hat

定语从句中的关系代词who，whose，whom，that，which。who作为从句的主语或宾语IknowthegirlwhoisTom"ssister.DoyouknowthemanwhoIjusttalkwith?whose充当物主代词“谁/什么的”Thatistheoldmanwhosesonisourheadmaster.Don"tsitonthechairwhoselegisbroken.whom充当宾语，放介词之后ThatisthemanwithwhomIjusttalk.PeteristheboyfromwhomIborrowabike.that多数代替事物，也有很少的时候代替人thisfilmisthebestonethatIhaveeverseen.which代替事物，主语宾语都可以指代。IwanttovisitthefactorywhichIworkedinthreeyearsago.

如果用HOW 应该是 How fine the day is ! HOW 强调的是形容词/副词； WHAT强调的是名词,记住下列句型： 1. How +形容词+ a +名词+　陈述语序(主语+谓语+……)!　 2. How+形容词或副词+　陈述语序(主语+谓语+……)!　 3. What+a/an +形容词+单数名词+　陈述语序(主语+谓语+……)!　 4. What+ 形容词+复数名词+　陈述语序(主语+谓语+……)!　 5. What+ 形容词+不可数名词+　陈述语序(主语+谓语+……)!　 加油!不明白再问!如果帮到你,请采纳,谢谢!

谁什么何时哪为什么

whatafineday用中文指好天气。What day is it today? 今天星期几? What a day! 多么糟糕的一天!

因为 what 是跟名词的.如果是修饰形容词或副词的,就要用how.比如： What a fine day! How nice is it today!

1、who指人，是主格，在定语从句中作主语。例如：Thisisthegirlwhoisthemostbeautifulinourschool.2、whom指人，是宾格，在定语从句中作宾语，可省略。例如ThisisthegirlwhomI"dliketomakefriendswith.3、whose既可指人又可指物，是所有格，在定语从句中作定语。例如：Thisisthegirlwhosefatherisourheadmaster.Thisisthetreewhosebranchesaredead.4、that既可指物也可指人，既是主格又是宾格，在定语从句中既作主语又作宾语，作宾语时可省略。例如：①Thisisthebikethatwasstolenyesterday.②Haveyoufoundthekeythatyourbrotherlost?③ThisisthedoctorthatfightsbravelyagainstSARS.④LiPingisthestudentthatourteacheroftenpraises.5、which只可指物，既是主格又是宾格，在定语从句中既作主语又作宾语，作宾语时可省略。例如：Thisisthebookwhichcanhelpyou.Thisisthepenwhichyoulostyesterday.

C

多么好的一天啊！

1、人称不同in the world 指的是全世界上，多用于第一人称。on the world 指的是这个世上、这个世界，多用于第三人称。例如：Every place in the world.在这世界的每一个地方。We were born in this world.我们诞生在这个世界。They have set their sights on the world record.她用教鞭敲了敲世界地图。2、运用场景不同in the world你可以用来形容这个世界上存在的任何东西，相当于on earth,而且自带最高级意思。如果你想说这个世界上的，一般都是in。例如：He is the nicest man in the world.on the world一般在指在某某的世界方面，world后面一般加东西的,比如 map,record。3、用法不同in the world译成汉语为在世界上，一般不怎么使用on the world. 主要区别存在于介词的使用，on 在表面，in 在其中。 我们并不是在这个广义世界的表面，而是在里面。例句：Giving something of yourself without the desire for anything in return is one of the most beautiful things in the world.世界上最美好的存在之一是付出而不求回报。

如果你实在找不到，试试Something Just Like This - The Chainsmokers / ColdplayShe said where"d you wanna goHow much you wanna risk

That"s not my name 这不是我名字Four letter word just to get me along 四封信只是让我变得更加孤独It"s a difficulty and i"m biting on my tongue and I 这是一个困境，我咬自己的舌头I keep stalling, keeping me together 我不断拖延，让我在一起People around gotta find something to say now 周围的人现在发现有些可说的了Holding back, everyday the same 抑制自己，每天都是如此 Don"t wanna be a loner 不想做个孤独者Listen to me, oh no 听我说,oh不I never say anything at all 我不再说任何事But with nothing to consider they forget my name 不用考虑任何事 但他们忘记我的名字(ame, ame, ame) They call me "Hell" 他们叫我"地狱"They call me "Stacey" 他们叫我"史"They call me "her"他们叫我"她"They call me "Jane" 他们叫我"简"That"s not my name 这不是我名字That"s not my name 这不是我名字That"s not my name 这不是我名字That"s not my name 这不是我名字They call me "quiet girl" 他们叫我"安静的女孩" But i"m a riot 但我很骚乱Mary, Jo, Lisa 玛丽祚，丽莎Always the same 总是相同的That"s not my name 这不是我名字That"s not my name 这不是我名字That"s not my name 这不是我名字That"s not my name 这不是我名字I miss the catch if they throw me the ball 我错失了捕捉 如果他们丢给我球I"m the last chick standing up against the wall 我是最后一个站起反对墙壁的小孩Keep up, falling, these heels they keep me boring 跟上,落后,这些步骤他们令我感到沉闷 Getting glammed up and sitting on the fence now 现在经过盛装扮后然后坐在栅栏上So alone all the time and i 晚上经常感觉很孤独 Lock myself away 把自己封锁起来Listen to me, i"m not 听我说,我不是Although i"m dressed up, out and all with 虽然我盛装打扮了Everything considered they forget my name 所有得事都考虑了 但他们忘了我的名字 (ame, ame, ame) They call me "Hell" 他们叫我"地狱"They call me "Stacey" 他们叫我"史"They call me "her" 他们叫我"她"They call me "Jane" 他们叫我"简"That"s not my name 这不是我名字That"s not my name 这不是我名字That"s not my name 这不是我名字That"s not my name 这不是我名字 They call me "quiet girl" 他们叫我"安静的女孩" But i"m a riot 但我很骚乱Mary, Jo, Lisa 玛丽祚，丽莎Always the same 总是相同的That"s not my name 这不是我名字That"s not my name 这不是我名字That"s not my name 这不是我名字That"s not my name 这不是我名字Are you calling me darling? 你叫我亲爱的吗? Are you calling me bird? 你叫我小鸟吗?Are you calling me darling? 你叫我亲爱的吗? Are you calling me bird?你叫我小鸟吗?Four letter word just to get me along 四封信只是让我变得更加孤独It"s a difficulty and i"m biting on my tongue and I 这是一个困境，我咬自己的舌头I keep stalling, keeping me together 我不断拖延，让我在一起People around gotta find something to say now 周围的人现在发现有些可说的了Holding back, everyday the same 抑制自己，每天都是如此 Don"t wanna be a loner 不想做个孤独者Listen to me, oh no 听我说,oh不I never say anything at all 我不再说任何事But with nothing to consider they forget my name 不用考虑任何事 但他们忘记我的名字(ame, ame, ame) They call me "Hell" 他们叫我"地狱"They call me "Stacey" 他们叫我"史"They call me "her" 他们叫我"她"They call me "Jane" 他们叫我"简"That"s not my name 这不是我名字That"s not my name 这不是我名字That"s not my name 这不是我名字That"s not my name 这不是我名字They call me "quiet girl" 他们叫我"安静的女孩" But i"m a riot 但我很骚乱Mary, Jo, Lisa 玛丽祚，丽莎Always the same 总是相同的That"s not my name 这不是我名字That"s not my name 这不是我名字That"s not my name 这不是我名字That"s not my name 这不是我名字I miss the catch if they throw me the ball 我错失了捕捉 如果他们丢给我球I"m the last chick standing up against the wall 我是最后一个站起反对墙壁的小孩Keep up, falling, these heels they keep me boring 跟上,落后,这些步骤他们令我感到沉闷 Getting glammed up and sitting on the fence now 现在经过盛装扮后然后坐在栅栏上So alone all the time and i 晚上经常感觉很孤独 Lock myself away 把自己封锁起来Listen to me, i"m not 听我说,我不是Although i"m dressed up, out and all with 虽然我盛装打扮了Everything considered they forget my name 所有得事都考虑了 但他们忘了我的名字 (ame, ame, ame) They call me "Hell" 他们叫我"地狱"They call me "Stacey" 他们叫我"史"They call me "her" 他们叫我"她"They call me "Jane" 他们叫我"简"That"s not my name 这不是我名字That"s not my name 这不是我名字That"s not my name 这不是我名字That"s not my name 这不是我名字 They call me "quiet girl" 他们叫我"安静的女孩" But i"m a riot 但我很骚乱Mary, Jo, Lisa 玛丽祚，丽莎Always the same 总是相同的That"s not my name 这不是我名字That"s not my name 这不是我名字That"s not my name 这不是我名字That"s not my name 这不是我名字Are you calling me darling? 你叫我亲爱的吗? Are you calling me bird? 你叫我小鸟吗?Are you calling me darling? 你叫我亲爱的吗? Are you calling me bird?你叫我小鸟吗?

李玖哲- 想太多 陈奕迅- 好久不见 蔡健雅- 无底洞 李玖哲/周笔畅- 你好吗 曹格- 背叛 王力宏- 爱错 张敬轩- 过云雨 阿桑- 你要离开的一些时候 蔡健雅- 陌生人 李玖哲- 解脱 林嘉欣- 恋之风景 张智成- 凌晨三点钟 张智成- 后来才知道 叶子》《一直很安静》《寂寞在唱歌》 《无底洞》《路口》《双栖动物》 《我们说好的》 《G大调的悲伤》《我走以后》 《记事本》《可惜不是你》《哭砂》《亲吻寂寞旅人》 如果歌曲好听满意请采纳o(∩_∩)o...哈哈

整体只是一个短语，the concept是核心词，of…为介词短语，作后置定语。比较特殊的是of后面是个完整的宾语从句，what is coin是of的介词宾语从句。

A因为 feel是系动词，就最好加形容词 构成系表结构。

that is和this is的区别主要是语义和用法不同。1、语义区别：this is意思是：(指较近的人或事物)这，这个;(指已提到过的人或事物)这;(介绍人或展示事物时用)这，这样。例句：This is my new desk.翻译：你在这个国家居住多久啦？that is意思是：(指较远的人或事物)那， 那个;(指已提到过或已知的人或事物)那，那个;(特指)那，那种，那些。例句：That is your basketball。翻译：那是你的篮球。2、常用用法区别：this常指后面要讲到的事物，有启下的作用；that则指前面讲到过的事物，有承上的作用。this在电话用语中作自我介绍，that用以询问对方。例句：I want to tell you this: the English party will be held on Saturday afternoon.翻译：我想要告诉你的是：英语晚会将在周六下午举行。例子：He hurt his leg yesterday. That"s why he didn"t come.翻译：他昨天腿受伤了。这就是他昨天没来的原因。扩展资料：常用用法：1、this有这样，这么的意思。例句：I didn"t think we"d get this far.翻译：我未曾想到我们会走得这么远。2、this and that/this, that and the other这样那样；各种事情；各种各样的活动 。例句：‘What did you talk about? " ‘Oh, this and that."翻译：“你们谈什么来着？”“噢，无所不谈。”3、that"s it（表示某人正确或做得对）就是这样，正是如此，对啦。例句：No, the other one… that"s it.翻译：不，另一个…就是它。参考资料来源：百度百科---this

that is 一般指那是，距离较远的物体，this is 一般是指这是，距离较近的物体如果是初中，that is 还可指代前文提到的，this is指下文提到的

说话这方用this is，问对方用that is

1.简单的主系表结构,this is倒装了,实际表达的意思是your ruler is this. 2.也是主系表.

打电话时常用：我是xxx。Thisis...代替Mynameis...。我是约翰。ThisisJohn.打电话时常用：你是谁？Whoisthat?代替Whoareyou?你是约翰吗？IsthatJohn?

那是，这是

that is和this is的区别主要是语义和用法不同。1、语义区别：this is意思是：(指较近的人或事物)这，这个;(指已提到过的人或事物)这;(介绍人或展示事物时用)这，这样。例句：This is my new desk.翻译：你在这个国家居住多久啦？that is意思是：(指较远的人或事物)那， 那个;(指已提到过或已知的人或事物)那，那个;(特指)那，那种，那些。例句：That is your basketball。翻译：那是你的篮球。2、常用用法区别：this常指后面要讲到的事物，有启下的作用；that则指前面讲到过的事物，有承上的作用。this在电话用语中作自我介绍，that用以询问对方。例句：I want to tell you this: the English party will be held on Saturday afternoon.翻译：我想要告诉你的是：英语晚会将在周六下午举行。例子：He hurt his leg yesterday. That"s why he didn"t come.翻译：他昨天腿受伤了。这就是他昨天没来的原因。扩展资料：常用用法：1、this有这样，这么的意思。例句：I didn"t think we"d get this far.翻译：我未曾想到我们会走得这么远。2、this and that/this, that and the other这样那样；各种事情；各种各样的活动 。例句：‘What did you talk about? " ‘Oh, this and that."翻译：“你们谈什么来着？”“噢，无所不谈。”3、that"s it（表示某人正确或做得对）就是这样，正是如此，对啦。例句：No, the other one… that"s it.翻译：不，另一个…就是它。参考资料来源：百度百科---this

this，that和it区别用法如下： (1)this和that是指示代词，it是人称代词。 (2)距离说话人近的人或物用this，距离说话人远的人或物用that。如： This is a flower．这是一朵花。(近处) That is a tree．那是一颗树。(远处) (3)放在一起的两样东西，先说this，后说that。如： This is a pen．That is a pencil．这是一支钢笔。那是一支铅笔。 (4)向别人介绍某人时说This is．．．，不说That is．．．。如： This is Helen．Helen，this is Tom．这是海伦，海伦，这是汤姆。 (5)This is不能缩写，而That is可以缩写。如： This is a bike．That"s a car．这是一辆自行车。那是一辆轿车。 (6)打电话时，介绍自己用this，询问对方用that。如： —Hello！Is that Miss Green？ 喂，是格林小姐吗？ —Yes，this is．Who"s that？ 是的，我是，你是谁？ (7)在回答this或that作主语的疑问句时，要用it代替this或that。如： ①—Is this a notebook？这是笔记本吗？ —Yes，it is．是的，它是。 ②—What"s that？那是什么？ —It"s a kite．是只风筝。 (8)it可以指天气、时间、距离或人，也常用来代替前文中所提到的同一事物。如： ①It"s a fine day today．今天是个好天。 ②What"s the time？ It"s six．几点了？六点。 ③It"s not far from here．离这儿不远。 ④—Who is it？谁呀？

that is和this is的区别主要是语义和用法不同。1、语义区别：this is意思是：(指较近的人或事物)这，这个;(指已提到过的人或事物)这;(介绍人或展示事物时用)这，这样。例句：This is my new desk.翻译：你在这个国家居住多久啦？that is意思是：(指较远的人或事物)那， 那个;(指已提到过或已知的人或事物)那，那个;(特指)那，那种，那些。例句：That is your basketball。翻译：那是你的篮球。2、常用用法区别：this常指后面要讲到的事物，有启下的作用；that则指前面讲到过的事物，有承上的作用。this在电话用语中作自我介绍，that用以询问对方。例句：I want to tell you this: the English party will be held on Saturday afternoon.翻译：我想要告诉你的是：英语晚会将在周六下午举行。例子：He hurt his leg yesterday. That"s why he didn"t come.翻译：他昨天腿受伤了。这就是他昨天没来的原因。扩展资料：常用用法：1、this有这样，这么的意思。例句：I didn"t think we"d get this far.翻译：我未曾想到我们会走得这么远。2、this and that/this, that and the other这样那样；各种事情；各种各样的活动 。例句：‘What did you talk about? " ‘Oh, this and that."翻译：“你们谈什么来着？”“噢，无所不谈。”3、that"s it（表示某人正确或做得对）就是这样，正是如此，对啦。例句：No, the other one… that"s it.翻译：不，另一个…就是它。参考资料来源：百度百科---this

what types of 后面接名词复数 what kind/sort of 单数

kind指性质相同，且有极相似之物质，在分类中可作为一类者。 What kind of cake do you like best?你最喜欢哪一种饼？ sort可与kind互换使用，但较为含混，有时只表示大概此种而已。Sort有时有轻蔑的意味，相反kind要庄重得多。 He makes friends with all sorts of people.他同各种各样的人交朋友。

区别其实就是sort和kind的区别。kind表示的种类属于中性，sort则带有贬义。I never do that sort of thing 贬义i never do that kind of thing 中性 不带感情色彩

1. That is a new T-shirt. 那是一件新的衣服。2. Look at my yellow shirt. 看看我的黄衣服。3. Mike, this is for you. 迈克, 这是给你的。4. This is my brother. 这是我哥哥 / 弟弟。

What are you good at sort of things？这句话存在语法错误，是不正确的。What are you good at 的意思是你擅长做什么事情， sort of things的意思是诸如此类。正确的句子应该是：What kind of things are you good at？意思为：你擅长做什么诸如此类的事情。

all 释义 a. 1. 一切的 所有的 Our aim is that all children plete secondary education. 我们的宗旨是让所有孩子完成中等教育。 2. 整个的 全部的 The strike paralyzed all Paris that day. 该日 *** 使整个巴黎陷于瘫痪。 3. 尽量的 尽可能的 Lanny was all attention. 兰尼全神贯注。 ad. 1. 完全地;全然地 She is all in favor of my suggestion. 她完全赞同我的建议。 2. 【口】很 极其 He was all excited. 他万分激动。 3. (与the+比较级连用)更加 She hated him all the more. 她更加恨他了。 4. (比分等)双方相等 The score is one all. 比分为一比一。 pron. 1. 全体 一切 全部[G] I know that all is well with her. 我知道她一切都好。 n. 1. 所有一切;全部财产 John Brown gave his all in the struggle for freedom. 约翰u2027布朗为争取自由而献出自己的一切。 all 同义: a.全部的 全面的 entire whole total integral plete full every n.整体 所有 全部 whole total sum sum total entirety integer allness prehensiveness totality everything ad.所有地 统统地 wholly entirely pletely altogether quite 同义参见: everyone exclusive 反义: a.一切的;全部的 some several 什么是所有／全部？ all a. 1. 一切的 所有的 Our aim is that all children plete secondary education. 我们的宗旨是让所有孩子完成中等教育。 2. 整个的 全部的 The strike paralyzed all Paris that day. 该日 *** 使整个巴黎陷于瘫痪。 3. 尽量的 尽可能的 Lanny was all attention. 兰尼全神贯注。 ad. 1. 完全地;全然地 She is all in favor of my suggestion. 她完全赞同我的建议。 2. 【口】很 极其 He was all excited. 他万分激动。 3. (与the+比较级连用)更加 She hated him all the more. 她更加恨他了。 4. (比分等)双方相等 The score is one all. 比分为一比一。 pron. 1. 全体 一切 全部[G] I know that all is well with her. 我知道她一切都好。 n. 1. 所有一切;全部财产 John Brown gave his all in the struggle for freedom. 约翰u2027布朗为争取自由而献出自己的一切。 所有的;尽可能的;全体;所有;宇宙 副 完全;极;每;正当 ie. all along 始终，一直，一贯 all around 在四面八方 all at once 突然；同时；一起 all but 几乎，差一点 all day 整天，一天到晚 all in all 总的说来；头等重要的 all kinds of 各种各样的 all night long 整夜 all of a sudden 突然，冷不防 all out 竭尽全力 all over 遍及...的每一部分 all over again 再一次，重新 all over the country 遍及全国 all over the world 全世界 all ready 一切就绪 all right 好；行；不错 all round (在…)周围，处处 all sorts of 各种各样的 all the same 尽管如此；仍然；然而 all the time 一直; 始终 all the while 一直地 all the years round 一年到头 all through 自始至终 this is a marketing problem. what you need to think about this is : what is your target customer and what is their needs on your book ?? why they need your book ? what is the different of your book pare with the similar in the market ? what is their purchasing behaviour ?? without all these you cannot define who you should talk to ? (where) what is the right channel to municate with your target customer when to promote ? what to emphasis and how to tell them the advantage of your product over others...... if you really need to wer your question you need to work more... think more... free feel to email and discuss. 所有的;尽可能的;全体;所有;宇宙 副 完全;极;每;正当 ie. all along 始终，一直，一贯 all around 在四面八方 all at once 突然；同时；一起 all but 几乎，差一点 all day 整天，一天到晚 all in all 总的说来；头等重要的 all kinds of 各种各样的 all night long 整夜 all of a sudden 突然，冷不防 all out 竭尽全力 all over 遍及...的每一部分 all over again 再一次，重新 all over the country 遍及全国 all over the world 全世界 all ready 一切就绪 all right 好；行；不错 all round (在…)周围，处处 all sorts of 各种各样的 all the same 尽管如此；仍然；然而 all the time 一直; 始终 all the while 一直地 all the years round 一年到头 all through 自始至终

that is for you. your是形容词

你认为时间就是金钱吗?

本句可连词成问句 Is that the dining hall？

hj

Our school is over about 5 o"clock.

what time is the class over

片名：你那边几点？法文名：Et là-bas, quelle heure est-il?英文名：What Time Is It There?导演：蔡明亮Tsai Ming-liang主演：李康生Lee Kang-sheng 陈湘琪Chen Shiang-chyi 让-皮埃尔·利奥德Jean-Pierre Léaud 苗天Tien Miao片长：116分钟年代：2001年出品：台湾/法国类型：剧情

什么时候放学？

What time is the class over? 什么时候下课？

楼主，是这样的，我们是根据后面的词语来决定是该用do/does或者be动词的当后面的词语是动词的话，我们就用do/does的这种形式而当后面的词语是形容词的话，我们就用be动词的比如whendoyougotoschool，因为go是去，是动词，所以用do而楼主给的句子，over是结束的，是形容词，所以用be动词的形式，is

1. I get up in the morning. 2. I go to school after breakfast. 3. I do my homework in the evening. 4. I go to bed after I do my homework. 答案不唯一

what do in the morning?分析这是疑问问，但是缺少主语，应该是想问你早上做什么what do you do in the morning?意思：你早上都做什么？

特殊问句，问什么答什么。

Whatdoyouhaveinthemorning看起来好像是“你(们)早上有什么?"的意思，而事实上是在问人家早餐有什么。也可以说……Whatdoyouhaveforbreakfast?这种对话通常出现在寄宿家庭和酒店的日常中。

它只是在对人类自身的研究中，各主要的社会科学所取代研究一个地方的变化，即西方文化。

除了你还有谁知道他可能去了哪里？

答案B。 one of the students 中 one是中心词，而who代表 one，故know谓语用单数。

我们一家人

Who Knows (What Tomorrow May Bring)?歌词：Gonna put some distanceBetween me and the bad times.There"ll be no resistance,Say goodbye to the sad times.Who knows what tomorrow will bring?Who knows what"s around every corner?Who knows what tomorrow will bring?Gonna find the reasonTo move on from the sad times.Gonna come a season,Bring an end to the bad times.Who knows what tomorrow will bring?Who knows what"s around every corner?Who knows what tomorrow will bring?Maybe the dreams of yesterday,The broken dreams of yesterday.Who knows what tomorrow will bring?Who knows what"s around every corner?Who knows what tomorrow will bring?Maybe the dreams of yesterday,The broken dreams of yesterday.Maybe the dreams of yesterday.

宾语从句，确认一下有谁知道什么

Yes，itis，Noiti亡

谁知道未来给我们的会是什么？

出自哈姆莱特：to be or not to be ,this is a question. 生存还是灭亡,这是个问题 原文是： To be,or not to be:that is the question: Whether "tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them.To die:to sleep; No more; and by a sleep to say we end The heart-ache,and the thousand natural shocks That flesh is heir to,"tis a consummation Devoutly to be wish"d.To die,to sleep; To sleep:perchance to dream:aye,there"s the rub; For in that sleep of death what dreams may e, When we have shuffled off this mortal coil, Must give us pause:there"s the respect That makes calamity of so long life; For who would bear the whips and scorns of time, The oppressor"s wrong,the proud man"s contumely, The pangs of despised love,the law"s delay, The insolence of office,and the spurns That patient merit of the unworthy takes, When he himself might his quietus make With a bare bodkin?who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover"d country from whose bourn No traveler returns,puzzles the will, And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all, And thus the native hue of resolution Is sicklied o"er with the pale cast of thought, And enterprises of great pitch and moment With this regard their currents turn awry And lose the name of action. 翻译为 生存或毁灭,这是个必答之问题: 是否应默默的忍受坎苛命运之无情打击, 还是应与深如大海之无涯苦难奋然为敌, 并将其克服. 此二抉择,就竟是哪个较崇高? 死即睡眠,它不过如此! 倘若一眠能了结心灵之苦楚与肉体之百患, 那么,此结局是可盼的! 死去,睡去... 但在睡眠中可能有梦,啊,这就是个阻碍: 当我们摆脱了此垂死之皮囊, 在死之长眠中会有何梦来临? 它令我们踌躇, 使我们心甘情愿的承受长年之灾, 否则谁肯容忍人间之百般折磨, 如暴君之政、骄者之傲、失恋之痛、法章之慢、贪官之侮、或庸民之辱, 假如他能简单的一刃了之? 还有谁会肯去做牛做马,终生疲於操劳, 默默的忍受其苦其难,而不远走高飞,飘於渺茫之境, 倘若他不是因恐惧身后之事而使他犹豫不前? 此境乃无人知晓之邦,自古无返者. 所以,「理智」能使我们成为懦夫, 而「顾虑」能使我们本来辉煌之心志变得黯然无光,像个病夫. 再之,这些更能坏大事,乱大谋,使它们失去魄力.

莎士比亚说：To be or not to be,that is question! 你的微笑没有砖石的光芒，但却有太阳的温暖！ 莎士比亚为什么要这样说？？？To be, or not to be- that is the question: Whether "tis nobler in the mind to suffer The slings and arrows of outrageous fortune Or to take arms against a sea of troubles, And by opposing end them. To die- to sleep- No more; and by a sleep to say we end The heartache, and the thousand natural shocks That flesh is heir to. "Tis a consummation Devoutly to be wish"d. To die- to sleep. To sleep- perchance to dream: ay, there"s the rub! For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause. There"s the respect That makes calamity of so long life. For who would bear the whips and scorns of time, Th" oppressor"s wrong, the proud man"s contumely, The pangs of despis"d love, the law"s delay, The insolence of office, and the spurns That patient merit of th" unworthy takes, When he himself might his quietus make With a bare bodkin? Who would these fardels bear, To grunt and sweat under a weary life, But that the dread of something after death- The undiscover"d country, from whose bourn No traveller returns- puzzles the will, And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all, And thus the native hue of resolution Is sicklied o"er with the pale cast of thought, And enterprises of great pith and moment With this regard their currents turn awry And lose the name of action. 生存还是毁灭？这是个问题。究竟哪样更高贵，去忍受那狂暴的命运无情的摧残,还是挺身去反抗那无边的烦恼，把它扫一个干净。去死，去睡就结束了，如果睡眠能结束我们心灵的创伤和肉体所承受的千百种痛苦，那真是生存求之不得的天大的好事。去死，去睡，去睡，也许会做梦！唉，这就麻烦了，即使摆脱了这尘世可在这死的睡眠里又会做些什么梦呢？真得想一想，就这点顾虑使人受着终身的折磨,谁甘心忍受那鞭打和嘲弄，受人压迫，受尽侮蔑和轻视，忍受那失恋的痛苦，法庭的拖延，衙门的横征暴敛，默默无闻的劳碌却只换来多少凌辱。但他自己只要用把尖刀就能解脱了。谁也不甘心，呻吟、流汗拖着这残生，可是对死后又感觉到恐惧，又从来没有任何人从死亡的国土里回来，因此动摇了，宁愿忍受着目前的苦难而不愿投奔向另一种苦难。顾虑就使我们都变成了懦夫，使得那果断的本色蒙上了一层思虑的惨白的容颜，本来可以做出伟大的事业，由于思虑就化为乌有了，丧失了行动的能力

生或者死 这是个问题

To be, or not to be —that is the question: Whether"tis nobler in the mind to suffer The slings and arrows of outrageous fortune Or to take arms against a sea of troubles, And by opposing end them. To die —to sleep— No more; and by a sleep to say we end The heartache, and the thousand natural shocks That flesh is heir to. "Tis a consummation Devoutly to be wish" d. To die —to sleep. To sleep —perchance to dream: ay, there"s the rub! For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause. There"s the respect That makes calamity of so long life. For who would bear the whips and scorns of time, Th"oppressor"s wrong, the proud man"s contumely, The pangs of despis"d love, the law"s delay, The insolence of office, and the spurns That patient merit of th"unworthy takes, When he himself might his quietus make With a bare bodkin? Who would these fardels bear, To grunt and sweat under a weary life, But that the dread of something after death— The undiscover"d country, from whose bourn No traveller returns —puzzles the will, And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all, And thus the native hue of resolution Is sicklied o"er with the pale cast of thought, And enterprises of great pitch and this moment With this regard their currents turn awry And lose the name of action. 生存或毁灭, 这是一个问题: 是否应默默的忍受坎苛命运之无情打击, 还是应与深如大海之无涯苦难奋然为敌, 并将其克服。 此二抉择, 就竟是哪个较崇高? 死即睡眠, 它不过如此! 倘若一眠能了结心灵之苦楚与肉体之百患, 那么, 此结局是可盼的! 死去, 睡去... 但在睡眠中可能有梦, 啊, 这就是个阻碍: 当我们摆脱了此垂死之皮囊, 在死之长眠中会有何梦来临? 它令我们踌躇, 使我们心甘情愿的承受长年之灾, 否则谁肯容忍人间之百般折磨, 如暴君之政、骄者之傲、失恋之痛、法章之慢、贪官之侮、或庸民之辱, 假如他能简单的一刃了之? 还有谁会肯去做牛做马, 终生疲於操劳, 默默的忍受其苦其难, 而不远走高飞, 飘於渺茫之境, 倘若他不是因恐惧身後之事而使他犹豫不前? 此境乃无人知晓之邦, 自古无返者。

歌曲名:Love Me For What I Am歌手:Lobo专辑:The Best Of LoboLove me for what i amI wore the clothes you likedYou said they gave me that lookI even tried to like the foodI know you like to cookI parted my hair on the leftI carried your arm on the rightI slept late in the morningAnd I stayed out late at night.I can"t give any more of my soul awayAnd still look myself in the mirror everydayI can"t change any moreof what makes me be myselfAnd still have enough leftnot to be somebody elseI"m not demanding as a manJust asking you - love me for what I am.I tried hard not to saythe things you don"t like to hearAnd when to you it was aproposI nibbled on your earI opened the door up for youI kept my big mouth shutWell I"ve been going downWhile you"ve been going upI can"t give any more of my soul awayAnd still look myself in the mirror everydayI can"t change any moreof what makes me be myselfAnd still have enough leftnot to be somebody elseI"m not demanding as a manJust asking you - love me for what I amI can"t give any more of my soul awayAnd still look myself in the mirror everydayI can"t change any moreof what makes me be myselfAnd still have enough leftnot to be somebody elseI"m not demanding as a manJust asking you - love me for what I amoh~love me for what I amoh~love me for what I amhttp://music.baidu.com/song/54915444

Hamlet"s endurance has reached the breaking point. His father has been murdered. His mother, who he loves dearly, has married her dead husband"s brother. Moreover his sweetheart, Ophelia, has been acting very strangely. He senses that she does not love him any more. Now, he"s all alone. The world that he knew is shattered. His black mood of despair is deepened by his inability to act - to do something to change the situation. Now he ponders whether to continue living - or to take his own life. Hamlet: To be, or not to be - that is the question: Whether "tis nobler in the mind to suffer The slings and arrows of outrageous fortune Or to take arms against a sea of troubles, And by opposing end them. To die - to sleep - No more; and by a sleep to say we end The heartache, and the thousand natural shocks That flesh is heir to. "Tis a consummation Devoutly to be wish"d. To die - to sleep. To sleep - perchance to dream: ay, there"s the rub! For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause. There"s the respect That makes calamity of so long life. For who would bear the whips and scorns of time, The oppressor"s wrong, the proud man"s contumely, The pangs of despised love, the law"s delay, The insolence of office, and the spurns That patient merit of the unworthy takes, When he himself might his quietus make With a bare bodkin? Who would these fardels bear, To grunt and sweat under a weary life, But that the dread of something after death - The undiscover"d country, from whose bourn No traveller returns - puzzles the will, And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all, And thus the native hue of resolution Is sicklied o"er with the pale cast of thought, And enterprises of great pith and moment With this regard their currents turn awry And lose the name of action.

RICHARD CROOKSSongs from Operetta, Musical Comedy and FilmsOriginal Recordings 1924—1933Probably the finest lyric tenor America ever produced — and in the 1930s on radio and in opera and concert certainly the most popular — Richard Crooks was born into a family of modest means, of Scottish and English ancestry, in Trenton, New Jersey on 26 June, 1900. His mother, Elizabeth Gore, herself a gifted amateur singer, gave Richard the boy-soprano his earliest musical education until 1910, when his first serious engagement, as soprano soloist in Mendelssohn"s Elijah in his native town, before a 10,000-strong audience, pro-vided the necessary spur to his talent. His stage-partner at that baptism of fire, Ernestine Schumann-Heink (1861-1936), the German-American contralto star of the Metropolitan Opera, predicted great things for her ten-year-old colleague, all of which duly came to pass. Having reached puberty, Crooks began to re-train as a tenor. At fourteen he was already earning his own living, and financed his studies by manual occupations until 1917 when, with the US entry into World War I, he entered the US Armed Forces flying corps. A year later Crooks was on active service with the US Airforce over France but, the war over, he returned to the USA and continued his vocal studies with vigour, principally (from 1920 onwards) with Schumann-Heink"s accompanist, the influential, New York-based pianist-composer and vocal coach Frank La Forge (1879-1953), whose illustrious pupils included Crooks" fellow-Americans Marian Anderson and Lawrence Tibbett as well as the much-admired Spanish soprano import, Lucrezia Bori. Under La Forge"s tutelage Crooks first won fame in oratorio (the curriculum in which he would also end his career) and in 1922 the hopeful young tenor sang in nine concerts with the New York Symphony Orchestra under its prestigious conductor Walter Damrosch. The success of these led to a further series of engagements across the States and, indirectly, to his first Victor recording contract, in 1923. In an item from an early session, Red, Red Rose (from incidental music to Rudolph Valentino"s 1924 Paramount silent-screen vehicle Monsieur Beaucaire) Crooks simultaneously offers us a fine sample of his youthful voice and a prime early example of recorded film-music.During 1925 Crooks made his first European concert tour. His venues included London, Belgium, Holland and Germany, where his lieder recitals won him particular acclaim. On his return to the States in 1926 the European reputation he had gained appears to have excited considerable further interest. His voice already had passion and thrust and a certain endearing lyrical quality which most — if not quite all — of his records seem to have preserved for posterity. At home, the public took him to their hearts and further concert successes followed, crowned by two performances of Beethoven"s Choral Symphony at Carnegie Hall, under Toscanini, in 1927. Later that same year he embarked on the first of several recital tours of Great Britain, Scandinavia, the Low Countries and Germany which would continue until 1932. Meanwhile, Crooks" growing list of recordings, which hitherto at least comprised mostly popular ballads and items from operetta, distributed on both sides of the Atlantic, were already beginning to sell in such quantities that Victor saw in him an inexpensive replacement in their Red Seal catalogue for McCormack as well as a viable promoter of the latest in film-ballads. Although comprehensive in his art as a recitalist, on records he veered, predictably, towards the popular repertoire. Richard Crooks made his opera début in Hamburg, in Puccini"s Tosca, in May 1927, and his subsequent accounts of the tenor leads in Faust, Carmen and La traviata, as well as in Wagner"s Meistersinger and Lohengrin, left a lasting impression on his German audiences. Back in New York, in 1928, he was chosen by Mengelberg for the New York première of Mahler"s Das Lied von der Erde and in 1930, with the Philadelphia Company, made so resounding a US opera début that he was at once offered a contract by the New York Metropolitan Opera. Sensing himself unprepared for such a step, however, Crooks passed up the offer in favour of further European tours and weekly guest appearances on the coast-to-coast radio programme Firestone Hour, which was to be his intermittent Monday evening niche for several years to come. He first trod the boards of the Met as Des Grieux in Massenet"s Manon in February 1933 (at this début he reportedly took 37 curtain-calls) and thereafter appeared at intervals with the company, between concert tours to Australia, Canada and elsewhere, until his retirement in 1946.The Crooks discography of the late 1920s and early 1930s reflects a rebirth of interest in operetta, on both stage and screen. In Overhead the moon is beaming, the Serenade from the long-running 1924 escapist best-seller The Student Prince by the Hungarian Sigmund Romberg (1887-1951) — later famously revived in a film starring Mario Lanza — Crooks is joined by the Rounders male chorus headed by sometime Reveler Lewis James. In this Crooks gives us a tantalising aftertaste of a Broadway show which he all but premiered, while in I bring a love song, a charming albeit now neglected item from the pioneering film-musical Viennese Nights — a 1930 collaboration by Romberg and Oscar Hammerstein II (1895-1960) — the tenor complements his soprano colleague to perfection. The Student Prince"s long-running "twin" rival on Broadway, the 1925 hit Vagabond King by the Czechoslovakian-American Rudolf Friml (1879-1972) also affords him a golden opportunity to show off his superbly-managed head voice in Only a rose.Similar qualities are brought to bear by Crooks on gems from a wide range of other operetta landmarks, both contemporary and of older vintage. Especially fine are his selections from the shows of the Irish-American Victor Herbert (1859-1924), including Ah, sweet mystery of life and I"m falling in love with someone (from Naughty Marietta, 1910; filmed by MGM, 1935), When you"re away (a lingering waltz from The Only Girl, 1914) and Neapolitan Love Song (from The Princess Pat, 1915). He also displays an endearingly lyrical quality in Rio Rita (the title-song of a long-running Broadway musical of 1927 by Harry Tierney (1890-1965), filmed by RKO in 1929) and One alone (hit-song of Romberg"s mega-hit 1926 show The Desert Song — filmed by Warner Brothers in 1929, 1943 and 1953). In selections recorded simultaneously with the 1932 Broadway revival of The Dubarry by the Austrian Karl Mill？cker (1842-1899 — Crooks" partner on disc Grace Moore appeared in this show, Crooks did not) he shows something of the imaginativeness of tone-colouring which made him famous, while his treatment of other generically ‘Viennese" favourites place him stylistically on an easy par with Richard Tauber, including Just two hearts and a waltz refrain (a translation of the title waltz-song from the 1931 German film Zwei Herzen in Dreivierteltakt, by the Austrian Robert Stolz — 1880-1975), Yours is my heart alone (American translation of "Dein is mein ganzes Herz", hit-song from Das Land des L？chelns — Berlin, 1929; produced in London in 1931, as Land of Smiles — by the Hungarian Franz Lehár, 1870-1948), Castles in the air (from Frau Luna (1899) by the German Paul Lincke (1866-1946) and I walked in the blossoming garden (the famous Waltz Song from A Waltz Dream, in the 1908 London version by Felix Doerman and Leopold Jacobson, with lyrics by Adrian Ross and music by the Viennese Oskar Straus, 1870-1954). Crooks concludes the recital with Tell me tonight (in this title-song from the 1932 film-musical landmark (US title Be Mine Tonight) in which Polish tenor Jan Kiepura sang the music of the Russian-born pianist-composer and conductor Mischa Spoliansky (1898-1984), he is ably backed by a fine orchestral adaptation under the baton of HMV"s then house-conductor Ray Noble). Richard Crooks died in Portola Valley, California, on 29 September, 1972.Peter Dempsey, 2002The Naxos Historical labels aim to make available the greatest recordings of the history of recorded music, in the best and truest sound that contemporary technology can provide. To achieve this aim, Naxos has engaged a number of respected restorers who have the dedication, skill and experience to produce restorations that have set new standards in the field of historical recordings.Peter DempseyA tenor singer of wide range and performing experience, Peter Dempsey specialises in Victorian and Edwardian genre ballads and art-song, and has recorded various CDs, including Love"s Garden Of Roses for Moidart. Quite apart from his personal enthusiasm for music in the broadest sense, through his assiduous collecting and study of 78s over many years, Peter has acquired not only a wide knowledge of recorded musical performance but also a heartfelt awareness of the need to conserve so many "great masters" who — were it not for CD — might now be lost for future generations. A recognised authority on old recordings, Peter now regularly researches and produces CD albums from 78s.

多好的一天啊！

卡迪碧wap歌词大意是：创作者对于爱情的惶恐与无奈之情。这首歌用词大胆，而wap这首歌的MV也有很多值得琢磨的地方。卡迪碧把wap这首歌发出来以后评论两极分化，有男人的指责，也有女人的追捧，卡迪碧把女性的心声唱了出来。所以卡迪碧就被称作是浦西女王。卡迪碧wap歌词如下：Whores in this houseThere"re some whores in this houseThere"re some whores in this houseThere"re some?whores?in this house（Hold up）I said certified freak, seven days a weekWet-ass Pus*y, make that pullout game weak, woo（Ah）Yeah, yeah, yeah, yeahYeah, you f**kin" with some wet-ass Pus*yBring a bucket and a mop for this wet-ass Pus*yGive me everything you got for this wet-ass Pus*yBeat it up, nigga, catch a chargeExtra large and extra hardPut this Pus*y right in your faceSwipe your nose like a credit cardHop on top, I wanna rideI do a kegel while it"s insideSpit in my mouth, look in my eyesThis Pus*y is wet, come take a diveTie me up like I"m surprisedLet"s roleplay, I"ll wear a disguiseI want you to park that big Mack truck right in this little garageMake it cream, make me screamOut in public, make a sceneI don"t cook, I don"t cleanBut let me tell you how I got this ring（Ayy, ayy）Gobble me, swallow me, drip down the side of me（Yeah）Quick, jump out "fore you let it get inside of me（Yeah）I tell him where to put it, never tell him where I"m "bout to be（Huh）I"ll run down on him "fore I have a nigga runnin" me（Pow, pow, pow）Talk your shit, bite your lip（Yeah）Ask for a car while you ride that ****（While you ride that ****）You really ain"t never gotta **** him for a thing（Yeah）He already made his mind up "fore he came（Ayy, ah）Now get your boots and your coat for this wet-ass Pus*y（Ah, ah, ah）He bought a phone just for pictures of this wet-ass Pus*y（Click, click, click）Pay my tuition just to kiss me on this wet-ass Pus*y（Mwah, mwah, mwah）Now make it rain if you wanna see some wet-ass Pus*y（Yeah, yeah）Look, I need a hard hitter, need a deep strokerNeed a Henny drinker, need a weed smokerNot a garden snake, I need a king cobraWith a hook in it, hope it lean overHe got some money, then that"s where I"m headedPus*y A1 just like his creditHe got a beard, well, I"m tryna wet itI let him taste it, now he diabeticI don"t wanna spit, I wanna gulpI wanna gag, I wanna chokeI want you to touch that lil" dangly thing that swing in the back of my throatMy head game is fire, punani DasaniIt"s goin" in dry and it"s comin" out soggyI ride on that thing like the cops is behind me（Yeah, ah）I spit on his mic and now he tryna sign me, wooYour honor, I"m a freak Pus*y, handcuffs, leashesSwitch my wig, make him feel like he cheatin"Put him on his knees, give him somethin" to believe inNever lost a fight, but I"m lookin" for a beatin"In the food chain, I"m the one that eat yaIf he ate my ass, he"s a bottom-feederBig D stand for big demeanorI could make ya bust before I ever meet yaIf it don"t hang, then he can"t bangYou can"t hurt my feelings, but I like painIf he **** me and ask“Whose is it?”When I ride the ****, I"ma spell my name, ahYeah, yeah, yeahYeah, you f**kin" with some wet-ass Pus*yBring a bucket and a mop for this wet-ass Pus*yGive me everything you got for this wet-ass Pus*yNow from the top, make it drop, that"s some wet-ass Pus*yNow get a bucket and a mop, that"s some wet-ass Pus*yI"m talkin" wap, wap, wap, that"s some wet-ass Pus*yMacaroni in a pot, that"s some wet-ass Pus*y, huhThere"s some whores in this houseThere"s some whores in this houseThere"s some whores in this houseThere"s some whores in this houseThere"s some whores in this houseThere"s some whores in this houseThere"s some whores in this houseThere"s some whores in this houseThere"s some whores in this houseThere"s some whores in this house

what are you putting on the Christmas tree？回答：I am putting on lots of presents under the Christmas tree.

应该这是一句英语，至于英语，我对这方面没有太大的研究，你可以到相关的网站去看一看

再回首I Hope You"ll Come Back姜育恒Looking backAll that we two sharedFeeling sadBecause you"re goneAll that we have been throughLaughter and tearsI"ll remember and will always keep youDeep inside my heartMemories of us togetherAlways come into my mindWhat was wrong with our loveYou can"t tell me whyHow can I go on without youNot knowing what"s the reason(chorus)Do you know I can"t sleep can"t eatCan"t do anything rightHoping that you"ll be backYou will come back to me one day soonBut no matter what it takesI will do all that I canTo win your love and make you mineOnce again(repeat)(repeat chorus)I hope you you"ll come back to me oh once again

特殊句型，不能去套clause正：You are to me what water is to fish

sexy~

应该是这么说吧。In this champter I will attempt to explain what lead up to the revolution.

What do you want to rush out for?

Whose that umbrella is ?

《Whatever happens》

RoshanRohatgiRoshanRohatgi是一名演员，代表作品有《君子协定》。外文名：RoshanRohatgi职业：演员代表作品：《君子协定》合作人物：斯蒂芬·弗雷斯

换个结构看看能不能理解：Animals engage in displacement activities when they have conflicting drives.这里的engage in 是参与...的意思。满意请采纳

I think the novel coronavirus is a disaster. It is a punishment of nature to human beings. When we go to the hotel to have some delicacies, we always think it"s right. Now, nature will punish us. Only when wildlife protection is paid attention to and relevant laws and regulations are really implemented. If we humans had the consciousness of protecting wild animals, this disaster would not have happened. Just because our consciousness is weak, the extremes of things will turn against us. Let"s join hands to protect wild animals. Everyone has a responsibility.

英语不好自我感觉应该是问今天是几号吧

what is today? 要回答星期几，几月几日。 例如：It"s Saturday, January 24th. what is the day? 要回答什么节日。 例如：It"s Teachers" Day. what is the date? 要回答几月几日。 例如：It"s January 24th. 满意请及时采纳，谢谢

今天是什么日子？

一般不会用第二种说法. What is the day today?Today is Sunday. What is the date today?Today is Dec.16th.

what"s the day today? 今天星期几 ？What"s the date today?今天几号？

基本上是没有的。。。

今天是个好日子

iwenttotheparkyesterday昨天我去公园了你的采纳我的动力很高兴能够帮助你