可爱女生英文名

Olina是个女孩的名字，（不错的名字：）~~“olina”大致音标是：["oulina]OLINA是句“夏威夷语”是指欢喜的、快乐的。用作女孩的名字（代表活泼，开朗的女孩）：）~

olina中文意思是奥林

欣蒂

Richland(富饶之地)(音译里奇兰德)

Rains

?我不会.

为你释疑解答：*****************************Olivia[女子名] 奥莉维亚 Olive的变体昵称Livy; [地名] [毛里求斯、美国] 奥利维亚; Olive 橄榄；油橄榄；橄榄绿；齐墩果 *****************************满意请及时采纳你的肯定是帮助者不断努力的动力谢谢【学问学问，既学又问，修得学问。】后面要回答相同答案的，请绕道。你就不能点个赞吗？！

艾莉婕Alizee

你想要什么字母开头的?男的女的?

奥利娜Olina是个女孩的名字，（不错的名字：）~~“olina”大致音标是：["oulina]OLINA是句“夏威夷语”是指欢喜的、快乐的。用作女孩的名字（代表活泼，开朗的女孩）：）~

Menli

Sophia(索菲亚),我的英文名

Vivian 维维安Danis 丹妮斯Kitty

http://www.hohong.com/post/yingwm0412.html

Sanjay

Lau Shu Yuet (ShuYuet Lau)刘 舒 悦附：给你参考一下，或者你可以上网查查有关的刘嘉玲 Carina Lau舒淇 Shu Fanny悦 Yuet

Christine

cindy (or cinthia)wendywinniechloe

silver

In White by Robert Frost A dented spider like a snow drop white On a white Heal-all,holding up a moth Like a white piece of lifeless satin cloth - Saw ever curious eye so strange a sight?- Portent in little,assorted death and blight Like the ingredients of a witches" broth?- The beady spider,the flower like a froth, And the moth carried like a paper kite. What had that flower to do with being white, The blue prunella every child"s delight. What brought the kindred spider to that height? (Make we no thesis of the miller"s plight.) What but design of darkness and of night? Design,design!Do I use the word aright? Is White a Color? by John Matthew White,pristine,unblemished They say it is not a color I love white mists,clouds Lingering on blue mountains. White,no shades No off white,cream Pure as snow on shimmering peaks Is my favorite sight. Nurses,priests,politicians Are bound,chained to white White nebulous clouds evoke deep nostalgic thoughts. They swaddled my father in white As he lay in the black coffin His best shirt was white His loin cloth was white. The paper I write is white White is holy,pure They say light is white Because it combines all colors. So white is the mother of all colors The churning of all yellow,blue,green Colors sacrifice their egos To the eternal white. They say they are "white" The purest of all races I think they aren"t white But pink,beige and red. Why can"t colors of people Merge and become white Would people called "white" Allow their color to merge? Is white a color? The matriarch of all colors The fountain of all extent colors Yes,king white reigns supreme!

问题一：旁边的英语怎么写 beside 问题二：在什么旁边用英语怎么写，紧挨着用英语怎么写 ① near 在…旁边 Eg： The pen is near the eraser. ②beside 在…旁边 Eg： The pen is beside the eraser. ③next to 在…旁边 Eg： The pen is next to the eraser. ④nearby 在…旁边 Eg: There is an eraser nearby（the pen）. 满意请采纳。 问题三：在什么什么旁边怎么写 英文 by besidenext to 【希望帮助到你，若有疑问，可以追问~~~ 祝你学习进步，更上一层楼！(*^__^*)】 问题四：在.....旁边的英语是什么? beside 问题五：在u30fbu30fbu30fbu30fb的旁边的英文是什么? 在u30fbu30fbu30fbu30fb的旁边 beside 问题六：在……旁边 用英语怎么说 beside/next to 问题七：在窗户旁用英语怎么写？ 同学，为你解答： 在窗户旁 by the window 如果认可和满意我的回复，请点击【采纳为满意回答】按钮~、 手机提问的朋友在客户端上评价点【满意】即可。 ~你的采纳是我前进的动力~~~ 问题八：在……的附近的英文怎么写？ nearby 问题九：“在附近”的英文翻译？ near..../....nearby/by the side of../close to...

Handbag 女用手提包。

LISA~~

歌曲名:Front Row (Lp Version)歌手:Alanis Morissette专辑:Supposed Former Infatuation JunkieMetric - Front Rowooooh ooooh oooohI"m in the front row with a bottleDon"t know what i can"t decideI"m in the front row i"m a modelDon"t know what i can"t describeBurned out stars they shine so brightAll of usBurned out stars they shine so brightHe"s not perfect he"s my heroSmashing the pianoSpitting in the front rowChronic confrontationPsychic conversationRadical compassionLouder than the actionAll of usBurned out stars they shine so brightAll of usBurned out stars they shine so brightAll the starsI"m in the front row with a bottleDon"t know what I can"t decideI"m the front row i"m a modelDon"t know what I can"t describeBurned out stars they shine so brightAll of usBurned out stars they shine so brightAll of usHe"s not perfect he"s a victimOf his occupationSocial insulationSecret interventionCharging with possessionI just wanna watch himMake or break and beat themBurned out stars they shine so brightAll of usBurned out stars they shine so brightAll the starsooooh ooooh oooohhttp://music.baidu.com/song/7799991

bag普通用词，指一般的口袋，可以是纸袋或塑料袋（plastic bag），有时也指手提包。sack应用范围较窄，指较大的袋子，如麻袋等。handbag指手提包，尤指女人用的手提包。purse指钱包或小钱袋，在美国相当于bandbag。 多指女士钱包wallet 男士钱夹

1、shall：英[??l]、美[??l]。2、v.将要；必须；可以；应该；网络；将；应当；应该。3、例：Ishallcertainlykeepabeadyeyeonhisbehaviour.我一定会时刻睁大眼睛提防他的行为.Doyouneedtokeeptheselettersorshallwebinthem?你需要保存这些信件吗,还是干脆把它们扔掉?

上面很全.``是不是 漏掉 骇客-马里昂

就距离的意思来看：nearby是附近的意思near指距离近，比nearby远 beside指就在旁边，很近，比nearby近next to 是紧挨着，与beside相近

伦敦大桥不错的说，儿歌的调调触电 SHETear drops on my guitar Toylor Swift瓶中沙 twinsLove the way you lie Rihanna &&EminemLove Song Bigbang这些最近都在听的

handbag： 手袋、手提包，一般是指拎手比较短，直接用手提的包。 拎手稍微长些可以挂在肩膀上的叫shoulder bag。 斜挎包包带子较长的叫hip bag。 没有拎手或者链子可以藏进包里的晚礼包（直接拿在手上的）叫CLUTCH。wallet：钱包pocket：衣服或者裤子上的口袋

问题一：在附近用英语怎么说 He lives close by. 他住在附近。 They live near by. 他们住在附近. He lives close at hand. 他住在附近。 He lives somewhere about here. 他住在附近。 She"s somewhere about the place. 她就在附近。 They live near at hand. 他们住在附近。 No，t"s near here.不，就在附近。 Located a short distance away; close at hand. 在附近的位于附近的；就在附近的 It"s near the stadium. 在体育馆附近。 It"s right near here. 就在这儿附近。 问题二：在什么什么旁边用英文怎么说 by beside next to 【希望帮助到你，若有疑问，可以追问~~~ 祝你学习进步，更上一层楼！(*^__^*)】 问题三：在这附近用英语怎么说 in the neighborhood = near here = around here 问题四：在什么的旁边用英语怎么说？快！！！！ beside... 问题五：附近街区用英语怎么说? nearby district 问题六：附近区域用英语怎么说 neighbourhood / nearby龚district 根据你的补充来看，这里应该填写neighbourhood 问题七：在什么的旁边用英文怎么说 ① near 在…旁边 Eg： The pen is near the eraser. ②beside 在…旁边 Eg： The pen is beside the eraser. ③next to 在…旁边 Eg： The pen is next to the eraser. ④nearby 在…旁边 Eg: There is an eraser nearby（the pen）. 满意请采纳。 问题八：在附近地区 用英语怎么翻译 填first，第一个，望采纳。 问题九：在这附近用英语怎么说除了around here 和near here in the neiberhood 问题十：“所有的周边国家”用英语怎么说 30分 应该是all the neighbouring contries，表示毗连surrounding表示的是环绕的，不准确 nearby也是旁边，附近的意思。。。 后两个都没有毗连的意思

这就是noel

next to表示“紧靠……的旁边”, next的意思最简单，它就是指“紧挨着的下一个的”意思near表示“在……附近”，near,nearby都有在附近，附近的意思，就是“在空间范围上很接近的”，其中near的意思更广，它们也有“在时间，程度上很接近的”意思例如 a near relative 近亲但是nearby不可以这么用，它只指空间上接近例如 he lived nearby

carry bag/handbag

歌曲名:Desolation Row歌手:Bob Dylan专辑:Live 1966 "The Royal Albert Hall Concert" The Bootleg Series Vol. 4They"re selling postcards of the hangingThey"re painting the passports brownThe beauty parlor is filled with sailorsThe circus is in townHere comes the blind commissionerThey"ve got him in a tranceOne hand is tied to the tight-rope walkerThe other is in his pantsAnd the riot squad they"re restlessThey need somewhere to goAs Lady and I look out tonightFrom Desolation RowCinderella, she seems so easy"It takes one to know one," she smilesAnd puts her hands in her back pocketsBette Davis styleAnd in comes Romeo, he"s moaning"You Belong to Me I Believe"And someone says," You"re in the wrong place, my friendYou better leave"And the only sound that"s leftAfter the ambulances goIs Cinderella sweeping upOn Desolation RowNow the moon is almost hiddenThe stars are beginning to hideThe fortunetelling ladyHas even taken all her things insideAll except for Cain and AbelAnd the hunchback of Notre DameEverybody is making loveOr else expecting rainAnd the Good Samaritan, he"s dressingHe"s getting ready for the showHe"s going to the carnival tonightOn Desolation RowNow Ophelia, she"s "neath the windowFor her I feel so afraidOn her twenty-second birthdayShe already is an old maidTo her, death is quite romanticShe wears an iron vestHer profession"s her religionHer sin is her lifelessnessNoah"s great rainbowShe spends her time peekingInto Desolation RowEinstein, disguised as Robin HoodWith his memories in a trunkPassed this way an hour agoWith his friend, a jealous monkHe looked so immaculately frightfulAs he bummed a cigaretteThen he went off sniffing drainpipesAnd reciting the alphabetNow you would not think to look at himBut he was famous long agoFor playing the electric violinOn Desolation RowDr. Filth, he keeps his worldInside of a leather cupBut all his sexless patientsThey"re trying to blow it upNow his nurse, some local loserShe"s in charge of the cyanide hoseAnd she also keeps the cards that read"Have Mercy on His Soul"They all play on penny whistlesYou can hear them blowIf you lean your head out far enoughFrom Desolation RowAcross the street they"ve nailed the curtainsThey"re getting ready for the feastThe Phantom of the OperaA perfect image of a priestThey"re spoonfeeding CasanovaTo get him to feel more assuredThen they"ll kill him with self-confidenceAfter poisoning him with wordsAnd the Phantom"s shouting to skinny girls"Get Outa Here If You Don"t KnowCasanova is just being punished for goingTo Desolation Row"Now at midnight all the agentsAnd the superhuman crewCome out and round up everyoneThat knows more than they doThen they bring them to the factoryWhere the heart-attack machineIs strapped across their shouldersAnd then the keroseneIs brought down from the castlesBy insurance men who goCheck to see that nobody is escapingTo Desolation RowPraise be to Nero"s NeptuneThe Titanic sails at dawnAnd everybody"s shouting"Which Side Are You On?"And Ezra Pound and T. S. EliotFighting in the captain"s towerWhile calypso singers laugh at themAnd fishermen hold flowersBetween the windows of the seaWhere lovely mermaids flowAnd nobody has to think too muchAbout Desolation RowYes, I received your letter yesterday(About the time the door knob broke)When you asked how I was doingWas that some kind of joke?All these people that you mentionYes, I know them, they"re quite lameI had to rearrange their facesAnd give them all another nameRight now I can"t read too goodDon"t send me no more letters noNot unless you mail themFrom Desolation Rowhttp://music.baidu.com/song/8761072

哈利波特7 七个波特The Seven Potters Harry ran back upstairs to his bedroom, arriving at the window just in time to see the Dursleys" car swinging out of the drive and off up the road. Dedalus"s top hat was visible between Aunt Petunia and Dudley in the backseat. The car turned right at the end of Privet Drive, its windows burned scarlet for a moment in the now setting sun, and then it was gone. Harry picked up Hedwig"s cage, his Firebolt, and his rucksack, gave his unnaturally tidy bedroom one last sweeping look, and then made his ungainly way back downstairs to the hall, where he deposited cage, broomstick, and bag near the foot of the stairs. The light was fading rapidly, the hall full of shadows in the evening light. It felt most strange to stand here in the silence and know that he was about to leave the house for the last time. Long ago, when he had been left alone while the Dursleys went out to enjoy themselves, the hours of solitude had been a rare treat. Pausing only to sneak something tasty from the fridge, he had rushed upstairs to play on Dudley"s computer, or put on the television and flicked through the channels to his heart"s content. It gave him an odd, empty feeling remembering those times; it was like remembering a younger brother whom he had lost. “Don"t you want to take a last look at the place?” he asked Hedwig, who was still sulking with her head under her wing. “We"ll never be here again. Don"t you want to remember all the good times? I mean, look at this doormat. What memories … Dudley sobbed on it after I saved him from the dementors … Turns out he was grateful after all, can you believe it? … And last summer, Dumbledore walked through that front door … “ Harry lost the thread of his thoughts for a moment and Hedwig did nothing to help him retrieve it, but continued to sit with her head under her wing. Harry turned his back on the front door. “And under here, Hedwig” ? Harry pulled open a door under the stairs ? “is where I used to sleep! You never knew me then ? Blimey, it"s small, I"d forgotten … “ Harry looked around at the stacked shoes and umbrellas remembering how he used to wake every morning looking up at the underside of the staircase, which was more often than not adorned with a spider or two. Those had been the days before he had known anything about his true identity; before he had found out how his parents had died or why such strange things often happened around him. But Harry could still remember the dreams that had dogged him, even in those days: confused dreams involving flashes of green light and once ? Uncle Vernon had nearly crashed the car when Harry had recounted it ? a flying motorbike … There was a sudden, deafening roar from somewhere nearby. Harry straightened up with a jerk and smacked the top of his head on the low door frame. Pausing only to employ a few of Uncle Vernon"s choicest swear words, he staggered back into the kitchen, clutching his head and staring out of the window into the back garden. The darkness seemed to be rippling, the air itself quivering. Then, one by one, figures began to pop into sight as their Disillusionment Charms lifted. Dominating the scene was Hagrid, wearing a helmet and goggles and sitting astride an enormous motorbike with a black sidecar attached. All around him other people were dismounting from brooms and, in two cases, skeletal, black winged horses. Wrenching open the back door, Harry hurtled into their midst. There was a general cry of greeting as Hermione flung her arms around him, Ron clapped him on the back, and Hagrid said, “All righ", Harry? Ready fer the off?” “Definitely,” said Harry, beaming around at them all. “But I wasn"t expecting this many of you!” “Change of plan,” growled Mad-Eye, who was holding two enormous bulging sacks, and whose magical eye was spinning from darkening sky to house to garden with dizzying rapidity. “Let"s get undercover before we talk you through it.” Harry led them all back into the kitchen where, laughing and chattering, they settled on chairs, sat themselves upon Aunt Petunia"s gleaming work surfaces, or leaned up against her spotless appliances; Ron, long and lanky; Hermione, her bushy hair tied back in a long plait; Fred and George, grinning identically; Bill, badly scarred and long-haired; Mr. Weasley, kind-faced, balding, his spectacles a little awry; Mad-Eye, battle-worn, one-legged, his bright blue magical eye whizzing in its socket; Tonks, whose short hair was her favorite shade of bright pink; Lupin, grayer, more lined; Fleur, slender and beautiful, with her long silvery blonde hair; Kingsley, bald and broad-shouldered; Hagrid, with his wild hair and beard, standing hunchbacked to avoid hitting his head on the ceiling; and Mundungus Fletcher, small, dirty, and hangdog, with his droopy beady hound"s eyes and matted hair. Harry"s heart seemed to expand and glow at the sight: He felt incredibly fond of all of them, even Mundungus, whom he had tried to strangle the last time they had met. “Kingsley, I thought you were looking after the Muggle Prime Minister?” he called across the room. “He can get along without me for one night,” said Kingsley, “You"re more important.” “Harry, guess what?” said Tonks from her perch on top of the washing machine, and she wiggled her left hand at him; a ring glistened there. “You got married?” Harry yelped, looking from her to Lupin. “I"m sorry you couldn"t be there, Harry, it was very quiet.” “That"s brilliant, congrat ?“ “All right, all right, we"ll have time for a cozy catch-up later,” roared Moody over the hubbub, and silence fell in the kitchen. Moody dropped his sacks at his feet and turned to Harry. “As Dedalus probably told you, we had to abandon Plan A. Pius Thicknesse has gone over, which gives us a big problem. He"s made it an imprisonable offense to connect this house to the Floo Network, place a Portkey here, or Apparate in or out. All done in the name of your protection, to prevent You-Know-Who getting in at you. Absolutely pointless, seeing as your mother"s charm does that already. What he"s really done is to stop you getting out of here safely.” “Second problem: You"re underage, which means you"ve still got the Trace on you.” “I don"t ?“ “The Trace, the Trace!” said Mad-Eye impatiently. “The charm that detects magical activity around under-seventeens, the way the Ministry finds out about underage magic! If you, or anyone around you, casts a spell to get you out of here, Thicknesse is going to know about it, and so will the Death Eaters.” “We can"t wait for the Trace to break, because the moment you turn seventeen you"ll lose all the protection your mother gave you. In short, Pius Thicknesse thinks he"s got you cornered good and proper.” Harry could not help but agree with the unknown Thicknesse. “So what are we going to do?” “We"re going to use the only means of transport left to us, the only ones the Trace can"t detect, because we don"t need to cast spells to use them: brooms, thestrals, and Hagrid"s motorbike.” Harry could see flaws in this plan; however, he held his tongue to give Mad-Eye the chance to address them. “Now, your mother"s charm will only break under two conditions: when you come of age, or” ? Moody gestured around the pristine kitchen ? “you no longer call this place home. You and your aunt and uncle are going your separate ways tonight, in the full understanding that you"re never going to live together again, correct?” Harry nodded. “So this time, when you leave, there"ll be no going back, and the charm will break the moment you get outside its range. We"re choosing to break it early, because the alternative is waiting for You-Know-Who to come and seize you the moment you turn seventeen. “The one thing we"ve got on our side is that You-Know-Who doesn"t know we"re moving you tonight. We"ve leaked a fake trail to the Ministry: They think you"re not leaving until the thirtieth. However, this is You-Know-Who we"re dealing with, so we can"t rely on him getting the date wrong; he"s bound to have a couple of Death Eaters patrolling the skies in this general area, just in case. So, we"ve given a dozen different houses every protection we can throw at them. They all look like they could be the place we"re going to hide you, they"ve all got some connection with the Order: my house, Kingsley"s place, Molly"s Auntie Muriel"s ? you get the idea.” “Yeah,” said Harry, not entirely truthfully, because he could still spot a gaping hole in the plan. “You"ll be going to Tonks"s parents. Once you"re within the boundaries of the protective enchantments we"ve put on their house you"ll be able to use a Portkey to the Burrow. Any questions?” “Er ? yes,” said Harry. “Maybe they won"t know which of the twelve secure houses I"m heading for at first, but won"t it be sort of obvious once” ? he performed a quick headcount ? “fourteen of us fly off toward Tonks"s parents?” “Ah,” said Moody, “I forgot to mention the key point. Fourteen of us won"t be flying to Tonks"s parents. There will be seven Harry Potters moving through the skies tonight, each of them with a companion, each pair heading for a different safe house.” From inside his cloak Moody now withdrew a flask of what looked like mud. There was no need for him to say another word; Harry understood the rest of the plan immediately. “No!” he said loudly, his voice ringing through the kitchen. “No way!” “I told them you"d take it like this,” said Hermione with a hint of complacency. “If you think I"m going to let six people risk their lives -- !” “—because it"s the first time for all of us,” said Ron. “This is different, pretending to be me ?“ “Well, none of us really fancy it, Harry,” said Fred earnestly. “Imagine if something went wrong and we were stuck as specky, scrawny gits forever.” Harry did not smile. “You can"t do it if I don"t cooperate, you need me to give you some hair.” “Well, that"s the plan scuppered,” said George. “Obviously there"s no chance at all of us getting a bit of your hair unless you cooperate.” “Yeah, thirteen of us against one bloke who"s not allowed to use magic; we"ve got no chance,” said Fred. “Funny,” said Harry, “really amusing.” “If it has to come to force, then it will,” growled Moody, his magical eye now quivering a little in its socket as he glared at Harry. “Everyone here"s overage, Potter, and they"re all prepared to take the risk.” Mundungus shrugged and grimaced; the magical eye swerved sideways to glance at him out of the side of Moody"s head. “Let"s have no more arguments. Time"s wearing on. I want a few of your hairs, boy, now.” “But this is mad, there"s no need ?“ “No need!” snarled Moody. “With You-Know-Who out there and half the Ministry on his side? Potter, if we"re lucky he"ll have swallowed the fake bait and he"ll be planning to ambush you on the thirtieth, but he"d be mad not to have a Death Eater or two keeping an eye out, it"s what I"d do. They might not be able to get at you or this house while your mother"s charm holds, but it"s about to break and they know the rough position of the place. Our only chance is to use decoys. Even You-Know-Who can"t split himself into seven.” Harry caught Hermione"s eye and looked away at once. “So, Potter ? some of your hair, if you please.” Harry glanced at Ron, who grimaced at him in a just-do-it sort of way. “Now!” barked Moody. With all of their eyes upon him, Harry reached up to the top of his head, grabbed a hank of hair, and pulled. “Good,” said Moody, limping forward as he pulled the stopper out of the flask of potion. “Straight in here, if you please.” Harry dropped the hair into the mudlike liquid. The moment it made contact with its surface, the potion began to froth and smoke, then, all at once, it turned a clear, bright gold. “Ooh, you look much tastier than Crabbe and Goyle, Harry,” said Hermione, before catching sight of Ron"s raised eyebrows, blushing slightly, and saying, “Oh, you know what I mean ? Goyle"s potion tasted like bogies.” “Right then, fake Potters line up over here, please,” said Moody. Ron, Hermione, Fred, George, and Fleur lined up in front of Aunt Petunia"s gleaming sink. “We"re one short,” said Lupin. “Here,” said Hagr

* 回复内容中包含的链接未经审核，可能存在风险，暂不予完整展示！ 03-07 09:24 动作片 [推荐]-> 【飞鸟影视BT组】【09美国恐怖动作大片】【黑夜传说前传：狼族再起】【R5-R】【听译中字】 [相关讨论] [相同] 译 名 黑夜传说前传：狼族再起/妖夜寻狼前传之狼神诞生(港)/决战异世界前传：鬼哭狼嚎(台)/黑夜传说3◎片 名 Underworld Rise Of The Lycans◎年 代 2009◎国 家 美国/新西兰◎类 别 动作/恐怖/惊悚/幻想◎语 言 英语◎字 幕 中文◎IMDB评分 6.8/10 (8,271 votes)◎IMDB链接 http://www.i**.com/title/tt0834001◎文件格式 R5-RMVB◎视频尺寸 640 x 272◎文件大小 1CD ◎片 长 92 Mins◎导 演 帕特里克·塔特普洛斯 Patrick Tatopoulos◎主 演 麦克·辛 Michael Sheen ....Lucian 罗娜·迈特拉 Rhona Mitra ....Sonja 比尔·奈伊 Bill Nighy ....Viktor 斯蒂文·麦金托什 Steven Mackintosh ....Andreas Tanis 克雷格·帕克 Craig Parker ....Sabas 凯文·纪留克斯 Kevin Grevioux ....Raze Tania Nolan ....Luka Jared Turner ....Xristo Dale Pavinski ....Lycan Battle Leader (uncredited) David Ashton ....Coloman Geraldine Brophy ....Nobleman"s Wife Leighton Cardno ....Fearful Lycan Alex Carroll ....Young Lucian (as Alexander Carroll) 伊丽莎白·霍桑 Elizabeth Hawthorne ....Orsova Jason Hood ....Death Dealer Mark Mitchinson ....Nobleman Timothy Raby ....Janosh Larry Rew ....Kosta Peter Tait ....Gyorg Olivia Taylforth ....Young Sonja Eleanor Williams ....Teenage Girl Edwin Wright ....Death Dealer Captain Brian Steele ....Big Lycan / Creature Performer 凯特·贝金赛尔 Kate Beckinsale ....Selene 山恩·布罗利 Shane Brolly ....Kraven Kurt Carley ....Creature Performer Richard Knowles ....Creature Performer◎简 介 旷日持久的“吸血鬼－狼人”之战依然持续着，在这黑暗的年代里，一个叫卢西恩的年轻狼人逐渐凸显出他的领导才能，他要率领狼人们反抗奴役他们多年的残酷吸血鬼君王维克多。卢西恩的秘密情人索尼娅也加入了他们的队伍，一起为自由而战。 吸血鬼族与狼人族数个世纪的恩怨，随着吸血鬼族女战士“月之女神”西丽妮与狼人的决战而尘埃落定。狼人与吸血鬼在血腥的嘶咬和拼杀中嚎叫、死去，而提及这份延续了无数个世纪的仇恨根源，就不得不回到遥远的上古世纪去揭开谜底……在遥远的黑暗时代，吸血鬼和狼人各占一方，虽然不时有大大小小的摩擦，可总也算是相安无事，彼此之间也保留着互不侵犯的底线。 在狼人当中，统治者尤（比尔·奈伊饰）是狼人一族的首领，拥有着至高无上的权利。尤暴虐成性，也常常放纵狼人去吸血鬼的聚集地挑衅生事，由此引发了不少摩擦，虽然许多狼人向尤进谏，但尤却一意孤行。终于，狼人一族中一位名叫卢西安（麦克·辛饰）揭竿而起，率领其他不服尤统治的狼人开始反抗尤的暴政。而尤的帝国军队也不是好惹的料，几场大战下来，卢西安率领的反抗军节节败退。 狼人一族内乱正在热火朝天之际，吸血鬼一族也坐不住了。吸血鬼一族的国王也带着一干吸血鬼踏进了狼人的土地，美名其曰帮助狼人维持和平，实际却步步蚕食着狼人的国土。而在吸血鬼中，一名叫索尼娅（罗拉·迈特拉饰）爱上了狼人反抗军的首领卢西安，两人虽然为各自的种族而战，但却都想尽快结束这场战争。狼人一族为了反抗吸血鬼的进犯而联合起来，抵抗吸血鬼的进攻；而索尼娅和卢西安，在这场战争中也重新明白了自由的含义……www.b*****.net 能下

不可以 但是可以说The third row

for the third year in a row 意思是在接下来的第三年 如果说是for 3 year in a row 意思是连续3年的意思

巴洛克风格音乐：　　（一） 概述：巴洛克音乐指17世纪初叶（公元1600）至18世纪中叶（公元1750）的欧洲音乐文化。巴洛克（baroque）一词来源于葡萄牙文baroco,原意指珍珠的怪异及其不规整的形状。在西方艺术史中，通常用巴洛克来表示17至18世纪中叶西方建筑，绘画，雕塑等艺术的新的风格特征-----雄伟，奇异，夸张等。在绘画艺术方面，文艺复兴时期用透视法以及平衡和谐的观点来描绘自然和人体，人们从有限的空间进入到人类内心情感的无限世界。作为西方音乐史中一个时期的巴洛克音乐，其发展主要集中于欧洲的意大利，法国，德国和英国等。巴洛克音乐在欧洲各国的发展虽然存在许多共同的特征和风格，但由于各个国家政治，经济，文化等方面的差异，也呈现出不同的面貌。总体上看，巴洛克音乐的发展是以文艺复兴时期的音乐为基础的，并且发生了很大变化。歌剧的诞生和器乐的发展标志着巴洛克音乐风格的确立；大小调和声体系代替中世纪的教会调式，声乐和器乐作为音乐的两大分支开始独立发展且相互补充；复调音乐风格逐渐向主调音乐风格转变；出现数字低音。器乐曲主题的陈述和引申渐渐形成不间断发展的二部曲式，旋律具有连续而不停顿的扩张性，连绵不断的节奏贯穿乐曲的始终，乐曲的段落之间有鲜明的力度对比；大量新的音乐体裁不断涌现，并得到确立和发展。这一时期，器乐性能的提高对器乐音乐的创作和演奏风格产生重要影响。代表作曲家有斯卡拉蒂，亨得尔，巴赫等。　　（二） 巴赫：（1685—1750） 　　　　　　　　　　　　作品欣赏　　《歌德堡变奏曲咏叹调》　　约翰·塞巴斯蒂安·巴赫（Johann Sabasitian Bach），德国作曲家。1685年3月21日出生于爱森纳赫市的一个音乐世家，其家族相继出现了数十位音乐家，以约翰·塞巴斯蒂安·巴赫的成就最为显著。巴赫自幼便显示出非凡的音乐才能，父亲是他的启蒙老师，教他乐器，双亲去世后（8岁），随其兄约翰·克里斯朵夫·巴赫学习管风琴，15岁开始独立谋生，18岁任阿恩斯塔教堂管风琴师，开始创作大合唱曲和古钢琴曲。1708---1717年任魏玛宫廷管风琴师和宫廷乐团合奏长，其间创作大量管风琴曲。1717---1723年任科顿宫廷乐长期间，创作了《平均律钢琴曲集》第一卷，这是世界上最早将十二平均律系统的应用于创作实践的作品，被后人称作“钢琴音乐的《旧约全书》”。1723---1750年在莱比西圣托马斯教堂及其附属唱歌学校任乐长兼全城音乐生活总监。这期间虽然工作繁重，但他仍创作了大量的作品。创作体裁包括宗教康塔塔，经文歌，弥撒曲，受难乐，清唱剧等。1750年7月28日，巴赫在莱比西逝世。巴赫一生有20多个子女，但大量夭折，其中有的成为“前古典世代”的著名音乐家。巴赫的创作根植于德国民间音乐，并把路德教的众赞歌和教会乐器管风琴当作自己的创作素材和乐响构思的核心，同时也深受资产阶级启蒙思想的影响，这是他的音乐作品明显的突破了教会音乐的规范，具有丰富的世俗感情和大胆的革新精神。巴赫继承了16世纪以来德国声乐和器乐的优秀传统，吸收了意大利和法国的先进技术，把复调音乐提高到前所未有的高度。　　巴赫的音乐对后世音乐的发展具有深远的影响。他的音乐在现实音乐生、音乐教育和创作中所起的作用与日俱增，其音乐思维的高度逻辑性和哲理性，其艺术技术手法的严密、精巧，更是后世学习的楷模。巴赫是一位多产的音乐家，其作品博大精深，音乐体裁广泛多样。声乐作品多以宗教性为主，有：《圣母颂歌》、《约翰受难乐》、《马太受难乐》及康塔塔200余首；在器乐方面，巴赫是巴洛克时代的管风琴大师，代表作主要有：《d小调托卡塔与赋格》、《c小调幻想曲与赋格》、《c小调帕萨卡里亚与赋格》《平均律钢琴曲集》、《半音阶幻想曲与赋格》、《布兰登堡协奏曲》、《音乐的奉献》、《管弦乐组曲》《法国组曲》、《英国组曲》等。D大调第三乐队组曲　　《D大调第三乐队组曲》约创作于1722年，是巴赫所作4首管弦乐组曲的第三首，全曲共有5各分曲构成。　　第一曲《序曲》。曲式规模较大，采用法国式的慢、快、慢三部分的序曲形式。　　第一部分的主题缓慢、庄严、节奏均匀、有力，旋律上扬，行进充满气势，以法国路易14时代的宫廷歌剧序曲的风格写成。　　第二曲部分采用赋格形式。主题活泼明快、富于生气。乐曲中间有乐队和独奏乐器的竞奏，使乐曲带有协奏曲的特点。　　最后再次重复第一部分，全曲结束。　　德国文学家歌德十分欣赏这首序曲.他描述道:“听这首威严而华丽的乐曲，眼前仿佛出现了一群衣着华丽的人，庄严的列队走下宽阔的台阶。”　　第二曲《咏叹调》。乐曲分为两大段落，富于表情和歌唱性。　　第一个段落的旋律优美而柔婉，具有巴洛克后期夜曲的风格。　　第二个段落篇幅较大，情绪起落较第一段更为显著。旋律舒畅、饱满。　　第三曲《加伏特》。加伏特原为法国一种古老的民间舞曲，１８世纪常用于组曲的第一个乐章。本曲采用三部曲式，2∕2拍，主题旋律采用大跳进行，活泼而有力。　　第四曲《布列》。布列原为法国的一种古老的民间舞曲，１８世纪用于古典组曲的一个乐章。本曲采用二部曲式结构，2∕2拍。乐曲简捷，流畅，明快而有个性。　　第五曲《基格》。基格是一种快速的舞曲，起源于１６世纪的英国，后传入德国、法国和意大利。１８世纪时常用做古典组曲的末乐章。乐曲采用前后两部分各自反复的二部曲式，６∕８拍。主题由双簧管和小提琴主奏，节奏轻快，并在欢乐的气氛中结束。布兰登堡协奏曲　　《布兰登堡协奏曲》共６首，这里介绍第二首。《布兰登堡协奏曲》原名《为几种乐器而写的协奏曲》，是１７２１年间巴赫应布兰登堡一位侯爵之约而创作的一套协奏曲。巴赫去世后，第一个为巴赫作传记的德国音乐家斯比塔给这６首协奏曲冠之“布兰登堡”的标题，并一直沿用至今。　　《布兰登堡协奏曲》的第二首是为４件独奏乐器而写的巴洛克式的大协奏曲，这４件乐器分别为小号、长笛、双簧管和小提琴。协奏组有小提琴两把，中提、大提、和低音提琴各一把，拨弦古钢琴一架。小号是被成为尖声小号的高音乐器，大大超出现代普通小号的音域，兼有双簧和单簧的音色，但有比这两者更为明亮，音色独特，是现代小号所无法比拟的。　　《布兰登堡协奏曲》第二首由三个乐章组成。　　第一乐章为快板，由两个主题交替发展而成。第一主题在高声部进行，情绪热烈、活泼，音响丰满、华丽，由长笛、双簧管、小提琴与协奏组的小提琴演奏。　　第二主题由独奏组的小提琴演奏，音乐纤巧细腻。　　其中第一主题以热烈的合奏出现，第二主题做模仿进行，两者在音量音色上形成对比。第二乐章为行板，是独奏乐器中的长笛、双簧管、小提琴与协奏组中的大提琴、拨弦古钢琴结合而成的合奏。3件独奏乐器在合奏组缓缓流动的低音背景上分别呈示主要主题。曲调清澈、纯净，是一首悦耳的抒情诗。　　这个主题首先由小提琴奏出，接着双簧管、长笛依次进入，3件乐器的对答构成卡农式温柔的“三重奏”。音乐流畅舒展，连绵不断，从d小调开始，几经转调，最后在明亮的D大调上结束。第三乐章是“很快的快板”，采用三段式结构。其中第一部分为赋格段。 　　这个赋格组的主题由独奏组的小号、长笛、双簧管、小提琴巧妙的加以发展。首先以尖声小号高亢嘹亮的声音浮在高音声部，带有舞曲风格；接着双簧管、小提琴、长笛分别按五度关系进行对答，后面小号再次进入。中间部分采用主题自由展开的手法，后面小号再次进入，新、旧主题的片段及材料在各个声部轮流出现，形成生动的卡农段落。　第三部分完全再现赋格段的主题，与乐章的开始相互呼应，最后完满结束。（三） 亨德尔：（1685----1759）　　格瑞奇 费雷德赫 亨德尔（Georg Friedrich Handle）,英籍德国作曲家。1685年2月23日出生于德国的哈雷。幼年时的亨德尔就已显示出非凡的音乐天赋，10岁时就写出了一首三重奏鸣曲。1702年，入哈雷大学专修法律，同时被当地改革派教堂聘为见习管风琴师及艺术指导。1703年前往汉堡，在汉堡歌剧院任第二小提琴手。汉堡是当时德国的经济文化中心，也是当时唯一有民族歌剧的德国城市。亨德尔在这里开阔了眼界，提高了音乐创作能力。1706---1710年应意大利贵族迪多亲王之邀，前往佛罗沦萨专门从事创作。谱写了近百首世俗康塔塔、清唱剧和歌剧等。同时钻研当代大师的作品，从中获得许多教益。意大利之行对亨德尔的一生起到决定性作用，使他从一个不成熟的感情音乐天才，成长为一位理性的，具有完善技巧的作曲家。 　　1710年，亨德尔任德国汉诺威选帝侯宫廷乐长。1711年赴聘英国，在伦敦首次演出所作的意大利歌剧《里那尔多》。1717年后定居伦敦从事音乐创作，致力于意大利歌剧的创作和演出，并享受英国汉诺威王朝的年金。1726年，加入英国籍。　　1751年，亨德尔不幸双目失明，但他并没有因此而屈服，仍然继续坚持演奏和创作，并亲自指挥自己的作品演出。　　亨德尔在音乐创作上重要的成就都是英国取得的。他一生创作有：50部歌剧，23部清唱剧及相当数量的大协奏曲、室内乐曲、奏鸣曲、古钢琴曲、合唱曲等。代表作有歌剧《里那而多》、清唱剧《弥塞亚》、《马卡白》、《参孙》，管弦乐曲《水上音乐》、《焰火音乐》、、《大调大协奏曲》，《古钢琴组曲第五首》中的《快乐的铁匠》和歌剧选曲《广板》等。 　　亨德尔的器乐作品兼有将德国的复调与和声、意大利的主调风格、法国的节奏和装饰音以及英国的朴素气质融为一体的特点。而他创作的的歌剧以意大利歌剧为主，虽然音乐宏伟、深刻，高于同时代的其他做曲家，但由于题材内容大多为千篇一律的古代神话，且脱离英国民族欣赏习惯，故屡遭失败。无奈之下，他转向清唱剧的创作。虽然题材大多取材于《圣经》，但其创作却不同于一般的教堂音乐，而是气势宏伟、富于戏剧性而有不失抒情色彩的大型音乐作品。这些清唱剧普遍汲取和继承了德国复调音乐技巧、意大利的流畅旋律和英国圣咏音乐的优良传统，在西方音乐史上享有很高的声誉。 水上音乐　　《水上音乐》又称《水乐》、《船乐》，创作于1715----1717年，是一首管弦乐组曲。传说是亨德尔为新即位的英皇乔治一世所作，因为是在伦敦的泰晤士河上演奏而得名。原曲共有20个小曲组成，1922年，英国作曲家哈蒂从中精选6首，改编为本曲。　　第一曲《快板》。根据原第三曲改编而成，3∕4拍。乐曲一开始的回首反复和华丽的颤音，由圆号与弦乐组上下呼应奏出，气氛欢快而妩媚。　　第二曲《咏叹调》。采用三部曲式。主部和再现部根据原曲第五首改编，中间部则为原曲的第六曲《小步舞曲》改编而成。该曲舒展、轻盈、温文而雅。再现部由于圆号的加入，使乐曲更加抒情。　　第三曲《布列》。根据原第七曲《布列》改编。布列是一种舞曲，起源于法国。其特点是欢快、双拍、弱起。本曲为4∕4拍，急板。采用三段体结构，乐曲情绪欢快。　　第四首《号角舞曲》。根据原第八曲《角笛舞曲》改编。号角舞是一种古老的英国舞蹈，18世纪时是水手跳的独舞，舞者双臂交叉并配上富有特点的步伐和姿势。 第五曲《富于表情的行板》。根据第三曲的快板—行板—快板中的行板部分改编。乐曲先由木管呈示，悠缓、深沉、宛如一首夜曲。　　第六首《坚定的快板》。根据原第十一首《角笛舞曲风格》改编。三部曲式，快板，3∕2拍。第一部分的主题采用诱人的切分节奏，带有鲜明的号角性特点，辉煌而灿烂，表现了宏伟壮观的典礼性场面。庄严的圆号合奏和乐队合奏，更进一步加强乐曲富丽豪华的色彩。　　中间部分的旋律朴素明快，与第一部分的主题形成色彩上相应成辉的对照。乐曲最后是第一部分的再现，在号角声营造的雄壮气氛中结束全曲。

close,near,nearby 这些形容词均有“接近的”之意. close：语气强于near.指时间、地点或程度方面的接近,有紧靠、相邻的意味. near：语气弱于close,也指时间或空间上的接近,但无"紧接,接触"的含义. nearby：指距离上很近,近在咫尺.

case when 行列转换

手袋 包包 英文的单词怎么写 是手提袋还是背的包包？书包？ 手提袋 英文名为SHOPPING BAG，或LOGO BAG (女用)手提包 handbag 书包 bag百站天虫单机版在哪下载 5分 汽车缓缓驶出车站，开始加速。就在这时，猛地窜出一个男孩，面对什么(形容来得非突然)的危险，司机什么(态度镇定，不慌不忙)地踩住了刹车。车上的人长嘘一口气，纷纷说：还好还好，什么(安全，没有事故发生 包的单词是什么 bundle packet pack package parcel sack 亲：祝你学习进步，每天都开心V_V！ 望采纳，thx！ 英语单词女士用的包用英语怎么说 handbag n.[C] 1.(女用)手提包 She carried a green leather handbag. 她拎着一只绿色皮手提包. 2.小旅行袋,旅行包 关于包的英语单词如bag 钱包 burse 钱包 皮夹子 notecase 女用小提包 钱包 purse 口袋pocket 女用手提包 坤包 handbag （放钞票、信用卡的）钱夹, 皮夹 wallet 皮夹子 billfold 背包shoulder bag 钱袋moneybag XP会不会比98更加充分的发挥硬件的性能，从而使游戏运行更顺畅？ 作为服役十余年的系统，它已经迎来了自己的归宿。现在，全世界的网友不禁为这一顽强存在于microsoft十余载的系统肃然起敬。只有不断地探索、尝试、创新，才能使系统运行更人性化。这一点，是XP无法与7和8.1相媲美的。 在那个手提包里的票是Dave的吗用英文怎么说 Is the ticket in the handbag Dave? 在那个手提包里的票是Dave的吗？

Olga 奥尔加:源自俄语及日耳曼语,含义"神圣的"女子名Oriana 奥里安娜:源自拉丁语,含义"上升",女子名

near by 是作为词组用，是在附近、邻近的意思.1。作形容词的情况 near, nearby都可以作形容词，都表示附近的，（时间/距离）接近的，但是near一般用于作表语，放在系动词is,are，am之后后，而不放在名词之前，而nearby则放在名词之前 另外，当near作形容词表示 差不多，几乎 这一意思的时候只能放在名词之前，如：a near disaster差不多是一场灾难 2作副词的情况 没什么区别 3.near还可以作介词和动词 do you live near here?介词 we neared the top of the hill动词(我们快到山顶了）

问题一：手提包 用英语怎么说 handbag 问题二：女式手提包用英语怎么说 women"s handbag. 问题三：手提包用英语怎么说? handbag 问题四：包英语怎么说? backpack 背包 purse 泛指女包 handb定g 手袋 shoulder bag 挎肩包 clutch 信封包 （经常配晚礼服的） briefcase （公文包） 问题五：你的手提包是什么牌子的英文翻译 What brand is your handbag 问题六：女式手提包用英语怎么说 你好！ 女式手提包 Women"s handbag 问题七：“LV的包包”这句话英文怎么说？ LV handbags Louis Vuitton handbags 问题八：包包英语怎么说 bag 英 [b?g] 美 [b?] n.袋，囊，枕套;钱包，手提皮包，财富;〈英俚〉大量，很多 vt.把。。装入袋中，猎获;捕获;得分;抢占 vi.松散地垂挂;鼓胀 例句： She left the hotel carrying a shopping bag. 她提着一个购物袋离开了酒店。 问题九：手提包英文怎么读？ handbag 美 ["h?ndb?] 汉语发音：汉的拜个 n.手提包 purse 美 [p??rs] 汉语发音：破思 n.钱包；小钱袋；(获奖)奖金 问题十：手提袋的英文是什么？ 英文就是hand bag

华盛顿城堡的圣徒？

SweetGirl

anywhere for you

close,near,nearby 它们都有一个意思就是“在空间范围上很接近的”,例如an airport close to town城镇附近的机场a nearby library附近的图书馆an inn near London靠近伦敦的酒馆其中close,near的意思更广,它们也有“...