王尔德童话故事有哪些

We are all in the gutter,but some of us are looking at the stars.
肯定对哦

“爱是相互的,爱可以将爱继续传续”,与人为善,与己方便,巨人开始时候因自私而赶走了正在开心玩耍的孩子们,孩子们失去了开心了乐园,巨人的园中也因没有了孩子的嬉戏而失去了欢声笑语,鸟儿不再歌唱,树木也没了精神,这样,原本美好的园子变成了毫无价值的荒地,另一方面,自私的人同样得不到他人的慷慨,秋天看到了巨人的自私,于是决定不再将丰收降给巨人的园子,除了冰雪暴风,已经没有谁愿意眷顾巨人的园子.爱对每个人都是平等的,每个人都会犯错,但只要及时改过,上帝永远不会抛弃任何人,巨人意识到自己过去太自私,于是不再驱赶孩,而是与孩子们玩在一起,让不开心的孩子开心起来.天堂的大门向每一个懂得爱的人敞开,爱是人与人之间最宝贵的情感,懂得爱,要善于将美好的事物与大家共同分享,巨人顿悟,将自己的园子与孩子们分享,与孩子们共同嬉戏玩耍,许多年,巨人也得到了无数的欢乐,在巨人即将死去的时候,巨人最爱的那个小男孩再次出现,并将在受难中手脚留下的钉子孔示与巨人,告诉巨人那是爱的烙印,巨人更加深刻的理解的爱的真谛,于是主耶稣基督将巨人带去了天堂.

王尔德：这是不敢言说的爱.世界在我掌握中,我却掌握不住对你的感情……

Oscar Wilde emphasized that the art of music could influnce human sense organs and souls in a way that can't be explained,but only be sensed.He also thought that some of the spirit of music could be found in fairy tales and other literary works,because language itself contains musicality and melody.Here,the clever and unparalleled use of language by Wilde makes language as a carrier and connotation of the work matched perfectly.The language used in fairy tales are beautiful,vivid,full of melody,exquisite,as beautiful as classical music.

There is only one thing in this world that is worse than being talked about is that he is never being talked about by others.
这个是忠于原文的本人翻译,不是书上原话,不过没有问题

《巨人的花园》的作者是英国的王尔德.
或《巨人的花园》是英国的王尔德写的.
都可以.

‘There were times when it appeared to Dorian Gray that the whole of history was merely a record of his own life,’
EXT. SCHOOLYARD – MANCHESTER SUBURBS – DAY – 1973
Three Kids in glitter-rock gear are running late to class, laughing and tripping on their flashy footwear. One of them is the Glitter Boy.
MALE TEACHER
(off-screen)
‘not as he had lived it in act and circumstance, but as his imagination had created it for him, as it has been in his brain and in his passions.’

Oscar Wilde:the critical heritage
published 1970
in Great Britain
by Routledge&Kegan Paul Limited
Broadway house,68-74 Carter Lane
Landon EC4V 5EL
ISBN 0 7100 6929 4
页码435页
橘红色封面

《夜莺与玫瑰》

这个需要自己体会~
得不到的痛苦~欲望的折磨~
得到后~不过如此~不珍惜~
就像红玫瑰与白玫瑰的那段话一样~
感兴趣可以找下~

课后习题?我对这个问题挺感兴趣的, 也非常认同这个说法,如果两者有可比性,皆可,如若不是,你得自己斟酌

我们都在阴沟里,但仍有人仰望星空.
这是《温德密尔夫人的扇子》第三幕中达林顿爵士说的
每个圣人都有过去,每个罪人都有未来
是（夜鹰与玫瑰）

奥斯卡·王尔德（Oscar Wilde,1854—1900）为英国著名文豪,是19世纪最富盛名的剧作家,他的作品在剧院演出后得到广大回响,他并身兼诗人、小说家、散文家、童话作家等,http://baike.baidu.com/view/63463.htm?fromId=4...

波西Bosie 珀西应该是 Percy

有一次,英国著名作家王尔德举行宴会.宾客们济济一堂,在客厅里等了很久,也不见主人的到来,很是着急.后来,王尔德匆匆忙忙赶来向客人道歉.客人们问他干什么去了,他回答说：“我在修改我的诗稿.”客人们又问：“这么大半天,一定做了不少工作吧?”王尔德笑着说：“我做了一件极其重大的工作,我删去了一个逗号,但后来觉得不妥,我又把它加上了.”
曹雪芹 贾岛 韩愈

在人们对待知识的观念中,有一句话叫“履践”.《论语》上说,子路有闻,未之能行,唯恐有闻.说的就是子路这个人如果自己没有做到履践的功夫,就害怕又有教诲,因为听多了,没有实践,就没有进步.真理是要去履践的,单纯的重复使人们养成刻板的习惯,失去了实践的动力.而且做事情的时候要求针对情况,进行合理的规划,单一的重复一个道理,容易走上片面的路线.
孔子还说过,颜回这个弟子,最能发挥他的学说.但有一次他也批评颜回说,颜回这个人对于自己的话无所不听,实在是对自己没有帮助.因为一个人想问题,应该多听人们不相同的意见,再进行综合的思考,如果说什么就是什么,连反面的正确的意见都没有听到,也永远不能进步.还有一句话叫“巧言令色,鲜矣仁.”说话的人太擅长于讨好人,说出来的话肯定多偏袒,没有真正的意见.这也就是为什么人人都同意我的时候,也就是巧言令色最多的时候,这种时候人就不能沉迷到自我的正确的那种境界当中去,否则只会越想越觉得自己正确,越来越自负.

Oscar Wilde was the second son born into an Anglo-Irish family,at 21 Westland Row,Dublin,to Sir William Wilde and his wife Jane Francesca Wilde (née Elgee) (her pseudonym being Speranza).Jane was a successful writer,being a poet for the revolutionary Young Irelanders in 1848 and a life-long Irish nationalist.[1] Sir William was Ireland's leading Oto-Ophthalmologic (ear and eye) surgeon and was knighted in 1864 for his services to medicine.[1] William also wrote books on archaeology and folklore.He was a renowned philanthropist,and his dispensary for the care of the city's poor,in Lincoln Place at the rear of Trinity College,Dublin,was the forerunner of the Dublin Eye and Ear Hospital,now located at Adelaide Road.
In June 1855,the family moved to 1 Merrion Square in a fashionable residential area,where Wilde's sister,Isola,was born in 1856.Here,Lady Wilde held a regular Saturday afternoon salon with guests including Sheridan le Fanu,Samuel Lever,George Petrie,Isaac Butt and Samuel Ferguson.Oscar was educated at home up to the age of nine.He attended Portora Royal School in Enniskillen,Fermanagh from the ages of nine to sixteen,[2] spending the summer months with his family in rural Waterford,Wexford and at Sir William's family home in Mayo.Here the Wilde brothers played with the older George Moore.
After leaving Portora,Wilde studied classics at Trinity College,Dublin,from 1871 to 1874,sharing rooms with his older brother Willie Wilde for two years.He was an outstanding student,and won the Berkeley Gold Medal,the highest award available to classics students at Trinity.He was awarded a scholarship to Magdalen College,Oxford,where he continued his studies from 1874 to 1878 and where he became a part of the Aesthetic movement,one of its tenets being to make an art of life.
Wilde had a less than happy relationship with the prestigious Oxford Union.On matriculating in the autumn of 1874,Wilde applied to join the Union,but failed to be elected,a fact which came to light only recently.[3] When the Union's librarian requested a presentation copy of Poems (1881),Wilde complied.After a debate called by Oliver Elton,the gift was condemned for supposed plagiarism and returned.[4][5]
While at Magdalen,he won the 1878 Newdigate Prize for his poem Ravenna,which he read out at Encaenia; he failed,though,to win the Chancellor's English Essay Prize for an essay that would be published posthumously as The Rise of Historical Criticism (1909).In November 1878,he graduated with a double first in classical moderations and Literae Humaniores,or 'Greats'.
After graduating from Oxford,Wilde returned to Dublin,where he met and courted Florence Balcombe.She,however,became engaged to the writer Bram Stoker.On hearing of her engagement,Wilde wrote to her stating his intention to leave Ireland permanently.He left in 1878,and returned to his native country only twice,for brief visits.He spent the next six years in London and Paris,and in the United States,where he traveled to deliver lectures.Wilde's address in the 1881 British Census is given as 1 Tite Street,London.The head of the household is listed as Frank Miles with whom Wilde shared rooms at this address.
In London,he met Constance Lloyd,daughter of wealthy Queen's Counsel Horace Lloyd.She was visiting Dublin in 1884,when Oscar was in the city to give lectures at the Gaiety Theatre.He proposed to her,and they married on May 29,1884 in Paddington,London.Constance's allowance of £250 allowed the Wildes to live in relative luxury.The couple had two sons,Cyril (1885) and Vyvyan (1886).
After Oscar's downfall,Constance took the surname Holland for herself and the boys.She died in 1898 following spinal surgery and was buried in Staglieno Cemetery in Genoa,Italy.Cyril was killed in France in World War I.Vyvyan also served in the war and later became an author and translator.He published his memoirs in 1954.Vyvyan's son,Merlin Holland,has edited and published several works about his grandfather.Oscar Wilde's niece,Dolly Wilde,had a lengthy lesbian relationship with writer Natalie Clifford Barney.

这里是博尔赫斯对王尔德的一篇评论,不知是不是你需要的,但一篇总比一段有用吧~
大爱Wilde^^
A Poem by Oscar Wilde
Jorge Luis Borges,1925
Translated by Suzanne Jill Levine
The declining days of Spring tend to be very sweet,and no less amazing and treasured by us than those first luxuriant days of the season,rich with so many memories.Those last days recapture the plenitude of a season.There are also writers,in the declining months of literary eras,who embody and illuminate all the grace of their century,as did Heine,reigning over shrill nightingales,ponderous roses and numerous moons – the insignia of his times.In Oscar Wilde’s work two strong currents converge,the Pre-Raphaelites and Symbolism,sprung from a source more dependable than his own and sung in a more intimate voice.I need only cite,among the English,the magisterial names of Swinburne,Rossetti,and especially Tennyson.These three easily surpassed Wilde in intensity and the first of them,besides,in the invention of proud metaphors,the second in technical fireworks,and the last in musicality.I do not recall these evident truths in order to contradict the particular charm of Wilde’s writing,but rather to situate him justly in his times.Wilde was not a great poet nor a consummate prose writer.He was a very astute Irishman who encompassed in epigrams an esthetic credo which others before him scattered in the space of long pages.He was an enfant terrible.His activity was comparable to the provocations exercised by Cocteau,even if his gestures were more casual and mischievous than the little Frenchman’s.His was a work of utter mischief,always provoking shock without ever falling into the solemnity or the grandiose vagueries so common in artists whose only purpose is to Epater les bourgeois,of which there are abundant examples in Almafuerte and Victor Hugo.
Wilde’s theatricality was never self-deceptive nor did it ever degenerate into preaching; it was very plausible,even more so if we recall his petulant vanity.It is well known that Wilde could have eluded the sentence inflicted upon him by the Queensberry case and that he did not do so in the belief that his fame would be enough to protect him from the execution of that erroneous verdict.Once he was condemned,Justice was satisfied and there was no interest whatsoever in carrying out the sentence.They left him free a whole night,then,in order for him to escape to France,but Wilde did not care to take advantage of that night’s long passage,and allowed them to arrest him the following morning.Many motives can explain his attitude:narcissism,fatalism,or perhaps a curiosity to drain life in all its forms or even an urgency to create a legend for his future fame.
Everything is possible in the Wildean realm,but there is an explanation for that gesture which could resolve another outstanding psychological enigma in his life,his religious conversion.There are those who doubt the authenticity of that conversion,but I decidedly do not.The one fact that convinces me is the total transformation of his style,that is,his abandonment of ornamental phrases,his simple,almost familial and vernacular diction.Realistic details abound in the heartrending Ballad of Reading Gaol,and there is a willful roughness of expression.“We banged the tins and bawled the hymns” says the third canto,a phrase that would have seemed as impossible for the author of Salomé as a joke would have been in the rhetorical lessons of Calixto Oyuela.
It would be an error,however,to assume that an autobiographical tone and whatever we infer about Wilde from the famous ballad are its only interest.Nothing is further from my thoughts:The Ballad is true poetry,a judgment which every reader’s emotion confesses and repeats.Its austerity is striking; we know almost nothing about the main character and almost the first thing we know is that he is going to be executed,that is,his non-existence.Nevertheless,his death moves us.It is a great feat to make a character,whom one has barely made exist,not exist.Wilde accomplished that feat.

1、守信是一项财富,不应该随意虚掷.
“守信”做主语,保留.
“是”做谓语,保留.
“一项”做定语,删去.
“财富”做宾语,保留.
“不应该随意虚掷”做后置定语,删去.
缩句：守信是财富.
2、有一次,王尔德举行宴会.
“有一次”做修饰词,删去.
“英国著名作家”做定语,删去.
“王尔德”做主语,保留.
“举行”做谓语,保留.
“宴会”做宾语,保留.
缩句：王尔德举行宴会.

如果我没有弄错,这句话似乎是Rupert Everett说的.他的意思,我想,应该是说王尔德观察社会揣摩人性,然后把这些收获转为他的文学表达,满足了自己的表达与表现欲望,满足了他特立独行的对人们的嘲讽和鄙视,当然也满足了生活所需的物质上财务上的需要.而对其他人来说,就成了一种负累,却同时又给看热闹的人们带来众多娱乐的素材.

了解事物的价格：只是考虑到自己是否负担的起,只是考虑到眼前的得失,而没考虑到以后,更没考虑到自己是否有想法去利用这件事物去给自己衍生价值.了解事物的价值：就是考虑的长远的一点,目前我负起这个价格,得到的是以后该事物给我带来的更大回报.价格就是该事物的外表,价值是该事物的内在.我个人理解就是这种意思

不能,与上文第欧根尼的事例重复,都是爱思想胜过爱一切包括自己的生命.与阿基米德物理学家的身份重复.王尔德的例子既是事实论据又是道理论据,而布鲁诺的例子只是事实论据,王尔德的例子更能充分的证明论点.

《快乐王子》的作者是英国著名作家王尔德.

《一个逗号》王尔德的故事
2007年05月12日 星期六 06:38 P.M.
有一次,英国著名作家王尔德举行宴会.宾客们济济一堂,在客厅里等了很久,也不见主人的到来,很是着急.后来,王尔德匆匆忙忙赶来向客人道歉.客人们问他干什么去了,他回答说：“我在修改我的诗稿.”客人们又问：“这么大半天,一定做了不少工作吧?”王尔德笑着说：“我做了一件极其重大的工作,我删去了一个逗号,但后来觉得不妥,我又把它加上了.”
成语：反复推敲

People should have won't listen to reason.

这一篇是他的《夜莺与玫瑰》
其他童话：《巨人的花园》、《快乐王子》
,请信誉将此回答 选为满意答案（左下角）

我感受到了：王尔德是个对文学工作一丝不苟 非常认真的人 所以他会成功
我们也要学习他这种精神
其实你想到什么就写下来就可以

修辞不算华丽，但文章寓意深刻，水仙少年过分追求美丽，从而坠入湖中。湖水从少年的眼中看到少年的脸庞，却认为是自己的模样。他们彼此为镜，自恋。直至少年死后，湖水也只是认为缺少一面自赏的镜子。

一、
1、错
2、错
3、对
4、错
二、
1、杂文
2、孟郊
3、《孟子.公孙丑章句上》
4、A
5、秋天
6、“科幻小说之父”
7、锅
8、孟子

玩转生命 轻松生活

前一句相信你已经很清楚了
后一句的理解是这样的：就如你看一本很精彩很好看的书,很希望知道结局,最后当你终于看完了,会有一种小小的失落.得到后,人生没追求了,反而空虚.说得很不错.

)张自忠,国民革命军33集团军总司令,率部多次于日军血战,曾取得过喜封口,临沂,随枣的战役的胜利.后在枣宜会战中殉国.
(2)狼牙山五壮士,为了掩护群众和大部队撤退阻击树倍与己的日军,最后弹尽粮绝,全部跳下山崖.
(3)林则徐,禁烟运动,壮我中华.
(4)李宗仁,著名爱国民主人士,抗战时期任第五战区司令长官,组织徐州会战,冬季攻势,枣宜会战等正面战场的重大战役,取得过台儿庄大捷.有效的打击了日本侵略者.

岳飞(1103——1142),字鹏举,出生于北宋相州汤阴(今河南汤阴县)的一户佃农家里,青年时代,正遇上金女真贵族对宋发动大规模掠夺战争.他亲眼目睹北宋灭亡前后的惨痛史实,和当时中原沦陷区的人民呼吸相通,有坚决抗击女真贵族民族压迫,收复故土,统一祖国的强烈愿望和要求.
北宋末年,深受民族压迫的汉族、契丹族、渤海、奚等各族人民,“仇怨金国,深入骨髓”,纷纷自动组织起来反抗.
从十二世纪二十年代起,黄河南北、两淮之间,掀起了轰轰烈烈的抗金民族战争.岳飞和抗金名将宗泽、韩世忠等一道,站在抗金斗争的最前线.可是,腐败的北宋统治集团,采取妥协、投降的政策,1127年(靖康二年),徽宗赵佶、钦宗赵桓被掳走后,继而接位的南宋小朝廷的头目赵构,同样是个投降派.他偏安于江南一地,沉醉于歌舞逸乐之中,没有真正组织抗金民族战争并把它进行到底的决心和打算,所不同的是一面信用秦桧等投降派,通过他们出面进行一系列议和投降活动；一面则利用宗泽、岳飞、韩世忠等抗战派,抵挡金军的凌厉攻势,以保住他的皇帝宝座和积累屈膝求和的资本.到了十二世纪二十年代中期,东自江淮、西至陕西一线的宋、金双方对峙的军事分界线形成后,赵构、秦桧统治集团,实际上已经成了南宋抗金斗争最大绊脚石；反过来,岳飞、韩世忠等抗战派,则成了赵构、秦桧投降派活动的最大障碍.南宋朝廷内部抗战派与投降派的斗争,日趋尖锐.
岳飞坚决反对议和,主张抗战到底,置个人荣辱安危于度外,对赵构、秦桧的投降活动进行坚决斗争.1139年(绍兴九年),岳飞在鄂州(今湖北武昌)听说宋金和议将达成,立即上书表示反对,申言“金人不可信,和好不可恃”,并直接抨击了“相国”秦桧出谋划策、用心不良的投降活动,使“秦桧衔之(抱恨)”.和议达成后,高宗赵构得意忘形,颁下大赦诏书,对文武大臣大加爵赏.可是,诏书下了三次,岳飞都加以拒绝,不受开府仪同三司(一品官衔)的爵赏和三千五百户食邑的封赐.他在辞谢中,痛切地表示反对议和：“今日之事,可危而不可安,可忧而不可贺.”并再次表示收复中原的决心,“愿定谋于全胜,期收地于两河,唾手燕云,终欲复仇而报国.”这无异于给宋高宗当头泼了冷水,从而更使赵构、秦桧怀恨在心.“但岳飞不顾个人得失,坚持抗战到底的立场,率领军队,联络北方义军,卓有成效地从事抗金战争,筹划收复中原、统一祖国,成为全国抗金民族战争中的有力支柱.
1139年(绍兴九年)夏,金兀术撕毁绍兴和议,倾巢而出；再度发动大规模的对宋战争.在东、西两线军取得对金大捷的形势下,岳飞挥兵从长江中游挺进,实施锐不可挡的反击”,他一直准备着的施展收复中原抱负的时机到来了.
岳家军进入中原后,受到中原人民、忠义民兵的热烈欢迎.这年七月,岳飞亲率一支轻骑驻守河南郾城,和金兀术一万五千精骑发生激战.岳飞亲率将土,向敌阵突击,大破金军“铁浮图”(侍卫亲兵)和“拐子马”（左右两翼钳攻的骑兵),把金兀术打得大败.岳飞部将杨再兴,单骑闯入敌阵,想活捉金兀术,可措没有找到,手杀敌人数百,身被几十处创伤,豪勇无比.岳家军将士具有“守死无去”的战斗作风,敌人以排山倒海的大力,也不能把岳家军阵容摇动.郾城大捷后,岳飞乘胜向朱仙镇进军(离金军大本营汴京仅四十五里),金兀术集合了十万大军抵挡,又被岳飞打得落花流水.岳飞这次北伐中原,一口气收复了颍昌、蔡州、陈州、郑州、郾城、朱仙镇、消灭了金军有生力量,金军全军军心动摇,金兀术连夜准备从开封撤逃.南宋抗金斗争有了根本的转机,再向前跨出一步,沦陷十多年的中原.就可望收复了.岳飞兴奋地对大将们说：“直抵黄龙府,与诸君痛饮尔!(破掉酒戒庆祝)”而金军则发出了“撼山易,撼岳家军难”的哀叹.
但是,外敌难以撼动的岳家军,却遭到了南宋朝廷内部投降派的摧残.就在这抗金战争取得辉煌胜利的时刻,甘心充当儿皇帝的高宗赵构,因担心一旦中原收复,金人放回他的哥哥钦宗,他就保不住皇位,而急切地希望与金入议和.金人安插在南宋朝廷里窃取了宰相高位的内奸秦检,也抓住高宗这个难言的心病大肆活动,破坏岳飞的抗战.他们狼狈为奸,密谋制订了全线撤军、葬送抗金大好形势的罪恶计划.他们首先命令东西两线收兵,造成岳家军孤军突出的不利态势后；即以“孤军不可久留”为名,连下十二道金牌(红漆金字木牌),急令岳飞“措置班师”.在要末“班师”、要末“丧师”的不利形势下,岳飞明知这是权臣用事的乱命；但为了保存抗金实力,不得不忍痛班师.岳飞愤慨地说；“十年之功,废于一旦!所得诸郡,一朝全休!社稽江山,难以中兴!乾坤世界,无由再复!”岳飞的抗金英勇斗争,至此被迫中断. 岳家军班师时,久久渴望王师北定中原的父老兄弟,拦道恸哭.岳飞为了保护老百姓的生命财产,故意扬言明日渡河,吓得金兀术连夜弃城北窜,准备北渡黄河,使岳飞得以从容地组织河南大批人民群众南迁到襄汉一带,才撤离中原.这时,有一个无耻的书生,骑马追上金兀术扣马而谏：“太子(兀术)毋走,京城可守也,岳少保兵且退矣!……自古没有权臣在内,而大将能立功于外者”,金兀术这才又整军回到开封,并以不费吹灰之力,又把中原土地夺了回去.

In such dread moments of discord and despair where should we, of this torn and troubled age, turn our steps if not to that secure house of beauty where there is always a little forgetfulness, always a great joy; to that CITTE DIVINA, as the old Italian heresy called it, the divine city where one can stand, though only for a brief moment, apart from the division and terror of the world and the choice of the world too?
出自王尔德的《英国文艺复兴》,与《道林格雷的画像》没关系.

1888年出版《快乐王子与其他故事》童话集.《快乐王子》《夜莺与玫瑰》《巨人的花园》《忠诚的朋友》《了不起的火箭》
1891年出版《石榴屋》童话集.《少年国王》《西班牙公主的生日》《渔夫和他的灵魂》《星孩》

很明显是句式杂糅,、答案一：《快乐王子》的作者是英国著名作家王尔德；答案二：、《快乐王子》是英国著名作家王尔德写的

夜莺与玫瑰,自私的巨人.都很好.
还有《石榴屋童话集》里的《星孩》也很经典.

1．×　2．×　3．√　4．√

王尔德的童话是成人童话啊,完美却不圆满.你无法期待他的童话会为“王子和公主幸福地生活在一起”作为结局.他展示的是破碎的美——夜莺用生命换来的红玫瑰,在世人眼里,远不如珠宝珍贵,最终被人遗弃在阴沟里凌乱成泥.
而星孩和快乐王子,也与我们所期待的圆满背离.你的眼泪,大概就是因为王尔德将极致的美好和丑陋同时呈现给你,并以丑陋终结的缘故吧.

（1）Wilde created an irresponsible,witty and totally happy words charm --- Ivor Evans
（2）He tried to inspire people's love for beauty and art,and make it a religious cult – waerte·hanmisidun

不能，与上文第欧根尼的事例重复，都是爱思想胜过爱一切包括自己的生命。与阿基米德物理学家的身份重复。王尔德的例子既是事实论据又是道理论据，而布鲁诺的例子只是事实论据，王尔德的例子更能充分的证明论点。