背

方法如下：1、进入《gta5》游戏；2、点击进入到佩里科岛；3、进入之后，点击鼠标的左键和回车键即可拿到大型背包。佩里科岛（英语：Cayo Perico），是Rockstar Games开发的游戏《侠盗猎车Online》中的一座虚构岛屿，是线上人物“金发老大”的基地。金发老大在这个岛屿上开办派对、种植毒品，岛上的豪宅里则存放有各种值钱的财宝。

如果想打好基础那就要背雅思了，AEIS不是怎么难，对于一般水平的人只要下点苦功肯定会考上的，数学难度还算可以，不会难道什么程度，要恶补英语方面，另外数学也是不容忽视的，我有个朋友就是因为觉得英语重要点，只背了英语，忽略了数学，结果要等上1年

不胖，可以

你的Sloggi抖出来啦

1、good morning是早上好的意思。 2、比较正式的说法一般是“Wish you have a good morning.”为了能够简单方便地表达，也为显得不那么地正式化，所以，以“Good morning.”，甚至于直接用“Morning.”来简单地问候、打招呼。就像中文口语里面会说“早上好！”，而不说“祝你有个美好的早晨！”。

兰花草。 今天你要嫁给我。summer

找到了，叫Cavatina。是古典吉他专辑里的。

2005年维多利亚的秘密内衣秀开场时的背景音乐是《Embraceable You》。其它的背景音乐如下：1、I Like the Way(first catwalk) 2、Shot You Down(second catwalk)  3、Love"s Divine (third catwalk)  4、Crazy (third catwalk)  5、Drop It Like It"s Hot (fourth catwalk)  6、Plaine, Ma Plaine (fourth catwalk)  7、I Want Candy (fifth catwalk)  8、Pon de Replay (fifth catwalk)  9、Drop It On Me(sixth catwalk)  10、La La(sixth catwalk)  11、Good Luck (sixth catwalk)  12、Are You Gonna Be My Girl (sixth catwalk)  13、 Drop It On Me(sixth catwalk)  扩展资料：相关歌曲介绍：1、《Embraceable You》《Embraceable You》是由Chris Botti作曲、作词，并演唱的一首歌曲，该歌曲收录在专辑《To Love Again: The Duets》中。2、《I Like the Way》《I Like the Way》是由Bodyrockers作曲、作词，并演唱的一首歌曲，该歌曲收录在专辑《Now That"s What I Call A Wedding》中。3、《Shot You Down》《Shot You Down》是由Dinsdale Tom作曲、作词，Audio Bullys演唱的一首歌曲，该歌曲收录在专辑《Generation》中。

利息信息吧

Catherine是我非常喜欢的一首歌，感觉很特别，是陶喆唱给自己妈妈的，唯一让我遗憾的是这首歌不是陶喆自己写的，这也是陶喆发表歌曲中为数不多非自己创作的歌。

Based in the mid 1800s before the Civil War, the novel chronicles the journey of and relationship between Huckleberry Finn and a runaway southern slave, Jim, as they flee south on the Mississippi River. The pair have a journey that bring them together and that shows Mark Twain"s dislike for slavery in the southern culture.

校园生活系列

Will of the heart

背单词的最好时间是在晚上。找一个时间段集中起来背书。

刷阴谋论其实对于解决问题没什么作用，就像之前那位花蝴蝶女士碰瓷岳云鹏一样，只需要岳云鹏证明自己跟她压根没关系就行了，不需要去嚷嚷“谁指使你来迫害德云社”，那样只会从一件事情里面扯出一万件事情来。不过饭圈似乎都很喜欢这么玩，毕竟在粉丝的世界里，除了她们在保护着哥哥们，其他人都嫉妒哥哥的流量，想要找机会来迫害外加蹭热度呢~近日，在南京德云社门口，一个女子指着牌匾大喊“老祖宗留下来的字都写错了，缺了德啊！”据悉，该女子是随团旅游，在看到德云社这块招牌后，向工作人员提出过意见，不过工作人员没有搭理她，所以就用吵吵的方式发泄不满。当然这事情也不了了之，毕竟旅游团在同一个地点滞留时间有限，不可能让这位女士得到满意处理后再离开，她一心维护传统文化可以等，但大巴车和飞机可不能等。其实德云社这块牌匾，在很多年前就讨论过，包括当时德云社粉丝在内的人基本都有一个相同观点：这就是个错别字。只不过粉丝们给这个错别字找了很多丰富的内涵解释，比如侯耀文先生故意把一横写在上面，是希望老郭不要横，而是要当一个“士”，有古代名士的风骨节操，那样才能真正弘扬传统文化。当然这些曲了拐弯的说辞谁都能白话一大堆，具体弄么回事呢，只有侯耀文先生自己知道。而3月3日南京德云社这事情闹出来以后，粉丝们又赶紧出来一通洗，还通过万能的互联网查到了，以前古人也有这么写“德”字的，所以这算是一个异体字。北魏《仇臣生造像》（三宝造像记）里，就是这么写的“德”字。BUT但是可是并且要知道有这么一回事，所谓的“异体字”是包括古人写的错别字（讹字）在内，所有正确和不正确的写法，毕竟古人也不是全对，老祖宗犯混蛋的时候也不少。目前根据新华词典对德字六大正确异体字的写法里，并不包括南京德云社那种写法：惪、徳、恴、悳、㥁、㥀全聚德的德是清代通用的写法，有官方背书的，而侯耀文写的德字，就是个彻头彻尾的错别字，而且是跟北魏的先人错得一模一样，这份跨越千年的缘分，实在是让人感到好浪漫~当然了，虽然是错别字，但我们国家法律也没规定老百姓不准写错别字，而且德云社这块招牌本来也不是广泛引发的宣传品，撑死了算个显眼的装饰品罢了，并没有识文断字的教学功能，所以即使郭德纲一直不搭理外界的质疑，也不会有什么问题，就像他那本一百多错别字的家谱一样，让老百姓找找乐子就完了。

这个问的比较专业啦led背光就是以led二极管做成模组应用到TV等。

casting shoot 没有错，可以这么叫，但是因为shoot还有其他的意思，在商业，公共场合上不是很好听，所以很多人喜欢用 casting call,或直接 Casting就可以了。

[原版伴奏] Teriyaki Boyz - Tokyo Drift 需要请留邮箱或hi我联系，会发给您的~

红A的令咒并没有给caster. 只是因为caster的宝具破除万物戒律之符切断了红A和凛的契约 让他变成了自由人 所谓的同盟只是红A嘴上说的 并没有任何强制性 所以背叛对红A没有任何影响.

不值钱！，，，，

语法标注解释 throughout英音：[θru:"aut]美音：[θru"aut] 以下结果由译典通提供词典解释介词 prep. 1.遍及,遍布The National Day was celebrated throughout the country. 全国都在庆祝国庆日。 2.贯穿,从头到尾This feeling persisted throughout the day. 这种感觉持续了一整天。 副词 ad. (通常用在句尾)1.处处The material is flawed throughout. 那个材料处处瑕疵。 The house is well built throughout. 这房子处处都建得很好。 2.始终The army remained loyal throughout. 军队始终保持忠诚。 3.在所有方面

Nightwish的EverDreamEverfeltawaywithmeJustoncethatallIneedEntwinedinfindingyouonedayEverfeltawaywithoutmeMylove,itliessodeepEverdreamofmeWouldyoudoitwithmeHealthescarsandchangethestarsWouldyoudoitformeTurnloosetheheavenwithinI"dtakeyouawayCastawayonalonelydayBosomforatearycheekMysongcanbutborrowyourgraceEverfeltawaywithmeJustoncethatallIneedEntwinedinfindingyouonedayEverfeltawaywithoutmeMylove,itliessodeepEverdreamofmeComeout,comeoutwhereveryouareSolostinyourseaGivein,giveinformytouchFormytasteformylustEverfeltawaywithmeJustoncethatallIneedEntwinedinfindingyouonedayEverfeltawaywithoutmeMylove,itliessodeepEverdreamofmeYourbeautycascadedonmeInthiswhitenightfantasyEverfeltawaywithmeJustoncethatallIneedEntwinedinfindingyouonedayEverfeltawaywithoutmeMylove,itliessodeepEverdreamofme打字不易，如满意，望采纳。

只是它的背很高，很像驼背的人，所以给它取名鸵鸟。鸵鸟以前也是会飞的。

Cassandra的高可用性、动态可伸缩性、最小化管理开销等特性使得它越来越受关注1. 伸缩性，当我们增加一个系统中的资源，并能获取与增加的资源保持适当的比例关系的性能提升，我们就认为这个服务具备了伸缩性，可伸缩性表示的工作量和吞吐量之间的关系资源投入与输出保持线性关系。为促进冗余投入的资源不会带来性能损失。能够处理异构资源。能做到运维高效。具备自修复能力。2.Scale Out Vs Scale UpScale Up： 在同一个逻辑单元内增加资源,例如增加CPU/内存/网卡数量等。Scale Out- ：增加多个逻辑单元的资源,并使它们如同一个集中的资源那样提供服务(集群/分布式/负载均衡等) 。Scale Up  ：较为简单,但是规模有限,代价越来越大。Scale Out ：需要从架构层面设计,规模没有限制,代价由架构决定。

你好，你的描述不是太准确啊，这个没办法告诉你背景音乐是什么呢。。如果你是要用或者要听的话，我推荐一些给你吧~~都是我很喜欢的哦~希望你也能喜欢~~(づ￣ 3￣)づ第一首Headhunterz - Battle 2 The End第二首Walt F - Walt Feliz第三首 Canto Della Liberta-Cherry Coke Daan ReMix。【一些节奏不错的音乐】第一首 time to rock第二首 Dota第三首 sound of my dream第四首 Basshunter - All I Ever Wanted第五首 Basshunter - All I Ever Wanted第六首 Cascada - Because The Night第七首 cascada-one more night第八首 夜店夜音HOUSE 第九首 StereophobiaBig fat bass Bitte ein BeatRevival X-Brennan HeartFearless-Brennan Heart Meets Clive KingWe Are Possessed-Brennan Heartcascada - every time we touchHardstyle Republic - Resistance is Futilebodies without organs - sun shine in the rain(很喜欢的慢节奏)Headhunterz-The SacrifficeDj Cammy - Ravers FantasyGary McF - Ah Ahh Ahhh!raise the bass百度知道团队【漫步云端】为您解答~~分享知识分享快乐~~(づ￣ 3￣)づ欢迎您的加入~~~(≧▽≦)/~​

歌名：becausethenight歌手：cascada酷狗上面直接搜曲名，又很多混音版本的。希望可以帮到你～

lady gaga j adore hardcore walt&feliz 深水炸弹 tu vivi nell aria 俄罗斯方块DJ 著名的墨尔本曳步舞者——法国面具男所跳的墨尔本曳步舞视频背景音乐第一首Headhunterz - Battle 2 The End第二首Walt F - Walt Feliz第三首 Canto Della Liberta-Cherry Coke Daan ReMix。【一些节奏不错的音乐】第一首 time to rock第二首 Dota第三首 sound of my dream第四首 Basshunter - All I Ever Wanted第五首 Basshunter - All I Ever Wanted第六首 Cascada - Because The Night第七首 cascada-one more night第八首 夜店夜音HOUSE 第九首 StereophobiaBig fat bass Bitte ein BeatRevival X-Brennan HeartFearless-Brennan Heart Meets Clive KingWe Are Possessed-Brennan Heartcascada - every time we touchHardstyle Republic - Resistance is Futilebodies without organs - sun shine in the rain(很喜欢的慢节奏)Headhunterz-The SacrifficeDj Cammy - Ravers FantasyGary McF - Ah Ahh Ahhh!raise the bass下载地址:www.beemp3.com【Basshunter专场音乐】Angel In The Night-BasshunterCamilla-BasshunterI Miss You-BasshunterIn Her Eyes-BasshunterNow You"re Gone-BasshunterSwedish Lion King Theme-BassHunterAsshunter_-_Jag_Ar_BasshunterBasshunter - Now You"re Gone basshunter - basshunter megamixbasshunter - i"m your bass creatorbasshunter - russiabasshunter & patrik och lillen - vifta med handernaBasshunter Vs Gebroeders Ko - BassHunter - pappa djbasshunter_-_levas_polka_basshunter_remix_ver.1 谢谢采纳满意请采纳。

你好，你的描述不是太准确啊，这个没办法告诉你背景音乐是什么呢。。如果你是要用或者要听的话，我推荐一些给你吧~~都是我很喜欢的哦~希望你也能喜欢~~(づ￣ 3￣)づ第一首Headhunterz - Battle 2 The End第二首Walt F - Walt Feliz第三首 Canto Della Liberta-Cherry Coke Daan ReMix。【一些节奏不错的音乐】第一首 time to rock第二首 Dota第三首 sound of my dream第四首 Basshunter - All I Ever Wanted第五首 Basshunter - All I Ever Wanted第六首 Cascada - Because The Night第七首 cascada-one more night第八首 夜店夜音HOUSE 第九首 StereophobiaBig fat bass Bitte ein BeatRevival X-Brennan HeartFearless-Brennan Heart Meets Clive KingWe Are Possessed-Brennan Heartcascada - every time we touchHardstyle Republic - Resistance is Futilebodies without organs - sun shine in the rain(很喜欢的慢节奏)Headhunterz-The SacrifficeDj Cammy - Ravers FantasyGary McF - Ah Ahh Ahhh!raise the bass百度知道团队【漫步云端】为您解答~~分享知识分享快乐~~(づ￣ 3￣)づ欢迎您的加入~~~(≧▽≦)/~​

你好，你的描述不是太准确啊，这个没办法告诉你背景音乐是什么呢。。如果你是要用或者要听的话，我推荐一些给你吧~~都是我很喜欢的哦~希望你也能喜欢~~(づ￣ 3￣)づ【一些节奏不错的音乐】第一首 time to rock第二首 Dota第三首 sound of my dream第四首 Basshunter - All I Ever Wanted第五首 Basshunter - All I Ever Wanted第六首 Cascada - Because The Night第七首 cascada-one more night第八首 夜店夜音HOUSE 第九首 StereophobiaBig fat bass Bitte ein BeatRevival X-Brennan HeartFearless-Brennan Heart Meets Clive KingWe Are Possessed-Brennan Heartcascada - every time we touchHardstyle Republic - Resistance is Futilebodies without organs - sun shine in the rain(很喜欢的慢节奏)Headhunterz-The SacrifficeDj Cammy - Ravers FantasyGary McF - Ah Ahh Ahhh!raise the bass百度知道团队【漫步云端】为您解答~~分享知识分享快乐~~(づ￣ 3￣)づ欢迎您的加入~~~(≧▽≦)/~满意记得采纳哦~您的采纳是我继续助人的最大动力~~(づ￣ 3￣)づ

scooter 歌手

著名的墨尔本曳步舞者——法国面具男所跳的墨尔本曳步舞视频背景音乐 第一首Headhunterz - Battle 2 The End 第二首Walt F - Walt Feliz 第三首 Canto Della Liberta-Cherry Coke Daan ReMix。 【一些节奏不错的音乐】 第一首 time to rock 第二首 Dota 第三首 sound of my dream 第四首 Basshunter - All I Ever Wanted 第五首 Basshunter - All I Ever Wanted 第六首 Cascada - Because The Night 第七首 cascada-one more night 第八首 夜店夜音HOUSE 第九首 Stereophobia Big fat bass Bitte ein Beat Revival X-Brennan Heart Fearless-Brennan Heart Meets Clive King We Are Possessed-Brennan Heart cascada - every time we touch Hardstyle Republic - Resistance is Futile bodies without organs - sun shine in the rain(很喜欢的慢节奏) Headhunterz-The Sacriffice Dj Cammy - Ravers Fantasy Gary McF - Ah Ahh Ahhh! raise the bass 下载地址: www.beemp3.com 【Basshunter专场音乐】 Angel In The Night-Basshunter Camilla-Basshunter I Miss You-Basshunter In Her Eyes-Basshunter Now You"re Gone-Basshunter Swedish Lion King Theme-BassHunter Asshunter_-_Jag_Ar_Basshunter Basshunter - Now You"re Gone basshunter - basshunter megamix basshunter - i"m your bass creator basshunter - russia basshunter & patrik och lillen - vifta med handerna Basshunter Vs Gebroeders Ko - BassHunter - pappa dj basshunter_-_levas_polka_basshunter_remix_ver.1 这些 都很适合 鬼步 哦 以定会对你有帮助的~~~采纳哦

记住发音规则和词性，并且在句子中应用

这个你最好失去买一本叫做高考必备词的单词本，几块钱，

Gary现在没有特定的专用背景音乐，之前专用背景音乐一般都是他自己的歌，以下五首是使用最多的专用背景音乐第一首歌名：我这家伙的答案是你歌手：leessang第二首歌名：不能分手的女人，不能离开的男人歌手：leessang第三首歌名：关掉电视歌手：leessang&权正烈&尹美莱第四首歌名：我们现在见吧歌手：leessang第五首歌名：getsomeair歌手：Gary&Miwoo

这首歌是-意大利音乐鬼才Lucio Dalla（卢西奥·黛兰）创作的....Caruso（卡鲁索1873-1921）是伟大的歌唱家，帕瓦罗蒂的前辈，除他之外还有谁能让老帕如此动情的演唱呢？后来我查资料也证实了，歌曲的背景确实动人。故事发生在那不勒斯海畔，一个美丽的地方，爱与毁灭家园，卡鲁索的故乡。传说女妖塞壬就生活在这一带海面的岩石上，她用天籁般的歌声诱惑过往的水手，让他们不顾一切地投入大海。后来塞壬爱上尤里西斯，这一次为爱投入海里的不是别人而是她自己。塞壬的身体被海浪冲到岸边，变成了那不勒斯湾。哀婉而热烈的民谣在那不勒斯街巷飘荡，埋葬了庞贝古城的维苏威火山遥遥相对，不时冒出青烟。风景如诗如画，美得令人心醉，危险得让人难以逃亡。 　　1986年的一天，意大利音乐鬼才Lucio Dalla（卢西奥·黛兰）在航海途中船只受损，不得不来到那不勒斯海畔的苏莲托(Sorrento)半岛作短暂停留（你也许听过《重归苏莲托》这首歌）。苏莲托刀削一般的万丈悬崖直入大海，许多民居就修建在峭壁上。当地人强烈推荐黛兰入住维多利亚精致旅馆(Hotel Excelsior Vittoria)，这是歌唱大师卡鲁索住过地方，或许当地人已经意识到了什么。在苏莲托逗留期间，黛兰站在旅馆的阳台上，想像着几十年前卡鲁索在此度过最后时光。奇丽的景色与梦幻般的轮回让黛兰着手创作《Caruso》这首歌。据说歌曲的创作得到一个女孩的协助，而她在歌曲问世之前却因癌症而死去。黛兰将这一切的情感都倾注于歌曲中（看后面的歌词）。 　　距苏莲托二十公里的路程就是那不勒斯市。如今你去那里的“大排档”用餐，有机会遇到街边艺人向你献唱，少年卡鲁索从事过这种职业。1897年，作曲家普契尼(1858-1924)为歌剧《艺术家的生涯》面试演员，在试听卡鲁索之后普契尼惊讶地说：“是谁派你来的？难道是上帝吗？”由此卡鲁索成为《生涯》的男主角，并与饰演女主角的阿达·贾凯蒂相爱，生有两子。阿达·贾凯蒂和妹妹里娜·贾凯蒂都是大美人，卡鲁索虽然是上帝派来的天使歌手，却犯了每一个臭男人都会犯的错误：姐妹两个他都爱，感情纠缠不清。11年后，阿达�6�1贾凯蒂带着两个儿子离家出走，让卡鲁索一生愧疚。卡鲁索以演出《丑角》闻名。《丑角》讲述一个乡村巡回剧团团长卡尼奥，他与妻子都是演员，他们的剧目是《丈夫回家》，一个妻子有外遇的故事；现实中团长的妻子真的有外遇了，于是他们在台上假戏真唱，最后丈夫在舞台上杀死了妻子。卡鲁索再也不需要扮演丑角了，他自己就是丑角。《丑角》有一段著名的咏叹调《粉墨登场》：“穿上彩衣，脸涂白粉，要逗乐人们，妻子偷了汉子，做丈夫的还得博取观众一笑，含泪强颜欢笑是丑角的本份”。可以想像卡鲁索在舞台上演唱这一段是什么情景！ 　　后来卡鲁索去了美国，获得很大的成功。1918年，卡鲁索与多萝西结婚，育有一女。卡鲁索扮演了一辈子的丑角，丑角也要了他的命。1920年11月15日，卡鲁索在大都会演出《丑角》，开始时一切正常，但不久他就咳嗽并吐血，先是背过身去，继而越来越频密，只一会儿功夫他的罩衫就被鲜血染红了。工作人员递给他毛巾擦血，片刻功夫舞台上就扔满了鲜红的毛巾，可他仍在演唱，观众席里爆发出“停下！”“不要让他再唱了！”的喊叫。最后卡鲁索昏死过去。从此卡鲁索离开了舞台，回到那不勒斯，生命的最后一年他为病痛吃尽了苦头。1921年8月2日所有的苦难终于结束了，卡鲁索握着爱妻的手离开人世。 　卡鲁索被誉为歌剧史上最伟大的歌唱家，对后世的歌唱表演艺术影响深远，他也是第一个灌录唱片的歌唱家。当代歌王帕瓦罗蒂如此评价他的前辈：“卡鲁索确实是楷模，所有的男高音都应当以他为师。他的声音举世无双。……他那非凡的乐句处理和令人难以置信的音乐激情使他比任何人都能接触到音乐的真谛，任何人都不能同他相提并论。”这就是老帕如此动情地演唱《Caruso》的缘由。 　　黛兰感触到卡鲁索的爱与哀伤，倾诉于歌曲中。《Caruso》问世之后广受欢迎，无论古典界还是流行圈，许多歌手与乐队以各种风格演绎、翻唱过这首歌，包括作曲家本人。当然我最喜欢的还是帕瓦罗蒂的演唱，老帕也表示这是他最喜欢的歌曲。 　　在歌曲响起的那一刻，卡鲁索、黛兰、帕瓦罗蒂的灵魂穿越时空合而为一（都是意大利人），因为爱这个永恒的主题。歌曲糅合了民谣、古典、流行的曲风，表达了对爱情的渴望，生命的无常，以及艺术家的悲鸣。夹带着腥味的海风吹来，吹动着姑娘的秀发，飘散的发丝宛如泣血的泪痕；凝视着她湛蓝的眼眸，自己却陷入痛苦的海洋，心灵深处哀伤地吟唱：我是如此地爱你，你知道吗？

你好！admission-admit记住词根容易记允许进入,承认某事之陈述,供认仅代表个人观点，不喜勿喷，谢谢。

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印象主义(impressionism)在19世纪60一70年代以创新的姿态登上法国画坛，其锋芒是反对陈旧的古典画派和沉湎在中世纪骑士文学而陷入矫揉造作的浪漫主义。印象主义吸收了柯罗、巴比松画派以及库尔贝写实主义的营养，在19世纪现代科学技术(尤其是光学理论和实践)的启发下，注重在绘画中对外光的研究和表现。印象主义画家提倡户外写生，直接描绘在阳光下的物象，从而摒弃了从16世纪以来变化甚微的褐色调子，并根据画家自己眼睛的观察和直接感受，表现微妙的色彩变化。　画家：克劳德·莫奈 　　爱杜尔·马奈 　　艾德嘉·窦加 　　奥古斯特·雷诺阿 　　卡米耶·毕沙罗 　　玛丽·卡萨特 　　亚弗雷德·薛斯利 　　居斯塔夫·卡玉伯特

印象主义(impressionism)在19世纪60一70年代以创新的姿态登上法国画坛，其锋芒是反对陈旧的古典画派和沉湎在中世纪骑士文学而陷入矫揉造作的浪漫主义。印象主义吸收了柯罗、巴比松画派以及库尔贝写实主义的营养，在19世纪现代科学技术(尤其是光学理论和实践)的启发下，注重在绘画中对外光的研究和表现。印象主义画家提倡户外写生，直接描绘在阳光下的物象，从而摒弃了从16世纪以来变化甚微的褐色调子，并根据画家自己眼睛的观察和直接感受，表现微妙的色彩变化。　画家：克劳德·莫奈 　　爱杜尔·马奈 　　艾德嘉·窦加 　　奥古斯特·雷诺阿 　　卡米耶·毕沙罗 　　玛丽·卡萨特 　　亚弗雷德·薛斯利 　　居斯塔夫·卡玉伯特

安东尼·罗宾（anthony.robbins）本来是一名贫穷潦倒的小伙子，26岁时仍然住在仅有10平方米的单身公寓里，洗碗盆也只能在浴缸里洗，生活一团糟，人际关系恶劣，前途十分暗淡。 　　然而自从他发现内心蕴藏着无限的潜能之后，生活便开始大为改观，成为一名充满自信的成功者。　　如今，他是一位白手起家、事业成功的亿万富翁，是当今最成功的世界级潜能开发专家。　　他协助职业球队、企业总裁、国家元首激发潜能，渡过各种困境及低潮。曾辅导过多位皇室的家庭成员，被美国前总统克林顿、戴安娜王妃聘为个人顾问；曾为众多世界名人提供咨询，包括南非总统曼徳拉、前苏联总统戈尔巴乔夫、世界网球冠军安德烈·阿加西等。　　1995年安东尼·罗宾当选为“美国十大杰出青年”，1994年获评杰出人类活动家与“布莱恩·怀特公正奖”。1993年Toastmaster International评为“全球五大演说家”；1995年，被授予其最高奖项“金锤奖”。　　安东尼·罗宾的著作在全世界已有十数种译本，受益的人不计其数，主要著作有《激发个人潜能Ⅱ》、《激发无限的潜力》、《唤起心中的巨人》、《巨人的脚步》和《一分钟巨人》等，这些著作在美国或已有译本出版的国家或地区，都已成为最佳畅销书，他的CD教材更是个人成长类产品的第一名。　　安东尼.罗宾的著作已经改变了无数读者的命运，让读者活出更精彩和有价值的人生。安东尼.罗宾的著作是您帮助亲友成长、企业激发员工潜力的最佳教材！

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服装度尺部位专业英语词汇〖BUST WIDTH 胸阔 FRONT CROSS 前胸阔 BACK CROSS 后胸阔 WAIST WIDTH 腰阔 BOTTOM 脚阔 SHOULDER ACROSS 肩阔 SMALL SHOULDER 小肩长 C/B LENGTH 后中长 SLEEVE LENGTH 袖长 SLEEVE OPENING 袖口阔 CUFF WIDTH 介英宽 ARMHOLE（CURVE/STRAIGHT） 夹圈（弯度/直度） NECK WIDTH 颈阔 SLEEVE CROWN HEIGHT 袖山高 UPPER ARM WIDTH 袖脾阔 COLLAR LENGTH 领长 FRONT NECK DROP 前领深 UPPER COLLAR HEIGHT 上级领高 COLLAR BAND HEIGHT 下级领高 COLLAR POINT 领尖长 COLLAR POINT SPREAD 领尖距 PLACKET WIDTH 前筒宽 POCKET HIGH POINT 袋尖高（袋最长的高度） WAIST（RELAX） 腰围（松度） WAIST（STRETCHED） 腰围（拉度） HIP 坐围 HIGH HIP 上坐围 THIGH（UNDER CROTCH） 脾围 LEG OPENING 裤脚围 FRONT RISE 前浪 BACK RISE 后浪 INSEAM LENGTH 内长 OUTSEAM LENGTH 外长 WAISTBAND 裤头高 KNEE 膝围 SWEEP（HALF） 裙阔（裙底半度） FLY WIDTH 钮牌阔 FLY LENGTH 钮牌长 BELTLOOP 裤耳服装布料英语专业词汇靛蓝青年布：Indigo chambray 人棉布植绒：Rayon cloth flocking PVC植绒：PVC flocking 针织布植绒：Knitting cloth flocking 珠粒绒：Claimond veins 倒毛：Down pile making 平绒：velveteen (velvet-plain) 仿麂皮：Micro suede 牛仔皮植绒：Jeans flocking 尼丝纺：Nylon taffeta (Nylon shioze) 尼龙塔夫泡泡纱：Nylon seersucker taffeta 素面植绒：plain flocking 印花植绒：flocking(flower) 雕印植绒：Embossing flocking 皮革沟底植绒：Leather imitation flocking 牛仔植绒雕印：Embossing jeans flocking 兔羊绒大衣呢：Angora cachmere overcoating 双面呢：double-faced woolen goods羊毛 立绒呢：cut velvet 顺毛呢：over coating 粗花呢：costume tweed 弹力呢：lycra woolen goods 塔丝绒： Nylon taslon 塔丝绒格子：N/Taslon ripstop 桃皮绒：polyester peach skin 涤塔夫：polyester taffeta 春亚纺：polyester pongee 超细麦克布：Micro fiber 锦棉稠(平纹)：Nylon-cotton fabric (plain) 重平锦棉稠：Nylon-cotton-cotton fabric(double weft) 人字锦棉纺：Nylon-cotton fabric 斜纹锦棉纺：Nylon-cotton fabric (twill) 素色天鹅绒：solid velvet 抽条磨毛天鹅绒：Rib fleece velvet 雪花天鹅绒：melange velvet 轧花天鹅绒：ginning velvet 粒粒绒布：pellet fleece velvet 麻棉混纺布：linen/cotton blended fabric 麻棉交织布：linen/cotton mixed fabric 素色毛巾布：solid terry 蚂蚁布：fleece in one side 素色卫衣布：solid fleece 鱼网布：fleece 彩条汗布：color-stripes single jersey T/R弹力布：T/R bengaline T/C色织格子布：T/C solid check fabric 弹力仿麂皮：Micro suede with spandex T/R仿麂皮：T/R Micro suede 仿麂皮瑶粒绒复合布：100%polyester micro suede bounding with polar fleece 仿麂皮针织布复合：100% polyester bounding with knitting micro suede fabric 仿麂皮羊羔绒复合布：100% polyester micro suede bounding with lamb fur 蜡光缎：cire satine 全消光尼丝纺：Full dull nylon taffeta 半消光尼丝纺：semi-dull nylon taffeta 亮光尼龙：Trilobal nylon 全消光塔丝隆：Full dull nylon taslan 全消光牛津布：full dull nylon oxford 尼龙格：Nylon rip-stop 塔丝隆格：Taslan rip-stop 哑富迪：Full dull Micro polyester pongee 全消光春亚纺：Full dull polyester pongee 春亚纺格子：polyester pongee rip-stop 全消光涤纶桃皮绒：Full dull polyester peach 宽斜纹桃皮绒：Big twill polyester peach 涤锦复合桃皮绒：poly/nylon peach 涤纶格子：polyester taffeta rip-stop 涤纶蜂巢塔丝隆：polyester honey taslan 全消光涤纶低弹牛津布：Full dull poly textured oxford 涤锦交织桃皮绒：Nylon/polyester inter-woven peach 服装部位名称——裙子1——waistband 裙头 2——zipper opening 拉链开口 3——inverted pleat 暗裥 4——center front seam 前中缝骨 5——front waist dart 前腰褶 6——back waist dart 后腰褶 7——zipper opening 拉链开口 8——front yoke 前拼腰 9——pleats 褶 10——hem 裙脚 11——side seam 侧骨 12——hip pocket 后袋13——beltloop 腰带袢，耳仔服装部件名称中英对照+解释各种领子的造型名称 〔倒挂领〕指领角向下垂落的领型。 〔中山服领 zhongshan coat collar〕由底领和翻领组成，领角呈外八字形。 〔尖领 pointed collar, peaked collar〕领角呈尖角形的领型，也叫尖角领。 〔衬衫领 shirt collar〕或衬衣领，由上领和下领组成，是衬衫专有的领型。 〔圆领 round collar〕指领角呈圆形的领型，也叫圆角领。 〔青果领 shawl collar〕是翻驳领的一种变形，领面形似青果形状的领型。 〔荷叶边领）领片呈荷叶边状，波浪展开的领型。 〔燕子领 swallow collar, wing collar〕领面下止口的两条线形，似燕子飞翔时翅膀张开的形状。 〔两用领 convertible collar〕也叫开关领。指可敞开、可关闭的领型。 〔方领 square collar〕指领角呈方形的领型。如领面较窄，则称之为小方领。 〔中式领 mandarin collar〕指中式服装的领型，其结构为圆领角关门的立领。 〔立领 stand collar, Mao collar〕指领子向上竖起紧贴颈部的领型。 〔海军领〕指海军将士们军服的领型，其领子为一片翻领，前领为尖形，领片在后身呈方形，前身呈披巾形的领型。 〔扎结领〕也叫一字领，领片是一长条形，在前颈点可以扎成花结的领型。 〔圆领口 round neckline〕领圈呈圆形，根据情况领圈可开大开小，圆弧可呈圆形或呈椭圆等形状。 〔方领口 square neckline〕领圈呈方形。根据爱好可开成长方形或横向方形。 〔!字领口 "!" shape neckline〕领圈呈英文字母!字形状。根据款式的需要，!字的开口可大可校〔一字领口 boat neckline, slit neckline, off neckline〕前后衣片在肩部缝合只剩颈圈部位，前后领圈成一字形状，即呈水平线形状。 〔鸡心领口 sweetheart neckline, heart shaped neckline〕也叫桃形领，领圈呈鸡心形状，即下部尖、上部成圆弧状。 〔底领 collar stand, collar band〕也称领座，是连接领口与翻领的部位。 〔翻领 lapel〕指翻在底领外面的领面造型。 〔领上口 fold line of collar〕领面的翻折线，即领外翻的连折处。 〔领下口 under line of collar〕领子与领窝的缝合部位。 〔领里口 top collar stand〕指领上口到领下口之间的部位，也叫领台高或起登。 〔领外口 collar edge〕指领子的外侧边沿处。 〔领豁口〕也叫驳嘴，指领嘴与驳角间的距离。 袖子 〔连袖〕指衣袖相连、有中缝的袖子。中式上衣多采用这种袖子。 〔圆袖set-in sleeve〕也称装袖，指在臂根围处与大身衣片缝合连接的袖型。圆袖是基本的西式合袖形式与肩袖造型。 〔前圆后连袖 split raglan sleeve〕指前袖椭圆形，后袖与肩相连的袖。 〔中缝连袖〕指袖中线有合缝分割线的圆袖。 〔衬衫袖 shirt sleeve〕一片袖结构，长袖装有袖克夫。 〔连肩袖raglan sleeve〕又称插肩袖，是肩与袖连为一体的袖型。 〔喇叭袖 flare sleeve; trumpet sleeve〕指袖管形状与喇叭形状相似的袖子。 〔泡泡袖 puff sleeve〕指在袖山处抽碎褶而蓬起呈泡泡状的袖型。 〔灯笼袖 lantern sleeve; puff sleeve〕指肩部泡起，袖口收缩，整体袖管呈灯笼形鼓起的袖子。 〔蝙蝠袖 batwing sleeve〕在肩袖连接处，袖窿深即腰节附近，整体造型如蝙蝠翅膀张开状的袖子。 〔花瓣袖 petal sleeve〕或称蚌壳袖，也叫郁金香花瓣袖，指袖片交叠如倒挂的花瓣的袖型。 〔袖口 sleeve opening〕袖管下口的边沿部位。 〔衬衫袖口 cuff〕即理克夫，指装袖头的小袖口。 〔橡皮筋袖口 elastic cuff〕指装橡皮筋的袖口。 〔罗纹袖口 rib-knit cuff〕指装罗纹口的袖口。 〔袖头 cuff〕缝在袖口的部件。 〔双袖头 double cuff; French cuff; tumup-cuff; fold-back cuff〕指外翻的袖头。 〔袖开衩 sleeve slit〕指袖口部位的开衩。 〔袖衩条 sleeve placket〕缝在袖开衩部位的斜丝缕的布条。 〔大袖 top sleeve〕指两片袖结构中较大的袖片，也称外袖。 〔小袖 under sleeve〕指两片袖结构中较小的袖片，也称内袖或里袖。 〔袖中缝〕指一片袖中间的开刀缝。 〔前袖缝〕大袖与小袖在前面的合缝。 〔后袖缝〕大袖与小袖在后面的合缝。 口袋的造型名称 〔插袋 insert pocket〕指在衣身前后片缝合处，留出袋口的隐蔽性口袋。 〔贴袋 patch pocket〕指在衣服表面直接用车缉或手缝袋布做成的口袋。 〔开袋 insert pocket〕指袋口由切开衣身所得，袋布放在衣服里面的口袋。 〔双嵌线袋 double welt pocket〕指袋口装有两根嵌线的口袋。 〔单嵌线袋 single welt pocket〕指袋口装有一根嵌线的口袋。 〔卡袋 card pocket〕指专为放置名片、小卡片而设计的小口袋。 〔手巾袋 breast pocket〕指西装胸部的开袋。 〔袋丬袋〕装有袋丬的开袋。——袋盖袋（flap pocket）？ 〔眼镜袋 glasses pocket〕指专为放置眼镜的口袋。 〔锯齿形里袋 zigzag inside pocket〕指在袋口装有锯齿形花边的里袋，也叫三角形里袋。 〔有盖贴袋 patch pocket with flap〕指在贴袋口的上部装有袋盖的口袋。 〔吊袋 bellows pocket〕指袋边沿活口的袋，又称老虎袋，风箱袋。 〔风琴袋 accordion pocket〕通常指袋边沿装有似手风琴风箱伸缩形状的袋。 〔暗裥袋 inverted pleated pocket〕指袋中间活口的袋。 〔明裥袋 box pleated pocket〕指袋中间两边活口的袋。 〔里袋 inside pocket〕衣服前身里子上的口袋。 小部件造型名称 〔领袢 collar tab〕领子或领嘴处装的小袢。 〔吊袢 hanger loop〕装在衣领处挂衣服用的小袢。 〔肩袢 shoulder tab; epaulet〕装饰在服装肩部的小袢。肩袢通常没有实用功能，只做装饰或标志用，如职业服及军服上面的肩袢。 〔袖袢 sleeve tab〕装在袖口处，或兼有收缩袖口作用的小袢。 〔腰袢 waist tab〕装在腰部的、为了穿入皮带或腰带用的小袢。 〔腰带 waistbelt〕用以束腰的带子。 〔线袢 French tack〕用粗线打成的小袢，多在夏装连衣裙上使用。 〔挂面 facing〕又称过面或贴边，指装在上衣门里襟处的衣片部件。 〔耳朵皮 flange〕在西装的前身挂面里处，为做里袋所拼加的一块面料。 〔滚条 binding〕指包在衣服边沿（如止口、领外沿与下摆等）或部件边沿处的条状装饰部件。 〔压条〕指压明线的宽滚条。 〔塔克 tuck〕服装上有规则的装饰褶子。 〔袋盖 flap〕固定在袋口上部的防脱露部件。 上装前身的部位名称 〔肩缝 shoulder seam〕在肩膀处，前后衣片相连接的部位。 〔领嘴 notch〕领底口末端到门里襟止口的部位。 〔门襟 front fly; top fly〕在人体中线锁扣眼的部位。 〔里襟 under fly〕指钉扣的衣片。 〔止口 front edge〕也叫门襟止口，是指成衣门襟的外边沿。 〔搭门 overlap〕指门襟与里襟叠在一起的部位。 〔扣眼 button-hole〕纽扣的眼孔。 〔眼距 button-hole space〕指扣眼之间的距离。 〔袖窿 armhole〕也叫袖孔，是大身装袖的部位。 〔驳头川 lapel〕里襟上部向外翻折的部位。 〔平驳头 notch lapel〕与上领片的夹角成三角形缺口的方角驳头。 〔戗驳头 peak lapel〕驳角向上形成尖角的驳头。 〔胸部 bust〕指前衣片前胸最丰满处。 〔腰节 waist〕指衣服腰部最细处。 〔摆缝 side seam〕指袖窿下面由前后身衣片连接的合缝。 〔底边 hem〕也叫下摆，指衣服下部的边沿部位。 〔串口 gorge line〕指领面与驳头面的缝合线，也叫串口线。 〔驳口 fold line for lapel〕驳头翻折的部位，驳口线也叫翻折线。 〔下翻折点〕指驳领下面在止口上的翻折位置，通常与第一粒纽扣位置对齐。 〔单排扣〕里襟上下方向钉一排纽扣。 〔双排扣〕门襟与里襟上下方向各钉一排纽扣。 〔止口圆角 front cut〕指门里襟下部的圆角造型。 〔扣位 button position〕纽扣的位置。 〔滚眼〕用面料包做的嵌线扣眼。 〔前过肩 front yoke〕连接前身与肩合缝的部件，也叫前育克。 〔翻门襟〕也叫明门襟贴边，指外翻的门襟贴边。 〔领省 neck dart〕指在领窝部位所开的省道。 〔前腰省 front waist dart〕指开在衣服前身腰部的省道。 〔腋下食指衣服两侧腋下处开的省道。 〔前肩省 front shoulder dart〕指开在前身肩部的省道。 〔肚食指在西装大口袋部位所开的横剩 〔通食也叫通天落地省，指从肩缝或袖窿处通过腰部至下摆底部的开刀缝。如公主线即是一种特殊的通省，它最早由欧洲的公主所采用，在视觉造型上表现为展宽肩部、丰满胸部、收缩腰部和放宽臀摆的三围轮廓效果。 〔刀背缝〕是一种形状如刀背的通省或开刀缝。 上装后身的部位名称 〔总肩宽 across shoulder〕指在后背处从左肩端经后颈中点（第七颈椎点）到右肩端的部位。 〔后过肩 back yoke〕也叫后育克，指连接后衣片与肩合缝的部件。 〔背缝 center back seam〕又叫背中缝，是指后身人体中线位置的衣片合缝。 〔背衩 back vent〕也叫背开衩，指在背缝下部的开衩。 〔摆衩 side slit〕又叫侧摆衩，指侧摆缝下部的开衩。 〔后搭门〕指门里襟开在后背处的搭门。 〔领窝 neck〕指前后衣片在肩部缝合后，再与领子缝合的部位。 〔后领省 back neck dart〕指开在后领窝处的领省，多呈八字形。 〔后肩省 back shoulder dart〕指开在后身肩部的省道。 〔后腰省 back waist dart〕指开在后腰部的省道。 下装的部位名称 〔上裆 seat〕又叫直裆或立裆，指腰头上口到横裆间的距离或部位。 〔烫迹线 crease line〕又叫挺缝线或裤中线，指裤腿前后片的中心直线。 〔翻脚口 turn-up bottom〕指裤脚口往上外翻的部位。 〔裤脚口 bottom,leg opening〕指裤腿下口边沿。 〔横裆 thigh〕指上裆下部的最宽处，对应于人体的大腿围度。 〔侧缝 side seam〕在人体侧面，裤子前后身缝合的外侧缝。 〔中裆 leg width〕指人体膝盖附近的部位。 〔脚口折边〕裤脚口处折在里面的连贴边。 〔下裆缝〕指裤子前后身缝合从裆部至裤脚口的内侧缝。 〔腰头 waistband〕指与裤子或裙身缝合的带状部件。 〔腰上口〕腰头的上部边沿部位。 〔腰缝 waistband seam〕指腰头与裤或裙身缝合后的缝子。 〔腰里 waistband lining〕指腰头的里子。 〔裤（裙）腰省 waist dart〕裤（裙）前后身为了符合人体曲线而设计的省道，省尖指向人体的突起部位，前片为小腹，后片为臀大迹〔裤（裙）裥 pleat〕裤（裙）前身在裁片上预留出的宽松量，通常经熨烫定出裥形，在装饰的同时增加可运动松量。 〔小裆缝 front crutch〕裤子前身小裆缝合的缝子。 〔后裆缝 back rise）裤子后身裆部缝合的缝子。衣袖词汇 袖里Sleeve lining 大（小）袖里Top(under) sleeve lining 袖型Sleeve shape ,sleeve style, sleeve modeling 袖窿Armhole, scye 袖山Sleeve cap, sleeve cuff, cuff opening 单袖头Single cuff 双袖头Double cuff, French cuff, turn-up cuff, fold back cuff 单（双）扣袖头One(two) –button cuff 两用袖头Convertible cuff 松紧袖口Elstic cuff 罗纹袖口Rib-knit cuff 防风袖头Storm cuff 活动袖头Detachable cuff 假袖头Imitation cuff 假翻袖头Cuff band, cuff strap 紧袖口Bracelet cuff 束带袖头Strpped cuff 扇型袖头Scalloped cuff 褶裥泡状袖头Bead cuff 无卷边袖头Cuffless 衬衫袖头Wristband 袖头里子Cuff lining 袖衩Cuff opening, cuff vent, sleeve placket, sleeve slit, sleeve vent 大袖衩Sleeve facing 小袖衩Sleeve under facing 袖衩搭边Sleeve overlap 袖衩条Sleeve placket 腋部吸汗垫布Shield 腋下镶布Underarm gusset 肘部垫布Elbow patch 衣前身 裁片Cutted pieces, cut pieces, cut parts 衣大身Bodice, body 大身衣片Body piece 前身里子Front lining 全（半）衬里Full(half) lining 活动里Detachable lining 脱卸里Zip-out lining 防缩里Shrink-proof lining 衣肩Shoulder 腰节Waistline 前过肩Front yoke 领嘴Notch 衣胸Chest, breast, bosom （衬衫） 硬衬胸Front stiff 前幅，前襟Forepart, front, front panel 左（右）前襟Left (right) forepart 单（双）襟single ( double) breast 开襟Opening, placket, open front, cardigan front 全襟Full open front 长开襟Deep placket 半开襟Placket front, neckline placket 对襟Front opening 偏襟Slanting front, side opening 曲襟Crank opening 门襟Top fly, front fly, fly, placket, plaquette, button warp, storm flap 明门襟Front strap, front band, box pleat front, top center plait, top center, placket front, neckline placket 贴门襟Facing strap 暗门襟French front, plain front, wrap over front, button panel, cover placket 假门襟Mock fly 门襟里搭袢Fly tongue 里襟Under fly, right fly, right front 挂面Front facing, facing 前搭门Front overlap 门襟止口Front edge 腰Waist 下摆Bottom, hem, lap, sweep, expansion, suso 平下摆Square-cut bottom, square front, plain bottom, flat bottom 斜下摆Slant-cut bottom 弧形下摆Curve bottom 圆下摆Round bottom 衬衣下摆Shirttail hem, shirttail 罗纹下摆Rib bottom 大圆角前摆Front cut away 圆角前摆Front round cut 方角前摆Front square cut, square front 止口圆角Front cut 止口圆角点线Front cut point 衣边edge 下摆折边Bottom hem 袖口折边Cuff hem 口袋折边Pocket hem

记号扑克

建议你到www.google.com上搜搜，这个问题很专业，所以最准确的答案肯定在外文网站上

哇塞，真的有很多：表示no的：ir- irregularil- illegala- apathyun- unhappyum- ??im- immortal

设置图片的属性：1img{width:100%;height:100%;}这样可能导致图片的变形，请注意哦

bcc作为大区块的代表，还是比较有价值的，市值第三也是正常的。

二战……希特勒下令屠杀犹太人……

Charles DIckens"s Oliver TwistOliver Twist: The Parish Boy抯 ProgressCharles Dickens created an astonishing collection of literary masterpieces each of which tightly grasped the attention of the audience. Dickens was able to maintain a writing schedule that would have exhausted any other author. In slightly more than thirty years, Dickens published more than twenty novels, acted as editor for a variety of literary journals, created his own magazine, worked as a freelance reporter, and executed a series of charismatic public readings. His popularity established Dickens as one of the first 揷elebrities.?SPAN style="mso-spacerun: yes"> Crowds brimming with eager fans would accumulate as Dickens bellowed out the charming lines of his tantalizing novels. His significance and notoriety are still easily identified in contemporary literary cannons. Although his books sold and the audience waited on edge for the next installment of his works, Dickens was not given completely favorable reviews to every text. Oliver Twist was begun in February 1837 and continued as monthly installments in Bentley抯 Miscellany until April of 1839. Dickens originally titled the novel Oliver Twist: The Parish Boy抯 Progress but it has since been shorten to simply Oliver Twist. Dickens finished writing the novel in the London of 1838 and the first edition of the novel was found on shelves in November of 1838. The novel falls into the genre of a children抯 detective story but the novel also contains an aspect of social protest as Dickens details the Poor Laws and workhouses. Dickens uses his hyperbolic irony and sentimentalism to create characters currently residing in the underworld of industrial London. The themes that appear within the text are the delineation between good and evil, the hypocritical attitudes and behaviors of public institutions, and the ultimately flawed theory of individualism. Dickens uses mistaken identities and familial ties to create a story, which closely details the journey of a virtuous orphan through the mean streets of poverty (Spark Notes: Oliver Twist).While Dickens was composing Oliver Twist, he was also working as editor of Bentleys Miscellany. As an author, Dickens rarely completely finished one work before beginning an entirely new project. For example, Pickwick Papers was not completed prior to his beginning of Oliver Twist. Nor was Oliver Twist completed before Dickens had moved on to Nicholas Nickleby. Master Humphrey抯 Clock and The Old Curiosity Shop were soon to follow. Dickens wrote at a fevered pace which would have been daunting to other authors. In addition to his rapid publication of novels, Dickens was also able to create strikingly differing works. His first serially published novel, Pickwick Papers, was fully of comic charisma; however, Gilbert Keith Chesterton states that Oliver Twist 搃s by far the most depressing of all his books?(Chesterton). Oliver Twist is the story of an orphan who unwittingly stumbles upon his hidden fortune. The tale is one that vividly depicts the dismal prospects of one born into a workhouse without parents and is forced to survive on little or no compassion. Oliver is unloved and unwanted from the open of the novel. However, as the novel progresses, Oliver finds that his honest and kind disposition win him a variety of friends in high places. Although Fagin and the other street urchins continually seek to ruin Oliver抯 connections, Oliver抯 faithful heart find a home in the end. The novel demonstrates the benefits of a good will that may be found in the most unlikely of people. Oliver抯 merits carry him through life and away from the poverty that capture those with weaker morals. In the conclusion of the tale, Oliver finds himself among those with equally good manners and morals. His situation is only improved through the inevitable triumph of good over evil.Dickens initially published Oliver Twist in the format of serial publication. Dickens used the process of creating monthly installments to create a high level of suspense, leaving the audience eagerly awaiting the next installment in the series. Oliver Twist was reportedly 揳 part of everyday conversations, just as top rated television shows are for us today.?SPAN style="mso-spacerun: yes"> Dickens effectively used the publishing techniques to his benefit; he was able to work the system (Oliver Twist桾he Author and His Times).Interestingly, Dickens抯 personal environment was greatly shaken in both a happy manner and a sad one during the publishing of Oliver Twist. In May of 1837 Mary Hogarth died, devastating Dickens. Hogarth, his sister-in-law, was a dear friend and supporter of Dickens. Many critics speculate that the characters of Rose and Nancy were modeled after Dickens?companion Mary Hogarth. After Hogarth抯 death, Dickens feelings of abandonment seep into the world of Oliver. Oliver fears the loss of Rose as Dickens mourns the loss of Mary (Oliver Twist桾he Author and His Times). Catherine Dickens was also reported to have given birth to Charles, the first of ten children during this time (Victorian Web). The splendor of a new baby was contrasted with the great loss of a close friend. Dickens, in fact, was forced to take a break from his busy writing schedule to cope with the drastic changes that took place in his personal life at this time. The Poor Laws were established prior to the publication of the novel. The Poor Laws, according to The Victorian Web, were created to destroy the relief programs that were in play since 1601. The Poor Laws generated a system of workhouses. The workhouses allowed for a program of assistance that did not merely dole out money but rather doled out food, shelter, and clothing. The Poor Laws provided an answer to the declining laws that were supporting the impoverished. The problems were obvious: the current system left the aged uncared for, the children ignorant and uneducated, and the lower class population starving. King George III proposed a plan to:Stop the allowance system梩o deprive the magistracy of the power of ordering out-door relief梩o alter in certain case the constitution of parochial vestries梩o give large discretionary powers to the central commissioners梩o simplify the law of settlement and removal梩o render the mother of an illegitimate child liable to support it. Dickens[1] 366However, the workhouses proved to be yet another place to shove the poor. The theory may have been formed from noble ideals but the foundations were flawed. The boundaries and faults of the Poor Laws are blatantly exemplified in Oliver Twist. Oliver is forced to suffer the indignities of starvation, brutal treatment, and is damned to life in a workhouse. Dickens used his artistic talents to speak for the silent, to fight for the oppressed, and to champion those defeated. Dickens himself states: 揑t was my attempt, in my humble and far distant sphere, to dim the false glitter surrounding something which really did exist, by showing it in its unattractive and repulsive truth?(Dickens 6). Dickens used his literary engine to fuel the debate over the Poor Laws and to reveal the reality that so many unfortunate souls were forced to inhabit. The novel was received in a variety of ways. Many hailed the novel as a 搑unaway bestseller?and an encore to the highly prized Pickwick Papers. On the other hand, the Jewish population as well as other critics found the novel to be far too sentimental and lacking. One of the major issues raised by an entire community against the novels was the portrayal Fagin, the evil Jew. Milton Kerker in his article 揅harles Dickens, Fagin and Riah?states that Fagin may be the 搈ost grotesgue and villainous Jew in all of English literature.?SPAN style="mso-spacerun: yes"> Fagin was found by the Jewish community to be a ruffian with the devil dwelling within his cold heart. In 1854 the Jewish Chronicle was outraged and presented the public with this criticism of Dickens. Later in 1863, Eliza Davis writes Dickens to question his portrayal of Fagin. Dickens responds to Davis by stating:I must take leave to say, that if there be any general feeling on the part of the intelligent Jewish people, that I have done them what you describe as 揳 great wrong,?they are a far less sensible, a far less just, and a far less good-tempered people than I have always supposed them to be. Fagin, in Oliver Twist, is a Jew, because it unfortunately was true of the time to which that story refers, that that class of criminal almost invariably was a Jew. Dickens 378The public did not openly object to the portrayal of Fagin until several years after the novel was originally published. However, despite the fact that Dickens maintained his innocence, Dickens did attempt to make alterations in the next edition of the novel to correct this offensive implication. In the 1867 edition of chapter 38, Fagin is referred to as 搕he Jew?more than 250 times. However, in later chapters he is referred to as 搕he Jew?only 32 times. This is thought to have been Dickens抯 attempt to reconcile Fagin抯 character with the Jewish community. Despite this characterization of Fagin and Dickens抯 wording changes, Dickens never openly abused a Jewish person nor did he openly practice anti-Semitic opinions (Kerker).Likewise, the Monthly Review of January 1839 demanded that Dickens used characters that are so low that sympathy cannot be created. The reviewer feels that although there were comic pieces worth noting, the ending does not comply with the standard notion that the evil ones must face strict consequences while the just are rewarded. The reviewer does not go so far as to claim Dickens to be an immoral writer but he does not treat the characters with the morals that would classify Dickens with the 揾ighest rank of our moral fictionists.?Dickens is yet again commended for openly stating the plea of the downtrodden but in this reviewer抯 opinion, the downtrodden are not moral enough to place Dickens in a higher class of fiction novelists (Dickens 403-405).Just as the Monthly Review questions the worth of such characters as Nancy, William Makepeace Thackeray also claims that such characters are not worth the sympathy or the attention of the audience. Thackeray does allow for Dickens抯 popularity but questions his use of setting and characters. True, Dickens can charm an audience like none other. True, one must continually read Dickens to satisfy some strange need. Unfortunately, the fact remains that Thackeray does not believe there is much to be gained by closely examining the life of the poor and forgotten (Dickens 408-410). In the opinion of Thackeray, would it not be much more prudent to bestow such kind sympathies upon a worthier class of characters? Character such as Amelia Osborne and Becky Sharp are worthy of moral scrutiny but Oliver Twist and the like shall remain in the gutter, below the view of the mainstream population.Early reviews from The Examiner, September 10,1837, claim that this novel is an 揺xact painting?of the reality Dickens wished to present to the public. Dickens was praised for his capture of the emotions surrounding death of Nancy and the detailing of Oliver抯 life as an orphan. Although the reviewer is surprised to see Dickens making use of the Poor Law Debates in the first chapters of the novel, the reviewer understands the philanthropy that Dickens is attempting to inspire (Dickens 399-401). In conclusion of this review, the author states: 揥e leave him most reluctantly, and so will every read who has any capacity to see and feel whatsoever is most loveable, hateful, or laughable, in the character of the everyday life about him?(401).The Spectator states on November 24, 1838, that Dickens 揾as genius to vivify his observation.?SPAN style="mso-spacerun: yes"> Dickens is complimented for his powerful use of pathos and his description of truth. The reviewer admires Dickens抯 ability to find good in all humanity despite the dirty surroundings of unfortunates such as Oliver. Dickens抯 style is commended to be capable of an effective use of language while never sounding forced (Dickens 401-402).The Literary Gazette, and Journal of the Belles Lettres declares on November 24, 1838, that Dickens has 背ug deep into the human mind; and he has nobly directed his energies to the exposure of evils梩he workhouse, the starving school, the factory system, and many other things, at which blessed nature shudder and recoiled.?SPAN style="mso-spacerun: yes"> Dickens抯 ability to capture the suffering of Oliver intrigues the reading audience. Those who are far removed from the factories and the workhouses are suddenly acutely aware of the plea of the poor and the corruption of the Poor Laws. Dickens抯 has made a successful journey into social activism with the guidance of Oliver and his band of companions (Dickens 402-403).The Quarterly Review of 1839 published a glowing review of the novel. The reviewer believed Dickens to be 揳 sign of the times?and as such, he provoked 搈ore interest than that of Halley抯 comet.?SPAN style="mso-spacerun: yes"> The reviewer felt that not only did he write just enough and not too much, but also he wrote with enough vigor to demand that the public read the next installment. His popularity was unparalleled and his installments were always immediately read. Dickens manages to tell of 搑eal pain?while the novel lacks in false sentimentalism (Dickens 405-408). The reviewer states: 揌e deals truly with human nature, which never can degrade; he takes up everything, good, bad, or indifferent, which he works up into a rich alluvial deposit. He is natural, and that neve

Charles DIckens"s Oliver TwistOliver Twist: The Parish Boy抯 ProgressCharles Dickens created an astonishing collection of literary masterpieces each of which tightly grasped the attention of the audience. Dickens was able to maintain a writing schedule that would have exhausted any other author. In slightly more than thirty years, Dickens published more than twenty novels, acted as editor for a variety of literary journals, created his own magazine, worked as a freelance reporter, and executed a series of charismatic public readings. His popularity established Dickens as one of the first 揷elebrities.?SPAN style="mso-spacerun: yes"> Crowds brimming with eager fans would accumulate as Dickens bellowed out the charming lines of his tantalizing novels. His significance and notoriety are still easily identified in contemporary literary cannons. Although his books sold and the audience waited on edge for the next installment of his works, Dickens was not given completely favorable reviews to every text. Oliver Twist was begun in February 1837 and continued as monthly installments in Bentley抯 Miscellany until April of 1839. Dickens originally titled the novel Oliver Twist: The Parish Boy抯 Progress but it has since been shorten to simply Oliver Twist. Dickens finished writing the novel in the London of 1838 and the first edition of the novel was found on shelves in November of 1838. The novel falls into the genre of a children抯 detective story but the novel also contains an aspect of social protest as Dickens details the Poor Laws and workhouses. Dickens uses his hyperbolic irony and sentimentalism to create characters currently residing in the underworld of industrial London. The themes that appear within the text are the delineation between good and evil, the hypocritical attitudes and behaviors of public institutions, and the ultimately flawed theory of individualism. Dickens uses mistaken identities and familial ties to create a story, which closely details the journey of a virtuous orphan through the mean streets of poverty (Spark Notes: Oliver Twist).While Dickens was composing Oliver Twist, he was also working as editor of Bentleys Miscellany. As an author, Dickens rarely completely finished one work before beginning an entirely new project. For example, Pickwick Papers was not completed prior to his beginning of Oliver Twist. Nor was Oliver Twist completed before Dickens had moved on to Nicholas Nickleby. Master Humphrey抯 Clock and The Old Curiosity Shop were soon to follow. Dickens wrote at a fevered pace which would have been daunting to other authors. In addition to his rapid publication of novels, Dickens was also able to create strikingly differing works. His first serially published novel, Pickwick Papers, was fully of comic charisma; however, Gilbert Keith Chesterton states that Oliver Twist 搃s by far the most depressing of all his books?(Chesterton). Oliver Twist is the story of an orphan who unwittingly stumbles upon his hidden fortune. The tale is one that vividly depicts the dismal prospects of one born into a workhouse without parents and is forced to survive on little or no compassion. Oliver is unloved and unwanted from the open of the novel. However, as the novel progresses, Oliver finds that his honest and kind disposition win him a variety of friends in high places. Although Fagin and the other street urchins continually seek to ruin Oliver抯 connections, Oliver抯 faithful heart find a home in the end. The novel demonstrates the benefits of a good will that may be found in the most unlikely of people. Oliver抯 merits carry him through life and away from the poverty that capture those with weaker morals. In the conclusion of the tale, Oliver finds himself among those with equally good manners and morals. His situation is only improved through the inevitable triumph of good over evil.Dickens initially published Oliver Twist in the format of serial publication. Dickens used the process of creating monthly installments to create a high level of suspense, leaving the audience eagerly awaiting the next installment in the series. Oliver Twist was reportedly 揳 part of everyday conversations, just as top rated television shows are for us today.?SPAN style="mso-spacerun: yes"> Dickens effectively used the publishing techniques to his benefit; he was able to work the system (Oliver Twist桾he Author and His Times).Interestingly, Dickens抯 personal environment was greatly shaken in both a happy manner and a sad one during the publishing of Oliver Twist. In May of 1837 Mary Hogarth died, devastating Dickens. Hogarth, his sister-in-law, was a dear friend and supporter of Dickens. Many critics speculate that the characters of Rose and Nancy were modeled after Dickens?companion Mary Hogarth. After Hogarth抯 death, Dickens feelings of abandonment seep into the world of Oliver. Oliver fears the loss of Rose as Dickens mourns the loss of Mary (Oliver Twist桾he Author and His Times). Catherine Dickens was also reported to have given birth to Charles, the first of ten children during this time (Victorian Web). The splendor of a new baby was contrasted with the great loss of a close friend. Dickens, in fact, was forced to take a break from his busy writing schedule to cope with the drastic changes that took place in his personal life at this time. The Poor Laws were established prior to the publication of the novel. The Poor Laws, according to The Victorian Web, were created to destroy the relief programs that were in play since 1601. The Poor Laws generated a system of workhouses. The workhouses allowed for a program of assistance that did not merely dole out money but rather doled out food, shelter, and clothing. The Poor Laws provided an answer to the declining laws that were supporting the impoverished. The problems were obvious: the current system left the aged uncared for, the children ignorant and uneducated, and the lower class population starving. King George III proposed a plan to:Stop the allowance system梩o deprive the magistracy of the power of ordering out-door relief梩o alter in certain case the constitution of parochial vestries梩o give large discretionary powers to the central commissioners梩o simplify the law of settlement and removal梩o render the mother of an illegitimate child liable to support it. Dickens[1] 366However, the workhouses proved to be yet another place to shove the poor. The theory may have been formed from noble ideals but the foundations were flawed. The boundaries and faults of the Poor Laws are blatantly exemplified in Oliver Twist. Oliver is forced to suffer the indignities of starvation, brutal treatment, and is damned to life in a workhouse. Dickens used his artistic talents to speak for the silent, to fight for the oppressed, and to champion those defeated. Dickens himself states: 揑t was my attempt, in my humble and far distant sphere, to dim the false glitter surrounding something which really did exist, by showing it in its unattractive and repulsive truth?(Dickens 6). Dickens used his literary engine to fuel the debate over the Poor Laws and to reveal the reality that so many unfortunate souls were forced to inhabit. The novel was received in a variety of ways. Many hailed the novel as a 搑unaway bestseller?and an encore to the highly prized Pickwick Papers. On the other hand, the Jewish population as well as other critics found the novel to be far too sentimental and lacking. One of the major issues raised by an entire community against the novels was the portrayal Fagin, the evil Jew. Milton Kerker in his article 揅harles Dickens, Fagin and Riah?states that Fagin may be the 搈ost grotesgue and villainous Jew in all of English literature.?SPAN style="mso-spacerun: yes"> Fagin was found by the Jewish community to be a ruffian with the devil dwelling within his cold heart. In 1854 the Jewish Chronicle was outraged and presented the public with this criticism of Dickens. Later in 1863, Eliza Davis writes Dickens to question his portrayal of Fagin. Dickens responds to Davis by stating:I must take leave to say, that if there be any general feeling on the part of the intelligent Jewish people, that I have done them what you describe as 揳 great wrong,?they are a far less sensible, a far less just, and a far less good-tempered people than I have always supposed them to be. Fagin, in Oliver Twist, is a Jew, because it unfortunately was true of the time to which that story refers, that that class of criminal almost invariably was a Jew. Dickens 378The public did not openly object to the portrayal of Fagin until several years after the novel was originally published. However, despite the fact that Dickens maintained his innocence, Dickens did attempt to make alterations in the next edition of the novel to correct this offensive implication. In the 1867 edition of chapter 38, Fagin is referred to as 搕he Jew?more than 250 times. However, in later chapters he is referred to as 搕he Jew?only 32 times. This is thought to have been Dickens抯 attempt to reconcile Fagin抯 character with the Jewish community. Despite this characterization of Fagin and Dickens抯 wording changes, Dickens never openly abused a Jewish person nor did he openly practice anti-Semitic opinions (Kerker).Likewise, the Monthly Review of January 1839 demanded that Dickens used characters that are so low that sympathy cannot be created. The reviewer feels that although there were comic pieces worth noting, the ending does not comply with the standard notion that the evil ones must face strict consequences while the just are rewarded. The reviewer does not go so far as to claim Dickens to be an immoral writer but he does not treat the characters with the morals that would classify Dickens with the 揾ighest rank of our moral fictionists.?Dickens is yet again commended for openly stating the plea of the downtrodden but in this reviewer抯 opinion, the downtrodden are not moral enough to place Dickens in a higher class of fiction novelists (Dickens 403-405).Just as the Monthly Review questions the worth of such characters as Nancy, William Makepeace Thackeray also claims that such characters are not worth the sympathy or the attention of the audience. Thackeray does allow for Dickens抯 popularity but questions his use of setting and characters. True, Dickens can charm an audience like none other. True, one must continually read Dickens to satisfy some strange need. Unfortunately, the fact remains that Thackeray does not believe there is much to be gained by closely examining the life of the poor and forgotten (Dickens 408-410). In the opinion of Thackeray, would it not be much more prudent to bestow such kind sympathies upon a worthier class of characters? Character such as Amelia Osborne and Becky Sharp are worthy of moral scrutiny but Oliver Twist and the like shall remain in the gutter, below the view of the mainstream population.Early reviews from The Examiner, September 10,1837, claim that this novel is an 揺xact painting?of the reality Dickens wished to present to the public. Dickens was praised for his capture of the emotions surrounding death of Nancy and the detailing of Oliver抯 life as an orphan. Although the reviewer is surprised to see Dickens making use of the Poor Law Debates in the first chapters of the novel, the reviewer understands the philanthropy that Dickens is attempting to inspire (Dickens 399-401). In conclusion of this review, the author states: 揥e leave him most reluctantly, and so will every read who has any capacity to see and feel whatsoever is most loveable, hateful, or laughable, in the character of the everyday life about him?(401).The Spectator states on November 24, 1838, that Dickens 揾as genius to vivify his observation.?SPAN style="mso-spacerun: yes"> Dickens is complimented for his powerful use of pathos and his description of truth. The reviewer admires Dickens抯 ability to find good in all humanity despite the dirty surroundings of unfortunates such as Oliver. Dickens抯 style is commended to be capable of an effective use of language while never sounding forced (Dickens 401-402).The Literary Gazette, and Journal of the Belles Lettres declares on November 24, 1838, that Dickens has 背ug deep into the human mind; and he has nobly directed his energies to the exposure of evils梩he workhouse, the starving school, the factory system, and many other things, at which blessed nature shudder and recoiled.?SPAN style="mso-spacerun: yes"> Dickens抯 ability to capture the suffering of Oliver intrigues the reading audience. Those who are far removed from the factories and the workhouses are suddenly acutely aware of the plea of the poor and the corruption of the Poor Laws. Dickens抯 has made a successful journey into social activism with the guidance of Oliver and his band of companions (Dickens 402-403).The Quarterly Review of 1839 published a glowing review of the novel. The reviewer believed Dickens to be 揳 sign of the times?and as such, he provoked 搈ore interest than that of Halley抯 comet.?SPAN style="mso-spacerun: yes"> The reviewer felt that not only did he write just enough and not too much, but also he wrote with enough vigor to demand that the public read the next installment. His popularity was unparalleled and his installments were always immediately read. Dickens manages to tell of 搑eal pain?while the novel lacks in false sentimentalism (Dickens 405-408). The reviewer states: 揌e deals truly with human nature, which never can degrade; he takes up everything, good, bad, or indifferent, which he works up into a rich alluvial deposit. He is natural, and that neve

婚礼光盘背景音乐推荐——中文类的歌曲50首 1—10 1.《出嫁》-张清芳 2.《感谢你》-孙悦 3.《给你们》-张宇 4.《挥着翅膀的女孩》-容祖儿(英语、中文) 5.《老鼠爱大米》(男声、女声、英语) 6.《你是我深爱的人》-永邦 7.《你最珍贵》-张学友、高惠君 8. 《水晶》-徐怀珏、任贤齐 9. 《童话》-光良 10.《我愿意》-王菲   11—20 11.《一路上有你》-张学友 12. 《每天爱你多一些》——张学友 13. 《求婚》——赵咏华 14. 《约定》——周蕙 15. 《至少还有你》——林忆莲 16. 《Happy 2000》——黎明 17. 《明天我要嫁给你啦》——周华健 18. 《给我一分钟不想你》——许茹芸 19. 《灰姑娘》——郑均 20. 《只有为你》——庚澄庆   21—30 21. 《爱情宣言》——齐秦 22. 《Love》——刘若英 23. 《跟着感觉走》——苏芮 24. 《爱你等于爱自己》——王力宏 25. 《喜欢你现在的样子》——黄韵玲 26. 《爱就一个字》——张信哲 27. 《I Swear》——林忆莲 28. 《美丽》——柯以敏 29. 《出嫁》——张清芳 30. 《最爱是你》——伍思凯   31—40 31. 《给你们》——张宇 32. 《爱你的365天》——李玟 33. 《爱》——蔡琴 34. 《最美》——羽泉 35. 《亲密爱人》——梅艳芳/杜德 36. 《美丽新娘》——陈慧琳 37. 《婚礼进行曲》——刘德华 38. 《perfect moment》——流星花园主题曲 39. 《花好月圆》 40. 《喜洋洋》   41—50 41. 《喜气洋洋》 42. 《大花轿》 43. 《月亮代表我的心》——齐秦 44. 《月亮可以代表我的心》——杨坤 45. 《月亮可以代表谁的心》——陶喆 46. 《月亮代表我的心》、《甜蜜蜜》——邓丽君 47. 《你是我最深爱的女人》——永邦 48. 《出嫁》——张清芳 49. 《你是我的老婆》——任贤齐   婚礼光盘背景音乐推荐——英文类音乐 1、《A Groovy Kind Of Love》-Phil Collins 2、《A Love So Beautiful》-Michael Boton 3、《A Whole New World》-阿拉丁主题曲 4、《Again》-Jennifer Lopez 5、《Against All Odds》-Phil Collins 6、《Against All Odds》-Westlife、Mariah Carrey 7、《All By Myself》-Celine Dion 8、《All For Love》-Bryan Adams 9、《All I Ask Of You》-剧院魅影主题曲-Sarah Brightman   11—20 11、《All Of You》-Julio Iglesias Diana Rose 12、《And I Love You So》-Salena Jones 13、《Angel》-Robbie Williams 14、《As Long As You Love Me》-Backstreet Boys 15、《As Time Goes By》 16、《Ave Maria》-Celine Dion  17、《Baby I Love You》-Jennifer Lopez 18、《Baby One More Time》 19、《Back At One》-Brian McKnight 20、《Beauty And The Beast》-Celine Dion   21—22 21、《Because I love You》 22、《Because Of You》-98 Degrees 23、《Because You Loved Me》-Celine Dion 24、《bride》 25、《Bye Bye Bye》 26、《Can You Celebrate》-安室奈美惠(日语) 27、《Can You Feel The Love Tonight》-Elton John 28、《Close To You》-Carpenters 29、《Dreaming Of You》 30、《Everyday》-Phil Collins   31—40 31、《First Love》-宇多田光(日语) 32、《First Time》-Rod Stewart 33、《Happy Ever After》 24、《How Deep Is Your Love》-爱有多深 35、《I Believe》(韩语、中文) 36、《I Do》-98 Degree 37、《I Just Call To Say I Love You》 38、《I knew I loved you》-Savage Garden 39、《I Swear》-All For One 40、《I Will Follow Him》-修女也疯狂主题曲   41—50 41、《Je Mappelle Helene》-我的名字是伊莲(法语)  42、《Love Is All Round》-坠入爱河 43、《Love Will Keep Us Alive》-The Eagles 44、《Lovefoo》-The Cardigans 45、《Loving You》 46、《la isla bonita》alizee 47、《my love》westlife 48、《moi lolita》alizee 49、《My Heart Will Go On》-Celine Dion 50、《No Matter What》-Boy Zone     51—60 51、《The First Time Ever I Saw Your Face》-一见钟情 52、《The Look Of Love》 53、《The Music Of The Night》-剧院魅影 54、《The One You Love》-Glenn Frey 55、《The Power Of Love》-Celine Dion 56、《The Power Of The Dream》-Celine Dion 57、《The Sweetest Days》 58、《This Love》-Sarah Brightman 59、《Time To Say Goodbye》-Sarah Brightman(婚礼结束时用) 60、《To Love Somebody》-Beegee

婚礼进行曲

谢谢你曾爱过http://tieba.baidu.com/mo/q/%63%68%65%63%6b%75%72%6c?%75%72%6c=%68%74%74%70%73%3a%2f%2fwww.baidu.com/link?url=FP4U4PYMQbEEgtV1kUpgzcynzXRm9ivRh_n8vJtMqwG&wd=&eqid=eff2e2fe00001be0000000065dea0597?lgd我 演唱：姚思思 每一天 睁开眼 你的脸 在眼前 这些年 你好吗 是否也 想念我 我曾经 想要穿越人海 却已物是人非 再没有了勇气 就让你 保留在记忆中 想念不如 怀念 谢谢你曾爱过我 你的世界我来过 只怪当时太固执 所以才错上加错 已经习惯了寂寞 却不能忘记你的好 想变成飞蛾扑向火 再次点燃爱的火 只要一秒的燃烧 每一天 睁开眼 你的脸 在眼前 这些年 你好吗 是否也 想念我 我曾经 想要穿越人海 却已物是人非 再没有了勇气 就让你 保留在记忆中 想念不如 怀念 谢谢你曾爱过我 你的世界我来过 只怪当时太固执 所以才错上加错 已经习惯了寂寞 却不能忘记你的好 想变成飞蛾扑向火 再次点燃爱的火 只要一秒的燃烧 谢谢你曾爱过我 你的世界我来过 只怪当时太固执 所以才错上加错 已经习惯了寂寞 却不能忘记你的好 想变成飞蛾扑向火 再次点燃爱的火 只要一秒的燃烧

Sarah没有具体说过这首歌的背景，只是在一次演唱会上提到过：“I"m not quite sure how to explain this one, but uh…I guess more than anything it"s about my problems in dealing with feeling responsible for everybody else.”参照以往Sarah歌曲的风格，这首歌应该也是描写女性之间害怕失去友谊的复杂情感～另外Avirl翻唱这首歌纯属于一种致敬，欧美歌手喜欢在自己的演唱会上翻唱其他歌手的作品，纯粹只是出于喜欢这首歌而已，而且她和Sarah又同是来自于加拿大～不过说实话，Avirl翻唱的实在是不咋的，她的嗓音太硬，唱朋克正好，唱这种Soft Rock就不太合适了～

曼城 大巴黎 纽卡到底哪家背后的财力强？说下主权基金就是国家财力的资本中东主要的有：ADIA KIA PIF QIA ICD Mubadala都是千亿美元以上的主权资本曼城：ADUG（阿布扎比王室的私人投资公司，预计资产300亿刀，非主权基金，曼苏尔董事长）78%控股CFG（城市足球集团）控股曼城，曼城属于公司投资，非“国家资本”（和国家投有区别吗？），阿布扎比另外有两个主权基金是ADIA（阿布扎比投资局预计资产6000亿刀）和Mubadala（阿布扎比穆把达拉投资公司预计资产2000亿刀），这两家与ADUG没有直接控股关系，但曼苏尔也参与主权基金的管理，也是阿联酋总统阿布扎比酋长的弟弟，现在是阿联酋中央银行的董事局主席，管货币，财爷巴黎：QIA（卡塔尔投资局预计资产3000亿刀）控股QSI（卡塔尔体育基金）控股大巴黎，现任卡塔尔埃米尔（国王）塔米姆拥有，纳赛尔就是个跑腿的纽卡：PIF（沙特公共投资资金预计资产4000亿刀）80%控股一家新成立的财团收购纽卡，穆罕默德 本 萨勒曼（沙特王储）就是实际控制人所以按直接控股关系：纽卡-巴黎-曼城按背后财力：曼城-纽卡-巴黎按国家GDP：纽卡-曼城-巴黎其实千亿级别是旗鼓相当的最后说下还有两家大的主权基金还没参与欧洲足球ICD迪拜投资公司估值3000亿刀KIA科威特投资局估值7000亿刀财力可见一斑另外还有巴林 Mumtalakat公司（小巴黎FC20%股份），阿曼投资局（OIA）沙迦资产管理（SAM）都是千亿刀以下。

　　阿布扎比是阿联酋首都，该集团有着阿联酋皇室背景，是该国皇家财富基金ADIA(阿布扎比投资局)的一部分，投资方向包括石油等多个领域，据称总资产为5千亿英镑，根据牛津商务集团的报告，该财团是仅次于日本银行的世界第二大财团。　　31岁的阿尔法希姆本人是阿布扎比王室纳哈扬家族的成员，在美国接受教育，在法国拿到MBA证书，他本人和阿联酋皇家有着密切关系，在今年全球最有权势的100个阿拉伯人评选中，他排在第16位。　　1）阿尔法希姆博士现年30岁，其家族从事房地产经营。他从18岁时即开始进入该行业。　　2）他曾在美国商业院校就读，曾在华盛顿特区的美利坚大学Kogod商学院获得房地产投资博士学位、以及金融与地产MBA学位。　　3）他在2005年创办了九头蛇公司（Hydra Properties），立志要“做到与众不同”。他的确做到了。在公司成立的前两年，他就签下了20亿美元的生意，他的公司也成了该地区发展最为迅猛的企业。　　4）他们目前在墨西哥、阿布达比、迪拜等地都有项目，其中包括临近阿尔拉哈海滩的一座高尔夫综合休闲中心，该中心将于2010年竣工，或许那里将成为曼城球星们度假的一个绝好选择。　　5）九头蛇公司对体育领域早有涉猎，他们赞助了迪拜体育电视台和一支哥斯达黎加足球队，也是德甲的赞助商之一。他们还与意甲豪门国际米兰合作，在阿布达比建立了一所足球学校。此外，阿尔法希姆本人早已在体育界扮演着重要的角色，他是阿联酋国际象棋协会主席。　　6）阿尔法希姆是阿拉伯世界的一股新生力量。在本年度的阿拉伯权势人物榜上，他蹿升到第16位，比去年整整提高了61位。　　7）电视节目“九头蛇巨头”随着阿尔法希姆一道迅速蹿红。阿尔法希姆是该节目的创办者和主持人。他在其中扮演一个类似于阿兰-休格爵士的角色，节目的内容是八位美国人和八位英国人在阿联酋进行地产生意竞争，最终的胜者将获得100万美元的奖金，用于他们的商业活动。　　8）阿尔法希姆并不怯于在公众场合露面，他曾在首映式上与帕梅拉-安德森、黛米-摩尔这样的影星展开争论，并曾在一次午餐中与迪卡普里奥探讨环境问题。　　9）阿尔法希姆的生意经：“你要做自己认为正确的事，就算其他人都说你做错了也一样。我说过，我们公司要独具一格，而所有人都说，做房地产行业不能太特立独行，如果你非要这样，那你就会失败。好，我们现在就是一家既独特又成功的公司。”　　10）阿尔法希姆赢得了2007年中东地区CEO“最具远见奖”（Visionary Award）。他对于曼城同样有着远大的期待。他说：“我们的目标很简单——让曼城成为英超最顶尖的俱乐部。本赛季我们要跻身四强，这将是我们的开始。”

额~adia是avril翻唱的sarahmclachlan的英文老歌·adia是人名。故事背景啊，这个叫adia的男人离开了女主角，女主角是爱他的，只是用自己的方式爱他。男的不满意，失望的离开了。其实他们本来没有错，只是因为但是太任性。太年轻，太不相信彼此了。

<take a bow>rihanna<gotta be somebody>nickelback<if everyone cared>nickelbackcreepin"up on younickelback 的都还不错。

1.瓦妮莎的微笑是如何创作出来的？------------《瓦妮莎的微笑》的法语原名为“Les premiers sourires de Vanessa”，台湾引进时译为《凡妮莎初展笑容》，这个翻译和原意是一致的。Vanessa 的法语发音和凡妮莎也比较接近，Va 根本不像“瓦”的音。作者：Paul de Senneville 和 Olivier Toussaint。由于唱片中似乎从未对这首曲子作过说明，我们只能作一个推测。Olivier Toussaint 的女儿名为 Venessa，但是我们并不知道 Venessa 的出生是否早于此曲。所以只有问一下作者本人了，理查·克莱德曼的一些乐迷与理查及 Olivier Toussaint 本人是有一定联系的，但是由于时间关系都没有问及作曲背景。2.创作过程、创作背景是什么？-------------在所有理查．克莱德门所改编与弹奏过的作品之中，电影主题曲一直是他的最爱之一。从一出道开始，理查．克莱德门对于经典老电影的动人旋律，始终爱不释手，这些曲子也是他前往各地演出时，最耀眼的绿叶。理查．克莱德门擅长解析浪漫元素，他将这一首首脍炙人口的作品转化成他特有的音乐语言，让千千万万听众的内心洋溢着温暖，而这也是理查．克莱德门能风靡全球，成为“永远的钢琴王子”的本钱。 在搭上韩流，理查．克莱德门也弹奏过“冬季恋歌”之后，他在“香颂映画馆”当中选出了他最喜爱的 18 首旋律，让我们再次触发这熟悉的感动。去年理查．克莱德门来台时，“音响城邦”主编郭汉丞曾经面对面采访理查，也近身观察这位平易近人的钢琴王子，在这张“香颂映画馆”中，他特别用大篇文字侧写理查．克莱德门，而这意外成为“香颂映画馆”的重要“卖点”之一。 您还记得那一幕幕惊奇、深刻的感动吗？就让理查．克莱德门精选 18 首在他心中最美丽而隽永的电影主题曲，从老电影到新电影，集结而成“香颂映画馆”，瓦妮莎的微笑钢琴曲让您一网打尽理查．克莱德门的终极浪漫宣言！3.关于Vanessa Carlton（瓦妮莎 卡尔顿）------------出生于宾州小镇Milford，Vanessa Carlton（瓦妮莎 卡尔顿）的成长过程中总是有音乐相伴，母亲是古典钢琴老师、父亲是Pink Floyd的头号歌迷,因此很早就广泛接触到从莫扎特到Pink Floyd、从Fleetwood Mac到PJ Harvey、从Neil Young到萧邦的各类音乐；在她终日辛勤的练琴之下展现了惊人的潜能和音乐天赋,8岁就完成生平的第一部作曲作品。持续累积音乐创作的她,从17岁开始在纽约下曼哈顿的酒吧演出；她清新自然的歌声与创作受到音乐大厂Interscope的高层Jimmy Iovine的赏识,于是迅速获得一纸合约。　　首航专辑《Be Not Nobody》中，Vanessa Carlton以她流行灵魂唱腔诠释从古典到经典摇滚的多元曲风，时而柔情似水、时而热情如火、时而朴实真诚。由洋溢华尔滋风情的〞Ordinary Day〞揭开序曲，Vanessa Carlton带领乐迷进行一趟游历异想境地的奇幻旅程；清新流畅的首发单曲〞A Thousand Miles〞一鸣惊人抢滩Billboard流行单曲榜No.5…。 　　唤醒人类深层欲望、引起强烈情绪共鸣的“Be Not Nobody”更备受专业乐评肯定，滚石杂志将她评选为2002年最值得期待的十位艺人之一、称她为“流行版的Fiona Apple”、赞赏她纯熟严谨的钢琴琴艺，并认为其音乐作品蕴含媲美Tori Amos的古典元素、丰富乐音及的和谐合声。　　所发专辑　　《Be Not Nobody》 2003.07.28　　《Harmonium》 2004.09.29 　　《Heroes & Thieves》 2007.10.09 　　专辑: Be Not Nobody　　艺人: Vanessa Carlton　　语言: 英语　　公司: A & M Reco (Universal) 　　时间: 2003年07月28日 　　曲目表　　1.Ordinary Day　　2.Unsung　　3.A Thousand Miles　　4.Pretty Baby　　5.Rinse　　6.Sway　　7.Paradise　　8.Prince　　9.Paint It Black　　10.Wanted　　11.Twilight 　　专辑名称：Harmonium　　发行时间：2004年09月29日　　专辑歌手：Vanessa Carlton　　地区：美国　　语言：英语　　专辑曲目：　　01. White Houses 　　02. Who"s to Say 　　03. Annie 　　04. San Francisco 　　05. Afterglow 　　06. Private Radio 　　07. Streets Have No Name　　08. Winter 　　09. C"est la Vie 　　10. Papa 　　11. She Floats 　　12. Wreckage 　　专辑名称：Heroes & Thieves　　发行时间：2007年10月09日　　专辑歌手：Vanessa Carlton　　地区：美国　　语言：英语　　专辑曲目：　　01. Nolita Fairytale　　02. Hands On Me　　03. Spring Street　　04. My Best　　05. Come Undone　　06. The One　　07. Heroes & Thieves　　08. This Time　　09. Fools Like Me　　10. Home　　11. More Than This　　专辑介绍： 　　这不是一张能改变或影响到音乐史的唱片,也许也远没有能够震撼到你的力量.它只是一个不肯妥协的女孩,抒发她对音乐的爱.　　或许若乾年后,没有人会再记得这个叫Vanessa的女孩,也没有人会记得这张唱片.可我会愿意留下一点东西,哪怕是几句无力而苍白的文字,来证明在这一刻,她真的有打动我.　　一开场别致的鼓点和着流泻而出的钢琴,似乎就预示着这并不是那种随大流的HIP-HOP或是装酷的伪摇滚.她还是那个弹着琴吟唱的女孩.........整张专辑不可思议的流畅和动听,钢琴贯穿着始终,跟随着人声或喜或悲,不断的起伏转换.而Vanessa的嗓音掌控也比之几年前更加的自如.　　早就能预想到这样一张不迎合,没企图心的专辑很难为低调的她带来什么大的成功和突破,可首周BB榜46位,不足两万的销量还是让我的心里很是纠结..........很难想象她在以后的日子里怎么继续她的歌手生涯,还能有下一张吗???　　不管怎样,我会记得她,并隔着半个地球在这里祝福她..........　　三次格莱美提名女歌手，拥有热门金曲包括 "A Thousand Miles", "Ordinary Day" 和 "White Houses"，Vanessa Carlton带着她的全新专辑 Heroes & Thieves回归乐坛，专辑里包括热门歌曲"Nolita Fairytale" ，这张专辑由自己制作，Stephan Jenkins (Third Eye Blind), Irv Gotti and Linda Perry. Stevie Nicks 合力创作聊歌曲 "The One" 。　　Vanessa Carlton，想必不用我多说了吧，我对她在"A Thousand Miles", "Ordinary Day" mv里面的形象十分痴迷，她的唱腔，她的风格，她的才华，她的美貌。在a thousand times 里她令人惊叹的钢琴，令人陶醉， 感觉她和 michelle branch 的风格差不多，都是很养眼的美女，还有 avril ，kelly clarkson，她们都是视觉听觉双重享受。　　第一张有着辉煌的成绩~拿下当年GRAMMY最佳年度唱片和最佳单曲等3项提名.已经是第三张专辑了。辉煌能否继续~~大家听听看了。~~~ 我所能得到就这些，希望满意☺！！！！！！

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歌手：DJ MIX I"m alone I am lonely lonely lonely I am lonely lonely in my life I am lonely lonely lonely God help me help me to survive! Bridge Remember first time we met day one Kids in the garden" playin" games heaven" fun Excitin" and amazin" havin" a real friend of mine Face to face and eye to eye Usin" our hands to buy and supply Chillin" is cool from January to June And we still stiked together like the glue And know the rules Forever you and I and believe it was clear If I ever should fall I could count on you with no fear Runnin" out of time I see who"s fake Alone without protection from all them snakes All for one one for all I was told Black white yellow no matter if your young or old Nana"s in the house to let you know What I see is how I feel and damn I"m alone I am lonely lonely lonely I am lonely lonely in my life I am lonely lonely lonely God help me help me to survive! Bridge Everybody"s trippin" on me Oh lord come help me please I did some bad things in my life Why can"t you rescue me "cause you"ve got all I need I know I got to pay the price Lonely (2x) Cheepin" thru the streets at night after a fuss and fight Tears in my eyes I"m a man lookin" for the light Dark is the path I know he will rescue me The lord is my shephard I"m cool despite emergency Whom shall I fear exept the god Thank you for the blessin" and the skils on the mic Five years we know there"s no diggity Free at last see the light in me What goes up must come down I"ll be around while you heading towards deathtown Always look forward hardly never look back So many tears and the snakes on my jock Now I"m riding in my big fat ride Your ass is late so look for the line Nana in the house to let you know What I see is how I feel so leave me alone Lonely (3x) Knock on my door whom you lookin" for A dream or reality enemies at my door Eyes I realize it"s fantasize I must be high So let me live before I die Once again grab the bottle twist the cap To survive your life is yours my life is mine No emotions in this world full of lies Step my step and be versatile Love peace and crash that"s what it"s all about Alone by yourself than you lack there"s no doubt about I"m always into something making moves to improve What would you do if you where in my shoes Boom a letter oops another suicide Meet me for a ride at the boulevard Nana"s in the house to let you know What I see is how I feel and damn I"m alone

原作者的女朋友出车祸死了，他用这首歌曲表达了他对女朋友的内疚

　　歌名：Higher 歌手：Erik Gronwall 简介：2009年Swedish Idiol（瑞典偶像）的冠军得主。海选时，几次试唱后，他的表演备受评委们的赞誉。Erik的第一支单曲“Higher”，发布数字下载后，仅用3天得到下载榜第一。Erik在比赛结束后的十天，就发布了自己的第一张同名专辑《Erik Gronwall》，发行不久，就被Swedish charts verigetopplistan（大概是瑞典的一个歌曲排行榜吧）认定为白金唱片。Erik有着良好的外貌，但他的声音更胜一筹，尤其是他的高音。在比赛试唱时，评审之一的Andreas carlsson说他愿意用右手换Erik的声音。 歌词： HigherErik GronwallHey I"m a believer嘿，我是一个有信仰的人And gravity"s letting go of me tonight今晚，我会挣脱重力的束缚You came out of nowhere你，突然从不知何处出现When everything was passing by at the speed of light当一切如光速般闪过So hold my hand and never let me go紧握我的手，别让我离开Take a leap of fate into the unknown信心百倍的面对未知世界I am flying我在飞翔My heart is taking over我的内心激动不已The world is flashing by世界一闪而过Higher higher higher更高！更高！更高！I will follow wherever it might take us我愿追随它闯荡四方Chasing through the sky追逐天际Higher higher higher更高！更高！更高！Oh I know噢，我知道It can be scary这令人惧怕You bet it all when your heart is on the line当你决心已下，就要放手一搏But oh baby don"t worry但是，宝贝，别担心Just hold my hand and never let me go只管抓紧我的手，别让我离开I am flying我在飞翔My heart is taking over我的内心激动不已The world is flashing by世界一闪而过Higher higher higher更高！更高！更高！I will follow wherever it might take us我愿追随它闯荡四方Chasing through the sky追逐天际Higher higher higher更高！更高！更高！Take me higher带我高飞I hold you as we"re shooting through the atmosphere我抱着你，我们直冲云霄Around us everything disappears身边的一切都烟消云散Woah oa oa噢…I am flying我在飞翔My heart is taking over我的内心激动不已The world is flashing by世界一闪而过I am flying我在飞翔My heart is taking over我的内心激动不已The world is flashing by世界一闪而过Higher higher higher更高！更高！更高！I will follow wherever it might take us我愿追随它闯荡四方Chasing through the sky追逐天际Higher higher higher更高！更高！更高！I am flying我在飞翔My heart is taking over我的内心激动不已The world is flashing by世界一闪而过Higher higher higher更高！更高！更高！I will follow wherever it might take us我愿追随它闯荡四方Chasing through the sky追逐天际Higher higher higher更高！更高！更高！

刚才看了下那个洗澡镜头，画面大概是欧尼斯赤裸身体在后，而杰克在前，中间没什么台词，可大家却很真实的体会到杰克的心情，一本权威的杂志上说过，这是性暗示，包括后面杰克撒尿的镜头！

1943年开始日军在各个战场受挫。在缅甸面临中英军队的进攻，在太平洋地区面对美军及澳大利亚的攻势。日本运输船遭到了美军潜艇封锁，并在1942年日本海军在中途岛海战中遭到了重创。1944年8月，在东京的日本军部陆军省被美国国务院有关日本虐待盟军战俘的声明激怒，决定执行“杀光政策”将所有战俘处死，以毁灭证据。1944年10月20日，道格拉斯·麦克阿瑟将军带领部队在菲律宾莱特岛登陆，为解放菲律宾铺平了道路。1944年12月14日，就在美军准备进攻吕宋的时候，日军在巴拉望处死了150名美军战俘。战俘们被赶进防空洞，日军将出口封死并向洞中浇汽油，再将战俘活活烧死。一名幸存的美军一等兵尤金·尼尔森后来于1945年1月7日向美国陆军情报部叙述了这段经历。两天后，麦克阿瑟的部队在吕宋登陆并迅速向首都马尼拉推进。在此期间美国陆军第六集团军司令沃尔特·克鲁格中将从吕宋的美国陆军远东军游击队少校罗伯特·拉帕姆（Robert Lapham）处得知，在卡巴那图（甲万那端）有关押美军战俘的战俘营。1945年1月26日随着第六集团军逼近卡巴那图，克鲁格愈加关心战俘营内的状况。他与其情报官霍顿·怀特（Horton White）上校召来第六集团军的特种侦查部队——阿拉莫尖兵做简报。第二天克鲁格中将命令亨利·穆西中校及其第6游骑兵营执行营救卡巴那图战俘的任务。1月27日晚由威廉姆·内尔斯特（William Nellist）及托马斯·罗德斯维尔（Thomas Roundsville）中尉带领的两队阿拉莫尖兵渗透到敌后对战俘营进行侦查。第二天早上侦查队在距战俘营以北3公里的普拉迪诺村遇到了一队菲律宾游击队。下午早时127名游骑兵士兵由罗伯特·普林斯上尉带领穿过日军在奎姆巴（Guimba）附近的防线。由游击队带领部队穿过树林和草地，尽量避免与日军接触。期间差一点在穿过公路时被日军坦克发现。第二天在距战俘营以北8公里的巴琳卡琳村（Balincarin）部队与胡安·帕加塔上尉的游击队汇合。胡安·帕加塔上尉对当地地形及日军活动情况很了解。胡安·帕加塔上尉反对穆西当晚便发动进攻的计划，认为那无异于自杀。穆西中校重新参考了帕加塔和阿拉莫尖兵的情报，决定将营救行动推迟24小时，并将游骑兵撤退至普拉迪诺村（Platero）。1月30日11:30，阿拉莫尖兵中尉内尔斯特与一名士兵Rufo Vaquilar化装成当地村民，以便利用战俘营附近高地上的一间房屋对战俘营进行侦查。他们完成了一份详尽的侦查报告，内容包括战俘营的基本形制和最佳进攻路线。之后由另三名尖兵队员将其送交穆西中校。穆西中校于14:30接到报告，并将其转交给普林斯上尉。由普林斯制定作战计划，保证以最小的伤亡成功完成营救虚弱的战俘的任务。两队游击队员分别由胡安·帕加塔和埃东多·詹森（Eduardo Joson）上尉带领控制战俘营周围的道路。游骑兵也被分为各组，由普林斯上尉带领C连，负责进攻战俘营主部，并护送战俘撤离；F连的30名士兵由约翰·墨菲（John Murphy）中尉带领，负责发起作战信号，并向多处日军防点攻击。普林斯断定战斗将在30分钟内结束。一个难题摆在营救部队面前，游骑兵们必须匍匐穿过一大片开阔地而不能被日军发现。穆西中校接受了帕加塔的建议，要求美国陆军航空队在夜间游骑兵行动时让P-61黑寡妇战机在空中盘旋以吸引日军注意力。事后证明这相当有效。在战斗开始前的45分钟，P-61飞行员肯尼斯·R·施雷伯（Kenneth R. Schrieber）上尉在战俘营上空450米关闭左侧发动机，又重新发动制造成发动机回火以发出巨大声响。他重复该动作两次掉到离地60米高度，假装飞机受损。之后它将飞机驶向一座小山并隐藏到山后贴地30米飞行。日军以为飞机坠毁，都注意观察小山方向等待飞机爆炸后的火球出现。这就为游骑兵的行动提供了有效的掩护。

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歌曲的名字 是

对应的英语：breach the promises.例如：He breaches his original promises.

足够的

拂情背理不是成语，拂开头的成语拂袖而去拂衣远去拂衣而去拂袖而起拂袖而归拂袖而去拼音[fú xiù ér qù]【解释】：拂袖：甩袖子，表示生气。形容生了气，一甩袖子就走了。【出自】：南朝·宋·刘义庆《世说新语·方正》：“王子敬数岁时，尝看诸门生樗蒲，见有胜负，因曰：‘南风不竞。"……子敬瞋目曰：‘远惭荀奉倩，近愧刘真长。"遂拂袖而去。”【示例】：我是愿意人对我反抗，不合则～。◎鲁迅《两地书·一三五》【语法】：偏正式；作谓语；用于书面语

kiss the rain season in the sun butterfly都不错

好像她在演唱会上说过（皇家艾伯特大厅）。她的感情经历是一方面，另一方面是她在录音室想到的，接着她和她的制作人就合作出了这首歌，记不大清了。详细的看看这个演唱会吧，

阿黛尔于1988年5月5日出生在英国伦敦托特纳姆，是金牛座。自幼受爵士乐熏陶，14岁开始作曲，18岁从伦敦表演艺术与技术学校毕业。“如果我能通过学校的专业课程，我将会在某个地方从事跟音乐相关的事情，成为歌手并不是我的抱负。”Adele因为害怕无法通过职业考试，而跑进了录音室。毕业后曾跟随不少音乐人作巡演乐手，如JamieT、AmosLee和KerenAnn等。爱念诗写诗的Adele（自认诗念的不好，但写诗功力还不错）和其它几位艺人如LilyAllen.KateNash等也是在MySpace堀起的歌手，之后签入XL唱片旗下。在专辑未发行前就先受邀在BBCRadio2热门节目LaterwithJoolsHolland节目中自弹自唱，获得热烈回响。该节目制作人Alison说她第一次听到Adele的音乐就深深感动，所以她一定要Adele来上节目不可。得到BBCRadio1及2的大力支持，Adele的音乐同时被BBCRadio1的DJ们强烈推荐成为WeeklySong。谦虚的Adele目前仍然和她妈住在伦敦，她并不期望自己成为天后，只想做自己喜欢的音乐。她个人第一支单曲《HometownGlory》起初只作为限量发行500张的7寸单曲，没有拍摄MV没有派台打榜甚至没有任何的宣传，却仅仅因为它略显伤感的旋律和失落的小情绪渐渐走红。Adele超龄的成熟唱腔带着一丝沙哑，像是陈年的红酒一样醇香。　　《ChasingPavements》是Adele真正意义的成名曲。这首歌描写了她被交往六个月的前男友劈腿，在一天早上六点，Adele冲到前男友在的酒吧打了他一拳，随后就被赶了出来。在街上孤独一人的时候，Adele问自己：“我在追求什么？只是毫无结果而已！”于是，《ChasingPavements》诞生了，歌曲中透露着一股淡淡的忧伤，副歌中不断的反问句带着一丝无奈也带着一丝笃定。整首歌横跨了爵士、蓝调和流行乐，在2009年的格莱美奖中，Adele凭借《ChasingPavements》拿下最佳新人奖和最佳流行女歌手奖两个重量级奖项，同时还被提名了通类大奖年度最佳唱片和年度最佳歌曲。目前，阿黛尔于伦敦时间6月29日在自己的官网激动宣布怀孕的消息，这是阿黛尔与男友西蒙·考内奇（SimonKonecki）的第一个孩子。阿黛尔的感情经历并不是一帆风顺的，她的前男友为了她的gay蜜而抛弃了她。不过自从去年夏天阿黛尔和西蒙遇见之后，两个人的感情发展相当稳定。早在今年1月阿黛尔就在自己的官网上写过双方的朋友都十分祝福两个人的感情，而且此前不久阿黛尔与男友出外时的照片，两个人也很甜蜜。是你想要的吗？

Can"t Wait & Basty - Waiting 只找到试听：http://tieba.baidu.com/f?kz=977037563歌词：CHORUS:I started waitingBut I realized it was rainingLet the rain fall outsideTo let me insideCrying, hopeing, feeling betterAll those happy days I still rememberVERSE1:Take my hand and come with meLet me show you to extasyGirl be brave, don"t be afraidCause tonight we gonna go all the wayBRIDGE:I don"t mean to be bold but I gotta let you knowBasty"s got a think for and I can"t let you go…. (2x)CHORUS:I started waitingBut I realized it was rainingLet the rain fall outside

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说 屌丝 是说 平常的言行举止，外表并不能说明一个人就是屌丝

电影《神枪手》里黄晓明带的那款表是什么牌子 哪个型号？ 各位大神求真相！

《Bazaar》。胖娃老四网红的个人资料信息显示，其的背景音乐所采用的是一首叫《Bazaar》的歌曲，曲调跌宕起伏。音乐是一种艺术形式和文化活动，其媒介是按时组织的、有规律的声波。