电影《机器人总动员》（就是机器人瓦力和伊娃那个）片尾曲是谁唱的？歌名是什么？

　　一部今年很红的动画片，是皮克斯出的。　　影片片名“WALL·E”是一个缩写，全称为“Waste Allocation Load Lifters - Earth”，就是Buynlarge公司派往地球捡垃圾的那些机器人的官方称呼。现在很狗血的中文名叫《星际总动员》，其实按照他的原意就叫地球垃圾分装员不是蛮好的吗？　　故事简介：　　影片故事发生在2700年，由于人类无度的破坏环境，地球此时已经成为漂浮在太空中的一个大垃圾球，人类不得已移居到太空船上，并且聘请Buynlarge公司清除地球上的垃圾，等待着有一天垃圾清理完重新回到地球上。　　于是Buynlarge公司向地球运送了大量机器人来捡垃圾，但是这种机器人并不适合地球的环境，渐渐的都坏掉了，最后只剩下一个机器人还在日复一日的按照预定程序捡垃圾。显然这是个不可能完成的任务。就这么过了几百年，机器人收集了不少人造的物品，其中最让它喜欢的是一盒录像带——芭芭拉·史翠珊主演的歌舞片《你好，多莉！》（Hello, Dolly !）！　　随着时间的流逝，这个孤独的机器人开始有了自我意识，它渴望有人来陪陪它。有一天一艘飞船差点落在它头顶，一个漂亮的女机器人Eve来到地球负责搜索一些东西，捡垃圾的机器人“爱”上了Eve，但是它面临着抉择，是随着Eve和飞船离开地球，还是继续按照预设的指令把垃圾捡下去。当然它最后选择和Eve一起离开，飞向太空，不过好戏才刚刚开始……　　你到网上去找找这部片子的海报，就会很想看，应为这个机器人实在是太q了！

清洁垃圾的机器人 被遗留在地球上 由于环境恶化人类已经搬离了地球

WALL E 开放分类： 电影Wall·E 概览导演： 安德鲁·斯坦顿 主演： Jeff Garlin Benjamin Burtt Fred Willard 更多中文片名： 机器人瓦力 更多外文片名： Wall·E 国家地区： 美国 发行公司： PIXAR 上映日期： 2008-6-27 美国英国的电影杂志《Total Film》在4月号上刊登了介绍迪士尼·皮克斯2008年电脑动画片《WALL·E》的文章，其中有不少首度曝光的剧照和概念艺术设计图，你可以到这里观看杂志扫描的大图。 《WALL·E》由《海底总动员》导演安德鲁·斯坦顿（Andrew Stanton）执导，讲述了一个孤独的在荒凉的地球上捡垃圾的机器人（有一只蟑螂小强的陪伴）爱上来地球考察的女机器人夏娃，追着她进入茫茫宇宙冒险的故事。 导演安德鲁·斯坦顿袒露说，“Wall·E”这个主意早在1995年就开始酝酿了，但直到2002年他才有机会开始真正着手创作。他自称是听着杰瑞·高德史密斯（Jerry Goldsmith）《星际旅行》（Star Trek）的音乐和约翰·威廉姆斯（John Williams）《星球大战》（Star Wars）的音乐写出这个故事的。 本片主角Wall·E从头到尾没有一句台词（整部影片还是会有一些对话的），只能发出机器声（如同“星战”中的R2-D2）。为了赋予它灵性，编导专门找到了曾负责《星球大战》（Star Wars）和《ET外星人》（E.T. the Extra-Terrestrial）的奥斯卡获奖音效师本·伯特（Ben Burtt）给它制作音效。 作为一部动画片《Wall·E》中却会有真人的镜头，比如Wall·E最喜欢看的电影是芭芭拉·史翠珊主演的歌舞片《你好，多莉！》（Hello, Dolly !），这就决定了《Wall·E》里动画和真人的结合比《快乐的大脚》（Happy Feet）会更加复杂。 作为一部科幻片，《Wall·E》里的未来人类设计也很独特：由于太懒，那个时候的人类长成了大肉球。 谈到Wall·E的来源，导演安德鲁·斯坦顿否认了“ET”或者“霹雳五号”（Short Circuit）的说法（尽管外形很像），他只承认自己创造“Wall·E”受到了“小台灯”（Luxo）、双筒望远镜、R2-D2、迪士尼乐园“星空之旅”的机器人、卓别林（Charlie Chaplin）以及伍迪·艾伦（Woody Allen）的影响。 尽管《Wall·E》的故事背景有些发人深省——“2700年，由于人类无度的破坏环境，地球此时已经成为漂浮在太空中的一个大垃圾球”，但整部影片其实是一个爱情故事：一个傻乎乎的土老冒机器人爱上了一个时髦的高科技女机器人。

是电影《地球废品分装员（机器人总动员）》的英文本名.也就是“Waste Allocation Load Lifters - Earth”的缩写~剧情就是讲WALL·E已经在地球上孤独地生活几百年了，他爱上了自己遇见的第一个机器人伊芙，并跟随着她展开了一场充满奇幻的太空之旅。

《交机器人瓦力》，百度上搜搜，随便看。

你说的在真理号上做清洁的小机器人？他中文名字叫：摩恩。英文名字叫：m-o他有洁癖。 m-o 主角 清洁员 Auto 奥托，AXIOM飞船的自动飞行仪。 Captain 船长，飞船上的唯一指挥官。 Go-4 负责飞船的安全，是船长的副官，但完全服从AUTO的命令。

WALLE（Waste Allocation Load Lifters – Earth 地球废品分装员）

作为皮克斯首次尝试的太空科幻片，《WALL-E》将勾画出一幅前人没描绘过的全新人类未来图景，影片的前三分之一没有对话和音乐，只有WALL-E发出的机器声和反复播放的《你好，多莉》电影里的声音。这些音效将由曾负责《星球大战》（Star Wars）和《ET外星人》（E.T. the Extra-Terrestrial）的奥斯卡获奖音效师本·伯特（Ben Burtt）操刀。　　一次冒险的尝试　　将一个反传统的故事概念融入到一部传统的电影当中，这就是由迪斯尼和皮克斯联手制作的最新动画片《机器人总动员》所遵循的理念，讲述了一个与寂寞和孤独为伴的科幻故事，主角是当人类遗弃了地球之后、生活在地球上的最后一个机器人WALL·E。然而，制作这样一部非常规的科幻影片，却让皮克斯承担了前所未有的风险，因为WALL·E不仅不会说话，也没有办法做出任何明显的面部表情，也就是说观众只能通过他的行为或发出来的电子声响，来猜测他到底在想些什么——这样的设定，不知道会不会让观众产生一种正在观看默片的无聊感，不过影片的编剧兼导演安德鲁·斯坦顿却认为，这可以让整个观影过程具备更多的潜在乐趣。　　早在安德鲁·斯坦顿还在制作《海底总动员》的时候，就已经在脑海里初步构思出了《机器人总动员》的故事雏形，但是到了具体搭建结构的这一个步骤，却花去了非常长的时间，斯坦顿觉得在打电话把自己的想法告诉制片人之前，应该再丰富一下影片的内容，这样才能更具有说服力，毕竟他想讲述的这个故事，对于任何一家电影公司来说，都是百分之百的风险投资，因为影片中的主角WALL·E就像《星球大战》系列中的R2－D2一样，拥有着自己的电子语言——可问题是，咱们听不懂这种电子语言，斯坦顿说：“对于一部传统的电影作品来说，这个想法足够惊世骇俗了，早就已经超出了制片人所能承受的范围。”作为地球上的最后一个机器人，WALL·E在一种孤独的环境中独自清理着垃圾，这种寂寞让他开始质疑自己的存在是否合理……这对于一部将受众群体主要对焦在儿童身上的动画片来说，无疑是一个太过沉重的话题，但皮克斯却坚持认为，他们制作的任何一部动画片，都没有什么特定的观众类型，斯坦顿说：“我们从来不假设走进电影院的到底是什么年龄段的人，我们只确保拍出让自己满意的作品。”　　确实，看看皮克斯公司之前的作品，你就会发现他们所追求的艺术风格的自由化完美地促进了动画工业的发展，几乎每一部影片都会拿回来一堆电影奖项或提名，这无疑给他们在自信的天平上增加了更多的砝码，在特别而又意义非凡的CG动画领域里独领风骚……至少从表面上看，《机器人总动员》似乎正在以一种独有的离奇方式，再一次帮助皮克斯获得更大范围的成功，安德鲁·斯坦顿说：“这里的每一个人，包括我在内，都为拍摄这部影片承担了一定的风险和压力，因为我们将故事中的主角WALL·E首先定位成一台机器，其次才是一个角色。”他期待着观众能够在观景的过程中为WALL·E设计出性格和人物特征，就像对待自己的宠物一样。即使没有任何面部表情和语言做帮衬，我们仍然可以从预告片中窥探一二，切身感受到WALL·E比皮克斯所创造的任何一个动画角色都更加可爱、更招人喜爱。　　皮克斯几乎每年都会有一部动画长片上映，每一部都会立刻成为那一年的经典之作，被人争先效仿，稳坐好莱坞动画领域的头把交椅，所以《机器人总动员》从制作之初，就受到了万众期待，也是可以理解的。然而，当成功变成了家常便饭的时候，压力自然也在成倍地累积，尤其是要拍摄这样一个风险过大的故事，安德鲁·斯坦顿说：“说没有压力那是骗人的，只能自己去调整心态……通常情况下，我就把它当成是一年一次的足球联赛，而我能做的就是，找到自己的位置，认真踢球。”　　将语言抽象化　　如果说WALL·E与《星球大战》系列中的机器人R2－D2有着异曲同工之妙，那么他的恋人伊芙，在设计上则很大程度借鉴了“苹果”系列的产品，安德鲁·斯坦顿表示：“我们一直用类似的比喻去形容《机器人总动员》的两个机器人角色——WALL·E是一台脏兮兮的拖拉机，而伊芙则是奔驰中的梅赛德斯……所以，伊芙在形象上代表的是电子产品最先进的科技，我们在她身上使用了目前世界上最平滑、无缝、能够隐藏所有运动部件的衔接技术。而‘苹果"作为这个世界上最尖端的科技品牌之一，出现一些与伊芙相似的形态，属于没办法避免的‘共享"，并非有意抄袭。”　　制作《机器人总动员》时所面对的最大挑战，自然是如何在没有对白的情况下清晰地表述整个故事的发展，安德鲁·斯坦顿认为：“首先，我觉得‘无对白"这种说法本来就是一种错误的认知，因为这里始终都有对白贯穿着影片的始终，只是他们使用的是一种你所不知道的语言而已……我希望这里讲述的故事具备相应的逻辑性，只有这样才能真正让人们确信，这个机器人真的在地球上独自生活了几百年的时间了，他拥有独立的思考体系以及交流方式，虽然我们听不懂他在说些什么，但并不代表他就不能表达自己。”　　安德鲁·斯坦顿的上一部作品《海底总动员》，是从他和儿子的相处模式中获得的创作灵感，没想到随后他就拿出了这个与人类生活没有一点相干的科幻故事……其实斯坦顿一直秉承着一个信念，那就是电影不仅仅来源于生活，还与浩渺的宇宙有关，他说：“不同的作品，拥有不同的支撑，《机器人总动员》中所讲述的关于一个机器人孤独地生活在地球上的故事，则有点像‘鲁宾逊漂流记"中所突出的环境氛围。我还记得和我制片人彼特·道格特曾就这个想法争论了好长一段时间，即使到了饭桌上也没有停歇过，最终，我们一致认为，影片中应该出现的是一个真正的机器人，而不是那种过于拟人化的实体——说实话，这个决定着时让我们兴奋了好长一段时间。”　　另外，《机器人总动员》还首开皮克斯作品的先河，在内容里加进了一段由真人出演的电影胶片，安德鲁·斯坦顿解释道：“这种做法完全出于非常符合逻辑、经过了精细地计算的结果，从一开始，我就知道我要为影片加入一段与音乐有关的片断，内容则是从一部真人电影中节选出来的。好在这部影片所展现的人类的未来，本来就是一种有点奢华的进化，所以我们并不担心，在影片中穿插真人画面，会不会有突兀的感觉……而这部分内容的出处，就是1969年的歌舞影片《你好，多莉！》。”　　至于为什么在众多歌舞片中独独选中了《你好，多莉！》，原因远没有外界猜测得那般复杂，安德鲁·斯坦顿表示：“估计这样的回答要令好奇心重的人大失所望了，这样的选择确实没有什么特别的意思，只因为《你好，多莉！》是我最喜欢的一部作品，所以当《机器人总动员》需要被安插进一段真实的电影片断时，我第一个想起来的就是它……我相信这可能是我一生中产生的最古怪的想法了，却收到了很好的效果。其实影片中的WALL·E在音乐品味方面简直可以用糟糕透顶来形容，虽然他的内心是非常浪漫的，可是他没有足够的信息去辨别旋律的好坏。《海底总动员》正式公映那会儿，《机器人总动员》早就已经进入制作流程了，尤其是开头部分，几乎接近于完工的状态了。我还记得我特别为影片安排了差不多30秒钟的摆舞音乐场景，然而与《海底总动员》在同一年上映的一部法国动画片《疯狂约会美丽都》却打乱了我的计划。当然，我很喜欢这部作品，可不幸的是，它也使用了摇摆舞场景，为了不引起不必要的误会或抄袭之嫌，我只好忍痛去掉了那30秒已经做好的音乐片断。”　　为了能够从科幻当中捕捉到强有力的现实主义，安德鲁·斯坦顿以及和他一起制作影片的工作人员，都付出了前所未有的努力，斯坦顿说：“《机器人总动员》是继《怪兽电力公司》之后制作工序最为繁杂的一部作品，从《玩具总动员》开始，我们就已经建立了动画领域的一个电影流派，然而会有这样的结果，并非因为我们是那类知识渊博、很有见识的电影人，而是采用了一种‘蠢人有笨招"的土方法，有的时候同一样东西不得不尝试几千遍甚至几万遍，然后再找出其中最完美的方式。我们的进步，来源于不停地学习和努力，比如说，在制作《海底总动员》的时候，我对于摄影还不甚了解，所以我们特别请来了著名摄影师罗杰·迪根斯，就摄影技术给我们办了一个速成班……知识，就是在不断地学习当中积累起来的，正是因为如此，我们制作的虽然是动画作品，可给人的感觉却好像真的是由摄像机拍摄出来的，从角度到灯光都非常地讲究

WALL-E Directed by Andrew Stanton, out July 18th in cinemas, starring Ben Burtt, Sigourney Weaver and Jeff Garlin, running time 90 mins. In a nutshell... Little robot with big heart What"s it all about? WALL-E (Waste Allocation Load Lifter, Earth Class) is alone on Earth, diligently crushing humanity"s rubbish into easily handled cubes. His only friends are a mute cockroach and the fascinating objects he finds amongst Earth"s detritus, when super-sleek robot EVE arrives and changes his world. When EVE (Extra-terrestrial Vegetation Evaluator) returns to her spaceship WALL-E has to follow his only friend, and discovers the last of the human race. Who"s in it? There is hardly any traditional voicework in WALL-E. Ben Burtt, the man behind R2D2"s bleeps and whistles, creates much of the sound made by WALL-E and EVE. Although both characters don"t really talk, the noises they emit communicate their meaning extremely well and you can hardly suppress a smile when WALL-E says his name. There are some human characters in the film and their voices are well executed, but they are mostly peripheral to the robotic creations. As an example... "Waalllleeeee." - WALL-E Likelihood of a trip to the Oscars If the best achievement in animation Oscar fails to be awarded to WALL-E, I should think the whole world would have the right to fall off their seats in shock. Pixar should almost certainly walk away from next year"s ceremony with more than one little gold man, most likely also achieving the Oscar for best sound. What the others say "WALL-E is a character of genius, as pure and wondrous an example of the possibilities of animation as you will ever see. He"s an encapsulation of all the medium"s ability to give anything personality." - Empire "WALL-E (the character) is eminently lovable, by far the film"s most human inhabitant. And yet WALL-E (the movie) actually has more in common with EVE. It is an exquisitely rendered piece of work; beautiful, flawless, serious in its intent and hermetically sealed." – Guardian So is it any good? WALL-E is a hugely brave undertaking for Pixar. With the knack for creating original characters and storylines loved by children and adults the world over, making vast amounts of money, and winning so many best animation Oscars along the way they"re probably considering buying a new trophy cabinet, WALL-E is a massive departure for them. You cannot see WALL-E, a trundling trash receptacle with binocular eyes, little speech and only a cockroach for a friend, being suggested at a marketing meeting or a shareholders conference. WALL-E was borne out of love and a desire at Pixar to do something different. And, boy, did they succeed. For the first part of the film, WALL.E is alone on Earth, faithfully collecting and organising humanity"s rubbish. The human race has long since abandoned Earth to wait for it to be cleaned up again, leaving our home planet a dystopian science-fiction wasteland. The landscapes are vast and, although filled with skyscrapers of rubbish, strangely empty. WALL-E rattles amongst them, happily collecting treasures. This is when the film is at its best and most amusing, as WALL-E investigates fire extinguishers, Rubiks cubes, and where sporks belong in his cutlery collection. WALL-E is an adorable creation and a superb example of Pixar"s genius to give anything personality or even a gender. Even though he has no eyebrows, mouth, nose, ears or language, WALL-E has expression by the bucket-load, with soundman Ben Burtt largely responsible – indeed it"s probably fortunate that there is little dialogue as the cries of adoration from the young audience would surely have drowned it out. This little robot will without doubt become the most popular toy and/or novelty bin this year. EVE arrives, and our little hero is captivated by this Apple-like-designed space probe. For two characters made of metal and created digitally in a computer, EVE and WALL-E somehow have chemistry on screen and the romance as they fly through space or try and hold hands can truly be felt. When EVE completes her directive and has to leave Earth, WALL-E cannot bear to be parted from her and so follows her into space. The film stumbles a little as the scenery changes from a lonely planet Earth and the vast emptiness of space to the setting of humanity"s cruise ship. Having relied on robots for centuries, humans have evolved into round dumpling-like beings that have forgotten how to walk. WALL-E is the greatest example of humanity within the film and not having him at centre-stage begins to deprive the film of its charm. The lack of dialogue and shiny action could disappoint children, and the message behind it ("I don"t want to survive, I want to live!") could be a little cumbersome. However, Pixar"s outstanding animation clinches its "classic" status. So often you simply forget it is animation you are watching, with the pinpoint accuracy and a perfect, obsessive level of detail. The scratches and dents on WALL-E"s bodywork look so real that you can almost feel the rough metal in your mind. How do you animate a star-lit sky and a delicate swirl of galaxies? It is achingly beautiful and I doubt if even Sir Patrick Moore could find a fault. Despite slight foibles with the storyline WALL-E is an astounding animated film that can comfortably be in the company of Toy Story, Finding Nemo and Ratatouille. This year"s prime Christmas gift? Right here.

机器人瓦力，皮克斯出品的动画片。

1. 如果没有记错的话，奥斯卡最佳电影的提名之所以从5部扩大到10部，最主要的原因，是媒体和业界对于两部电影没有获得奥斯卡提名的争议。其一，是大名鼎鼎的《黑暗骑士》，其二便是《Wall-E》。2. 《Wall-E》之前的皮克斯一直致力于通过非人类主角的拟人化，海洋动物、超人、玩具、怪物、虫子、老鼠、汽车等等，来表达最纯粹的人性。从我个人的角度来看，《Wall-E》是迄今为止皮克斯在这方面创作的最高峰，他将程序化的机器人进行拟人化，用看似荒谬的机器人之间的爱情，展现了爱之真谛。我记得动画的导演安德鲁-斯坦顿说过：The film"s central theme was that irrational love can defeat everything, including programming。他确实做到了。3. 影片中的致敬无处不在，伊芙的造型和ipod致敬苹果公司和乔布斯、大段的无对话表演致敬默片时代和卓别林、瓦力看《你好多丽》致敬歌舞片时代、片中出现的大量石刻、绘画等艺术作品则是对人类艺术历史和创意的致敬、太空船致敬NASA、Auto的造型致敬《2001太空漫游》等等。而瓦力收集的各类东西，不论是魔方、游戏机、留声机等等二十世纪的经典发明，都是充满生趣的怀旧亮点。这些细微之处，越看越有味道。4. 影片的第一句对白（还是机器的）出现在第22分钟，第一句人类对白则是第39分钟才出现。影片纯粹的依靠配乐和机器的声音，以及画面表现的张力让观众在如此长的时间内感受到太多真情实意，这些，在此前公映的动画长片中是很难想象的。第二年的《Up》的开头十分钟延续了这一风格。这些都是电影之魅力的集中体现，令人惊讶的是，带来这些的是二十一世纪的某部动画片。5. 影片有太多温暖动人的段落，瓦力和伊芙在空中飞翔、瓦力牵着伊芙的手等待日出、瓦力那藏着各式垃圾宝贝的小屋、瓦力随着音乐舞蹈、瓦力笨拙的对伊芙念自己的名字等等等等；很多用语言无法表达的美好，真正在这些细节中展现出来。6. 影片所表达的讽刺，远胜过一般动画电影所能承载的范畴；机器人的人性和人类的非人性的对比；用地球的破坏和未来人类的呆板，讽刺美国人的肥胖问题、环境意识、消费主义；用机器人的自我意识，讽刺大时代下人类的意识趋同等等。我相信不同人看这片，能够感受到不同的味道。这部电影自然还有些许缺憾。比如作为科幻电影而言，其中被理论派挑出了不少毛病。影片比起其他类型的动画片，缺少一定的娱乐性。但电影史应该会铭记《Wall-E》，他是动画工作者们对动画片的技术力量、表达方式和承载内涵的突破性的创作，甚至其中的摄影和光线角度的精研（据说专门请了罗杰-迪金斯来指导）都远胜大多真人电影。最最关键的是，这部电影踏踏实实打动了许多观众的心，功德无量。

我觉得应该存储在大脑里面

WALL-E Directed by Andrew Stanton, out July 18th in cinemas, starring Ben Burtt, Sigourney Weaver and Jeff Garlin, running time 90 mins. In a nutshell... Little robot with big heart What"s it all about? WALL-E (Waste Allocation Load Lifter, Earth Class) is alone on Earth, diligently crushing humanity"s rubbish into easily handled cubes. His only friends are a mute cockroach and the fascinating objects he finds amongst Earth"s detritus, when super-sleek robot EVE arrives and changes his world. When EVE (Extra-terrestrial Vegetation Evaluator) returns to her spaceship WALL-E has to follow his only friend, and discovers the last of the human race. Who"s in it? There is hardly any traditional voicework in WALL-E. Ben Burtt, the man behind R2D2"s bleeps and whistles, creates much of the sound made by WALL-E and EVE. Although both characters don"t really talk, the noises they emit communicate their meaning extremely well and you can hardly suppress a smile when WALL-E says his name. There are some human characters in the film and their voices are well executed, but they are mostly peripheral to the robotic creations. As an example... "Waalllleeeee." - WALL-E Likelihood of a trip to the Oscars If the best achievement in animation Oscar fails to be awarded to WALL-E, I should think the whole world would have the right to fall off their seats in shock. Pixar should almost certainly walk away from next year"s ceremony with more than one little gold man, most likely also achieving the Oscar for best sound. What the others say "WALL-E is a character of genius, as pure and wondrous an example of the possibilities of animation as you will ever see. He"s an encapsulation of all the medium"s ability to give anything personality." - Empire "WALL-E (the character) is eminently lovable, by far the film"s most human inhabitant. And yet WALL-E (the movie) actually has more in common with EVE. It is an exquisitely rendered piece of work; beautiful, flawless, serious in its intent and hermetically sealed." – Guardian So is it any good? WALL-E is a hugely brave undertaking for Pixar. With the knack for creating original characters and storylines loved by children and adults the world over, making vast amounts of money, and winning so many best animation Oscars along the way they"re probably considering buying a new trophy cabinet, WALL-E is a massive departure for them. You cannot see WALL-E, a trundling trash receptacle with binocular eyes, little speech and only a cockroach for a friend, being suggested at a marketing meeting or a shareholders conference. WALL-E was borne out of love and a desire at Pixar to do something different. And, boy, did they succeed. For the first part of the film, WALL.E is alone on Earth, faithfully collecting and organising humanity"s rubbish. The human race has long since abandoned Earth to wait for it to be cleaned up again, leaving our home planet a dystopian science-fiction wasteland. The landscapes are vast and, although filled with skyscrapers of rubbish, strangely empty. WALL-E rattles amongst them, happily collecting treasures. This is when the film is at its best and most amusing, as WALL-E investigates fire extinguishers, Rubiks cubes, and where sporks belong in his cutlery collection. WALL-E is an adorable creation and a superb example of Pixar"s genius to give anything personality or even a gender. Even though he has no eyebrows, mouth, nose, ears or language, WALL-E has expression by the bucket-load, with soundman Ben Burtt largely responsible – indeed it"s probably fortunate that there is little dialogue as the cries of adoration from the young audience would surely have drowned it out. This little robot will without doubt become the most popular toy and/or novelty bin this year. EVE arrives, and our little hero is captivated by this Apple-like-designed space probe. For two characters made of metal and created digitally in a computer, EVE and WALL-E somehow have chemistry on screen and the romance as they fly through space or try and hold hands can truly be felt. When EVE completes her directive and has to leave Earth, WALL-E cannot bear to be parted from her and so follows her into space. The film stumbles a little as the scenery changes from a lonely planet Earth and the vast emptiness of space to the setting of humanity"s cruise ship. Having relied on robots for centuries, humans have evolved into round dumpling-like beings that have forgotten how to walk. WALL-E is the greatest example of humanity within the film and not having him at centre-stage begins to deprive the film of its charm. The lack of dialogue and shiny action could disappoint children, and the message behind it ("I don"t want to survive, I want to live!") could be a little cumbersome. However, Pixar"s outstanding animation clinches its "classic" status. So often you simply forget it is animation you are watching, with the pinpoint accuracy and a perfect, obsessive level of detail. The scratches and dents on WALL-E"s bodywork look so real that you can almost feel the rough metal in your mind. How do you animate a star-lit sky and a delicate swirl of galaxies? It is achingly beautiful and I doubt if even Sir Patrick Moore could find a fault. Despite slight foibles with the storyline WALL-E is an astounding animated film that can comfortably be in the company of Toy Story, Finding Nemo and Ratatouille. This year"s prime Christmas gift? Right here.

When I saw the first act of the film, I was shocked by the picture. A robot is tirelessly busy, looking all out of garbage. This robot named Wall-E, he covered the earth in the garbage treatment kept a piece of. He used garbage to make a tall building. This movie is the background of the earth has been seriously polluted, no human habitation for many years, the main line is the o robot love that fell in love with another robot - Eva. Eva is recycled back to the space ship, have fallen in love with Eva Wali also resolutely followed Eva to the space ship. In this spaceship, Wall-E found many like him with their robot, there are different but relative to a single instruction. It is also found that human beings are generally obese because of the loss of calcium in the skeleton because of the low amount of exercise. This one happened a lot of interesting episode, including Wall-E know cleaning robot Aurelio, and o unknown humans. Wall-E continue to follow has not yet regained consciousness of Eva, found that Eva was brought to a recovery in the cabin. There are many robots like Eva. However, Eva"s chest at this time because of the plant and found a green light, which makes the performance can clearly identify lover Eva. The story takes place in the future in enty-ninth Century, the last man to prove his excessive environmental damage, make the earth floating in the universe large junk. Human beings have to move into space and send a lot of robots to earth to clean up the garbage, hoping that one day can make people return to their homes. But because the earth is too dirty, most of the robots are getting worse, and human beings are gradually dropping the luxury of returning to the earth. However, although there was anything on the ship, human beings did not feel happy and happy, nor did they feel the warmth of their relatives. Humans began to realize that they had lost many real and happy experiences of life. They yearned for the happy days before, and they wanted to go back to their former life. In the end, human beings broke the obstacles and returned to the earth, and they began to use their hands to create a perfect life. First, the environmental problems caused by the destruction of human beings. The movie is about 2700, the opening is a skyscraper and high mountain of garbage, the land surface is rubbish, the earth has long been uninhabited, nor any creature, see a green plant, occasionally also blustery, sand all over the sky, the sky is no longer blue, can not see the sun, the yellow color became the main earth. Human beings have long gone into space. This reminds me of our present living environment: in January of this year, Hebei appeared several days the fog haze weather, the city"s serious air pollution, which is automobile exhaust emissions and industrial waste pollution results, alas, if the earth is going on like this, sooner or later will bee a movie. Ah. The film finally showed a perfect feeling. From the beginning of a hero Wall-E see Eve to love him. After he fling caution to the winds to protect Eve, when Eve was collected by green plants and automatically turn off performance for her shelter from the rain, an umbrella to him, l was struck by lightning o times he can not put down, when Eve was. When he jumped on the spacecraft, with Eve together to go to space, that is how dangerous things, at any time he might fall when accidentally bee space junk, but he had no fear. Eve kept down the green plants, green plant protection to him, not to damage it in any way, in the end, due to the protection of green plants Wall-E get people back to earth was crushed, see there, I almost cried out, Wall-E is so brave. Is the love of Eve and Wall-E, has brought vitality and expectations to the earth.

我个人觉得应该是剧情需要

机器人总动员/瓦力 Wall-E 导演：Andrew Stanton (I) 主演：弗莱特.维拉德 杰夫.加林 本.伯特 类型：动画,家庭,科幻 地区：美国 片长：90分钟 首映：2008-06-27 配音：国语 http://bt.ximeitu.com/movie/39934《WALL-E》是《海底总动员》（Finding Nemo）导演安德鲁·斯坦顿（Andrew Stanton）执导的第二部动画片，计划于2008年6月27日上映。 影片故事发生在2700年，由于人类无度的破坏环境，地球此时已经成为漂浮在太空中的一个大垃圾球，人类不得已移居到太空船上，并且聘请Buynlarge公司清除地球上的垃圾，等待着有一天垃圾清理完重新回到地球上。 于是Buynlarge公司向地球运送了大量机器人来捡垃圾，但是这种机器人并不适合地球的环境，渐渐的都坏掉了，最后只剩下一个机器人还在日复一日的按照预定程序捡垃圾。显然这是个不可能完成的任务。就这么过了几百年，机器人收集了不少人造的物品，其中最让它喜欢的是一盒录像带——芭芭拉·史翠珊主演的歌舞片《你好，多莉！》（Hello, Dolly !）！ 随着时间的流逝，这个孤独的机器人开始有了自我意识，它渴望有人来陪陪它。有一天一艘飞船差点落在它头顶，一个漂亮的女机器人Eve来到地球负责搜索一些东西，捡垃圾的机器人“爱”上了Eve，但是它面临着抉择，是随着Eve和飞船离开地球，还是继续按照预设的指令把垃圾捡下去。当然它最后选择和Eve一起离开，飞向太空，不过好戏才刚刚开始…… 影片片名“WALL-E”是一个缩写，全称为“Waste Allocation Load Lifters - Earth”，就是Buynlarge公司派往地球捡垃圾的那些机器人的官方称呼。另外这部影片中还会出现真人演员佛莱德·威拉德（Fred Willard），他将扮演Buynlarge公司总裁，在动画片中出现真人，这在皮克斯也是首次。参考资料： http://bt.ximeitu.com/movie/39934

下载干什么，弄个暴风影音播放器然后搜索机器人总动员上面就有了，还是高清的呢。

好像是 长江一号 我也不清楚

瓦力.. ...

法文：Lavieenrose中文名称《玫瑰人生》，搜狗音乐里能搜索到，小野丽莎的版本也不错，不过还是没男声的好听，男声由路易斯。阿姆斯特朗演唱

我觉得他俩是真的爱情

歌名：Put On Your Sunday Clothes出处：你好多莉歌手：Barbra Streisand（芭芭拉·史翠珊）完整歌词：Cornelius:Out thereThere"s a world outside of YonkersWay out there beyond this hick town, BarnabyThere"s a slick town, BarnabyOut thereFull of shine and full of sparkleClose your eyes and see it glisten, BarnabyListen, Barnaby...Put on your Sunday clothes,There"s lots of world out thereGet out the brillantine and dime cigarsWe"re gonna find adventure in the evening airGirls in white in a perfumed nightWhere the lights are bright as the stars!Put on your Sunday clothes, we"re gonna ride through townIn one of those new horsedrawn open carsCornelius & Barnaby:We"ll see the shows at DelmonicosAnd we"ll close the town in a whirlAnd we won"t come until we"ve kissed a girl!-------《机器人总动员》中就唱到这里为止，下面是电影中的--------------Dolly:Put on your Sunday clothes when you feel down and outStrut down the street and have your picture tookDressed like a dream your spirits seem to turn aboutThat Sunday shine is a certain signThat you feel as fine as you look!Dolly & Ambrose:Beneath your parasol, the world is all a smileThat makes you feel brand new down to your toesDolly, Ambrose, Cornelius, & Barnaby:Get out your feathers, your patent leathersYour beads and buckles and bowsFor there"s no blue Monday in your Sunday...No Monday in your Sunday...No Monday in your Sunday clothes!Townspeople, All:Put on your Sunday clothes when you feel down and outStrut down the street and have your picture tookDolly,Townspeople, All:Dressed like a dream your spirits seem to turn aboutThat Sunday shine is a certain signThat you feel as fine as you look!Women:Beneath your parasol, the world is all a smileAll:That makes you feel brand new down to your toesGet out your feathersYour patent leathersYour beads and buckles and bowsFor there"s no blue Monday in your Sunday clothes![Dance interlude]Children:Put on your Sunday clothes when you feel down and outStrut down the street and have your picture tookWomen:Dressed like a dream your spirits seem to turn aboutTownspeople, All:That Sunday shine is a certain signThat you feel as fine as you look!Beneath your bowler brim the world"s a simple songA lovely lilt that makes you tilt your noseGet out your slickers, your flannel knickersYour red suspenders and hoseFor there"s no blue Monday in your Sunday clothes!Dolly:Ermengarde keep smiling no man wants some little meaning!Ambrose do a turn, let me see!Mr.Hackl, Mr.Tucker don"t forget Irene and Minnie,Just forget you ever heard a word from me!All Aboard! Townspeople:All Aboard!Dolly:All Aboard! Townspeople:All Aboard!Dolly:Aboaaaaaaaaaaaaaaaaaaaaard! All:All Aboard! All Aboard! All Aboard! All Aboard!Put on your Sunday clothes there"s lots of world out therePut on your silk cravat and patent shoesWe"re gonna find adventure in the evening airDolly:To town we"ll trot to a smokey spotWhere the girls are hot as a fuse!All:WOWAll:Put on your silk high hat and at the turned up cuffWe"ll wear a hand made gray suede buttoned gloveDolly:We wanna take New York by Storm!All:We"ll join the AstorsAt Tony Pastor"sAnd this I"m positive ofThat we won"t come homeNo we won"t come homeNo we won"t come home until we fall in love!

英文的，看不懂别怪我http://disneystudiosawards.movies.go.com/wall-e_script.pdf

100%是《机器人瓦力》

Wall-E 是捡垃圾 Eve 是收集材料的他们不是外星人是机器人

不会buhidao~~~

就是《玫瑰人生》啊～

是不是说你老鼠没装？

因为最后一任地球撤离的总统撤离的时候给了auto（你指的轮盘）A113指令，指令内容就是地球清洁计划失败，永远不要回地球。所以auto（你指的轮盘）要阻止真理号的人类回地球。

eva

霹雳五号 Short Circuit (1986)WALL-E的造型很像Johnny 5，不过更迷你可爱一些。毕竟5号是军用机器人，而且既然叫5号，前面肯定有1、2、3、4号。

外星人ET

抱歉这不属于二次元范围？

《Wall-E(机器人总动员)》是2008年上映的由PIX工作室制作，迪士尼发行的动画电影。该电影获得第81届奥斯卡最佳动画长片奖。 本影片讲述的是700年后的地球，整个星球几乎被垃圾掩埋，空气及土壤严重污染，因此人类只能移居到太空船上生活，并请一家公司所制造的机器人（Wall-E)清理地球上的垃圾，希望清理完后能够回到地球继续居住。但垃圾实在太多，随着时间推移所有机器人都坏了，只剩下最后一个，这个机器人Wall-E逐渐产生了自我意识，懂得什么是孤独，希望有人来陪它。一天一艘飞船突然降落，一个机器人Eve来到地球执行搜寻任务，捡垃圾的机器人Wall-E“爱”上了机器人Eve，并引发出后面的一大段历险的故事。 电影的配乐由大师Thomas Newman负责，他也是《肖申克救助》的配乐导演。我们来分享赏析这部电影的配乐。Put On Your Sunday Clothes (From 影片开头音乐选自百老汇歌剧《Hello,Dolly!》，歌名叫做《Put On Your Sunday Clothes》，电影镜头从一望无垠的宇宙逐渐聚焦到了地球，这时候欢快的歌曲与电影画面里荒芜人烟又充满垃圾的景象是截然相反的。这是导演故意为之，用反衬的手法表达出Wall-E的孤单寂寞。影片中表现人们对新生活渴望的歌曲，便是这首，期间也多次出现，体现出生活的热情，虽然地球的环境死气沉沉，但内心依然火热地在舞蹈。 待镜头焦点落在机器人Wall-E身上后，开始进入弦乐和竖琴音，还有空洞寂寥的背景音，这里才真正的影音结合，紧张而带一点不安情绪的拨奏，突出主角机器人的孤单和地球上一片惨败的情景。整段音乐长约三分半，电影镜头也是跟着Wall-E进行，并且期间交代了一些背景信息，引出后面的故事。It Only Takes a Moment (From "Hello Dolly") 镜头来到Wall-E的家，里面有着各式各样的可爱而温馨的装饰。他像上班族一样回到家脱掉外衣（履带），收纳拾捡的的战利品。然后打开了电视录影带。此处，导演运用了真人影视以及音乐，采用画内音乐的形式，歌曲名叫《It only takes a moment》 ，歌曲还是选自歌舞剧《Hello dolly！》。音乐柔和婉转动听，经典爱情曲目。它表达了Wall-E的内心渴望有个人在他身边，和他一起手牵手，分享自己的快乐。导演也借此拟人手法让我们从音乐上体会到了机器人的情感。正是由于这一点这首歌点明了主题，贯穿了整部影片。电影中迎来了第二天的阳光。这里的配乐用很俏皮的打击乐与可爱活泼的管弦乐。揭示Wall-E开始了新的一天忙碌的工作。这个主题音乐为主角和影片增色不少，这正是属于Wall-E的音乐。这首曲子中很好的把握住了机器人Wall-E性格特征，音乐上处理得顽皮可爱，也带出了Wall-E独自在荒芜的地球城市中，依靠一直蟑螂伙伴，还有人类一起下来的垃圾自娱自乐的情趣。当另一个机器人Eve出场，吸引到主角时，导演又运用好莱坞典型的大片那种和谐而美好的弦乐组，从音乐上给力观众提示与暗号。这段和谐的音乐正也是属于机器人Eve的主题音乐，让人觉得很美好，钢琴和弦乐合奏，正是体现女性柔美的一面。 La Vie En Rose 接下来Wall-E不断跟着Eve的情景用了 Louis Armstrong短号版的《La Vie En Rose（玫瑰人生）》，把Wall-E此刻见到Eve忐忑的心情体现的非常到位。这首歌曲非常有名，是法国女歌手艾迪特·皮雅芙的代表作。是一首典型的法国浪漫音乐，此处再一次把机器人拟人化，表达出机器人同样浪漫，同样有感情。 当Wall-E第一次追逐着“绑架”Eve的飞船脱离地球，飞向浩瀚的宇宙，这时的配乐空旷而巨大，制造出了一个虚拟的宇宙空间，让观众随Wall-E一起感受从未感受过的大场面，那些飘渺绚丽的星云，仿佛就在耳边掠过。旋律末尾还巧妙的捕捉到了瓦力第一次见到巨大飞船的无比兴奋与好奇。在巨大飞船和繁星点点的背景下，Wall-E与女机器人Eve在空中自由起舞，这时候的配乐是Eve主题曲的变奏。Thomas Newman除了用电子乐描写他们轻柔婉转的舞姿，也不忘在末尾划分出几小节用弦乐烘托出浪漫的气氛。这是一段非常耐人寻味的乐章。在经历了一系列冒险的机器人和人们回到地球，《It only takes a moment》再一次响起，让人对这种美好的结局而感到开心，同时也表达了未来的希望，让人在美妙的音乐中体会到本应该体会到的美好，人类的未来在自己手中。以此曲结尾，机器人Wall-E也终于有人陪伴，不再孤单，收获完美的”爱情”。 END

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是瓦力与伊娃？

WALL E 开放分类： 电影Wall·E 概览导演： 安德鲁·斯坦顿 主演： Jeff Garlin Benjamin Burtt Fred Willard 更多中文片名： 机器人瓦力 更多外文片名： Wall·E 国家地区： 美国 发行公司： PIXAR 上映日期： 2008-6-27 美国英国的电影杂志《Total Film》在4月号上刊登了介绍迪士尼·皮克斯2008年电脑动画片《WALL·E》的文章，其中有不少首度曝光的剧照和概念艺术设计图，你可以到这里观看杂志扫描的大图。 《WALL·E》由《海底总动员》导演安德鲁·斯坦顿（Andrew Stanton）执导，讲述了一个孤独的在荒凉的地球上捡垃圾的机器人（有一只蟑螂小强的陪伴）爱上来地球考察的女机器人夏娃，追着她进入茫茫宇宙冒险的故事。 导演安德鲁·斯坦顿袒露说，“Wall·E”这个主意早在1995年就开始酝酿了，但直到2002年他才有机会开始真正着手创作。他自称是听着杰瑞·高德史密斯（Jerry Goldsmith）《星际旅行》（Star Trek）的音乐和约翰·威廉姆斯（John Williams）《星球大战》（Star Wars）的音乐写出这个故事的。 本片主角Wall·E从头到尾没有一句台词（整部影片还是会有一些对话的），只能发出机器声（如同“星战”中的R2-D2）。为了赋予它灵性，编导专门找到了曾负责《星球大战》（Star Wars）和《ET外星人》（E.T. the Extra-Terrestrial）的奥斯卡获奖音效师本·伯特（Ben Burtt）给它制作音效。 作为一部动画片《Wall·E》中却会有真人的镜头，比如Wall·E最喜欢看的电影是芭芭拉·史翠珊主演的歌舞片《你好，多莉！》（Hello, Dolly !），这就决定了《Wall·E》里动画和真人的结合比《快乐的大脚》（Happy Feet）会更加复杂。 作为一部科幻片，《Wall·E》里的未来人类设计也很独特：由于太懒，那个时候的人类长成了大肉球。 谈到Wall·E的来源，导演安德鲁·斯坦顿否认了“ET”或者“霹雳五号”（Short Circuit）的说法（尽管外形很像），他只承认自己创造“Wall·E”受到了“小台灯”（Luxo）、双筒望远镜、R2-D2、迪士尼乐园“星空之旅”的机器人、卓别林（Charlie Chaplin）以及伍迪·艾伦（Woody Allen）的影响。 尽管《Wall·E》的故事背景有些发人深省——“2700年，由于人类无度的破坏环境，地球此时已经成为漂浮在太空中的一个大垃圾球”，但整部影片其实是一个爱情故事：一个傻乎乎的土老冒机器人爱上了一个时髦的高科技女机器人。

《机器人总动员》（WALL· E）是《海底总动员》（Finding Nemo）导演安德鲁·斯坦顿（Andrew Stanton）执导的第二部动画片，计划于2008年6月27日在北美上映。影片的故事情节被皮克斯视为高度机密，但越是想保密就越是容易泄密。JHM网站就率先披露了影片的部分故事情节，从透露的这些内容来看，《WALL· E》和以往皮克斯动画片很不一样。而影片片名“WALL·E”是一个缩写，全称为“Waste Allocation Load Lifters - Earth”，就是Buynlarge公司派往地球捡垃圾的那些机器人的官方称呼。另外这部影片中还会出现真人演员佛莱德·威拉德（Fred Willard），他将扮演Buynlarge公司总裁，在动画片中出现真人，这在皮克斯也是首次。其次，游戏的故事背景设定在了差不多七个世纪以后的地球，人类被迫离开自己的母星移居太空船过活，当然这并不是由于什么来自地外文明的威胁，罪魁祸首是不断制造垃圾的人类自己。玩家在游戏中可以分别扮演两个角色：被派往地球进行无穷无尽的垃圾处理工作的Wall-E和奉命前往地球进行勘察的女性机器人Eve无论扮演哪一个角色，玩家的目标都只有一个，那就是从扭曲和混乱中拯救地球。可不想大量的Wall-E都不能够适应地球的生活环境，纷纷损坏。最后只剩下一部Wall-E仍然按照自己被设定好的程序一天天的捡拾垃圾，没想到在捡垃圾的过程中，它逐渐有了自我意识，并且开始有了孤独的感觉，直到有一天一个女机器人来到地球……

剧情需要，爱可以感化一切..

没有看过，这个不了解。

Pixar"s “WALL-E” succeeds at being three things at once: an enthralling animated film, a visual wonderment and a decent science-fiction story. After “Kung Fu Panda,” I thought I had just about exhausted my emergency supply of childlike credulity, but here is a film, like “Finding Nemo,” that you can enjoy even if you"ve grown up. That it works largely without spoken dialogue is all the more astonishing; it can easily cross language barriers, which is all the better, considering that it tells a planetary story.It is 700 years in the future. A city of skyscrapers rises up from the land. A closer view reveals that the skyscrapers are all constructed out of garbage, neatly compacted into squares or bales and piled on top of one another. In all the land, only one creature stirs. This is WALL-E, the last of the functioning solar-powered robots. He — the story leaves no doubt about gender — scoops up trash, shovels it into his belly, compresses it into a square and climbs on his tractor treads and heads up a winding road to the top of his latest skyscraper, to place it neatly on the pile.It is lonely being WALL-E. But does WALL-E even know that? He comes home at night to a big storage area, where he has gathered a few treasures from his scavengings of the garbage and festooned them with Christmas lights. He wheels into his rest position, takes off his treads from his tired wheels and goes into sleep mode. Tomorrow is another day: One of thousands since the last humans left the Earth and settled into orbit aboard gigantic spaceships that resemble spas for the fat and lazy.One day WALL-E"s age-old routine is shattered. Something new appears in his world, which otherwise has consisted only of old things left behind. This is, to our eye, a sleek spaceship. To WALL-E"s eyes, who knows? What with one thing and another, WALL•E is scooped up by the ship and returned to the orbiting spaceship Axiom, along with his most recent precious discovery: a tiny, perfect green plant, which he found growing in the rubble and transplanted to an old shoe.Have you heard enough to be intrigued, or do you want more? Speaking voices are now heard for the first time in the movie, although all on his own, WALL-E has a vocabulary (or repertory?) of squeaks, rattles and electronic purrs, and a couple of pivoting eyes that make him look downright anthropomorphic. We meet a Hoverchair family, so known because aboard ship they get around in comfy chairs that hover over surfaces and whisk them about effortlessly. They"re all as fat as Susie"s aunt.This is not entirely their fault, since generations in the low-gravity world aboard the Axiom have evolved humanity into a race whose members resemble those folks you see whizzing around Wal-Mart in their electric shopping carts.There is now a plot involving WALL-E, the ship"s captain, several Hover people and the fate of the green living thing. And in a development that would have made Sir Arthur Clarke"s heart beat with joy, humanity returns home once again — or is that a spoiler?The movie has a wonderful look. Like so many of the Pixar animated features, it finds a color palette that"s bright and cheerful, but not too pushy, and a tiny bit realistic at the same time. The drawing style is Comic Book Cool, as perfected in the funny comics more than in the superhero books: Everything has a stylistic twist to give it flair. And a lot of thought must have gone into the design of WALL-E, for whom I felt a curious affection. Consider this hunk of tin beside the Kung Fu Panda. The panda was all but special-ordered to be lovable, but on reflection, I think he was so fat, it wasn"t funny anymore. WALL-E, however, looks rusty and hard-working and plucky, and expresses his personality with body language and (mostly) with the binocular-like video cameras that serve as his eyes. The movie draws on a tradition going back to the earliest days of Walt Disney, who reduced human expressions to their broadest components and found ways to translate them to animals, birds, bees, flowers, trains and everything else.What"s more, I don"t think I"ve quite captured the film"s enchanting storytelling. Directed and co-written by Andrew Stanton, who wrote and directed “Finding Nemo,” it involves ideas, not simply mindless scenarios involving characters karate-kicking each other into high-angle shots. It involves a little work on the part of the audience, and a little thought, and might be especially stimulating to younger viewers. This story told in a different style and with a realistic look could have been a great science-fiction film. For that matter, maybe it is.Note: The movie is preceded by “Presto,” a new Pixar short about a disagreement over a carrot between a magician and his rabbit. 我给你的参考资料里有这篇文章的翻译。

阿·太令我失望了……

La Vie En Rose 玫瑰人生~~

WALL E 导演： 安德鲁·斯坦顿 主演： Jeff Garlin Benjamin Burtt Fred Willard 更多中文片名： 机器人瓦力 更多外文片名： Wall·E 国家地区： 美国 发行公司： PIXAR 上映日期： 2008-6-27 美国英国的电影杂志《Total Film》在4月号上刊登了介绍迪士尼·皮克斯2008年电脑动画片《WALL·E》的文章，其中有不少首度曝光的剧照和概念艺术设计图，你可以到这里观看杂志扫描的大图。 《WALL·E》由《海底总动员》导演安德鲁·斯坦顿（Andrew Stanton）执导，讲述了一个孤独的在荒凉的地球上捡垃圾的机器人（有一只蟑螂小强的陪伴）爱上来地球考察的女机器人夏娃，追着她进入茫茫宇宙冒险的故事。 导演安德鲁·斯坦顿袒露说，“Wall·E”这个主意早在1995年就开始酝酿了，但直到2002年他才有机会开始真正着手创作。他自称是听着杰瑞·高德史密斯（Jerry Goldsmith）《星际旅行》（Star Trek）的音乐和约翰·威廉姆斯（John Williams）《星球大战》（Star Wars）的音乐写出这个故事的。 本片主角Wall·E从头到尾没有一句台词（整部影片还是会有一些对话的），只能发出机器声（如同“星战”中的R2-D2）。为了赋予它灵性，编导专门找到了曾负责《星球大战》（Star Wars）和《ET外星人》（E.T. the Extra-Terrestrial）的奥斯卡获奖音效师本·伯特（Ben Burtt）给它制作音效。 作为一部动画片《Wall·E》中却会有真人的镜头，比如Wall·E最喜欢看的电影是芭芭拉·史翠珊主演的歌舞片《你好，多莉！》（Hello, Dolly !），这就决定了《Wall·E》里动画和真人的结合比《快乐的大脚》（Happy Feet）会更加复杂。 作为一部科幻片，《Wall·E》里的未来人类设计也很独特：由于太懒，那个时候的人类长成了大肉球。 谈到Wall·E的来源，导演安德鲁·斯坦顿否认了“ET”或者“霹雳五号”（Short Circuit）的说法（尽管外形很像），他只承认自己创造“Wall·E”受到了“小台灯”（Luxo）、双筒望远镜、R2-D2、迪士尼乐园“星空之旅”的机器人、卓别林（Charlie Chaplin）以及伍迪·艾伦（Woody Allen）的影响。 尽管《Wall·E》的故事背景有些发人深省——“2700年，由于人类无度的破坏环境，地球此时已经成为漂浮在太空中的一个大垃圾球”，但整部影片其实是一个爱情故事：一个傻乎乎的土老冒机器人爱上了一个时髦的高科技女机器人。 影片片名“WALL·E”是一个缩写，全称为“Waste Allocation Load Lifters -- Earth”，就是片中被派往地球捡垃圾的那些机器人的官方称呼。《WALL·E》将于2008年6月27日上映。

他叫 MO M-O

种子地址见附件，20天有效。高清3语版本、封装软字幕，在播放软件的音频菜单中选择英语原声，在字幕菜单选择关闭字幕，就是英语无字幕的版本了。很抱歉，回答者上传的附件已失效

迪斯尼3D巨作《Wall·E 机器人总动员》电影原声专辑名称：WALL·E 机器人总动员 艺 术 家：Thomas Newman等 音乐类型：Soundtrack 唱片公司：Walt Disney Records 发行日期：2008年6月24日 专辑语言：英语 专辑曲目： 1. Put On Your Sunday Clothes - Michael Crawford & Company 2. 2815 A.D.- Thomas Newman 3. Wall-E - Thomas Newman 4. The Spaceship - Thomas Newman 5. EVE - Thomas Newman 6. Thrust - Thomas Newman 7. Bubble Wrap - Thomas Newman 8. La Vie En Rose - Louis Armstrong 9. Eye Surgery - Thomas Newman 10. Worry Wait - Thomas Newman 11. First Date - Thomas Newman 12. Eve Retrieve - Thomas Newman 13. The Axiom - Thomas Newman 14. BNL - Thomas Newman 15. Foreign Contaminant - Thomas Newman 16. Repair Ward - Thomas Newman 17. 72 Degrees and Sunny - Thomas Newman 18. Typing Bot - Thomas Newman 19. Septuacentennial - Thomas Newman 20. Gopher - Thomas Newman 21. Wall-E"s Pod Adventure - Thomas Newman 22. Define Dancing - Thomas Newman 23. No Splashing No Diving - Thomas Newman 24. All That Love"s About - Thomas Newman 25. M-O - Thomas Newman 26. Directive A-113 - Thomas Newman 27. Mutiny! - Thomas Newman 28. Fixing Wall-E - Thomas Newman 29. Rogue Robots - Thomas Newman 30. March of the Gels - Thomas Newman 31. Tilt - Thomas Newman 32. The Holo-Detector - Thomas Newman 33. Hyperjump - Thomas Newman 34. Desperate Eve - Thomas Newman 35. Static - Thomas Newman 36. It Only Takes a Moment - Michael Crawford 37. Down to Earth - Peter Gabriel 38. Horizon 12.2 - Thomas Newman 36.It Only Takes A Moment Michael Crawford And that is all that loves about and we racall when time runs out that is only took a moment to be in love a whole life long...

应该是WALL•E

霹雳五号？机械战警？9号？

机器人总动员里面两个主角的英文名是WALL.E和Eve。瓦力（WALL.E）瓦力（WALL.E）是电影《机器人瓦力》中的一个虚构角色，亦是该片的主角。他是一台虚构的型号为WALL-E的机器人，后来一见钟情地喜欢上了新形异星植物探测女机器人伊芙（EVE，Extraterrestrial Vegetation Evaluator，但被瓦力叫做Eva伊娃）。伊芙（Eve）伊芙（Eve）光滑而精巧的会飞行的探测机器人，她的任务是勘测地球上的植物，以确定是否适合人类生存。她的右臂上装有扫描仪和可收回式电离枪，后者可以让她应对一些小麻烦。伊芙一直无暇他顾专心工作，直到有一天，她邂逅了瓦力，两个机器人在朝夕相处间萌生了情感。扩展资料《机器人总动员》主要角色：1，船长飞船上的唯一指挥官，每天都在按部就班的例行公事，反复检查飞船状态。和瓦力一样，他也希望摆脱这一成不变的乏味生活。得知探测机器人的新发现之后，他内心中作为船长的勇气终于被唤醒，随即带领人类踏上了新征程。船长的卡通形象与其配音演员杰夫·格尔林如出一辙。2，微生物清洁工负责清理登上真理号飞船的外来污染物，当瓦力登上飞船时，M-O如临大敌，因为瓦力是他见过的最肮脏的机器人。为了清除掉瓦力身上的垃圾残留物，M-O紧追不舍，一场猫鼠游戏也随即上演。