. Pedro knew that I couldn"t remain outside in my condition, so he decided to break into the castle. When he had broken in, he took me to a small room in a turret or the castle. This room had many very old paintings, tapestries and arms . There were also many spirited modern paintings. I looked closely at them all. They fascinated me greatly, perhaps because I was delirious from the fever. I also found a book that told the story of each of the paintings in the room. Pedro lit the candles of a large candelabrum and I began to contemplate each piece of art in this bizarre room. I lay in my bed reading and looking at the paintings for a long, long time. Then, since Pedro was asleep, I moved the candelabrum so I could read more easily. The light of the candles made it easier to read, but it also illuminated a strange little painting in a dark niche. It was the portrait of a lovely adolescent girl. I do not know why, but I closed my eyes for a moment and thought about it. Then I opened my eyes to look at it again. Then I wondered why I was so charmed by this painting. Its frame was oval and gold. The painting itself was done very well. It showed the head and shoulders of the girl. The girl herself was extremely beautiful. The painting had even startled me because for a moment it looked like a living person. Still none of these things could explain the secret of its mysterious effect on me. Then I discovered the reason: the expression on her face was almost perfectly lifelike . And this lifelikeness had confused me, startled me and filled me with horror. I immediately looked in the book for the story of this oval portrait, and read the following story. The Story of the Girl in the Portrait Chapter Two The girl in the portrait was extremely beautiful and extremely joyous. But it was an evil hour when she married the painter. He was passionate, austere and studious ; and he already had a "wife":his Art. The girl in the portrait was as happy as a fawn, and she loved and cherished all things; she only hated the Art which was her rival. She was only afraid of the palette, easel and brushes that took her husband away. It was therefore a terrible thing for her when her husband asked her to pose for a painting. But she was very humble and obedient , and she agreed to pose. She posed for this portrait in a cold, unhealthy room of a turret of the castle. The only light in the room came from a small window in the ceiling. The artist worked with energy and only thought of his work. He became obsessed with capturing every shade and color of life on his young wife"s face. Since the room where she was sitting was cold and damp, she got more and more ill. Still, her husband did not notice. All he noticed was his painting. He was a wild and moody man, and he was often lost in his own private dream world. Everybody else saw that his wife was getting weaker and weaker. Still, she continued smiling and never complained because she saw that he took such great interest in this painting: he worked day and night to paint the woman who loved him and who was becoming more and more ill for this love. Some of the people who saw him working said, "This painting is truly marvelous . It is proof of both his power as a painter and of his love for his wife." When the painter was finishing the portrait, nobody was allowed in the turret because the painter had become so passionate about his work: he rarely took his eyes from the canvas to look at his wife"s face. In fact, he had become so obsessed with his work that he did not notice that as he put red and pink on the canvas, red and pink left his young wife"s cheeks. Finally he only needed to add a little bit of color for the mouth and a little bit of color for the eyes. The living color of his wife"s face shone again for a moment and then went out like a lamp. The painter added the last brushstroke and for one moment was entranced in front of his painting. He then became pale and began to tremble. He then cried loudly, "This is indeed Life itself!" Then he looked suddenly at his wife: — She was dead!